In the study the author focuses on various aspects of bookselling in the late 18th century. The author seeks to describe the book market environment and the booksellers’ community in Bratislava at that time. She therefore documents communication channels between booksellers in Bratislava and their colleagues in Germany (mainly in Leipzig, Halle, and Berlin).

Este dossiê representa a continuidade de um projecto que tem procurado debater publi­camente o património dos agentes ligados à produção e circulação do livro. Centrando-se nos espólios dos livreiros, a introdução problematizante e os depoimentos procuram dis­cutir o seu carácter invisível enquanto objecto de pesquisa, salvaguarda e divulgação. Há, então, uma reflexão que urge fazer, à semelhança do que ocorre com o património dos edi­tores (arquivos históricos e não só), no sentido de reconhecer o estatuto patrimonial e histó­rico dos acervos (...) dos livreiros e das livrarias enquanto espaços fundamentais da construção da cultura impressa e da história do livro e da edição. Mas é também urgente conferir ao debate um cunho de acção e de cooperação inter-institucional que suscitem uma sensibili­dade política e o aparecimento de possibilidades concretas de salvamento, recolha e depó­sito sistemático de um dos mais fundamentais elementos da memória colectiva escrita. Os depoimentos referidos são de Fátima Ribeiro de Medeiros e dos Livreiros da Sá da Costa. (shrink)

Existing scholarship on the debates over expertise in mid‐nineteenth‐century Britain has demonstrated the importance of popular writings on the sciences to definitions of scientific authority. Yet while men of science might position themselves in opposition to the stereotype of the merely popular writer, the self‐identity of the popular writer remained ambiguous. This essay examines the careers of William Charles Linnaeus Martin and Thomas Milner and places them in the context of others who made their living by writing works on the (...) sciences for the general reader. Martin wrote on zoology and Milner moved between astronomy, geology, and geography. The essay unravels the close but ambivalent relationship between the professions of authorship and of science and highlights writing as another aspect of scientific practice. Both writers were moderately financially successful, but Martin’s sense of failure and Milner’s satisfaction reflect their contrasting images of their professional identity. (shrink)

(1992). Entrepreneurs in spite of themselves? Economic and non‐economic motives of booksellers in Germany. World Futures: Vol. 33, Culture and Development: European Experiences and Challenges A Special Research Report of the European Culture Impact Research Consortium (EUROCIRCON), pp. 49-60.

The bookselling-question.--An element in method.--Professor Cairnes's criticisms.--Views concerning copyright.--A rejoinder to Mr. McLennan.--Prof. Tait on the formula of evolution.--Ability versus information.--Book-distribution.--M. de Laveleye's error.--Government by minority.--Evolutionary ethics.--Social evolution and social duty.--Parliamentary Georgites.--A record of legislation.--Anglo-American arbitration.--Against the metric system.--The "net-price" system of bookselling.

In I910 the bookseller Hiersemann of Leipzig bought at Sotheby's a manuscript of Metamorphoses described as a ‘manuscript of the twelfth century, finely written on vellum, bound in oak boards, covered with stamped leathe’ it was one of the many manuscripts of Ovid owned by Sir Thomas Phillipps, Phillippicus 1038. Its whereabouts since 1910 are unknown. Also unknown are the whereabouts of Phillippicus 2709, a thirteenth-century manuscript of Metamorphoses.

