This chapter contains sections titled: Either – Or Two Upbuilding Discourses (1843) further reading.

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Becoming a Self: A Reading of Kierkegaard’s “Concluding Unscientific Postscript by Merold WestphalM. Jamie FerreiraMerold Westphal. Becoming a Self: A Reading of Kierkegaard’s “Concluding Unscientific Postscript.” West Lafayette, IN: Purdue University Press, 1996. Pp. xiii + 261. Cloth, $32.95. Paper, $16.95.The Purdue University Press Series in the History of Philosophy describes itself as attempting to provide insight into a philosopher by means of a focus on (...) a single major text. Such a focus is unusual for a series in the history of philosophy, and Westphal’s [End Page 144] accomplishment in this study is a fine example of how fruitfully this can be done. Commentary on over six hundred pages of Kierkegaard’s Postscript is presented in ten manageable chapters, which follow the order of the Postscript and deal with segments of it ranging from as few as twelve pages to as many as one hundred and seventy-five pages. The result is a commentary which can wonderfully guide students through the Postscript in its entirety, or through the assignment of individual chapters to accompany discrete reading selections. Westphal’s discussions are informed by an unusually wide-ranging knowledge of the history of philosophy—he considers the text not only in relation to Plato, Aristotle, Hume, Kant, and Hegel, as others commentators have, but also brings to this work his clear strengths in phenomenological, existential, and postmodern thought (so we get useful comparisons with Gadamer, Derrida, Levinas, Heidegger, Husserl, Merleau-Ponty, and Sartre, among others). Lying behind Westphal’s entire approach to the book is his desire to address the two most common major criticisms of Kierkegaard’s thought, namely, that it is individualist and irrationalist. Thus, the major perspective from which everything is approached is the tension between the fallible yet responsible self—more precisely, the tension between individual and society, and the tension between irrationalist (voluntarist, blind) and rationalist. Westphal does a superb job of laying out the diversity of protests Climacus is registering in the Postscript—against Platonic intellectualism, against systematic philosophical speculation, and against the rhetorical compromising embodied in the “priest-orator.” There are, of course (as one would expect), sensible, suggestive, illuminating, and detailed exegeses of passages concerning all the significant themes associated with Climacus (approximation, appropriation, leap, direct communication, second reflection, dialectic, etc). Westphal examines the Postscript in the light of the distinction between Socratic religion and the non-Socratic (Christian) alternative found in the earlier Philosophical Fragments, to which this Postscript is an admittedly peculiar postscript, and employs material from much of Kierkegaard’s other work, including journal entries. With respect to the (in)famous category of leap, Westphal incorporates contemporary discussions of volitionalism and presents a fine summary of ways in which willing (decision) can be viewed as indirect, yet allowing the relevance of an ethics of belief. In fact, regarding even the commentary on “Truth Is Subjectivity,” where one might feel nothing new could be said, he manages to be innovative, by identifying “four moments” in the presentation of a theory of subjectivity (a satire, a parable, a definition, and a portrait) which make the chapter much more manageable for teaching. After considering Climacus’s presentation of the relation between Religiousness A and Religiousness B, Westphal appends a discussion of his own creation, Religiousness C (Chapter XIV). But all of this discussion would be unhelpful to a reader who does not fully appreciate the role of pseudonymity and indirect communication in Kierkegaard’s works; so Westphal prefaces his entire discussion with a fine chapter on pseudonymity which can be used even in courses where the entire book is not required reading. This chapter, relating pseudonymity to twentieth-century discussions of themes such as the effacement of the author of a text and the forfeiture of the privilege of authorship, is part of a three-chapter introduction setting the Postscript in relation to Kierkegaard’s biography, pseudonymity, and the familiar theory of the aesthetic, ethical, and religious stages. This entire introduction is written in a remarkably [End Page 145] engaging style which will surely seduce readers new to Kierkegaard and his creation, Johannes Climacus. For example, Westphal announces that “the flow of Regina’s... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.1 (2003) 135-136 [Access article in PDF] Alastair Hannay. Kierkegaard: A Biography. New York: Cambridge University Press, 2001. Pp. xvi + 496. Cloth, $39.95. In the opening pages of this carefully crafted biography, Hannay states that he has no intention of making matters easy for his reader. By this, he means that "final judgments" will not be forthcoming on a number of (...) key issues surrounding Kierkegaard and his works: the nature of his relation to Christianity, the motives leading him to collide with The Corsair, and the meaning and wisdom of his final attack on Bishop Jakob Mynster and the established Danish Church. This is not to say that Hannay presents Kierkegaard either through rose-colored lenses or through narrowly intellectualist ones. Indeed, one of the book's central virtues is that it combines a philosopher's long-standing interest in Kierkegaard's writings with other guiding passions: a fascination with the sources of human creativity, the twists and turns of nineteenth-century European intellectual history, and the drama of one man's sustained grappling with the meaning of (his) life and the degree to which this meaning could be forged and sustained in his own writing.Hannay raises the curtain on Kierkegaard's life at the intellectual debut of the latter. In his first public appearance before the Student Union at the University of Copenhagen, Kierkegaard took issue with a student colleague's espousal of liberal reform. Hannay sees in Kierkegaard's performance signs of things to come: (1) the attempt to gain the notice and approval of the leading cultural lights, such as Danish literary icon Johan Ludvig Heiberg, and (2) a habit of seeking unity and definition through opposition and controversy. In his subsequent discussion of Fear and Trembling, Hannay notes the inescapable fact that Kierkegaard's philosophic positions are often tailor-made justifications for his private [End Page 135] behavior. The classic example is de Silentio's celebration of Abraham's teleological suspension of the ethical, a celebration which would, as often noted, vindicate equally Isaac's sacrifice by Abraham and Regine's "sacrifice" by Kierkegaard. Already on the occasion of his address to the Student Union, Kierkegaard's thought lines up nicely with his self-interest. But Hannay's work is hardly a reductive exposé. His ear for the varied leitmotifs of the authorship, their development and integration, is unrivaled. Regarding Kierkegaard's first skirmish in the academic arena, Hannay alerts his reader to emergent themes: (1) the valorization of personal unity, and the assertion that such unity must emerge from a life rather than be imposed upon it, and (2) a corresponding respect for the power of lived experience and a critique of any life or movement which is either primarily reactive or abstracted from individual existence. While personal unity remains a desideratum throughout his life, the integrity of lived experience is ultimately placed in question by Kierkegaard's construal of Christianity, which he comes increasingly to see as opposed to the humanism which underlies both Enlightened and Romantic thought.Hannay's biography focuses primarily on the development of Kierkegaard's thought as expressed in his journals and published writings. As such, his biography tends to emphasize the continuity of the authorship over its internal tensions. Hannay views, for example, thehumanistic stance of Climacus's Religiousness A as propadeutic to the radical transcendenceof the godhead embraced by Religiousness B. This is a topic open to dispute, since Kierkegaard himself went out of his way to record, and perhaps exhibit, the offensiveness of Christian demands to (fallen) human nature. Hannay acknowledges Kierkegaard's lifelong ambivalencetoward Christianity, but he does not show how this ambivalence echoes in the authorship. Ifhis Kierkegaard is a less divided character than the original, Hannay nevertheless challenges those who would minimize either (1) the depth of Kierkegaard's breach with humanistic thought or (2) the degree to which "the religious life-view [is] persistently in the offing" (Hannay, "Something on Hermeneutics and Communication in Kierkegaard After All," forthcoming in Kierkegaard and the Word, Poul Houe and Gordon D. Marino... (shrink)

Kierkegaard's Theology of Encounter provides a theoretical framework that brings the unity of Kierkegaard's 'middle period' into relief. David Lappano analyses Kierkegaard's writings between 1846 and 1852 when the socially constructive dimension of his thought comes to prominence, involving two dialectical aspects of religiousness identified by Kierkegaard: they are the edifying and the polemical. How these come together and get worked out in the lives of individuals form the basis of what can be called a Kierkegaardian (...) 'social praxis'. Lappano argues that the tension between the edifying and the polemical can be coherently maintained in a communicative life that is also characteristic of a militant faith. This militant faith and life is presented as a critical guard against absolutisms, fundamentalisms, and intellectual aloofness; but the 'militant' individual is also utterly dependent, in need of edification and critique, and therefore chooses the risk of encountering others, seeking relationships out of a commitment to the development of people and communities in co-operation. Therefore, not only does this dialectic provide readers with an important theoretical framework for understanding Kierkegaard's 'middle period', it is also a valuable resource for a constructive analysis of active social living suitable for theology in the twenty-first century. (shrink)

