James Phillips’s _Sternberg and Dietrich: The Phenomenology of Spectacle_ reappraises the cinematic collaboration between the Austrian-American filmmaker Josef von Sternberg (1894–1969) and the German-American actor Marlene Dietrich (1901–1992). Considered by his contemporaries to be one of the most significant directors of Golden-Age Hollywood, Sternberg made seven films with Dietrich that helped establish her as a style icon and star and entrenched his own reputation for extravagance and aesthetic spectacle. These films enriched the technical repertoire of the industry, challenged the (...) sexual mores of the times, and notoriously tried the patience of management at Paramount Studios. Sternberg and Dietrich: The Phenomenology of Spectacle demonstrates how under Sternberg’s direction Paramount’s sound stages became laboratories for novel thought experiments. Analyzing in depth the last four films on which Sternberg and Dietrich worked together, Phillips reconstructs the “cinematic philosophy” that Sternberg claimed for himself in his autobiography and for whose fullest expression Dietrich was indispensable. This book makes a case for the originality and perceptiveness with which these films treat such issues as the nature of trust, the status of appearance, the standing of women, the ethics and politics of the image, and the relationship between cinema and the world. Sternberg and Dietrich: The Phenomenology of Spectacle reveals that more is at stake in these films than the showcasing of a new star and the confectionery of glamor: Dietrich emerges here as a woman at ease in the world without being at home in it, as both an image of autonomy and the autonomy of the image. (shrink)

In weitem Bogen behandeln die Griechischen Studien wichtige Momente der griechischen Geschichte von ihren Anfängen bis ins 4. Jahrhundert v. Chr. Besondere Aufmerksamkeit gilt zunächst - in Zusammenarbeit mit dem Basler Alttestamentler Klaus Seybold - dem Vergleich mit der parallelen Entwicklung in Israel / Juda, um das Charakteristische der griechischen Geschichte zu profilieren. Einen weiteren Schwerpunkt bildet das 4. Jahrhundert v. Chr. mit Studien zur Beurteilung der athenischen Demokratie und zur Bewertung des Tyrannen Dionysios von Syrakus als Wegbereiter der hellenistischen (...) Monarchie. Die letzten drei wissenschaftsgeschichtlichen Beiträge gelten vor allem Jacob Burckhardt und Ulrich von Wilamowitz-Moellendorff. (shrink)

Die Herausforderung durch "das Neue" hat sich zu Beginn des 21. Jahrhunderts noch einmal entscheidend verschärft. Bio-, Nano- und Medienwissenschaftler verkünden zum wiederholten Male Veränderungen, die das Gesicht und die Ordnung der "Welt" tiefgreifend umgestalten werden. Futurologen sprechen sogar von einer "zweiten Evolution", die sich bereits jetzt ankündige. Die Wahrnehmung des Neuen ist aber selbst eine historische Variable. Deshalb werden in diesem Bande zwei paradigmatische Typen von Gesellschaften auf ihren Umfang mit dem Neuen hin untersucht: eine traditionale, die Antike, und (...) eine modernisierende, die Renaissance. Inhaltlich geht es in beiden Bereichen um Fragen der Kunst- und Literaturtheorie, der ästhetischen und politischen Praxis, der gesellschaftlichen Herausforderungen, die das Neue begleiten, bis hin zu dem direkten Vergleich zweier herausragender Gestalten der beiden Epochen: Augustus und Cosimo di Medici. Dabei werden in den Aufsätzen von Altertumswissenschaftlern und Spezialisten für die Renaissance Konzepte unterschiedlicher historischer Gesellschaften nach ihren mentalen Dispositionen und Methoden befragt, um Traditionsbrüche, Innovationen sowie Imaginationen "des Neuen" zu reflektieren. (shrink)

