_ Source: _Volume 10, Issue 1, pp 1 - 39 Through a novel set of texts drawn from Plato, Porphyry, Plotinus, Ps. Julian, Proclus, Hermeias, Synesius and Damascius, I explore how anagogic _erōs_ in master-disciple relationships in Neoplatonism contributed to the attainment of self-knowledge and to the transmission of knowledge, authority and inspired insights within and outside the _diadochia_. I view anagogic _erōs_ as one of the most important channels of non-discursive pedagogy and argue for the mediating power of anagogic (...) _erōs_ in the attainment of the main goal of the Platonist: reorienting desire from sensible to intelligible beauty and changing one’s ontological status to become like god and attain union with the divine. After considering the problematic nature of Socratic _erōs_, its skeptics and detractors, I discuss the dynamics of philosopher-disciple relationships and the experience of anagogic _erōs_ in the following: the attack on Porphyry and defense by Plotinus following Porphyry’s recital of an ecstatic poem on _Hieros Gamos_, the concealment of anagogic _erōs_ behind the authoritative façade of an oracle, the intensely devotional private letters of Ps. Julian to the aged Iamblichus and of Synesius to his female master Hypatia; the identification of anagogic _erōs_ with theurgic ascent in Syrianus’s school according to Proclus and Hermeias and the experiences of anagogic _erōs_ outside the _diadochia_ in Damascius’ _Philosophical History_. I conclude that the true and correct practice of philosophy had much, if not everything to do with the anagogic _erōs_ between the true philosopher, the bacchant and the philosopher in training, aspiring to become transformed from thyrsus-bearer into bacchant. The privileged and exalted status given to the divine lover ensured the transmission of the philosophical tradition in all its richness, preserving both its discursive and non-discursive aspects as a system of thought, as a way of life and as a way of being and loving. (shrink)

ABSTRACTMartin Luther famously denounced Pseudo-Dionysius as ‘downright dangerous; he Platonizes more than he Christianizes.’ In this 500th year of the Reformation I critically examine Luther’s judgement firstly by exploring the Neoplatonic background to ritual in Dionysius, secondly by presenting a Reformed critique of this background and finally by arguing for a distinctively Christian Dionysius who survives this critique.

In the fragments of Damascius’ Vita Isidori one can observe a significant presence of the “marvellous.” In many cases, the marvellous seems to manifest a sacral and anagogical value in line with the philosophical and religious conceptions of late Neo-Platonism. A similar value of the marvellous can also be found in a passage of De Principiis, where Damascius hails the totally ineffable Principle as supremely marvellous, upon which he presents it as absolutely unknowable and expressible only in an aporetic way.

Although many aspects of Bonaventure’s little classic De Reductione Artium ad Theologiam have been addressed in recent literature,1 the translation of the title remains problematic, not only from Latin into English but also from a Greek precedent into Latin. Calling it “On the Reduction of the Arts to Theology” always requires an explanation of the word “reduction.”2 How all the arts, indeed all of human learning, relate to theology and thus to God can hardly be considered a reduction in the (...) usual sense. “Leading back” is better, because it suggests the overall theological structure, but is still an incomplete translation, as revealed by the Greek background. The Latin word family reducere in this case reflects a .. (shrink)

The debate over the authorship of the allegorical interpretation of Heliodorus’ novel extant in codex Marc. Gr. 410 bequeathed to subsequent scholarship the assumption that the text belongs to the Neoplatonic allegorical tradition of reading Homer. This essay aims to revisit this philosophical attribution and argue that the terms and philosophical categories alluded in this allegory are characteristic of a long tradition of Patristic analysis, and more specifically of Gregory of Nyssa and Maximus Confessor’s exegesis. Setting forth new textual evidence, (...) it argues that the exegetical practice displayed in the allegory reflects Maximus Confessor’s anagogical exegesis and Gregory of Nyssa’s pedagogy of desire and doctrine of spiritual progress as set forth in the Homilies on the Song of Songs and The Life of Moses. (shrink)