This is the most comprehensive anthology of Søren Kierkegaard's works ever assembled in English. Drawn from the volumes of Princeton's authoritative Kierkegaard's Writings series by editors Howard and Edna Hong, the selections represent every major aspect of Kierkegaard's extraordinary career. They reveal the powerful mix of philosophy, psychology, theology, and literary criticism that made Kierkegaard one of the most compelling writers of the nineteenth century and a shaping force in the twentieth. With an introduction to (...) class='Hi'>Kierkegaard's writings as a whole and explanatory notes for each selection, this is the essential one-volume guide to a thinker who changed the course of modern intellectual history. The anthology begins with Kierkegaard's early journal entries and traces the development of his work chronologically to the final The Changelessness of God . The book presents generous selections from all of Kierkegaard's landmark works, including Either/Or, Fear and Trembling, Works of Love , and The Sickness unto Death , and draws new attention to a host of such lesser-known writings as Three Discourses on Imagined Occasions and The Lily of the Field and the Bird of the Air . The selections are carefully chosen to reflect the unique character of Kierkegaard's work, with its shifting pseudonyms, its complex dialogues, and its potent combination of irony, satire, sermon, polemic, humor, and fiction. We see the esthetic, ethical, and ethical-religious ways of life initially presented as dialogue in two parallel series of pseudonymous and signed works and later in the "second authorship" as direct address. And we see the themes that bind the whole together, in particular Kierkegaard's overarching concern with, in his own words, "What it means to exist . . . what it means to be a human being." Together, the selections provide the best available introduction to Kierkegaard's writings and show more completely than any other book why his work, in all its creativity, variety, and power, continues to speak so directly today to so many readers around the world. (shrink)

A comprehensive anthology of Kierkegaard’s writings that offers an unmatched introduction to one of the most original and influential modern philosophers This is the most comprehensive anthology of Søren Kierkegaard’s works ever published in English. Drawn from the volumes of Princeton’s authoritative Kierkegaard’s Writings series by editors Howard and Edna Hong, these carefully chosen selections represent every major aspect of Kierkegaard’s extraordinary output, which changed the course of modern intellectual history with its mix of philosophy, psychology, (...) theology, and literary criticism. The anthology reveals the most important themes of his work, especially what it means to exist and to be human, and captures the unique character of his writings, with their shifting pseudonyms, complex dialogues, and powerful combination of irony, satire, sermon, polemic, humor, and fiction. A superb introduction and guide to the Danish philosopher, The Essential Kierkegaard vividly demonstrates why his work continues to speak so directly to so many readers. Traces the full span of Kierkegaard’s writings, from his early journals to his final work Features generous selections from all of Kierkegaard’s most important works, including Either/Or, Fear and Trembling, Works of Love, and The Sickness unto Death Presents selections from lesser-known writings, including Three Discourses on Imagined Occasions and The Lily of the Field and the Bird of the Air Includes an introduction to Kierkegaard’s writings and explanatory notes for each selection. (shrink)

The most comprehensive and authoritative collection of Kierkegaard quotations ever published "Why I so much prefer autumn to spring is that in the autumn one looks at heaven—in the spring at the earth."—Søren Kierkegaard The father of existentialism, Søren Kierkegaard was a philosopher who could write like an angel. With only a sentence or two, he could plumb the depths of the human spirit. In this collection of some 800 quotations, the reader will find dazzling bon mots (...) next to words of life-changing power. Drawing from the authoritative Princeton editions of Kierkegaard's writings, this book presents a broad selection of his wit and wisdom, as well as a stimulating introduction to his life and work. Organized by topic, this volume covers notable Kierkegaardian concerns such as anxiety, despair, existence, irony, and the absurd, but also erotic love, the press, busyness, and the comic. Here readers will encounter both well-known quotations and obscure ones. Those who spend time in these pages will discover the writer who said, "my grief is my castle," but who also taught that "the best defense against hypocrisy is love." Illuminating and delightful, this engaging book also provides a substantial portrait of one of the most influential of modern thinkers. Gathers some 800 quotations Drawn from the authoritative Princeton editions of Kierkegaard's writings Includes an introduction, a brief account and timeline of Kierkegaard's life, a guide to further reading, and an index. (shrink)

"Why I so much prefer autumn to spring is that in the autumn one looks at heaven--in the spring at the earth."--Søren KierkegaardThe father of existentialism, Søren Kierkegaard (1813-1855) was a philosopher who could write like an angel. With only a sentence or two, he could plumb the depths of the human spirit. In this collection of some 800 quotations, the reader will find dazzling bon mots next to words of life-changing power. Drawing from the authoritative Princeton editions of (...) Kierkegaard's writings, this book presents a broad selection of his wit and wisdom, as well as a stimulating introduction to his life and work.Organized by topic, this volume covers notable Kierkegaardian concerns such as anxiety, despair, existence, irony, and the absurd, but also erotic love, the press, busyness, and the comic. Here readers will encounter both well-known quotations ("Life must be understood backward. But then one forgets the other principle, that it must be lived forward") and obscure ones ("Beware false prophets who come to you in wolves' clothing but inwardly are sheep--i.e., the phrasemongers"). Those who spend time in these pages will discover the writer who said, "my grief is my castle," but who also taught that "the best defense against hypocrisy is love."Illuminating and delightful, this engaging book also provides a substantial portrait of one of the most influential of modern thinkers. Gathers some 800 quotations Drawn from the authoritative Princeton editions of Kierkegaard's writings Includes an introduction, a brief account and timeline of Kierkegaard's life, a guide to further reading, and an index. (shrink)

This dissertation focuses on an exploration of the use of parables in the works of Soren Kierkegaard. While some work has been done on Kierkegaard’s poetic style, very little attention has been paid to his metaphors, despite their prevalent use in his works. Much of the scholarship instead treats his parables as mere examples of philosophical concepts. In this work, I argue that Kierkegaard’s parables function primarily to cause the reader to see him or herself truly. The (...) parables work like mirrors, reflecting our true selves back onto ourself. In this way, the parables prompt Kierkegaard’s readers to overcome the illusion of Christendom and to instead recognize the requirements that authentic Christianity places upon them. My dissertation begins with an examination of the purpose that Kierkegaard saw for his authorship. By focusing on his later works, I argue that Kierkegaard primarily wanted to bring the religious forward in his readers. He thought that in order to accomplish this he needed to start with works describing the life that he thought most of his readers lived, a life of pleasure seeking, and to slowly move them towards the religious. I then present Kierkegaard’s view of what Christianity essentially consists of, subjectivity, and of the style of communication that is tied to subjectivity. Kierkegaard claims that when communicating subjective truths that we must employ an indirect style. I go on to argue that parables very much fit into this style and that they work to cause tension on the part of the reader. The reader of the parable must choose between various competing interpretations that the parable presents, and in choosing how to interpret the parable, the reader reveals and discloses him or herself. I follow this up with an examination of a number of parables from different works of Kierkegaard, showing how they function in this manner. I end by arguing that Kierkegaard’s parables are designed to function like mirrors, revealing ourselves to us. (shrink)

Stages on Life's Way, the sequel to Either/Or, is an intensely poetic example of Kierkegaard's vision of the three stages, or spheres, of existence: the esthetic, the ethical, and the religious. With characteristic love for mystification, he presents the work as a bundle of documents fallen by chance into the hands of "Hilarius Bookbinder," who prepared them for printing. The book begins with a banquet scene patterned on Plato's Symposium. (George Brandes maintained that "one must recognize with amazement that (...) it holds its own in this comparison.") Next is a discourse by "Judge William" in praise of marriage "in answer to objections." The remainder of the volume, almost two-thirds of the whole, is the diary of a young man, discovered by "Frater Taciturnus," who was deeply in love but felt compelled to break his engagement. The work closes with a letter to the reader from Taciturnus on the three "existence-spheres" represented by the three parts of the book. Stages on Life's Way not only repeats themes, characters, and pseudonymous authors of the earlier works but also goes beyond them and points to further development of central ideas in Concluding Unscientific Postscript. (shrink)

Sontag has tried to produce a very simplified, clear exposition of Kierkegaard's thought in terms of brief discussions of key concepts. Although he manages to present the kaleidoscopic perspectives of Kierkegaard's indirect writings and his direct communications, the outcome, ironically, is not the lucidity that is intended. Without charging Sontag with not writing a book he did not, on this occasion, intend to write, one may question both his method and some omissions. Following a brief outline of (...) class='Hi'>Kierkegaard's life, a number of short sections are devoted to such dichotomies as "Aesthetic/ethical," "Certainty/change," "Individual/the Mass," "Necessity/possibility," etc. Throughout these sections Sontag introduces references to various works in an unobtrusive way and conveys a sense of what Kierkegaard was up to. There is a long section on The Book on Adler that calls attention to Kierkegaard's reversal of standpoint in relation to his previous writings that would surely leave a beginning reader in a state of confusion. In an excellent summary of Kierkegaard's ideas in "Repetition/freedom" the importance of "willed repetition" for the becoming of the self and for religious existence is lucidly presented. The repetitious nature of the themes in Kierkegaard's writings is mentioned and the boredom that results from "aesthetic" repetition is shown. Even here, however, the intimate relation between repetition and "Possibility/actuality" is not emphasized even though Kierkegaard links them in his Journals and Papers. Surprisingly, Sontag does not appeal to the Papers in his exposition even though they contain some of Kierkegaard's most dramatic and pithy statements about his thought, his intentions and what it means to "become a Christian." The method of explication that Sontag uses is sometimes misused. In "Truth/ Authority" we are told about the importance of Kierkegaard's unusual idea of "lived truth," but there is no mention of the central notion of "subjective truth" in a place which cries out for a discussion of it. In "Inwardness/communication" subjective truth is alluded to but not treated in any detail. In the section entitled "Individual/ The Mass" Sontag misses a good opportunity to reach those approaching Kierkegaard for the first time by not referring to the many shot-gun blasts against "communism," against "the crowd" and the leveling of values and communications in what Kierkegaard first called "the mass" in the Papers and Journals. Despite these quibbles, Sontag does certainly convey the meaning of Kierkegaard's existentialism and is very faithful to "what Kierkegaard said." Although A Kierkegaard Handbook is not the best "introduction" to the ironic Dane, it is clearly a useful one which makes many attempts to state Kierkegaard's views in the plainest language.--George J. Stack, SUNY at Brockport. (shrink)

