Utilitarianism is often rejected on the grounds that it fails to respect the separateness of persons, instead treating people as mere “receptacles of value”. I develop several different versions of this objection, and argue that, despite their prima facie plausibility, they are all mistaken. Although there are crude forms of utilitarianism that run afoul of these objections, I advance a new form of the view—‘token-pluralistic utilitarianism’—that does not.

This essay undertakes a reexamination of the notion of the receptacle/chōra in Plato's Timaeus, asking what its value may be to feminists seeking to understand the topology of the feminine in Western philosophy. As the source of cosmic motion as well as a restless figurality, labile and polyvocal, the receptacle/chōra offers a fecund zone of destabilization that allows for an immanent critique of ancient metaphysics. Engaging with Derridean, Irigarayan, and Kristevan analyses, Bianchi explores whether receptacle/chōra can exceed (...) its reduction to the maternal-feminine, and remain answerable to contemporary theoretical concerns. (shrink)

This essay undertakes a reexamination of the notion of the receptacle/chōra in Plato's Timaeus, asking what its value may be to feminists seeking to understand the topology of the feminine in Western philosophy. As the source of cosmic motion as well as a restless figurality, labile and polyvocal, the receptacle/chōra offers a fecund zone of destabilization that allows for an immanent critique of ancient metaphysics. Engaging with Derridean, Irigarayan, and Kristevan analyses, Bianchi explores whether receptacle/chōra can exceed (...) its reduction to the maternal-feminine, and remain answerable to contemporary theoretical concerns. (shrink)

This paper looks at the question of what regions of space are possibly exactly occupied by a material object.

After rejecting Carruthers' conflation of levels of consciousness as implausible and conceptually muddled, and Carruthers' claim that nonhumans are automata as undermined by evolutionary and ethological considerations, we develop a general criticism of contemporary philosophical approaches which, though recognizing nonhuman consciousness, still see animals as mere receptacles of experiences. This is, we argue, due to the fact that, while in the case of humans we grant a self - something that has not only a descriptive but also a prescriptive side, (...) requiring at least non-interference - in the case of nonhumans we focus only on the descriptive aspects. Consequently, we treat humans as equals whatever their capacities, but we order nonhumans in a hierarchy based on their cognitive level. We conclude that such double standards are not only inconsistent but also self-serving. (shrink)

The Receptacle of the title is, of course, the ‘Receptacle of all becoming’ in Plato’s Timaeus. Plato likens it to a ‘nurse’, and even calls it a ‘mother’. He speaks of it as that in which its contents come to be, only in their turn to disappear from it. He compares it to a mass of gold which someone incessantly remoulds into different shape. He declares it completely unchanging: ‘it does not depart from its own character in any (...) way'. What is its character? It is the character of possessing and acquiring no character similar to that of any of the objects said to enter it and disappear from it. Plato says too that it is space; the receptacle is what makes it true that each of those objects is somewhere. And finally, as if he had not already given us far too much to digest of this very rich subject, Plato adds that the Receptacle shakes its contents with a sort of winnowing motion, and in fact was already doing this even before the craftsman god had formed this world of ours. The question of this paper is: what is the function of this multifariously conceived entity, or principle, the Receptacle? I shall approach by asking what its contents are. (shrink)

This note concerns a recent paper by Hud Hudson on the nature of 'receptacles'. It simplifies the mathematics in Hudson's paper, and it eliminates almost all of the topology in Hudson's arguments.

Ueshiba Morihei (1883-1969), créateur de l’aikidō, fonde son « budō » (voie martiale) avec Deguchi Onisaburō (1871-1948), dirigeant de l’Ōmoto-kyō, l’une des « nouvelles religions » japonaises. Ils conçoivent le budō comme « la voie de création et d’ordonnancement de l’univers » en opposition aux « budō corporels » influencés par le modèle occidental du sport. Selon eux, l’Occident, « matérialiste », a profondément modifié les pratiques japonaises de telle sorte que le vécu du corps comme shintai, comme réceptacle des (...) kami (esprits ou divinités) lors des transes de possession est en voie de se perdre, et avec lui tout un monde. Le corps de possession rend communiquant les mondes : avec sa perte, il n’y a plus de transgressions possibles des frontières ontologiques ; l’homme ne peut plus s’unir à sa racine et retrouver sa totalité ; les animaux, les plantes et les pierres ne parlent plus et le dieu originel unique devient inaccessible, caché dans « l’imperceptible de l’imperceptible ». (shrink)

This paper will attempt to show that the interlude on necessity in the Timaeus narrative introduces a dualism into the Platonic cosmology, and that it is the material principle which is the positive cause of the disorder in the world. Furthermore, one can notice that in this work Plato is heading toward a concept of sensible substance that is close to the one which Aristotle will be defending.