This is a primer on Steven James Bartlett's book CRITIQUE OF IMPURE REASON: HORIZONS OF POSSIBILITY AND MEANING. ●●●●● -/- Some books are long and complex. The Critique of Impure Reason is such a book. It is long enough and complex enough so that it may be a service to some readers to offer a primer to introduce and partially summarize the book’s objectives and method. Here, the author of Critique of Impure Reason: Horizons of Possibility and Meaning provides such (...) a guide, a vade mecum to accompany a reader should he or she embark on a study of the long and complex work. ●●●●● -/- The book is available in a printed edition, ISBN 978-0-578-88646-6, from online booksellers such as Barnes & Noble, Amazon, and through independent bookstores. The book is also available as an eBook, DOI: 10.5281/zenodo.5458352, through Zenodo, PhilSci, PhilPapers, HAL, and other online archives. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:The Authorship ofthe Abstract Revisited David Raynor In a recent issue ofHume Studies, J. 0¿ Nelson challenges the received view that Hume himself composed the Abstract, and argues instead that we know that Adam Smith wrote it.1 But his main argument is so blatantly fallacious that charity requires that we interpret his intervention as ajeu d'esprit. I have no idea why he wishes to tease Hume scholars so mercilessly. (...) Most probably he wishes to keep the issue of the authorship of the Abstract alive until either someone disproves his belief that Smith wrote the pamphlet, or the scholarly community comes round to accepting Smith as the real author. Whatever his motive, I intend here to squelch his mischievous conjecture once and for all. Nelson first sought to cast doubt on Hume's authorship of the Abstract in an article published in The Philosophical Quarterly for 1976. In the fifteen years since that paper appeared, he has become convinced that Smith wrote the pamphlet. It was not always so. Here is how he judiciously concluded his earlier article: "According to the external evidence it is most improbable that Hume was the author of the Abstract and it is plausible to suppose that Adam Smith was; but according to the internal evidence, it is most improbable that Adam Smith was its author and almost certain that Hume was. How these incompatible conclusions are to be resolved I have no idea." 2 Nelson now has no doubt that any such discomfort should be resolved by allowing the external evidence tooutweigh the internal, becausehehas come to regard the external evidence as showing that it is not simply improbable that Hume wrote the work, but downright impossible. Nelson'sentire case rests on theidentityofthe "Mr Smith"referred to in a letter of 4 March, 1740 from Hume at Ninewells to Professor Francis Hutcheson at Glasgow. The crucial passage reads: My Bookseller has sent toMr Smith aCopy ofmy Book, which I hope he has received, as well as your Letter. I have not yet heard whathe has done with the Abstract. Perhaps you have. I have got it printed in London; but not in the WOrAe ofthe Learned; therehavingbeen an article with regard to my Book, somewhat abusive, printed in that Work, before I sent up the Abstract.3 Volume XTX Number 1 213 DAVID RAYNOR Until Keynes and Sraffa argued otherwise in their 1938 edition of the Abstract, some scholars believed that Adam Smith was the "Mr Smith" referred to in H, and that he wrote theAbstract at Hutcheson's suggestion. Keynes and Sraffainstead argued that the "MrSmith"was John Smith, Hutcheson's Dublin pubUsher, and that Hume himself wrote the Abstract (as all the internal evidence suggests). Norman Kemp Smith, in a review ofKeynes and Sraffa's edition, accepted their interpretation.4 Now Nelson seeks to prove all of them wrong. He argues thus: the "Mr Smith" in His eitherJohn Smith or Adam Smith; itcan'tbeJohn Smith;thereforeitmustbeAdamSmith.We canreadily agree with Nelson that the "Mr Smith" was notJohn Smith the Dublin publisher. But it will not follow—as Nelson supposes—that the man referred to must have been Adam Smith who, at the time, was still an undergraduate at Glasgow. "But ifthe Mr Smith ofH was not John Smith... who could he be excepttheAdam Smithofthe traditional theory?" asks Nelson.6 1have elsewhere suggested that the man in question was William Smith, one ofthepublishers oftheAmsterdam periodicalBibliothèqueraisonnée.6 Hutcheson'sInquiry had been pubUshed in Dublin by John Smith andWilliam Smith. The latter subsequently moved to Amsterdam and married into the Wetstein pubhshing family. William Smith was responsible for directing the firm's periodical, the Bibliothèque raisonnée, which employed Pierre Desmaizeaux as its London correspondent. The issue of this periodical for April-June, 1735, published aletterfrom Hutcheson tohis "ancien & intimeAmi"William Smith concerning Robert Simson's book on conic sections. In light ofH, it is probable that copies of the first two books of the Treatise, a manuscript copy oftheAbstract, and aletterfrom Hutcheson were sent to WilUam Smith in early 1740. The April-May-June issue of the Bibliothèqueraisonnée for 1740 published a largely favourable review of the first... (shrink)

V. 1 is a detailed analysis of a previously unknown proof copy of the first edition of Galileo's Sidereus nuncius, in which watercolor drawings appear in place of the etchings of the published edition, consigned in 2005 to the antiquarian bookselling firm of Martayan Lan. V. 2 is an account of the composition and production of the edition, based on analysis of extant copies as well as the New York proof copy. V. 3 was written in response to the discovery, (...) soon after the publication of v. 2, that the proof copy was in fact an elaborate forgery produced between 2003 and 2005 under the direction of Marino Massimo de Caro, as first reported in the article "A very rare book," by Nicholas Schmidle, in The New Yorker issue of 16 December 2013. V. 4, in German, is a heavily revised edition of Horst Bredekamp's Galilei der Künstler, which had included a chapter on the then unrecognized forgery. (shrink)