In the Sermon on the Mount, Jesus tells his followers to let go of earthly concerns by considering the lilies of the field and the birds of the air. Søren Kierkegaard's short masterpiece on this famous gospel passage draws out its vital lessons for readers in a rapidly modernizing and secularizing world. Trenchant, brilliant, and written in stunningly lucid prose, The Lily of the Field and the Bird of the Air is one of Kierkegaard's most important books. (...) Presented here in a fresh new translation with an informative introduction, this profound yet accessible work serves as an ideal entrée to an essential modern thinker. The Lily of the Field and the Bird of the Air reveals a less familiar but deeply appealing side of the father of existentialism—unshorn of his complexity and subtlety, yet supremely approachable. As Kierkegaard later wrote of the book, "Without fighting with anybody and without speaking about myself, I said much of what needs to be said, but movingly, mildly, upliftingly." This masterful edition introduces one of Kierkegaard's most engaging and inspiring works to a new generation of readers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Living Poetically: Kierkegaard’s Existential AestheticMerold WestphalLiving Poetically: Kierkegaard’s Existential Aesthetics, by Sylvia Walsh; xiv & 294 pp. University Park: Pennsylvania State University Press, 1994, $39.50.This is a doubly important book. Substantively, its interpretation of Kierkegaard’s existential aesthetics provides a fresh and illuminating interpretation of his writings, pointing to recurring themes often quite neglected. Formally, it offers an interpretation of those writings as a whole. It (...) has a [End Page 418] distinctive focus and does not pretend to be an all encompassing interpretation, but it calls attention by example to the need to read specific texts in the context of the entire authorship. Add to this that it is gracefully written and rigorously researched (the footnotes are worth the price of admission), and you have a book that serious readers of Kierkegaard cannot afford to ignore.The title gives the central thesis. What interests Walsh is not Kierkegaard’s poetic gifts or aesthetic theories but the sustained attempt to incorporate aesthetic categories and ideals into his understanding of ethico-religious existence. The German romantics, perhaps his own most dangerous temptation, were not just interested in producing and enjoying works of life but in living poetically, in making their own lives into works of art. Kierkegaard’s critique of romanticism consists, not in repudiating this ideal, but appropriating and transforming it so as to incorporate it into a religious and eventually Christian mode of existence. Walsh’s claim that for Kierkegaard “faith itself is understood poetically as a ‘work of art’” (p. 3) rests on statements like the following, taken from The Concept of Irony, “Living poetically... means becoming clear and transparent to oneself, not in infinite and egotistical self-satisfaction but in one’s absolute and eternal validity” (quoted on p. 59).Walsh traces this ideal through three stages of Kierkegaard’s writings. The first of these culminates in the existential alternative that Judge William offers to the young romantic aesthete in Either/Or. Building on themes like the one just cited from Kierkegaard’s own earliest writings, the Judge argues at length that ethical institutions like marriage and the religious beliefs and practices in which they have traditionally been placed are the proper home of the ideals of living poetically. They only exclude the aesthetic when it seeks to make the self its own creator, free from all actualities, social or metaphysical.Walsh’s thesis could be paraphrased as the claim that Judge William is more important to Kierkegaard’s total authorship than is usually noticed. She acknowledges that after Either/Or his ideal is not thematized with anything like his single-mindedness, but claims that “the content of the concept of living poetically in an ethical-religious manner is sustained and further developed in the authorship in a number of ways” (p. 243). She traces these in detail through a second and third phase of the authorship, paying special attention to the increasingly negative statements about the poetic in the period from 1845 to 1848, her second phase. She argues that the critique of certain forms of the poetic leaves untouched Kierkegaard’s own poetic ideal—“to create external products of art that come close to reflecting actuality in an ethical-religious manner and that serve to direct us toward actuality rather than away from it in the realization of poetic ideality in our own lives” (p. 221).Walsh’s final chapter brings Kierkegaard’s existential aesthetics into conversation with contemporary postmodernism, including certain forms of French feminism. By emphasizing the tendencies that link postmodernism to romanticism she presents the former as little more than a contemporary version of the [End Page 419] latter, just what it was that Kierkegaard was seeking to overcome, both as a temptation in himself and as a disease in his culture. But this picture is one-sided. Real and important differences between Kierkegaard and contemporary postmodernism are highlighted at the expense of real and important agreements on such major themes as the critique of speculation and even the critique of romanticism as the flight from the actuality of temporal finitude. Still, in addition to being an important contribution to the discussion of Kierkegaard and postmodernism... (shrink)

This anthology is the first attempt to present a rounded picture of 'Kierkegaard as a philosopher' in English. After an introduction explaining how Kierkegaard viewed the task of 'becoming a philosopher', there are generous extracts from the Concept of Irony and the great pseudonymous works: Either/Or, Fear and Trembling, Repetition, Philosophical Fragments, The Concept of Anxiety, Prefaces, Johannes Climacus and Concluding Unscientific Postscript. Kierkegaard's own attempts to summarize the significance of his writings are also included, so that (...) readers have the opportunity to make up their own minds about the adequacy of his retrospective accounting. The Kierkegaard who emerges from these pages is not only a penetrating analyst of temporality, individuality, and irony, but also a lithe, witty and versatile stylist. He is probably one of the greatest writers in the philosophical tradition, and surely one of the most humorous. The anthology makes use of a range of classic translations, and includes new translations by Jane Chamberlain and Jonathan Rée, explanatory introductions, an index and a glossary. (shrink)

This anthology is the first attempt to present a rounded picture of 'Kierkegaard as a philosopher' in English. After an introduction explaining how Kierkegaard viewed the task of 'becoming a philosopher', there are generous extracts from the Concept of Irony and the great pseudonymous works: Either/Or, Fear and Trembling, Repetition, Philosophical Fragments, The Concept of Anxiety, Prefaces, Johannes Climacus and Concluding Unscientific Postscript. Kierkegaard's own attempts to summarize the significance of his writings are also included, so that (...) readers have the opportunity to make up their own minds about the adequacy of his retrospective accounting. The Kierkegaard who emerges from these pages is not only a penetrating analyst of temporality, individuality, and irony, but also a lithe, witty and versatile stylist. He is probably one of the greatest writers in the philosophical tradition, and surely one of the most humorous. The anthology makes use of a range of classic translations, and includes new translations by Jane Chamberlain and Jonathan Rée, explanatory introductions, an index and a glossary. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Culturally Responsive Teaching in Music Education: From Understanding to Application by Vicky R. Lind and Constance L. McKoyEric ShiehVicky R. Lind and Constance L. McKoy, Culturally Responsive Teaching in Music Education: From Understanding to Application (New York, NY: Routledge, 2016).In the book’s penultimate chapter, titled “Community,” we encounter a teacher who agrees to a student’s request to start a mariachi band and gets “more than he bargained for.”1 (...) We hear from a teacher who seeks a greater understanding of the context for her Black students and finds herself the only White person in many of the community events she attends. We learn about a teacher who has her marching band, predominantly comprised of Latinx students, march in annual Korean and Black community parades in the city and why she does this. What to make of these stories—inspiring, provocative, suffused with honesty? I found myself restless to share these narratives with my own teaching colleagues, to ask not simply “What do you see happening here?” but also “Where would something like this take us?”What is notable about Vicky Lind and Constance McKoy’s achievement here is that they have given us a very full book and one that provides many different points of entry—stories and theories and activities and questions—through which to engage with ideas of culturally responsive teaching. In just under 150 [End Page 210] pages with index and references, the book encompasses four chapters that review various academic traditions connected to culturally responsive teaching, concludes with three chapters that relay narratives and vignettes from K-12 music teachers, and includes throughout lists of reflection questions and teaching strategies. The primary audience is pre-service and in-service K-12 music teachers. If a key requirement for culturally responsive teaching is continuous reflection over the impacts our pedagogies have on our students and ourselves as teachers, this book’s wide-ranging engagement is indeed a welcome one.What I offer here in terms of review, then, is first a consideration of the book’s various components and where they might lead us. Second, I bring its ideas of cultural responsiveness into dialogue with ideas more commonly found in anti-racist and social justice approaches to education—traditions the book does not directly engage with but which certainly have a place in conversations around it. This is a particularly relevant time, I suggest, to engage with questions of cultural responsiveness alongside perhaps more politically-minded approaches: this book will be read, I hope, by teachers grappling with our age of renewed and visible racial struggle, increased forced migration, and cultural insecurity.The first half of the book is explicitly dedicated to “understanding” culturally responsive teaching. Its chapters present a historical overview of its conceptual development, explicate the centrality of culture and cultural competence to teaching, and discuss the connection between music and identity in young people. The authors center their conceptualization of culturally responsive teaching around Geneva Gay’s framework, outlined in her Culturally Responsive Teaching, as “using the cultural knowledge, prior experiences, frames of reference, and performance styles of ethnically diverse students to make learning encounters more relevant to and effective for them.”2 “Effective,” here, is understood broadly and includes academic competence, self-efficacy, social critique, and the freedom to be “ethnically expressive.”3In laying this foundation, the authors negotiate thoughtfully a number of tensions inherent in this work that are too often simplified in the classroom. They recognize, for example, the need to acknowledge culture as a category through which human experience is mediated, but also one that too easily gives way to stereotyping. When discussing issues of music and identity they remind readers that musical identities are multiple and suggest that musical identities might be viewed as both “bottom-up” and “top-down”—constructed through a variety of ongoing experiences as much as they are constituted by national or ethnic affiliation.4 They also do not shy from language such as “high expectations” and “academic competence” when discussing the need for comprehensive and supportive classrooms, despite the uneasiness with which these terms often sit in arts education and alongside purposes of engendering social critique... (shrink)