The ‘traditional’ interpretation of the Receptacle in Plato’s Timaeus maintains that its parts act as substrata to ordinary particulars such as dogs and tables: particulars are form-matter compounds to which Forms supply properties and the Receptacle supplies a substratum, as well as a space in which these compounds come to be. I argue, against this view, that parts of the Receptacle cannot act as substrata for those particulars. I also argue, making use of contemporary discussions of supersubstantivalism, (...) against a substratum interpretation that separates substratum and space in the Timaeus. (shrink)

One short passage on what is called the Receptacle in Plato’s Timaeus has been the subject of much controversy since Cherniss presented an alternative reading of it in 1954. In this paper, I criticize an influential argument presented by Zeyl for a traditional reading, and propose a new interpretation which adopts the alternative reading on important sentences of the passage, but is not accompanied by the defects of Cherniss’ interpretation.

The aim of this paper is to describe Whitehead’s specific interpretation of what was originally Plato’s concept of the "receptacle". Whitehead, in line with his own process philosophy, understands Plato’s concept of the "receptacle" as a personal unity that, in its structural character, expresses the general principle that determines the constitution of the whole of our reality. The author of this paper begins by briefly describing Plato’s concept of hypodoché. The author then goes on to present Whitehead’s specific (...) interpretation of this concept, which allows him to elaborate the potential parallels between Whitehead’s interpretation of hypodoché and his concept of "eternal objects". Finally, the author attempts to find the answer to a fundamental philosophical question: what in reality corresponds to Whitehead’s concept of "eternal objects". He suggests that a possible answer may be found in the General Systems Theory of Ludwig von Bertalanffy. (shrink)

This paper aims to show that—and how—Plato’s notion of the receptacle in the Timaeus provides the conditions for developing a mathematical as well as a physical space without itself being space. In response to the debate whether Plato’s receptacle is a conception of space or of matter, I suggest employing criteria from topology and the theory of metric spaces as the most basic ones available. I show that the receptacle fulfils its main task–allowing the elements qua images (...) of the Forms to exist as sensible things by being that in which the elements appear, change and move–in virtue of being pure continuity. All further qualifications required for a full notion of space are derived solely from the content of the receptacle. (shrink)

At Timaeus 48e2–52d4 Timaeus sets out to establish that there are three principles or kinds underlying the creation of the cosmos, not just the two he acknowledged earlier. The way he does so is not simply by adding an account of the third kind to the accounts of being and becoming that he has already given. Rather he does so by showing how each of the three differs from the others. It has not been noticed how this procedure structures the (...) receptacle passage. The passage divides up into three parts, each punctuated by a list of the three kinds in a significant order. If we take X, Y and Z to stand for ‘becoming’, ‘being’ and ‘receptacle’ ’ respectively, the structure is X≠Z, X≠Y, Y≠Z. By showing the distinctness of each pair, Timaeus demonstrates that all the kinds are distinct and that they are indeed three in number. (shrink)

The chora is one of the most perplexing as well as neglected concepts in Whitehead's metaphysics. Explicitly drawing on Plato's Receptacle, Whitehead reinterprets the chora as the place, in between physics and metaphysics, where connections among actual entities happen. However, the relation between Whitehead's and Plato's choral remains widely unexplored. This article aims to correct this oversight By comparing the two philosophers, I intend to argue that, differences aside, the two philosophers adopted the chora to answer the common question (...) as to how things can be identified in the flux of events. In this way, I hope not only to clarify the obscure role of the chora in Whitehead's metaphysics and its relation to Plato, but also to explore the complex process of identification. (shrink)