Karl Barth leaves room by his own principles for further, even different thinking about Jews and gender than he records in the Dogmatics. Now that Marquardt, Klappert, Sonderegger, Soulen, and others have offered sympathetic critiques from a generally Barthian point of view, and Eberhard Busch has exhaustively laid to rest any biographical questions of Barth’s relation to the Jewish people in his 1996 book, Unter dem Bogen des einen Bundes: Karl Barth und die Juden 1933–1945, the way lies open to (...) carry forward Barth’s theological critique of nineteenth century theology and of abstraction further into the areas of Jews and gender, and to propose constructive pneumatological and exegetical supplements to his thinking. Barth’s thinking on women and men, like his thinking on Jews, labors, for all its promise in its time, under a defect he calls abstraction. Barth faulted Calvin for abstracting both elect human beings and the electing God from Jesus Christ, whom Barth called the elect human being and the electing God in one. Yet on the election of the community Barth did not entirely escape the abstraction. In the manner of Augustine’s Retractions, Barth wrote to Maruardt toward the end of his life that he had been so busy with Israel that he had had no time for the Jews. Does Barth, as Marquardt and Sonderegger suggest, throw up despite himself a conceptual screen onto which he at once projects an abstraction and behind which he hides actual human beings , a screen resistant to the blowing of the Spirit? Do the concepts “ man” and “ woman” form a similar conceptual screen, dating from Schleiermacher’s dialogue Christmas Eve, in which men and women have essentially different responses to the incarnation of Jesus Christ? Das ewig M??nnliche and das ewig Weibliche, inherited from German romanticism, see to run afoul of Barth’s trinitarian particularism, as does “ Israel”. Yet further application of Barth’s own principles, including more attention to the Spirit, leaves him more options in his treatment of Jews and gender, and richer exegesis – including exegesis by anagogy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Whose Red Garments?Which Divine Warrior? Thomas Aquinas on Isaiah 63 and the Literal Interpretation of the Old TestamentJoshua MaddenIntroductionIn attempting to discern the principles by which St. Thomas Aquinas offers a literal interpretation of the Old Testament, this essay will serve to highlight the tension between various periods and methods of biblical exegesis in the hope that it will allow a more fruitful engagement with the conclusions of both (...) St. Thomas and modern biblical commentators. In order to make this discernment, we begin first by addressing the concept of literal interpretation as a whole, as significant misunderstandings can arise in any discussion of what a "literal" reading of Scripture actually is. This exploration will serve our project well by allowing us to pin down precisely what is meant by this term, as well as why it should be important in any mode of theological exegesis (especially that of the Old Testament). When we are able to parse out the exact nature of literal interpretation and the implications of taking such an approach with regard to St. Thomas, we will then be capable of examining a particular instance of Thomas's exegesis by offering a test case of his methods in the reading of Isaiah 63, in which Isaiah prophesies the future appearance of a heavenly warrior who will bring both judgment and salvation to Israel.To sum up, we have two goals: to show that St. Thomas's understanding of the literal sense is both logically coherent and perennially illuminating, and to highlight a particular instance in which St. Thomas's exegesis and literal interpretation is employed in an insightful and creative manner. The conclusion of such an investigation will demonstrate that Aquinas is a [End Page 1201] valuable resource for the science of biblical exegesis precisely because of his philosophically robust methodology and his commitment to the grounding and foundational importance of the Old Testament's historical, literal sense.The Nature of Literal InterpretationAt the very outset of the Summa theologiae, St. Thomas deals with the issue of biblical interpretation and the various senses of Scripture. First, he clarifies what it means to speak of a literal sense of Scripture: "that first signification whereby words signify things belongs to the first sense, the historical or literal."1 Having established what he means by the literal sense, he goes on to speak of the various spiritual senses—allegorical, moral, anagogical—and the way in which they are to be parsed out, but he is careful to note that a multiplication of senses does not necessitate equivocation in meaning: "Thus in holy Scripture no confusion results [from the multiplicity of senses] for all the senses are founded on one—the literal—from which alone can any argument be drawn, and not from those intended in allegory."2 To sum up: the literal, historical sense of Scripture is that meaning which is intended by the words themselves, and it is upon this understanding alone that any argument (and thus any theology) can be founded.3Now one should not take this definition of the literal sense as somehow historicizing or demystifying the text of Scripture, as though St. Thomas were concerned merely with what the words of the human authors mean. First, it