Can Wolfram’s Parzifal shed light on Kierkegaard’s three (and more) stages? Can the fact that Cervantes or Jean Paul is a common reference for both Thomas Carlyle and Kierkegaard shed light on either of the latter? Some might claim that by widening the lens of comparative literature we tend to lose sight of what is singular in great writers. Professor Ziolkowski’s readers can come to their own conclusions in the present case, but before doing so, or even (...) if they refrain, they will have been given an uncommonly rich fare of resemblances, comparisons, possible influences, and analogies in which a less well researched side of Kierkegaard comes refreshingly to view. The Literary Kierkegaard’s theme is .. (shrink)

In his diaries from the beginning of the 1930s, Ludwig Wittgenstein comments extensively both on Søren Kierkegaard's view of philosophical method and on his view of love. The aim of this article is to show how Wittgenstein's reflections on Kierkegaard's view of love reveal a fundamental difference between the two thinkers' views of philosophical method, a difference in their view of the role of the reader of and partner in doing philosophy, between Kierkegaard's indirect communication to the (...) reader and Wittgenstein's dialogical engagement with the reader. The article opens with a presentation of substantial similarities between Wittgenstein's and Kierkegaard's conceptions of philosophy. After this, I present an account of Kierkegaard's view of love and marriage, an understanding of which is necessary in order to understand Wittgenstein's reservations towards Kierkegaard. This in turn leads me to the main investigation that shows how a difference in Kierkegaard and Wittgenstein's views on love connects to a fundamental difference in their views of philosophy. This difference between the two thinkers will finally be elucidated through the understanding of love developed by Stanley Cavell in his work on the so‐called Hollywood remarriage comedies. (shrink)

The theme of reading and relation to the textual production is persistent in works of the Danissh philosopher and theologian of the 19th century Soren Kierkegaard. This, in turn, is closely related to his project of existential communication. One of the decisive qualifications of the project is distance, or distancing between the self and the other. The distance makes it possible for self to reflect upon his/her own existence. Kierkegaard develops this theme in his conception of existential maeutics (...) as opposed to the Socratic one that presupposes closing the gap between interlocutors. Important role in the process of distanciation is played by the text, as well as by specific reading practices, and Kierkegaard metaphorically speaks of the ‘good’ and ‘bad’ modes of reading. The ‘bad’ one means loosing oneself in the text, while the ‘good’ one – retaining some level of integrity of the reader. The distanciation is a theme also in reflections of French phenomenologist Paul Ricoeur, but if for him the distance is a difference within the field of language itself (as text versus discourse), then Kierkegaard takes into account mainly extratextual (ethical, religious and other) aspects, and difference is between text and reader. The present paper gives examples of ‘good’ reading practices employed by Kierkegaard in his Journals and Papers. (shrink)

Each of us experiences two conflicting attitudes towards time. On the one hand, we all, at least to some degree, look ahead towards the future. On the other hand, we sometimes feel like we ought to live in the present, without this concern about the future. Derek Parfit claims that we would be happier if we lacked our focus on the future: we would not be sad when good things were in the past, we could take life’s pleasures as they (...) come, and we would have fewer reasons to regret aging and death. Given his emphasis on the future as a philosophical problem, Kierkegaard seems especially challenged by Parfit’s claims. I argue that a response to Parfit’s challenges can be found in Kierkegaard’s discourses on the lily of the field and the bird of the air. Though not often read philosophically, these discourses also contribute to Kierkegaard’s philosophy of time. They can provide readers of Kierkegaard with a response to Parfit’s challenges by proffering a way to care for the future while living in the present. To defend this thesis, my first chapter recounts Parfit’s challenges and extant responses by readers of Kierkegaard to them. Chapters Two and Three develop Kierkegaard’s metaphysics of time by working through The Concept of Anxiety and Philosophical Fragments. The former chapter emphasizes Kierkegaard’s focus on the eschatological future while showing how Kierkegaard can contribute to contemporary debates within the philosophy of time. The latter considers Kierkegaard’s Christology and Trinitarian theology by working through Kierkegaard’s understanding of the past event of the incarnation. The fourth and fifth chapters discuss the ethical implications of Kierkegaard’s metaphysics of time through readings of Christian Discourses and Works of Love. Chapter Four contains my account of the attitude towards time Kierkegaard exhorts us to adopt: facing away from the future and towards the work we are called to do in the present. Chapter Five concludes by discussing the implications of this account for the ways we hope for and love our neighbors. (shrink)

The purpose of this paper is to explore an hypothesis rather than draw any unassailable conclusions. I argue that there is a fundamental tension between the sub-Christian account of the “Three Stages” presented in the earlier pseudonymous writings and the explicitly Christian account presented in the Anti-Climacean and later acknowledged writings. The earlier version is that of a progress from spiritless “immediacy” toward more complete integrations of the self, culminating in authentic religious faith; while the later is that of a (...) regress from lesser to ever greater forms of spiritual peril, culminating in a disordered religiosity that vainly seeks to overthrow the established ecclesiastical order. Tracing the conflict between these two perspectives also enhances our understanding of the purpose underlying Kierkegaard’s project by suggesting the possibility that the authorship constitutes a literary confession of Kierkegaard’s own spiritual regress. (shrink)

Carlos Eduardo Alchourrón y Eugenio Bulygin efectuaron contribuciones de fundamental importancia para el desarrollo de la teoría de los sistemas jurídicos. Sus ideas evidencian una evolución de la presentación de una visión estática a una visión dinámica de tales sistemas. El objetivo central del presente trabajo consiste en mostrar que existe, no obstante, una cierta tensión en las tesis sostenidas por los autores entre dos concepciones diferentes de los sistemas jurídicos: por una parte, aquella que trata de reconstruir el conjunto (...) de las normas que resultan relevantes para la solución de un caso; por la otra, aquella que trata de ofrecer una caracterización satisfactoria del derecho como institución. Las diferentes finalidades que cada una de esas reconstrucciones persiguen obligan a refinar algunas ideas vinculadas con la dinámica del derecho para evitar derivaciones incompatibles con las intuiciones jurídicas ordinarias. Carlos Eduardo Alchourrón and Eugenio Bulygin have made contributions of fundamental importance for the development of the theory of legal systems. Their ideas reflex an evolution from a static to a dynamic vision of such systems. The main purpose of the present paper is to show that, notwithstanding, there exists a certain tension in the thesis defended by Alchourrón and Bulygin between two different conceptions of a legal system. On the one hand, a conception related to the reconstruction of the set of relevant norms to solve a certain case; on the other, a conception related to a satisfactory characterization of law as an institution. The different concerns of each of those reconstructions force to refine certain ideas associated with the dynamics of law to avoid derivations which appear incompatible with ordinary legal intuitions. (shrink)