In the Timaeus, Plato famously acknowledges the receptacle as extremely difficult to comprehend. It is neither intelligible (which is reserved exclusively for the Forms) nor sense-perceptible (as it is a principle far too basic). Instead, as Plato proposes, the receptacle can only be apprehended through a “bastard” sort of “reasoning” (νόθος λογισμός, Tim. 52b1-2.). This paper explores an exegesis of Plato’s claim as offered by Calcidius, the 4th century translator of and commentator on the Timaeus. I identify two (...) distinctive methods Calcidius advances when grappling with the knowability of the material substratum that underpins our world. The first method – analysis (resolutio) – traces its intellectual lineage to earlier philosophical tradition, and Calcidius primarily uses it to uncover the proper nature and ontological characteristics of matter. Conversely, the second method corresponds to the only cognitive grasp of matter Calcidius believes humans are capable of. In his view, we can neither sense-perceive nor rationally understand matter. Instead, matter yields itself only to the cognitive mode of suspicion (suspicio). The paper provides a detailed analysis of Calcidius’ suspicio, delving into its intricacies and exploring the interrelationships between suspicio and resolutio. As such it offers a pioneering and comprehensive exploration of Calcidius’ account of the knowability of matter. (shrink)

In Plato’s Timaeus, two different theories – the Receptacle theory and the geometrical particle theory – are presented to explain change in the natural world. In this paper, I argue that there is tension between the two theories. After examining several possible solutions for this tension, I conclude that Plato does not present it as something ready to be solved within the dialogue but, rather, as something to be understood in a way that maintains both theories. Finally, I also (...) argue that the contrast between the two theories in the Timaeus derives from a similar contrast in the Phaedo. (shrink)

Singer’s much-discussed replaceability argument states that non-self-conscious animals may be killed and replaced by new animals that will lead equally valuable lives. If sound, this argument can be used to justify the cycle of raising and killing animals for food. Thus, many have argued that Singer’s theory, and utilitarianism in general, while committed to this argument, offers inadequate protection to animals. However, some utilitarians reject the argument and Singer himself was rather tentative in preventing its additional application to self-conscious beings. (...) This tension, within utilitarianism, about how to best deal with the argument is the core of what I call ‘the problem of replaceability’. My main goal here is to provide a precise description of this problem. Firstly, I distinguish between the general question of replacement permissibility and the specific question of whether (a certain version of) utilitarianism implies the replaceability argument. Focusing on the specific question I set the problem apart from other known objections to utilitarianism, like the value receptacles objection and some replacement-like difficulties. I also compare two versions of the replaceability argument and advance a better one. Finally, I point out how different interpretations of the argument affect the way out of the problem. I hope this understanding of the problem offers helpful insight to possible solutions and to further investigate its importance to animal food production and animals’ moral status. (shrink)

How does Plotinus interpret the chora in Plato’s Timaeus? For him, Timaeus 48e‑52d deals with matter (hyle). The identification of chora with hyle goes back to Aristotle’s Physics IV.2. Aristotle’s interpretation of Plato’s chora as matter was echoed by Theophrastus and the Stoics and prevailed in Middle‑Platonist, neo‑Pythagorean and early Christian authors. In addition to the identification of chora with hyle, the ancient interpreters of the Timaeus conflated hyle with Plato’s ananke (Tim. 47e‑48a). Plato himself distinguishes between chora and ananke. (...) The latter denotes everything that appears in the “receptacle” prior to the ordering of the world by the demiurge, while chora is another name for the receptacle itself. In Plato, the receptacle accounts for the fact both that there are transient images of intelligible beings and that these images appear to occupy a place, i.e. that they are spatially extended. This is why the receptacle is given its alternative name “ground” (chora) and why it is also called “place” (topos) and “seat” (hedra). Although the receptacle itself cannot be spatially extended in the same way as that which appears “in it”, it is the cause of spatial extension. For Plotinus, two characteristics of matter are of primary importance : lack of size and impassibility. In the treatise II.4.[12].2‑5, he highlights the former, and in III.6[26].7‑19 he elaborates on the latter, while commenting once again on the former. In III.6[26].7‑19, he argues that this conception of matter is in line with how Plato conceives of it in the Timaeus. The “receptacle” cannot be acted upon (paschein) nor can it possess any size (megethos). Only the images of true beings “in” it can. In doing so, however, they make matter appear to “stretch out” alongside themselves. But this is not actually the case, because matter itself has no extension. On one point, however, Plotinus’ account differs from Plato’s. According to Plotinus, not only does matter not possess size, but it is not the cause of size either. The size of the appearances derives from the formulas (logoi) of which these appearances are images. Each formula encompasses within itself the measure of the size that its image will assume : the formula of horse encompasses the size of a particular horse, the formula of human being the size of a particular human being. Plotinus describes in more detail how a formula, in unfolding out of the soul, “stretches out”, thus acquiring size. He also makes a comparison between this process and the way in which formulas in the human soul display images of themselves in our image‑making faculty. He characterises this process as a motion starting from the formula and resulting in its “division” (merismos). This is what makes the image of the formula extended, i.e. divided partes extra partes, when it appears against the invisible background of matter. Since matter neither possesses size nor is the cause of it, it can be called “ground” (chora), “place” (topos) or “seat” (hedra) only in an improper way. (shrink)