is not merely the intention of the human author that must be ascertained, for the human author is not the only author: "The author of holy Scripture is God."4 In the preface to the Super Isaiam he says the same: "the author of Sacred Scripture is the Holy Spirit," and it is "the prophet's tongue" (lingua prophetae) which acts as the divine instrument (organum spiritus sancti).5 So [End Page 1202] here we have a necessary condition for literal interpretation, that it must treat God as the primary author of Scripture. Therefore, a literal exegesis of any particular text must take into account not only the intention of the human author, but the divine author as well.Let us proceed. It is a particularly modern approach to couch this search for the literal sense of the text as the search to ascertain "what the author meant." For St. Thomas, this is a... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Rhetoric 35.4 (2002) 297-327 [Access article in PDF] Liberal Irony A Program for Rhetoric James P. McDaniel [Figures] Seeing like a state Perhaps these famous yet simple pictures display not so much the virtuosity of photography or photographers as they statically represent fragments of Mahatma Gandhi's theosophical and political dynamism, his uncanny blend of calm and charisma, thought and play. The compositions are technically simple yet thematically (...) rich. The great leader being led by a boy, the public figure reflecting quietly in private over news reports: these modest representations key awareness of the place of overturning in Gandhi's thought, words, and deeds. A man who encouraged non-violent resistance (ahimsa) to British Imperialists, Gandhi submitted his body to great harshness (himsa). A witness to incredible atrocities committed against his people, Gandhi exhorted his followers to present their bodies before armed imperialist soldiers with full knowledge that they would be brutalized, many killed. Legally prohibited from doing so, Gandhi made salt. Exhausted and hungry, Gandhi walked hundreds of kilometers without rest and fasted for long stretches of time. Hated and feared, Gandhi loved. Perpetually reversing the "logic" of the world he knew, overturning its values to find and clarify truer values, insisting that choices be made between the received and the [End Page 297] promised, the "is" and the "ought," the actual and the possible, Gandhi was an ironist.Each picture can also be seen as an allegory, or taken together as an allegorical complex of mutually illuminating signs, and Gandhi as a political allegorist of human relations for early twentieth-century India and the globe. Allegory's signature inscriptions are everywhere about these simple photos. Personification of virtue, a stock technique of allegorical composition, abounds: Humility becomes Gandhi. Each photograph personifies humility uniquely: sparseness of setting, simplicity of garb, and other visual cues for self-abasement adorn the one; richness of natural setting, playfulness, childlikeness, and such ornament the other. Both images suggest the presence of the eternal in the temporal, but in different ways, another key fixture of allegorical design: Gandhi's stillness sitting near his spinning wheel, itself an image of eternal circuitousness, in the one, and his vigorous exertion against a vast, seemingly static, natural landscape, both "frozen" in time thanks to the technology of photography, in the other. Likewise, time's flow seems in a sense reversed in a manner that mirrors symmetrical ontological reversals: the older follows the younger, the man the boy, and the wise follow the inexperienced. Further allegorical decoding could be endeavored, for instance rearticulating the two texts on four tiers of signification: literal, figural, historical, and anagogical—the "four-level" allegorical hermeneutic initially developed for application to sacred texts and later ascendant as a critical method from the Middle Ages to some versions of poststructuralism in recent years (e.g., Fredric Jameson's Political Unconscious, Frederick Dolan's Allegories of America,Paul de Man's Allegories of Reading). Each tier reveals a unique dimension of discourse: its textual surface (literal), its embedded significations (figural), its reflexive display of placement in time and society (historical), and its alignment with archetypal or ultimate patterns of existence (anagogical).As two approaches to the same texts, irony and allegory are more complementary than exclusive. Neither renders the other invalid or uninteresting, nor do they deplete their common rhetorical resources, yet each features distinctive fixations. The first perspective fixates on a single strategy reflected in the texts and explores the ramifications of that strategy: dialectical reversal. The second fastens on and traverses across myriad textures and patterns of discursive technique displayed in the texts: allegorical personification (e.g., Gandhi as humility), temporality (e.g., fusing of public, private, and eternal time), paratactic association of images (i.e., interplay between visual signs not necessarily regulated by a single code [End Page 298] of meaning), and cosmic ornamentation (e.g., the spinning wheel that, by the way, is not spinning; like Gandhi, it is sitting still in a world of tumult, as if mirroring a moment of individual and universal arrest). Ironic strategizing and inventorying, in this light... (shrink)