Reidar Thomte's Kierkegaard's Philosophy of Religion is an excellent read for students beginning their study of one of the greats of nineteenth and twentieth century philosophy. Thomte directly appropriates Kierkegaard's insightful language and discussion of the theological and philosophical issues that stimulated him, all of which are still alive and well today. This approach has the happy result that readers seeking an introduction do not have to be led through technical debates in order to approach Kierkegaard's (...) thought. Thomte is a master of incisive summary; his presentations of crucial distinctions are level-headed and to the point. Kierkegaard's categories such as the stages on life's way (the aesthetic, the ethical, Religiousness A, and Religiousness B), the individual, subjectivity, the Paradox, the varieties of love, faith and knowledge, etc., are provocative and illuminating. Not only is this book a good a starter, it is also a comprehensive review of the principal issues in Kierkegaard's philosophy of religion. (by Robert L. Perkins, Editor, International Kierkegaard Commentary). (shrink)

Kierkegaard's pseudonymous authorship has baffled readers, his apparent capriciousness making it difficult to determine his position at a given point and to understand his work as an organic whole. Gregor Malantschuk's study, based on careful reading of Kierkegaard's journals, papers, and texts, cuts through the authorship problem to clarify the philosopher's key ideas, see the comprehensive plan of his work, and make intelligible the dialectical coherence of his thought. Discussing Kierkegaard's dialectical method and his use of (...) it from Either/Or to the final Two Discourses, Professor Malantschuk shows how coherently Kierkegaard set the individual works in place, so that even the conflict between the principal pseudonyms, Climacus and Anti-Climacus, serves to elucidate his major philosophical ideas. Contents: 1. Anthropological Contemplation. II. Kierkegaard's Dialectical Method. III. The Dialectic Employed in the Authorship. Index. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Kierkegaard’s appropriation of Socrates in his work is a well trodden area of inquiry for the Kierkegaard scholar. It is often assumed that Kierkegaard’s earlier work The Concept of Irony does not share the same attitude towards Socrates as the later texts; thus the dissertation is regularly overlooked. This paper challenges this orthodoxy through a close reading of The Concept of Irony. While Kierkegaard’s emulative orientation to Socrates is usually associated with the authorship proper, I will (...) endeavour to locate such emulation in Kierkegaard’s dissertation. I will attempt to show that Kierkegaard presents Socrates as totally consumed by irony yet deliberately undermines the method employed to reach this reading of Socrates. This ironic method of investigation, I claim, mimics a characteristic that both the early and the later Kierkegaard associate with Socrates: the effect of Socratic irony that induces a transformation in an interlocutor’s subjective orientation toward a phenomenon. The author of the The Concept emulates Socratic irony in the hope that his readers will alter how they see Socrates rather than what they see; I will argue that this aspect of The Concept’s style is a significant point of similarity between this early work and the later authorship. (shrink)

This paper examines Kierkegaard 's discussion of patience in some of his Upbuilding Discourses, and its connection with his understanding of the nature of selfhood as it appears both in the Discourses and in The Sickness unto Death. That understanding stresses that selfhood is not simply given, but is a task to be achieved—although a task that can only be achieved by the self that is formed in the process of undertaking it. For Kierkegaard, an account of the (...) self that recognizes its essential temporality must give a crucial role to patience as a virtue necessary for the formation and maintenance of personal identity. However, although the self is essentially temporal for Kierkegaard, it is also essentially such as to participate in eternity, and this complexity and tension in his concept of the self gives his understanding of patience a particular character—one that presents an important challenge to some of the dominant assumptions of recent and contemporary philosophy in both the analytic and the continental traditions. (shrink)

Manifold expressions of a particular critique appear throughout Søren Kierkegaard’s pseudonymous corpus: for Kierkegaard and his pseudonyms faith is categorically not a first immediacy, and it is certainly not the first immediate, the annulment of which concludes the first movement of Hegelian philosophy. Kierkegaard’s pseudonyms make it clear that he holds the Hegelian dogmaticians responsible for the promulgation of this misconception, but when Kierkegaard’s journals and papers are consulted another transgressor emerges: the renowned anti-idealist F.D.E. Schleiermacher. (...) I address the extent to which this particular indictment is justified; over-against Gerhard Schreiber, I argue that this characterization of Schleiermacher’s view of religion is indeed a de facto critique. I begin by presenting and demonstrating the ubiquity of the phenomenon at the heart of Schleiermacher’s conception of perfect God-consciousness, then proceed to apply criticisms raised by Kierkegaardian pseudonyms Judge William, Vigilius Haufniensis, Johannes Climacus, and Anti-Climacus, supplemented with concerns raised by Kierkegaard himself, in order to demonstrate that these criticisms do indeed apply to and problematize Schleiermacher’s view. (shrink)

The effect intended by Kierkegaard's rhetoric is a certain self-relationship, which cannot be formulated and-given out as doctrine or information, but which the reader is required to achieve on his own. The books provide only the occasion, the impetus, and the demand. For example, the proposition, "Truth is subjectivity," is not a philosophical indicative, but a rhetorical imperative. Translated into the language of personal address, it says: "You reader! Whatever you believe, whatever you claim to know, remember in (...) fear and trembling that you hold this faith and stake this claim solely on the strength of your own freedom to do so, with no guarantee more ultimate than your own decision, at your own risk, and on your own responsibility!" This charge to the reader, which is the real and indirect import of "Truth is subjectivity," is as far as it could be from the epistemological relativism which the proposition immediately suggests. What the reader is to get from "Truth is subjectivity" is not the comforting assurance that "it doesn't matter what you believe," but rather the existential terror--that glimpse of the abyss which is itself a confrontation with the Absolute--the terror that ensues when "the uncertainty of all things is thought infinitely.". (shrink)

Kierkegaard's philosophy is the description of the structure and behavior of human consciousness. Adi Shmüeli reconstructs that philosophy by showing that it always reflects the structure in question, and thus provides a useful key to Kierkegaard's work. Mr. Shmüeli approaches his task by analyzing first the aesthetic, ethical, and religious stages of life as successive steps in the gradual awakening of consciousness. He then describes the alienation of consciousness, of which Kierkegaard speaks in all his works, and (...) discusses Kierkegaard's theory of indirect communication, philosophical action whose aim is to awaken consciousness in order to rescue it from alienation. Studying Kierkegaard's observations on Christianity as indirect communication, Professor Shmüeli deals also with his reflections on the philosophical problem of truth. His concluding chapter discusses the temporality and historicity of human consciousness. Quotations, taken primarily from accessible English translations, are generously provided to put the reader in direct contact with Kierkegaard's own words. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Kierkegaard the Christian thinker is introduced, beginning with his cultural background, his basic assumptions about the structure of the Christian universe, and the development of his vocation as religious writer. The author shows why he is different from others in his treatment of Christianity, then follows his presentations of Christian ideality and the tension and opposition in his authorship between Christianity as godly enjoyment of the world and Christianity as renunciation and total self-denial. Distributed in the US by Books (...) International. Annotation copyrighted by Book News, Inc., Portland, OR. (shrink)