In this article I argue that "Timaeus" 48e-52d, the passage in which Plato introduces the receptacle into his ontology, Contains the material for a satisfactory response to the third man argument. Plato's use of "this" and "such" to distinguish the receptacle, Becoming, And the forms clarifies the nature of his ontology and indicates that the forms are not, In general, self-predicative. This result removes one argument against regarding the "Timaeus" as a late dialogue.

In the Timaeus, Plato’s Timaeus offers an account of the sensible world in terms of “images” of forms. Often, images are taken to be particulars: either objects or particular property instances (tropes). Contrary to this trend, I argue that images are general characteristics which are immanent in the receptacle, or bundles of such characteristics. Thus, the entire sensible world can be analysed in terms of immanent general characteristics, the receptacle, and forms. Hence, for Timaeus, fundamentally, there are no (...) sensible particulars. I end by arguing that my interpretation is compatible with Timaeus’ construction of sensible entities from triangles. (shrink)

The aim of this paper is to provide a new reading of Plato’s precosmos (Ti. 52d2–53c3). More specifically, I shall argue that the precosmos is populated by bodies deriving from random complexes of properties, and that this is the effect of the Receptacle’s full precosmic participation in the Paradigm. This will turn out to be consistent with a robust notion of ‘precosmic generation’ and will reveal why Plato may have sought to refer to this otherwise puzzling scenario: representing the (...) precosmos in this way allows Plato to effectively justify why the Demiurge is responsible only for the goodness and perfection of the universe, and why it is properly the best possible cause. (shrink)

Hud Hudson offers a fascinating examination of philosophical reasons to believe in hyperspace. He explores non-theistic reasons in the first chapter and theistic ones towards the end; in the intervening sections he inquires into a variety of puzzles in the metaphysics of material objects that are either generated by the hypothesis of hyperspace or else informed by it, with discussions of receptacles, boundaries, contact, occupation, and superluminal motion. Anyone engaged with contemporary metaphysics, and many philosophers of religion, will find much (...) to stimulate them here. (shrink)

: Usually, when studying schematism we devote almost exclusive attention to the study of the modifications that the categories suffer when combined with time. Instead, we have focused our attention on the determinations that time receives when combined with the categories. Departing from the definition of the transcendental schemata as “determinations of time”, an attempt is made to establish the various determinations that time receives from each one of the categories, as these perform the determination of time in schematism. The (...) categories of quantity allow us to think of time as a series of homogeneous unities; the categories of quality show each instant of time as a receptacle able to receive the different intensities of the real; the categories of relation establish a rule-dependent order on the flow of time; finally, the categories of modality determine the whole of time forming a collective unity that gathers or embraces each one of the instants of time preserving its specificity. (shrink)