In everyday English usage, the words ‘literal’ and ‘figurative’ are normally taken to be opposite in meaning. It is an opposition with very ancient roots. One of its forbears was the medieval theory of Scriptural hermeneutics, which distinguished among the literal, allegorical, moral, and anagogic senses of Scripture. This itself had an ancestry in pre-Augustinian times: Augustine tells in his Confessions how he learned from Ambrose the trick of interpreting Scripture figuratively, thus eliminating the problems and contradictions created by a (...) literal reading. Earlier still, the distinction and the opposition were at least implicit in Poetics 21, where Aristotle differentiated between the standard or normal name for a thing, and various other types of name among which he listed metaphor. The antonymy of the literal and the figurative is therefore deeply embedded in our intellectual history, and it is perhaps for this reason that it has remained, to a large extent, unexamined and unquestioned. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:"Awe-Inspiring, in Truth, Are the Mysteries of the Church":Eucharistic Mystagogy and Moral Exhortation in the Preaching of St. John ChrysostomDaria SpezzanoWe entrust to You, loving Master, our whole life and hope, and we ask, pray, and entreat: make us worthy to partake of your heavenly and awesome Mysteries from this holy and spiritual Table with a clear conscience; for the remission of sins, forgiveness of transgressions, communion of the (...) Holy Spirit, inheritance of the kingdom of heaven, confidence before You, and not in judgment or condemnation.—Liturgy of St. John Chrysostom"Awe-inspiring, in truth, are the mysteries of the Church; awesome, in truth, her altar."1 St. John Chrysostom was a founding figure in the development of the Byzantine mystagogical tradition, not only because he is associated with the Divine Liturgy,2 but also because of his preaching on [End Page 413] the Eucharistic mysteries, woven throughout the scriptural exegesis of his liturgical homilies.3 The themes he sounded, in particular the continual exhortation to his hearers to be mindful and properly disposed for the terrible and awe-inspiring mysteries, would become part of the fabric of Byzantine liturgical spirituality. But Chrysostom's influence extends to the West as well, for instance to Thomas Aquinas, who, it is said, would rather have Chrysostom's homilies on Matthew than be lord of Paris,4 and who shares with Chrysostom the title of "Doctor of the Eucharist."5 While the promotion of reverence in liturgical celebration and the demands of social justice are sometimes perceived today as being in tension with each other, for Chrysostom they are inseparable. In accord with the Second Vatican Council's teaching in Sacrosanctum Concilium that the Eucharist is "the source and summit of Christian life," the Catechism of the Catholic Church chooses a quote from Chrysostom to instruct that "the Eucharist commits us to the poor."6 It does so with good reason. Chrysostom urgently and vividly preaches to his wealthy congregation that not only must they approach the altar with awe and holy fear, but they must care for the poor in order to receive the Eucharist worthily. Here his characteristic moral exhortations to almsgiving find their deepest source: without care for the poor, one eats and drinks the Eucharist, like Judas at the Last Supper, to one's own condemnation.Chrysostom's Eucharistic MystagogyChrysostom's preaching on the Eucharist is profoundly rooted in Scripture and shaped by his theological and pastoral concerns. Mystagogy, as Jean [End Page 414] Daniélou has pointed out, is an exegesis of the rites: "It consists of reading in the rites the mystery of Christ and contemplating under symbols the invisible reality."7 The mystagogy of the Greek Fathers is shaped by local traditions, as is their scriptural exegesis. While the distinction risks being overdrawn, Alexandrian mystagogy is characterized by anagogy, while Antiochene mystagogy—including Chrysostom's—by a focus on the relation of the liturgy to the historical events of Christ's earthly life.8 Unlike his contemporary Theodore of Mopsuestia, however, Chrysostom is not concerned to assign to each liturgical action a specific mimetic meaning. Chrysostom everywhere "reads in the rites the mystery of Christ," exemplifying Daniélou's observation that this mystery is the one object of the Christian faith, subsisting under different modes:It is prefigured in the Old Testament; it is accomplished historically in Christ's life on earth; it is contained in the mystery of the sacraments; it is lived mystically in souls; it is accomplished socially in the Church; it is fulfilled eschatologically in the heavenly kingdom.9For Chrysostom, the entire liturgy has a "mystery character," because it is "so much an anamnesis of the saving work of Christ and a revelation of heavenly reality that its earthly form is wholly irradiated by these aspects."10 Chrysostom uses the term "mystery" in relation not only to the sacraments, but more fundamentally to the entire economy of redemption, flowing from the Paschal mystery, in which they operate. The mystery is a secret except to faith; it expresses a relation between, on the one hand, a historic event of salvation history or a material element of the... (shrink)