Søren Aabye Kierkegaard (b. 1813–d. 1855) left behind an extraordinary body of work that has had a major impact on European philosophy, and that continues to inform major debates within analytic philosophy as well. Utterly distinctive and often dazzling, Kierkegaard’s writings typically confront the reader with an enigmatic interplay between seriousness and jest and they bristle with original ideas. The range and sheer volume of these writings is difficult to take in: the output published in Kierkegaard’s lifetime (...) alone extends to over seventy books and articles and he left besides a voluminous collection of drafts, notes, and journals. Often billed as the “father of existentialism,” Kierkegaard’s influence is in evidence not least in the work of Heidegger, Adorno, Sartre, and Merleau-Ponty (but Heidegger, for one, was notoriously slow to acknowledge the debt). His work was also studied seriously by Wittgenstein, who learnt Danish for the task and went so far as to rank Kierkegaard first among 19th-century thinkers. The most obvious arena of his on-going influence is the philosophy of religion, where his work continues to inform debates around such central topics as the problem of evil, the role of evidence in religious belief and the phenomenology of religious experience. But in other areas of philosophy, too, Kierkegaard’s work has been fruitfully brought to bear; on topics such as the nature of selfhood and subjectivity, love and friendship, death and mourning, the role of literature in moral philosophy and the limits of language and thought. While his writings notably tend to cut across academic subject-divisions (and have certainly made their mark on other disciplines, too), this bibliographical entry aims to provide a guide to Kierkegaard’s reception by philosophers. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Catholic Theological Ethics Past, Present, and Future: The Trento Conference Edited by James F. Keenan, and: The Social Mission of the US Catholic Church: A Theological Perspective by Charles E. CurranDaniel CosacchiCatholic Theological Ethics Past, Present, and Future: The Trento Conference EDITED BY JAMES F. KEENAN Maryknoll, NY: Orbis Books, 2011. 337 pp. $40.00The Social Mission of the US Catholic Church: A Theological Perspective CHARLES E. CURRAN Washington, (...) DC: Georgetown University Press, 2011. 196 pp. $29.95To read both Catholic Theological Ethics Past, Present, and Future and The Social Mission of the US Catholic Church is to take a whirlwind tour—theological, historical, and geographical—through the Roman Catholic ethical tradition. Both volumes present wonderfully rich material and invaluable resources for the study of Christian ethics. Charles Curran and James Keenan are two of the foremost Catholic ethicists in the United States today. Keenan’s case is to be applauded for convening the 2010 conference in Trento, which brought together some six hundred Roman Catholic ethicists from around the world. His book, which assembles that conference’s thirty-one plenary addresses, does justice to this tremendous feat. Curran, for his part, has produced a text that focuses acutely on the Church in the United States and will benefit ethicists for years to come.Keenan uses the introduction to Catholic Theological Ethics Past, Present, and Future to provide an overview of the Trento conference and its attendees and proceedings. Keenan expertly identifies a common theme among the 240 diverse papers at the conference, noting that ethicists “always begin with the premise that there is a deficit in our location, and, therefore, we need to work together to find a way to remedy it” (6). What follows in the remainder of the book boldly moves toward remedies for many of the world’s ills. A few of these essays deserve particular mention.The conference and the collection of essays share the basic organizational principle of looking to the past, the present, and the future of Catholic theological ethics. Unsurprisingly, the Council of Trent played a foundational role in understanding the “past” of Catholic moral theology. Laurenti Magesa [End Page 216] (Kenya) explains that the African experience of the Council of Trent has remained largely unchanged since the conclusion of that council: “The Catholic Church in Africa is essentially a Tridentine church” (57). This essay makes clear that in Africa, the dominant voices are Western males. The missing voices, then, are given attention by Antônio Moser (Brazil), Anne Nasimiyu-Wasike (Kenya), and Bryan Massingale (United States). Massingale’s essay was most impressive, addressing the role of racism in our culture and concluding that Catholic ethicists “need to lament, mourn, and grieve our history” (121). This, he claims, is both a fruitful way to act in the present and a hopeful way to look toward the future.In focusing on the present, the strongest subsection of the book attended to political ethics. Here David Kaulemu’s (Zimbabwe) essay, “Catholic Social Teaching at a Crossroad,” has the potential to open the eyes of any reader. He writes, “It is frustrating and discouraging to the lay faithful to be inspired by Catholic social teaching and yet receive no recognition or support by ‘official’ church structures” (177). This highlights a serious problem to which all Catholic ethicists must attend. As for the future, Julie Hanlon Rubio (United States) points to a tripartite vision for marriage in the twenty-first century that sets high standards not only within the marital unit itself but also for the impact of the spouses on the larger society. Julie Clague (Scotland) presents a wonderful essay on the burgeoning relationship between moral theology and gender.Among the wealth of positive features of this collection is the great geographical diversity of the authors. This affirms that Catholic theological ethics is very healthy throughout the entire world and that on each continent there are voices of women and men willing to contribute fresh ideas to the discipline. In a time when there is so much tension between theologians and bishops, we should also be grateful that there are two essays from members of the episcopacy (Archbishop Bruno... (shrink)

In this essay I offer a reading of Fear and Trembling that responds to critiques of Kierkegaardian ethics as being, as Brand Blanshard claims, “morally nihilistic,” as Emmanuel Levinas contends, ethically violent, and, as Alasdair MacIntyre charges, simply irrational. I argue that by focusing on Isaac's singularity as the very condition for Abraham's “ordeal,” the book presents a story about responsible subjectivity. Rather than standing in competition with the relation to God, the relation to other people is, thus, inscribed into (...) this very relation. Fear and Trembling, I contend, advocates a bidirectional responsibility that is constitutive of subjectivity itself and, as such, actually resonates with certain aspects of Levinasian ethics. I conclude by suggesting that Abraham's ordeal is not due to the conflict between a nonreligious duty and the duty to God, but instead reflects a tension that is internal to the life of faith itself. (shrink)

The duty to love one's neighbor as oneself is at the core of Kierkegaard's Works of Love . In this book, Kierkegaard unfolds the meaning of neighborly love and claims that it is the only valid form of true love. He contrasts between neighborly love and preferential love (which includes romantic love and friendship) and criticizes the latter for being nothing but a form of selfishness. However, in some contexts, Kierkegaard seems to acknowledge the significance of preferential (...) love relationships, and does not disallow them. Therefore, his understanding of preferential love appears to be confused and inconsistent. My essay discusses the tension in Kierkegaard's position regarding preferential love, and by presenting recent readings of Works of Love , it asks whether this tension is resolvable and offers a suggestion for a possible solution. (shrink)

Søren Kierkegaard's Concluding Unscientific Postscript has provoked a lively variety of divergent interpretations for a century and a half. It has been both celebrated and condemned as the chief inspiration for twentieth-century existential thought, as a subversive parody of philosophical argument, as a critique of mass society, as a forerunner of phenomenology and of postmodern relativism, and as an appeal for a renewal of religious commitment. These 2010 essays written by international Kierkegaard scholars offer a plurality of critical (...) approaches to this fundamental text of existential philosophy. They cover hotly debated topics such as the tension between the Socratic-philosophical and the Christian-religious; the identity and personality of Kierkegaard's pseudonym 'Johannes Climacus'; his conceptions of paradoxical faith and of passionate understanding; his relation to his contemporaries and to some of his more distant predecessors; and, last but not least, his pertinence to our present-day concerns. (shrink)

An unprecedented recollection -- A purportedly anonymous rhetorical flourish -- The major interruption in a minor key -- A taciturn commentary by the actual author -- An inconclusive word from the present reader.

Kierkegaard's philosophy is the description of the structure and behavior of human consciousness. Adi Shmüeli reconstructs that philosophy by showing that it always reflects the structure in question, and thus provides a useful key to Kierkegaard's work. Mr. Shmüeli approaches his task by analyzing first the aesthetic, ethical, and religious stages of life as successive steps in the gradual awakening of consciousness. He then describes the alienation of consciousness, of which Kierkegaard speaks in all his works, and (...) discusses Kierkegaard's theory of indirect communication, philosophical action whose aim is to awaken consciousness in order to rescue it from alienation. Studying Kierkegaard's observations on Christianity as indirect communication, Professor Shmüeli deals also with his reflections on the philosophical problem of truth. His concluding chapter discusses the temporality and historicity of human consciousness. Quotations, taken primarily from accessible English translations, are generously provided to put the reader in direct contact with Kierkegaard's own words. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Why did Kierkegaard prefer to write his masterpieces under different pseudonyms and what was the theatrical logic behind the constant playfulness of an author otherwise doomed to melancholy? What were the reasons of his ongoing philosophical, theological and aesthetic hide-and-seek that he did not want to finish until the very last, nearly tragic phase of his authorship? How much inspiration did Kierkegaard receive from theatrical performances, from playwrights and even from actors and actresses of 19th-century Copenhagen, which seemed (...) to be sometimes stronger than the influence exercised on him by his professors, masters and theologians of Denmark’s “Golden Age”? Can the difference between direct and indirect communication that basically characterized Kierkegaard’s oeuvre be described in theatrical terms or even to approach it as an ongoing dramatic dialogue? Should we rather call it a “polylogue” as different actors are present throughout the texts that were often polemic with each other, simultaneously reflecting certain issues from different angles and finally Kierkegaard denying that any of those were written by him? Could his own name be a pseudonym, as his brother suggested when giving the eulogy on the prodigal son, who learned to doubt from Socrates and from Descartes, yet could not give up his intention to question even the final axioms of human existence? The author tries to find answers to these questions by reconstructing the very special Kierkegaardian method, so familiar from the stage, in the spiritual, cultural and theatrical context of Kierkegaard’s Denmark. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.4 (2001) 596-597 [Access article in PDF] Karl Ameriks, editor. The Cambridge Companion to German Idealism. New York: Cambridge University Press, 2000. Pp. xiii + 306. Cloth, $54.95. Paper, $19.95. This recently published volume is a welcome and timely addition to the Cambridge Companion series. The past two decades have witnessed a renewed and now burgeoning interest in post-Kantian German philosophy, notably among (...) philosophers working in the continental and analytic traditions. Contributors to the volume reflect this diversity (actually, most work within the analytic tradition), and all are familiar and veteran scholars of Kant and German Idealism. The essays, as expected, are compact, but are tightly presented and clearly argued. The decision to devote a Cambridge Companion volume to a philosophical movement—a major exception, as most are aware, for the series—seems quite justified given the heretofore unacknowledged importance of the period and the global (at least among Anglo-American philosophers) misunderstanding from which it has suffered until recently. On both scores, this volume is a successful corrective. A short review precludes individual evaluation, however brief, of the essays in this fine collection, so I will limit my comments to a few general points.The essays are organized so as to provide the reader with a thorough introduction to the history of German Idealism construed broadly to include Kant, Hamann, Herder, Jacobi, Maimon, Reinhold, Fichte, Schelling, Hegel, the Romantics, and at least the trajectory of post-Hegelianism. The Romantics, particularly Novalis, Schiller, and Hölderlin, receive overdue and careful treatment—Charles Larmore's essay on Hölderlin and Novalis being, in this reviewer's judgment, one of the better contributions to the collection. Some authors retrace themes developed in their earlier scholarly work (especially Pinkard, Wood, Pippin, Beiser, and Bowie); however each essay almost without exception attempts to advance the scholarly discussion of the problems it explores. Paul Guyer's essay, for instance, fits this description: he offers a robust defense of Kantian dualism (e.g., intuition and concept, representation and thing in itself) against Hegelian objections which includes a fine analysis of the genesis of Kant's arguments. On the other hand, Guyer's essay, along with the contributions of Wood, Pippin, Pinkard, Larmore, and Bowie, might be more fruitful for readers more interested in philosophical problems engaged by the Idealists (e.g., moral and political autonomy, rational normativity). The collection begins with Frederick Beiser's skillfully condensed and informative essay on the unresolved tensions within Enlightenment philosophy (and the way in which those tensions, highlighted rather than resolved by the Pantheism controversy, helped set the agenda for what became the tasks of German Idealism) and ends with Karl Ameriks's fine essay on the complex legacy of Idealism in the works of Feuerbach, Marx, and Kierkegaard.One of the problems which occupied everyone in this period was rational authority, [End Page 596] namely, what would ground our normative theoretical and practical judgments and to what extent reason would provide either the foundation itself or access to this foundation. Most of the essays address this issue either directly or implicitly and accurately capture the diverse responses to this basic question and its implications for political philosophy—another central theme for the Idealist tradition. The problem of rational authority had been inherited from Rousseau, yet the Idealists explored the issue with an unparalleled thoroughness and urgency in the shadow of the French Revolution. Larmore does an exceptional job of articulating Hölderlin's and Novalis's critique of Fichtean self-consciousness, namely, that judgment itself must presuppose and draw upon a more basic unity (Absolute Being for Hölderlin and the Being of the I antecedent to self-awareness for Novalis) than the self-positing I, a unity which, as Larmore notes, underlies every cognitive attitude. Contributing to this general critique was the aesthetic holism of Hamann, Schiller, and Herder ably sketched by Daniel Dahlstromm. Central to the problem of rational authority is the contribution of Hegel, who took to heart Hölderlin's insistence on a more basic primordial unity... (shrink)