One often hears a complaint about “bare particulars”. This complaint has bugged me for years. I know it bugs others too, but no one seems to have vented in print, so that is what I propose to do. (I hope also to say a few constructive things along the way.) The complaint is aimed at the substratum theory, which says that particulars are, in a certain sense, separate from their universals. If universals and particulars are separate, connected to each other (...) only by a relation of instantiation, then, it is said, the nature of these particulars becomes mysterious. In themselves, they do not have any properties at all. They are nothing but a pincushion into which universals may be poked. They are Locke’s “I know not what” (1689, II, xxiii, §2); they are Plato’s receptacles (Timaeus 48c–53c); they are “bare particulars”.1 Against substratum theory there is the bundle theory, according to which particulars are just bundles of universals. The substratum and bundle theories agree on much. They agree that both universals and particulars exist. And they agree that a particular in some sense has universals. (I use phrases like ‘particular P has universal U ’ and ‘particular P ’s universals’ neutrally as between the substratum and bundle theories.) But the bundle theory says that a particular is exhaustively composed of (i.e., is a mereological fusion of) its universals. The substratum theory, on the other hand, denies this. Take a particular, and mereologically subtract away its universals. Is anything left? According to the bundle theory, no. But according to the substratum theory, something is indeed left. Call this remaining something a thin particular. The thin particular does not contain the universals as parts; it instantiates them. (shrink)

La présentation ambiguë de la χώρα dans le Timée a donné lieu à une grande diversité d’interprétations, dont la plupart se sont inspirées de la critique aristotélicienne du discours de Timée. Depuis l’Antiquité, ceux qui ont voulu sauver l’analyse de Platon face aux objections formulées par Aristote se sont servis des notions et des présuppositions que celui‑ci a imposées au débat. Or, il importe d’essayer de dépouiller de ces présupposés la question de la χώρα, en cherchant à identifier les questions (...) que Platon lui‑même s’est posé, et qu’il a voulu résoudre en établissant la notion de χώρα. Vu que, en Tim. 52d‑53b, Platon indique que la χώρα contenait des qualités avant l’intervention démiurgique, il faut accepter que ce réceptacle qui reçoit les éléments n’est pas sans forme et, dès lors, qu’il ne correspond pas à la notion aristotélicienne de la matière. Il s’agit plutôt d’une masse corporelle douée d’une motion déséquilibrée, et dont la nature n’est pas changée lors de l’imposition de la forme. La matérialité de cette masse corporelle ne faisant l’objet d’aucune conceptualisation, ce passage sur la χώρα, comme d’ailleurs l’analyse des éléments en Tim. 53b‑61c, montre que Platon n’a pas élaboré une theorie de la matière. (shrink)

The Dialectic of Essence offers a systematic new account of Plato's metaphysics. Allan Silverman argues that the best way to make sense of the metaphysics as a whole is to examine carefully what Plato says about ousia (essence) from the Meno through the middle period dialogues, the Phaedo and the Republic, and into several late dialogues including the Parmenides, the Sophist, the Philebus, and the Timaeus. This book focuses on three fundamental facets of the metaphysics: the theory of Forms; the (...) nature of particulars; and Plato's understanding of the nature of metaphysical inquiry. Silverman seeks to show how Plato conceives of "Being" as a unique way in which an essence is related to a Form. Conversely, partaking ("having") is the way in which a material particular is related to its properties: Particulars, thus, in an important sense lack essence. Additionally, the author closely analyzes Plato's idea that the relation between Forms and particulars is mediated by form-copies. Even when some late dialogues provide a richer account of particulars, Silverman maintains that particulars are still denied essence. Indeed, with the Timaeus's introduction of the receptacle, there are no particulars of the traditional variety. This book cogently demonstrates that when we understand that Plato's concern with essence lies at the root of his metaphysics, we are better equipped to find our way through the labyrinth of his dialogues and to better appreciate how they form a coherent theory. (shrink)

Plato's Timaeus is one of the most influential and challenging works of ancient philosophy to have come down to us. Sarah Broadie's rich and compelling study proposes new interpretations of major elements of the Timaeus, including the separate Demiurge, the cosmic 'beginning', the 'second mixing', the Receptacle and the Atlantis story. Broadie shows how Plato deploys the mythic themes of the Timaeus to convey fundamental philosophical insights and examines the profoundly differing methods of interpretation which have been brought to (...) bear on the work. Her book is for everyone interested in Ancient Greek philosophy, cosmology and mythology, whether classicists, philosophers, historians of ideas or historians of science. It offers new findings to scholars familiar with the material, but it is also a clear and reliable resource for anyone coming to it for the first time. (shrink)