One of the most debated questions surrounding Augustine of Hippo’s Confessions is the search for the structural unity of its thirteen books. In this article, based on an analysis of the of Augustine’s ecstasies in Milan and Ostia, and of the influence of Plotinian Neoplatonism and Pauline theology on Augustinian thought, we intend to offer a new interpretative hypothesis, according to which the ternary division of the Confessions (Books I-IX, Book X, Books XI-XIII) reflects the Christian conception of the anagogic (...) stages of the human soul towards divinity. (shrink)

According to the Platonic philosophy of love, a thing is to be loved because it is beautiful and insofar as it is beautiful. Since Beauty is the radiance of the Good, a thing is to be loved, ultimately, because and insofar as it is good. The entity which is best and therefore most beautiful and therefore most lovable is the Good itself, or God. The Good alone deserves our final and unconditioned love. And since the only characteristic of things which (...) makes them good is their participation in the Good, when we love things it is really the Good in them which we are loving, and so we can say that the Good is the only object of love. But since all things do participate in the Good, all things are lovable. They participate in it, however, in varying degrees, and so they are to be loved more or less, depending on their goodness. This doctrine leads immediately to mysticism. Corresponding to the dialectic path of the intellect there is an anagogic path of love, leading from the least of things, which is least lovable, up to God, who is absolutely lovable, and in loving whom our love comes to rest. To the extent that Christianity is Platonism this Platonic philosophy of love permeates Christian thought and especially Christian mysticism. But to the extent that Christianity differs from and transcends Platonism this is not the Christian philosophy of love. (shrink)

The present contribution discusses the dynamics of education (paideia) in Byzantium. As is well known, Byzantine education built on previous Greek/Roman educational traditions. We attempt to demonstrate, that while Byzantine education built on previous traditions, it transformed these traditions into a new specifically Byzantine ideal of paideia, which combined the content of previous hellenistic educational practices with a Christian outlook. But this Byzantine paideia was not merely a combination of the Greek and Christian tradition, but a new product. For the (...) first time, education was being regulated, since it was an important aspect of the ideological cohesivness of the state. Education was associated with morality and ethics. Perhaps due to Christian influence, especially from the ninth century, education became to be viewed as an „uplifting“ or anagogical force, which enabled one to arrive at a universalist perspective of life and the state. (shrink)

This essay offers a close reading of "Fear and Trembling" against the backdrop of what the author thinks are weaknesses in how the work has been interpreted by others. Some read the text allegorically, as containing a distinctively Christian message about Pauline soteriology. Others read it anagogically, with an emphasis on the moral psychology of Abraham as a human character. In partial disagreement with each, the present essay assembles and interprets the textual evidence around the threat to human happiness posed (...) by our problematic reliance on what Aristotle calls external goods. (shrink)

The idea that mythos and logos are incompatible, and that truth is a product of scientific and dialectical thinking, was certainly disproven by later Platonic philosophers. Deploying the works of Hesiod and Homer, Homeric Hymns and other such literature, they considered myth a valuable and significant augment to philosophical discourse. Plato’s denigration of myth gave his followers an incentive to read myth as allegory. The Stoics and first-century philosophers such as Philo, treated allegory as a legitimate interpretive strategy. The Middle (...) Platonists incorporated myth, for example, deifying the Monad and Dyad, as did 2nd century Platonists. Plutarch’s Isis and Osiris, for example, equates Isis and Osiris with form and matter: the god sows in matter logoi from himself. Porphyry’s allegorizing of Plato’s Cave of the Nymphs is another example. Plotinus is a strong influence on how the late Neoplatonists regarded myth. This paper argues that these philosophers’ use of allegory prepared the way for the Neoplatonists treatment of myth as inspired symbolism. Proclus and Syrianus, as reported by Hermias, did something more extreme by using mythology to construct inspired symbolic argument. Mythos becomes another type of logos, a vehicle for representing the invisible world of being, another kind of truth that can even serve a function in anagogic ascent. (shrink)

L’article suggère qu’Augustin anticipe de manière singulière « l’esthétique ». Sa réflexion porte, en effet, non seulement sur le beau sensible et sur l’art, mais sur la plénitude de l’expérience subjective qui met en jeu le corps et l’âme, la sensibilité et la raison. Ainsi dessine-t-elle une interrogation sur la place du plaisir, de la quête qu’il engendre, de l’attention réceptive et quasi co-créative qu’il sollicite. Pour mieux le montrer, l’analyse se centre sur le De musica, en revalorisant le lien (...) nécessaire, mais trop souvent mésestimé, entre les 5 premiers livres et le dernier et en montrant l’unité du projet indissociablement anagogique et esthétique. The paper suggests that Augustine anticipates in his own way « aesthetics ». Indeed his reflection does not only deal with sensible beauty, nor with art alone, but with the whole of subjective experience involving body and soul, sensibility and reason. It sets forth an interrogation on the place of pleasure, on the quest it generates, on the attention it requires both at the receptive and the co-creative level. In order to strengthen the argument, the analysis focuses on the De musica, emphasizing anew the link — necessary but too often overlooked — between the first five books and the last one and demonstrating the unity of a project that is indissolubly anagogical and aesthetic. (shrink)