This book presents startling evidence that state monopolies can produce better outcomes than the free market. It provides an empirical comparison of the property insurance market in five European countries: Britain, Spain, France, Switzerland, and Germany. The market and cost structures of insurers in each country are described, and particular features of each market and the outcomes for customers examined. The regulatory frameworks vary widely from country to country and so do the market outcomes, both in terms of premium level (...) and in terms of available insurance cover.In view of the increase in major floods and other forms of natural damage over the last decades, the non-availability of insurance cover in many competitive insurance systems is likely to become a major political issue. This book shows that state monopoly is an adequate policy response. Competitive insurance systems are shown to provide incomplete cover at a substantially higher cost. In mixed systems, where the private sector can obtain reinsurance from the state the state tends to end up paying most of the costs while the private insurance companies keep most of the premium income.The book will be of interest to academic economists interested in privatization, regulation, the theory of the firm, and insurance; Policy-makers concerned with regulation and privatization; Insurance companies, regulators, and analysts. (shrink)

ISBN 978-1-4384-9027-4 Argues that Nietzsche’s idea of the Übermensch was a central concern of filmmakers in the 1920s and 1930s. -/- Nietzsche in Hollywood offers a compelling and startling history of Hollywood film in which the German philosopher Friedrich Nietzsche and his idea of the Übermensch looms large. Though Nietzsche’s philosophy was attacked as egoistic and a sociopathic version of Darwinism in films from the 1910s, it undergoes a series of cinematic and philosophical transformations in the 1920s and 1930s under (...) the eye and pen of some of the most significant names in early Hollywood, including Erich von Stroheim, Josef von Sternberg, Ben Hecht, Howard Hawks, and Ernst Lubitsch. In addition to establishing historical connections between Nietzsche’s philosophy and these filmmakers, the book provides philosophical readings of many Hollywood films through the lens of the Nietzschean ideas of “perspectivism” and the critique of morality. Offering a new history of classic Hollywood films as well as a new approach to film philosophy, Nietzsche in Hollywood reveals a reading of the philosopher in American culture that has largely been ignored. (shrink)

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain (...) in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant. (shrink)

Foreword by Hans Urs von Balthasar Near the end of a long career as one of the most widely read popular Thomistic philosophers of the twentieth century, Josef Pieper has himself compiled an anthology from all his works. He has selected the best and most representative passages and arranged them in an order that gives sense to the whole and aids in the understanding of each excerpt. Pieper's reputation rests on his remarkable ability to restate traditional wisdom in terms (...) of contemporary problems. He is a philosopher who writes in the language of common sense, presenting involved issues in a clear, lucid and simple manner. Among his many well-known works included in this anthology are selections from Leisure: The Basis of Culture, The Four Cardinal Virtues, About Love, Belief and Faith, Happiness and Contemplation, and Scholasticism. Below is a list of the selection titles: Human Authenticity The Two Sides of the Coin That Is Truth The Freedom of Philosophy and Its Adversaries Free Space in the World of Work Truths-Known and Believed The Reality of the Holy "Finis" Means Both End and Goal. (shrink)

Juros, H. Die "Objektschwäche" der Moraltheologie.--Nossol, A. Christsein als radikale Proexistenz.--Styczen', T. Personaler Glaube im Spannungsfeld von religiöser Autorität und Gewissensautonomie.--Piegsa, J. Die "Sache Jesu" und die Reformmarxisten.--Szostek, A. Zur gegenwärtigen Diskussion über den Utilitarismus.--Pryszmont, J. Die Wiederherstellung der gefallenen menschlichen Natur.--Theiner, J. Gedanken zur Sündenlehre Abaelards in seinem Werk "Ethica seu Scito teipsum".--Sikorski, T. Die Aporie des gemeinschaftlichen Lebens.--Kleber, K.-H. Der Christ und die Armut.--Wojtyła, K. Die menschliche Person im Kontext der ehelichen Hingabe und Elternschaft.--Tischner, J. Überlegungen zur Arbeitsethik.--Zeimentz, (...) H. Toleranz-Freiheit-Wahrheit. (shrink)

Summary This paper reports on an analysis of organizational structures in Swedish elite ice hockey and is concerned with the organization at club level, its similarities and differences with regard to the clubs’ structural dimensions: specialization, standardization and centralization. Findings are based on structured interviews with the general managers of 11 clubs represented in the Swedish elite league and on official and unofficial documents. The results, categorizing the clubs for each of these three structural dimensions into Law, Medium, and High, (...) reveal some smaller variations in structural features, but mainly similarities, explained using the concept of adaptive isomorphism. (shrink)