This thoughtful, learned, well-written, extensively illustrated, and heavily documented study deserves to be regarded as a landmark in art history. Traditional art history has dealt for the most part with the “fine arts” (chiefly painting, drawing, sculpture, and architecture), whereas other human creations that take physical form (such as furniture, ceramics, textiles, and metal and glass items), whether utilitarian or decorative (or both at once), are considered “craft” or “applied art” and are studied by folklorists, anthropologists, and archaeologists and often (...) displayed in different museums. Cooke wishes to break down this “hierarchical taxonomy,” this “fragmented, hierarchical field,” that emerged from Western Europe's “misunderstanding of art,” which valued “the cerebral over the manual.” His goal, in other words, is to outline “a more inclusive human history of art”— “a connected art history.” This phrase from his subtitle refers not simply to connecting “fine art” with “applied art” but also to crossing temporal and regional boundaries. Still another act of connecting is to examine all parts of an object's life history, and thus the three main divisions of the book deal with the making of objects, their circulation from one person and place to another (and “their ability to transmit ideas” in the process), and their meaning for the persons who possessed or encountered them.Over the years I have repeatedly said that all objects made by human beings are worthy of preservation and study because they bring us into direct contact with the past and, as part of our surroundings, affect our thoughts in the present. Every object, I have argued, including copies of a single printed edition of a book (so-called duplicates), is an independent witness to the past. I am particularly pleased, therefore, to welcome a major book that explores in detail, with a wealth of examples from many centuries and cultures, the place of objects in human history. Cooke's pursuit is “object-driven,” beginning with the nature of the materials and finally coming to “the inherent power of the object itself to influence human thought and action.” (Compare the subtitle of Sherry Turkle's 2007 anthology Evocative Objects: Things We Think With.) Cooke's refusal to separate “materials” from “people,” or “technologies” from “values,” reminds me of John Szarkowski's approach to photographs. In Photography until Now (1989), Szarkowski points out that histories of photography generally treat technical matters separately from artistic ones—a split between the “empirical” and the “intuitive” that he finds indefensible, for “these two ways of knowing meet in the process of making things.” He adds, “The meeting can be cordially symbiotic or aggressively competitive, but its resolution defines the character and meaning of the thing that is made.” This statement has been a favorite of mine as an elegant characterization of the nature of art, and it is one that Cooke would clearly agree with.Cooke does not discuss photography, but he makes clear that he is not attempting a “comprehensive history that charts the complete ebb and flow of objects over time.” Rather, his book is meant to be a “suggestive guide” to the “principles of material literacy,” a “kit of tools for future complex constructions of history.” Even so, I find some of the omissions puzzling. Why, for example, are glass objects not taken up, when he so thoroughly deals with other common materials? More serious, in my opinion, is the exclusion of the fine arts. (Of the 215 illustrations, five are of oil paintings and one is of a Japanese print, but they are present only as the sources for information drawn from their pictorial content; one Hogarth engraving is shown because its image was often reproduced on punch bowls; and there is a very brief passage on the “uneasy relationship” between sculpture and material culture, but no sculptures are illustrated or used as examples for discussion.) Presumably Cooke felt it was unnecessary for his book to encompass the fine arts after demonstrating that functional objects are just as sophisticated artistically and culturally as products of the fine arts are. Yet those products also belong to the universe of “entangled objects” (How could they not?), and it would have been illuminating to see them adduced among the examples Cooke cites. One could argue that by excluding them—and by referring to the makers of the objects he does discuss as “artisans” and “craftspeople”—he comes close to reinforcing the division he wishes to eliminate.Less easy to explain is Cooke's omission of books, for they have been one of the largest and most widely circulated classes of utilitarian objects. Most people never think about books as objects, treating them only as disposable receptacles for transmitting verbal texts in tangible form (which is why so many books are destroyed when their texts supposedly become available in another form). Such people do not realize that texts have connections with their physical embodiments. (For example, books, whether manuscript or printed, often contain clues revealing how their texts were affected by the production process; and readers’ attitudes toward texts can be influenced by their presentation.) Cooke, however, with his deep understanding of the way objects function and his impressive knowledge of the scholarship, cannot be one of these uninformed people. He would obviously be aware of the vast literature devoted to leather and cloth bookbindings and their decoration, as well as to the myriad styles of letters and the varieties of paper and parchment; he would also know how letterforms and binding designs reflect a complex interplay of social, political, and artistic forces. Bibliographers have long studied books as Cooke advocates studying other objects: “working from the inside out,” beginning with the evidence in books themselves for reconstructing the routines that were followed in their creation. And book historians are recognizing the necessity for an international approach like Cooke's, since many of the books circulating in one country originated in other countries. Books would have been a prolific additional source for illustrating Cooke's analyses.My admiration for Cooke's book is not altered by these few disappointments. Even without discussions of paintings, sculptures, and books, it is still exhilarating in its scope and depth. One hopes that art and material-culture historians will pay attention to it. But it ought to have a wider audience, for the daily lives of all of us would be enriched by a greater appreciation of the objects that make up a significant part of our environment. (shrink)