For Damascius, the last great Neoplatonist of late Antiquity, the answer to the question “how to go beyond the plurality of human thought for the purpose of really attaining the one?” is not to be found on the side of the via negativa – which is the dynamics of a rejection of plurality –, but in a positive, unifying and integrative dialectic by which the plurality of the soul is not denied any more, but gathered, contracted and simplified in an (...) undifferentiated unity for the purpose of really attaining the one. Setting himself apart from his predecessors due to a new conception of the ‘one’ understood as ‘all(ness)’, Damascius aims to deconstruct, and then abandon, the via apophatica, for it becomes in his eyes an illusory, unsuitable and counterproductive way in the vertiginous ascent of the soul towards its origin. Indeed, a number of passages of his masterpiece, De Principiis, reveal his radically critical decision to reject the immoderate use of negative discourse to express the one, as well as the cathartic status and the anagogical purpose generally allowed to apophatism. It is stated here that ‘negation’ is only the reflection of our own cognitive powerlessness, a dangerous illegitimate (‘bastard’) reasoning, or simply an artifice of language, even if authorized in certain circumstances. Is the one not beyond any discourse, distinction and exclusion? Making obsolete any triumphalism of hyperapophatism, judged as unacceptable and contradictory, Damascius offers the human soul the promise of an authentic, as well as lucid anagogy towards the principle. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Model for the Many Senses of ScriptureFrom the Literal to the Spiritual in Genesis 22 with Thomas AquinasChristopher S. Morrissey (bio)Introduction: Many Senses Require Many TranslationsOn the mountain the Lord appeared (NETS, Gen. 22:14b)On the mount of the LORD it shall be provided (RSV)1In the mount of the LORD it shall be seen (KJV)On the mountain the LORD will see (NAB)ἐν τῷ ὄρει κύριος ὤφθη (LXX)in monte Dominus (...) videtur (Nova Vulgata)in monte Dominus videbit (St. Jerome’s Vulgate)In his book Abraham’s Curse, Bruce Chilton argues that in Gen. 22:14b, “the Septuagint’s Greek renders the Hebrew text” correctly (i.e., “with Yahweh as the subject of the verb”), whereas English translations like the King James Version (KJV) prefer to imply that the ram is the verbal subject. Chilton contends that “This is a case of translators caring more about doctrine than wording, and attempting to legislate what the Bible can say.”2Chilton’s textual exegesis does have some value. He notes that “Contextually [End Page 231] as well as grammatically, God is the subject: Yahweh ‘was seen’ on Moriah, liberating Isaac by means of divine intervention.”3 But with his polemics against the KJV, he fails to affirm the rich polysemy of the passage. He replaces one literal reading with another and then argues as if the two are at odds. But Scripture has many senses, a truth famously expressed in the medieval distich of Augustine of Dacia, best known in the version of Nicholas of Lyra: “The literal sense teaches what happened; what you believe, the allegorical; the moral, what you should do; where you are going, the anagogical.”4 Therefore Chilton is wrong to impute bad motives to anyone who would attempt to unfold the spiritual sense of a passage (“caring more about doctrine”), or even to anyone who would note that a passage has more than one literal meaning.Chilton’s own insistence on uncovering the univocal original meaning of a passage (through his preferred historical method of “generative exegesis”)5 is excessively literal, as if recourse to grammar would allow one “to legislate what the Bible can say.” When Chilton says “Yahweh ‘was seen’ on Moriah,” he is not contending that God was seen directly, literally, but rather interpreting the metaphorical or parabolical sense of the phrase “Yahweh was seen” (in Gen. 22:14b), because he glosses the meaning of the metaphor as “liberating Isaac by means of divine intervention”;6 that is, God is seen indirectly, cognitively, rather than literally with the eyes. Because literally seeing a ram is not opposed to cognitively understanding God’s action, the KJV, pace Chilton, can be defended contextually. To my mind, the Revised Standard Version (RSV), echoing the KJV, does the best job of rendering the Hebrew text literally, with “On the mount of the lord it shall be provided,” because this leaves open the many senses of the third person singular “it,” to be unfolded by exegesis. Thus more than one translation is required in order to appreciate all the significations being deployed in the treatment of “seeing” in Gen. 22:8 and 22:14. “It shall be provided”: More than one univocal sense of the “it” has to be uncovered by exegesis in this Scripture, in order to see what “it” is all about.To justify my opinion that the RSV most felicitously translates the Hebrew, I would like to prepare the way to a conclusion in which I compare the Septuagint’s translation (which follows Chilton’s preferred rendering of the context) with the Vulgate Latin translations. The path toward this conclusion will show that Chilton’s polemics, indicative of an exegetical attitude that is hostile to an appreciation of the many senses of Scripture, fail to see how the RSV translation is also defensible as keeping the reader’s mind open to the many senses of the Scriptural passage. But first things first. With the help of St. Thomas Aquinas, let me distinguish the various senses of Scripture and then point out how they are all exemplified here, all being signified by the text. [End Page 232] Click for larger view View... (shrink)