It is impossible to ignore the enduring and sweeping popularity of young adult novels written with a dystopian, or even apocalyptic, outlook. Series such as Th e Hunger Games, Th e Maze Runner, and Divergent present dark and boding worlds of amplifi ed terror and societal collapse, and their vulnerable protagonists must answer constant environmental, social, and political challenges, or risk starvation, injury, and various formsof pain and suff ering. More frequently than not, the tensions of the dystopian YA (...) universe turn to the natural world, one of sustenance and renewal, for resolution. The continued popularity of dystopian fi ction written expressly for young adult readers requires critical examination, as teachers must prepare themselves to deal with the questions raised by these texts. Th e trend toward the dystopian seems like rather a bleak expression of political and social hopelessness, but it does off er certain insights into what young readers want from the world around them. Much of the appeal of the dystopian comes from imagining not just problems, but how to solve them. The ingenuity and resourcefulness displayed in dystopian YA novels is not only appealing, but becomes a bold and ultimately optimistic statement on the need for environmental and social sustainability. The optimal incorporation of dystopian YA into the English as a foreign language curriculum relies on the preparation of instruction as understood by Wolfgang Klafki in a mode and format that feels fresh and encourages student-led engagement, genuine multimodality, and an organic progression from the closed circle of the classroom to the open arena of adult civilization. (shrink)

While Kierkegaard and Levinas may well be thought of as religious or ethical thinkers, I should not like the reader to be misled by this into assuming that this article is primarily about religion or ethics. Rather, my main concern may more properly be described as metaphysical or epistemological, for I am interested in certain styles of thinking that underlie the religious/ethical themes dealt with here. Thus, this article aims to show that in relation to traditional metaphysical styles, (...) and to each other, the thinking of Kierkegaard and Levinas is parallel and divergent in complex ways. Both share a mistrust of modernist meta physics, which they aim to escape by pointing to the way in which conceptions of metaphysical totalities are breached by a destabilising infinity already internal to them. This anticipates later postmodern styles of thinking which challenge modern meta physics, its resentment against time, and its confidence in human power to represent all that is by means of closed systems of interpretation. To the ex tent that they offer philosophical alternatives that accommodate the temporal, both have had highly significant contributions to make to a postmodern style of thinking that has implications not limited to religion or ethics. A study of the philosophical strategies of these two thinkers, where they seem to succeed or fall short in relation to each other and to the traditional strategies of metaphysics, should go some way toward clarification of what I believe to be the most viable style of thinking for a postmodern world. As I see it, one is confronted with three options. The first, represented by Kierkegaard\'s \'infinite resignation,\' may be associated with a Derridean style of thinking. Kierkegaard him self abandons this in favour of a style of thinking for which faith and revelation stand as metaphors. Levinas, in contrast, offers an alternative whose leitmotif is ethical responsibility. I shall try to show in the end that the first of these, which best accommodates the 'undecidability' of a middle ground, is the most suitable for contemporary thinkers. (shrink)

While Kierkegaard is perhaps known best as a religious thinker and philosopher, there is an unmistakable literary element in his writings. He often explains complex concepts and ideas by using literary figures and motifs that he could assume his readers would have some familiarity with. This dimension of his thought has served to make his writings far more popular than those of other philosophers and theologians, but at the same time it has made their interpretation more complex. (...) class='Hi'>Kierkegaard readers are generally aware of his interest in figures such as Faust or the Wandering Jew, but they rarely have a full appreciation of the vast extent of his use of characters from different literary periods and traditions. The present volume is dedicated to the treatment of the variety of literary figures and motifs used by Kierkegaard. The volume is arranged alphabetically by name, with Tome I covering figures and motifs from Agamemnon to Guadalquivir. (shrink)

Stages on Life's Way, the sequel to Either/Or, is an intensely poetic example of Kierkegaard's vision of the three stages, or spheres, of existence: the esthetic, the ethical, and the religious. With characteristic love for mystification, he presents the work as a bundle of documents fallen by chance into the hands of "Hilarius Bookbinder," who prepared them for printing. The book begins with a banquet scene patterned on Plato's Symposium. Next is a discourse by "Judge William" in praise of (...) marriage "in answer to objections." The remainder of the volume, almost two-thirds of the whole, is the diary of a young man, discovered by "Frater Taciturnus," who was deeply in love but felt compelled to break his engagement. The work closes with a letter to the reader from Taciturnus on the three "existence-spheres" represented by the three parts of the book.Stages on Life's Way not only repeats themes, characters, and pseudonymous authors of the earlier works but also goes beyond them and points to further development of central ideas in Concluding Unscientific Postscript. (shrink)

The aim of this essay is to identify and analyze Iqbal's use of literature, particularly poetry, as a means of communication with his reader. By this means, it is hoped that a distinctive aspect of Iqbal's intellectual character will be uncovered that has largely been ignored by scholars working on Iqbal's thought. To identify and analyze Iqbal's use of literature to communicate with his reader, Kierkegaard's theory of "indirect communication" will be used as a hermeneutical key. There are two (...) reasons for this. First, it is one of the contentions of this study that Iqbal, a twentieth-century Muslim thinker living in colonial India, and Kierkegaard, a nineteenth-century Danish Christian thinker, show certain... (shrink)

This article endeavours to provide a cross-cultural juxtaposition between Kierkegaard and Zhuangzi, two thinkers of significant stature in the history of Eastern and Western philosophy, to unveil a profound congruity between Christian and Daoist thoughts. Specifically, by examining the works of Kierkegaard, particularly his concept of irony and ‘transparent self’, and exploring the similar key themes present in Zhuangzi’s writings, we endeavour to highlight the similarities between Kierkegaard and Zhuangzi. Both of the intellectuals enter the discussion on (...) the process of individual spiritual practice through ‘irony’ and set their goals on ‘salvation’, emphasising the importance of the process of spiritual practice, which provides possibilities for dialogues between Christian and Daoist thoughts. Contribution: Previous research frequently underscores the profound differences between Kierkegaard and Zhuangzi. Based on the discussion of certain concepts, this article argues that, analysing the consistency between the two at the level of spiritual practice can help us understand the possibility of dialogue between Christian and Daoist thoughts. (shrink)

Readers of literary narratives undergo an emotional experience by feeling varied emotions in various ways. While going through a narrative, we assume here, a fictive reader may be absorbed because they very often believe they develop a feel what is to be felt from a perspective presented and, similarly they understand what is to be understood in a given situation and character engaged in highly textually interwoven situation. Therefore, certain techniques and devices are employed by the authors of (...) emotional fiction to engage their readers emotionally and to create text- reader empathy. In this paper, an attempt has been made to discover the lexico-grammatical texturing of emotional fiction using the Corpus Stylistics Framework for identifying emotional intensity based on Systemic Functional Linguistics to unveil how this particular texturing causes emotional immersion. Through a lexico-grammatical analysis of the selected passages of ‘The Bride’, it is established that by using particular lexical choices and devices, the author engages the reader emotionally and therefore, enhances readers’ involvement in the text. Hence, it supports our claim that the lexicogrammar of the emotional passages is instrumentally di?erent for projecting emotionally engaged responses. (shrink)