Plato's dialogue the Timaeus-Critias presents two connected accounts, that of the story of Atlantis and its defeat by ancient Athens and that of the creation of the cosmos by a divine craftsman. This book offers a unified reading of the dialogue. It tackles a wide range of interpretative and philosophical issues. Topics discussed include the function of the famous Atlantis story, the notion of cosmology as 'myth' and as 'likely', and the role of God in Platonic cosmology. Other areas commented (...) upon are Plato's concepts of 'necessity' and 'teleology', the nature of the 'receptacle', the relationship between the soul and the body, the use of perception in cosmology, and the work's peculiar monologue form. The unifying theme is teleology: Plato's attempt to show the cosmos to be organised for the good. A central lesson which emerges is that the Timaeus is closer to Aristotle's physics than previously thought. (shrink)

Where do we come from? Are we merely a cluster of elementary particles in a gigantic world receptacle? And what does it all mean? In this highly original new book, the philosopher Markus Gabriel challenges our notion of what exists and what it means to exist. He questions the idea that there is a world that encompasses everything like a container life, the universe, and everything else. This all-inclusive being does not exist and cannot exist. For the world itself (...) is not found in the world. And even when we think about the world, the world about which we think is obviously not identical with the world in which we think. For, as we are thinking about the world, this is only a very small event in the world. Besides this, there are still innumerable other objects and events: rain showers, toothaches and the World Cup. Drawing on the recent history of philosophy, Gabriel asserts that the world cannot exist at all, because it is not found in the world. Yet with the exception of the world, everything else exists; even unicorns on the far side of the moon wearing police uniforms. Revelling in witty thought experiments, word play, and the courage of provocation, Markus Gabriel demonstrates the necessity of a questioning mind and the role that humour can play in coming to terms with the abyss of human existence. (shrink)

This paper investigates the intersection of architecture, philosophy, and sexual difference in Plato’s notion of khōra as it appears in the Timaeus. By engaging first with Jacques Derrida's deconstruction of Plato’s khōra, the paper shows how the interplay between architecture and philosophy not only reflects but also perpetuates patriarchal structures. Khōra, sometimes solely described as a passive receptacle, stages a complex relationship with femininity that challenges traditional notions of space and identity. Drawing on the works of feminist theorists such (...) as Julia Kristeva and Fanny Söderbäck, the paper examines how khōra serves as a foundational moment in the construction of sexual difference within philosophical discourse. Ultimately, this exploration calls for a reimagining of khōra as a site of resistance and transformation—one that, while existing before the architect-demiurge created the universe, nonetheless conditions his work. (shrink)

The various cosmological proposals by Einsteinian relativists seek to show the structure of the world as a consequence of the basic notions of relativity. In particular, the irrelevance of the state of motion of an observer to his description of the fundamental laws of nature is to be maintained. Furthermore, gravity is understood as being a description of the fact that particles move along certain minimal paths in non-Euclidean space. In this theory, the effect of one material particle on another (...) particle in the old-fashioned sense of gravitational attraction becomes indirect; that is, a particle moves on a minimal path in a space having a degree of curvature dependent on the material entities which exist in it, rather than having its path bent by the attraction between it and other material bodies, all of them existing in an absolute or receptacle-like space. (shrink)