This paper studies the English poems of Richard Crashaw from a historicist and formalist perspective. It specifically considers Crashaw’s poetry in its religious but also intellectual and early scien­tific context to investigate the frequently overlooked influence of science on his poetry. Metaphors drawn from alchemy and particularly from the trans­formation of matter to achieve its purification and spiritualisation enrich the poet’s expression of mystical devotion to underline that access to the spiritual as well as mystical union with Christ are deeply (...) rooted in the devotee’s body. Representations of the earth as a chemical laboratory focus on materiality and corporality to emphasise the constant movement animating matter. A form of spiritual alchemy underscores Crashaw’s Christocentrism and references to the metamorphoses of matter consistently aim to express mystical union. A meta-poetic analysis eventually highlights a significant analogy between reading and alchemical processes in order to demonstrate the anagogical aim of Crashaw’s verse and the way his poems work on his reader’s heart to lift his soul. References to liquefaction, distillation or sublimation echo the published works of mystics but alchemical conceits based on symbolically evocative topoï and polysemic vocabulary reinforce the importance of the corporal in the expe­rience of mystical union. (shrink)

In the book De laudibus divinae sapientiae, according to Gilles, two opposite motors are at work in the human soul, sense and reason: the first one leads the man to evil; the second one to good. However Gilles gets the Thomist argument back to warn the reader that man, to reach the knowledge of the eternal truth and his own salvation, needs a third motor, which compensates for the limits of human reason.Therefore the human reason arranges the soul lower powers, (...) while it itself is governed by the Holy Spirits gifts, that form its supernatural habitus. These gifts lead the soul, through an anagogic, gnosiological and moral process, to a gradual conversion to the divine supreme Wisdom.The book under consideration reveals so some important changes in Gilles’ doctrine. We’ll analyze the problem of the human possibility to know and love God, according to Gilles’ theses before and with the Scholastic debates. (shrink)

Zusammenfassung Commentaries on Plato’s and Aristotle’s works were central to the Neoplatonic school’s curriculum. In a fixed order, established since Jamblichus, the Aristotelian writings were first read, then the Platonic ones. At the beginning, the logical writings of Aristotle and particularly his Categories were examined. But like any other work, the Categories were construed from the perspective of Neoplatonic anagogy. In addition, the commentator was obliged to work out the commonalities between the two philosophical teachings. That anagogical and harmonising (...) approach culminates in the commentaries on the Categories with the integration of the Aristotelian concept of substance into the Platonic concept of ideas. While Dexippus is primarily engaged in the right modes of predication corresponding to the sensible and the intelligible realm respectively, Simplicius focuses on the description of a continuous connection of being. (shrink)

F.W.J. Schelling, one of the essential thinkers in the development of German Idealism, formed his own thought not only in a critical dialogue with Kant's and Fichte's transcendentalism and Hegel's earlier conception of thinking, but also in an intensive discussion with Plato and Aristotle. Over and above that, Neoplatonism - especially Plotinus, Proclus and the Christian Dionysius the Areopagite - played a decisive role in Schelling's reception and transformation of ancient philosophy.Selecting the manifold aspects which could be reflected on in (...) this field, I want to make plausible as a transcendental analogy to Plotinus' concept of self-knowledge Schelling's requirement for a raising-up and transformation of the finite 'I' into the form of the Absolute, whose central features converge with the goal of the Plotinian self - transformation of thought into a timeless self-thinking and its ground.A main part of this paper discusses Schelling's and Plotinus' concept of nature as a dynamic process constituted by an immanent 'creating theoria'. Furthermore we find in Schelling's theory of the Absolute as the 'utterly One' a union of Plotinus' notion of a pure One beyond Being with that of the reflexive self-presence of nous, so that this Absolute can be understood as an All-Unity which grounds and embraces all actuality - because it is in itself the most unifying self-affirmation or self-mediation. What follows is a reflection on the anagogical function of art, especially from the viewpoint of Plotinus' non-Platonic rehabilitation of art as an imitation of nature. The last perspectives focus on Schelling's concept of matter and emanation - as different from and at the same time coherent with that of Plotinus - and on Schelling's theory of an absolute self - willing will in connection with Plotinus' Enneads VI.8, 'On free will and the will of the One' as a causa sui. (shrink)