The book on Adler is one of the key works in Kierkegaard's thought. By writing it the Danish philosopher was able to verify for himself the religious content of his vocation and the accuracy of his critique against the modern church and society. It presents a profound investigation into the fundamental Christian concepts of "revelation", of "divine authority", and of "apostle". The inquiry shows that Kierkegaard is more of an objectivist than a subjectivist because he pronounced qualitative distinction (...) between what belongs to the immanent order, i.e. to men, and what belongs to the transcendal order, i.e. to God. But The book on Adler is also the result of a profound dialectical and psychological study performed on a certain Adler who pactatively gratified himself whith a revelation. The book, then, gives in details the most obvious proofs of his confusion and gives an account of its real causes : an emotionnal shock, a lack in both a Christian conceptual formation and an ethico-religious education, and the negative influence of Hegelian philosophy. While it sees in Adler the epitome of his era, it makes us understand the continual danger of missing what is essential in religious phenomena. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.4 (2001) 596-597 [Access article in PDF] Karl Ameriks, editor. The Cambridge Companion to German Idealism. New York: Cambridge University Press, 2000. Pp. xiii + 306. Cloth, $54.95. Paper, $19.95. This recently published volume is a welcome and timely addition to the Cambridge Companion series. The past two decades have witnessed a renewed and now burgeoning interest in post-Kantian German philosophy, notably among (...) philosophers working in the continental and analytic traditions. Contributors to the volume reflect this diversity (actually, most work within the analytic tradition), and all are familiar and veteran scholars of Kant and German Idealism. The essays, as expected, are compact, but are tightly presented and clearly argued. The decision to devote a Cambridge Companion volume to a philosophical movement—a major exception, as most are aware, for the series—seems quite justified given the heretofore unacknowledged importance of the period and the global (at least among Anglo-American philosophers) misunderstanding from which it has suffered until recently. On both scores, this volume is a successful corrective. A short review precludes individual evaluation, however brief, of the essays in this fine collection, so I will limit my comments to a few general points.The essays are organized so as to provide the reader with a thorough introduction to the history of German Idealism construed broadly to include Kant, Hamann, Herder, Jacobi, Maimon, Reinhold, Fichte, Schelling, Hegel, the Romantics, and at least the trajectory of post-Hegelianism. The Romantics, particularly Novalis, Schiller, and Hölderlin, receive overdue and careful treatment—Charles Larmore's essay on Hölderlin and Novalis being, in this reviewer's judgment, one of the better contributions to the collection. Some authors retrace themes developed in their earlier scholarly work (especially Pinkard, Wood, Pippin, Beiser, and Bowie); however each essay almost without exception attempts to advance the scholarly discussion of the problems it explores. Paul Guyer's essay, for instance, fits this description: he offers a robust defense of Kantian dualism (e.g., intuition and concept, representation and thing in itself) against Hegelian objections which includes a fine analysis of the genesis of Kant's arguments. On the other hand, Guyer's essay, along with the contributions of Wood, Pippin, Pinkard, Larmore, and Bowie, might be more fruitful for readers more interested in philosophical problems engaged by the Idealists (e.g., moral and political autonomy, rational normativity). The collection begins with Frederick Beiser's skillfully condensed and informative essay on the unresolved tensions within Enlightenment philosophy (and the way in which those tensions, highlighted rather than resolved by the Pantheism controversy, helped set the agenda for what became the tasks of German Idealism) and ends with Karl Ameriks's fine essay on the complex legacy of Idealism in the works of Feuerbach, Marx, and Kierkegaard.One of the problems which occupied everyone in this period was rational authority, [End Page 596] namely, what would ground our normative theoretical and practical judgments and to what extent reason would provide either the foundation itself or access to this foundation. Most of the essays address this issue either directly or implicitly and accurately capture the diverse responses to this basic question and its implications for political philosophy—another central theme for the Idealist tradition. The problem of rational authority had been inherited from Rousseau, yet the Idealists explored the issue with an unparalleled thoroughness and urgency in the shadow of the French Revolution. Larmore does an exceptional job of articulating Hölderlin's and Novalis's critique of Fichtean self-consciousness, namely, that judgment itself must presuppose and draw upon a more basic unity (Absolute Being for Hölderlin and the Being of the I antecedent to self-awareness for Novalis) than the self-positing I, a unity which, as Larmore notes, underlies every cognitive attitude. Contributing to this general critique was the aesthetic holism of Hamann, Schiller, and Herder ably sketched by Daniel Dahlstromm. Central to the problem of rational authority is the contribution of Hegel, who took to heart Hölderlin's insistence on a more basic primordial unity... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Disability in the Christian Tradition: A Reader Edited by Brian Brock and John SwintonKevin McCabeDisability in the Christian Tradition: A Reader EDITED BY BRIAN BROCK AND JOHN SWINTON Grand Rapids, MI: Eerdmans, 2012. 576 pp. $45.00Disability in the Christian Tradition makes an important contribution to the growing area of theological inquiry known as “theology of disability.” While questions of physical and intellectual difference are getting much-deserved attention from (...) religious ethicists and constructive theologians today, relatively little attention has been given to the treatment of what we now call “disability” throughout the history of Christian thought and especially in the premodern era. This volume seeks to remedy this situation by highlighting the theological consideration of disability in Christian thinkers from the patristic era to the present. Against tendencies to treat disability as a “special case” for thinking about humanity, this volume seeks to show the often overlooked presence of reflection on disability throughout the tradition.The volume pairs introductory and interpretive essays from contemporary scholars with primary source selections from each historical thinker. Essays on Augustine, Aquinas, and Luther help to correct the historical record, which often remembers these theologians as advocating rationalist or exclusionary anthropologies that marginalize or significantly compromise the humanity of persons with disabilities. These thinkers prove to be more nuanced and insightful than is often thought. However, as Brian Brock points out with respect to Augustine, and as Stefan Heuser points out with respect to Luther, [End Page 238] these figures are often ambivalent or at odds with themselves on the practical and theological significance of disability. Following the work started here, further interpretation and analysis will be needed in order to assess the legacies of these figures and to discern their usefulness for thinking about disability today. In this respect the reader serves as a helpful invitation for further historical and constructive work.Some of the finest essays in the volume focus on disability in order to illuminate the theologians under consideration in surprising ways. Christopher Craig Brittain’s essay on Kierkegaard appeals to his letters and manuscripts in order to show how questions of suffering, marginalization, and self-acceptance are crucial aspects of Kierkegaard’s understanding of being human and being Christian—and how his work might contribute to current debates in disability theory and theology. Bernd Wannenwetsch shows how Dietrich Bonhoeffer’s visit to a community for persons with disabilities in 1933 was a pivotal experience in the formation of his anthropology. Wannenwetsch compellingly argues that Bonhoeffer’s advocacy on behalf of the weak and disabled is integrally connected to his opposition to the destructive rival anthropology advocated under Nazi rule. These essays make important contributions both to our reflection on disability as well as to our understanding of Kierkegaard and Bonhoeffer’s wider thought.A variety of perspectives on the meaning of disability are on display in this volume. One comes away with the impression that the “dialogue with the communion of saints” (3) called for in the introduction might be more of a debate than a harmonious discourse. The historical thinkers featured here do not offer one Christian account of disability that might be set against modern and secular perspectives on disability, but they do offer much that is productive for ethicists and theologians today.This volume is important for anyone concerned with theological reflection on disability, but it would be a shame if the book’s readership were limited to such a group. Historical theologians and readers interested in the theological and ethical issues pertaining to Christian anthropology and questions of embodiment, suffering, and vulnerability will find much that is of value. Indeed, it is one of the lessons of the volume that disability is not just a marginal or trendy topic in the contemporary theological scene but a central aspect of human personhood that has played an important if complex role in the understanding of what it means to be human throughout the Christian tradition. [End Page 239]Kevin McCabeUniversity of Notre DameCopyright © 2014 Society of Christian Ethics... (shrink)

Abraham! Abraham! is an adventure in contemporary theology addressing the akedah (the binding or sacrifice of Isaac) inspired by Kierkegaard and by the Hasidim, especially Rabbi Nachman of Breslav and Rabbi Mordecai Joseph Leiner of Izbica. Gellman presents his version of Kierkegaard and compares and contrasts this with Hasidic thinkers. He then proceeds to employ Kierkegaardian and Hasidic themes to develop a contemporary reading of the story, and, in contrast, presents an understanding of the akedah from Sarah's point (...) of view. Appealing to a wide range of readers interested in existentialism, Hasidism, Christian thought, and feminist thought, Jerome Gellman illustrates the richness in Kierkegaard and Hasidic writings on the akedah. (shrink)