In our day and age, everyday life has become a receptacle of various spheres of human life and development. Its expansion and current role of the main reference point for the valuation of phenomena and processes can be seen in the media, various branches of the economy, politics, education, religion, science, art, new technologies, etc. Therefore, the question that we seek to answer in our article is the following: what is the role of democratic politics and educational practice in (...) the context of the modern appreciation of everyday life as the most essential locus of human life? (shrink)

Each of the three volumes of Erasmus Francisci’s Acerra Exoticorum (1672-74), a collection of stories and reports from all corners of the known world, begins with a Vorrede to the reader. These texts address the rationale for his work, apologize for errors in spelling and/or meaning, and outline his thinking about stories and histories, or more precisely, the difference between reports of current events and histories proven true by the test of time. Each of the three tomes offers stories from (...) all over the known world, gathered and arranged without any easily perceptible organizing principle. Still, some of the narratives do suggest a teaching or moralizing function, while others seem to serve mostly to inform and entertain introducing the reader to »meldungswürdige Sitten/ Gewonheiten / so wol als andrer anmercklicher Sachen außheimischer Sachen,« as truthfully and historically accurate as possible. Francisci presents his Acerra Exoticorum as a receptacle of events outside of Germany. He will inform the reader about old and new »Ordnungen und Gewohnheiten,« corroborated by the writings of trusted authors. While paying special attention to the programmatic Vorreden of the three Acerra-volumes, I will examine how Francisci handles both textual and narrative varieties, news reports and historical texts, and what this tells us about his historical, cultural, and geographic reach. (shrink)

Le maître mot de la philosophie poppérienne est l’ouverture. Cette conception de la rationalité, fondée sur le thème de la faillibilité, échappe à la mise en question de la clôture de la raison moderne dominatrice. La rationalité n’est pas tant un ensemble de techniques qu’une attitude morale d’ouverture à l’autre, reposant sur l’idée qu’à la violence peut être substitué un jeu polémique, la discussion critique, codifiée par des règles. « Vous pouvez avoir raison et je peux avoir tort, mais nous (...) pouvons en confrontant nos points de vue nous efforcer ensemble de nous rapprocher de la vérité » et « Ne considère jamais l’autre seulement comme un réceptacle passif de tes idées, mais toujours comme un critique potentiel de celles-ci! », telles sont les formules qui caractérisent le « rationalisme critique ». (shrink)

An article by John Dillon ardues that the Platonism that Plotinus inherits – setting aside Ammonius Saccas, of whom we know all too little – is by the later second century distinctly dualist in tendency, and is able, especially in the case of Plutarch, to quote Plato to its purpose. Plato himself, though, as the author maintains, is, despite appearances to the contrary, what one might term a ‘modified monist’. That is to say, he fully recognizes the degree of imperfection (...) and evil in the world, and holds it to be ineradicable, but he does not in the last resort believe in a positive countervailing force to the Good or the One. What we have is simply a negative force, whether Indefinite Dyad, disorderly World-Soul, or Receptacle, which is an inevitable condition of their being a world at all, but which, as a side-effect of introducing diversity, generates various sorts of imperfection. It is this scenario that justifies his follower Hermodorus in declaring that Plato recognizes only a single first principle, and it to this sort of monism – if anything, in a more pronounced form – that Plotinus returns. (shrink)

Cette édition numérique a été réalisée à partir d'un support physique, parfois ancien, conservé au sein du dépôt légal de la Bibliothèque nationale de France, conformément à la loi n° 2012-287 du 1er mars 2012 relative à l'exploitation des Livres indisponibles du XXe siècle. La philosophie de Platon se trouve ici interrogée sur la conception de l'alphabet, c'est-à-dire sur les éléments qui rendent possibles la lecture, l'écriture et l'énonciation de quelque pensée que ce soit. « Copyright Electre » Pages de (...) début Introduction Note bibliographique I - De l'écriture II - Une chimère d'écriture III - Le savoir des lettres IV - On n'entend pas la voix de Platon V - L'ame comme un livre VI - L'épaisseur du sémantique VII - L'orthotès, orthophonie, orthographe VIII - Redécouverte du phonétique IX - Stoicheïologie et définition X - La combinaison des genres et le concept d'élément XI - De la lecture XII - Le réceptacle Les archétypes et leur inscription ConclusionIndex nominum Index rerum Pages de fin. (shrink)