This volume, entitled Augustine: Mystic and Mystagogue, studies the origins of Augustine's mystical writings, analyzing texts in which Augustine describes his own anagogic experiences and mysticism in general, and demonstrating the influence of Augustine's mystical analyses on later writers. The book is divided into four parts. In the Introduction, the editors posit critical questions concerning the nature of mysticism and present a monograph from the mid-1930's in English translation, wherein the author critiques many ascensional passages in Augustine. In the section (...) on Augustine as Mystic, eight authors assess Augustine's descriptions of his own ascents-of-mind, and his generalizations upon them. In the section on the influence of Augustine's mysticism, ten authors examine the sway exercised by Augustine over medieval mystical writings. Finally, in the Conclusion, the editors of this volume express their own judgments concerning Augustine as both mystic and mystagogue and present the assessments of two other authors. (shrink)

The main focus of this article is to clarify the complex phenomenon of allegorical interpretation of the Bible in the Middle Ages. It is not just some medieval peculiarity, but a very refined methodology, which enabled scientists to explore and define their reality. Their view of reality is basically different from our point of view. The medieval student did not understand reality per se, but was interested in reality as far as it could help to grasp the meaning of the (...) supernatural world. All earthly things were seen as codes of the spiritual realm of God, which mankind could decode by means of this very system of allegoresis. The starting point, therefor, is to be taken in biblical hermeneutics. Here, allegoresis was developed into an overall method of interpretation, not only of the words of the Bible, but also into a refined tool of exegesis of nature and Creation, extending so far as to the allegorical explanation of liturgy. Based on a interpretation of II Corinthians 3:6, Bible hermeneutics were developed in Christian tradition which saw the Old Testament as the letter, the New Testament as the Spirit. Dependent upon this, there was a development towards the division of, on the one hand, the words which described the historical events, and on the other hand its full meaning and signification on a higher, that is, spiritual or allegorical level. This higher level of interpretation can be subdivided in three aspects of meaning: a) an allegorical or dogmatical aspect; b) a tropological or ethical aspect, and c) an anagogical or eschatological aspect. These aspects cover all the important issues of Christian faith and life, very similar to the way people read the Bible nowadays. Apart from the words of the Bible, also the things, which are described in it, can be signs of a higher reality. One could say: just like there is a language of words which are signs, there is a language of things meaning other things. It is, in fact, a second language . Having briefly surveyed the history of allegory, the writer continues with a status questionis of modern research. The discussion on the difference between allegory and typology between De Lubac and Daniélou is revivified, but because of the inherent theological axiomata it has to be set aside. Renewal of the discussion can be found in Augustine’s division into allegoria verbi and allegoria facti, which are to be connected with typology. This discussion ends into an overall view of the areas to which allegory can be applied: Gods language of signs, based on words , historical facts and things can be found in the Bible, in Creation and in Liturgy. Typology is not one of the two layers of the bible, nor is it to be attached to one of the four aspects of meaning; it is a point of view on the relationship between the Old and the New Testament. (shrink)

In a monograph-length contribution to the Common Knowledge symposium on contextualism, the journal's editor decontextualizes and then recontextualizes the medieval iconographic trope of Ecclesia and Synagoga in an effort to make plausible a news story about Pope Francis that received little coverage in the press. During 2015, the fiftieth anniversary of the Vatican II declaration Nostra Aetate, Francis paid a surprise visit to a new statue in the United States, “Synagoga and Ecclesia in Our Time” by Joshua Koffman, as a (...) sign of his endorsement of its radical reconsideration of a trope long associated with anti-Jewish sentiment in the Catholic Church. This article, which begins with a detailed analysis of Emeritus Pope Benedict XVI's essay on the Nostra Aetate treatise De Iudaeis, deals primarily with twelfth- and thirteenth-century uses of the iconography. Special attention is paid to the Anagogical Window of the Royal Abbey of Saint-Denis and to the Ecclesia, Synagoga, and King Solomon statues on the south facade of Strasbourg Cathedral, in both of which is found previously overlooked evidence of philo-Semitic, rather than anti-Semitic, thinking on the part of the designers. The article concludes that contextualist scholars of medieval art have found what they expected to find and ignored contrary indications. (shrink)

This essay offers an immanent reading of Fredric Jameson’s Archaeologies of the Future in terms of his theorization of a four-fold allegorical hermeneutic. On the literal level, the book explores science fictions; on the allegorical, Utopian representations; on the moral, or individual psychological, it serves as a “partial summing up” of a number of sequences in Jameson’s ongoing project; and on the anagogical, it contributes to a reinvention of Marxism for an era of globalization. Jameson’s recent writings also share an (...) interest in modernism, challenging late modernist ideology and recovering more radical forms. The essay concludes by exploring how Jameson’s discussion of Utopia serves as a figure for the problems of radical politics in the present. (shrink)