Until the very recent days of the Turkish Republic, when every effort is being made to adopt the ways of Western civilization, it has been the picturesque and wellnigh universal custom for shops to carry on their walls small placards, usually framed, and these placards have contained in beautiful Arabic writing verses from the Quran, traditions of Muhammed, rhymed and unrhymed sayings which have for generations been passed down from father to son. Coffee-houses, barber shops, booksellers, grocery stores, pharmacies, candy (...) stores, fruit-stands, private houses even, all have decorated their walls with more or less artistically copied bits of wisdom from the past. In general there is no record of the authors or sources from which the sayings have come. They reflect in some measure also the thought of Turkish society as that thought has been passed on through the centuries. In order to get a picture of social relationships in the old Ottoman state it will perhaps be of value to study these texts and learn what we can from them of the social life and ideals of everyday folk in Constantinople from the earliest days down to the period which is just passing. There was a close relationship between these mottoes and their owners. The mottoes reflected in the first place the life philosophy of those who wrote them, and they served to mould the attitude toward life of successive generations. Not only religious belief, but attitudes toward the world and its problems, toward methods and standards of business dealing, are all touched upon in these texts. (shrink)

Muslims are fundamentally interested in the practice of writing especially for scribing the copies of the Qur’ān. Later, the practice of scribing ḥadīths texts and writing diplomatic correspondence increased the demand for developing this practice. It is because the writing is based on a religious reference in Islamic societies; over time, the interest in writing and writing materials has also turned into an art form. Thus, writing and writing materials have been named with the selected words from the Qur’ān. Pencil, (...) book, pages (ṣuḥuf), line, stone tablet (alwāḥ) are some of the examples of those words. The writing constituted a series of professions. Calligraphers and warrāqs (book dealers/booksellers) are some examples in Islamic societies. Until the printing press became widespread, the books were written and reproduced by hand which is called istinsākh. Nowadays, these manuscripts are protected in libraries and digital archives. Codicology examines the external elements of these manuscripts such as ink, binding and paper. In addition, the critical edition method was used to bring out manuscripts to the surface. Critical edition of manuscripts is not only transferring the text to the computer. The critical edition is to compare manuscripts of work to reach the original text of the author. While doing this, the evaluation of the text has been held to reveal the historical value of it. In this article, the place of manuscripts in Islamic culture has been discussed and the basic principles of the critical edition, how to create the editing (dirāsa) and text (naṣṣ) sections of the critical edition are explained with examples. The examples were selected from the previous critical editions conducted by the author. This study aims to give an introduction to a very wide field of codicology and critical edition. This article is intended to provide basic information for researchers interested in codicology and critical edition.Summary: Classical Islamic writing culture has its method. For centuries, Muslims have written manuscripts according to this method. This method has been applied from writing the knowledge on paper to collecting and binding the fascicles.The adventure of creating a manuscript is a long process. A lot of people come around to contribute this process initiating from the writing of the first sentence. Producer of the knowledge: scientists, paper-producer: werrâq, the calligrapher: khaṭṭāṭ, bookseller, bookbinder, expert in the ink, naqqāsh who marbles the papers, sponsors of the project, collection and the librarian are some of the contributors. Today, this adventure continues with the participation of enthusiasts which are: the author who re-writes the manuscript to revive it, the restorer who repairs the damage of the manuscript, the expert who creates the digital copy and institutions which publishes the facsimile.Nowadays manuscripts are accepted as important scientific data and are examined in many ways other than their contents thus new specialities have been occurred. At universities, the institutes which examine manuscripts have been established and academic journals have been published. Moreover, the critical edition of manuscripts is the main subject of some of the M.A. and Ph.D. theses.The studies on critical edition, which initiated earlier in some of the western countries, have made a rapid development and created its method. In Turkey, there are many critical editions of works which are based on various manuscripts from Theology to Literature fields. However, there is no significant mutual method among the studies yet. Also, their understanding of critical edition differentiates. In those studies, it has to be examined that basic parameters such as the selection of convenient copy, access to all copies of manuscript or priority of copies are applied to critical edition process. Most of the time it is observed that the advisor’s way of the critical edition has shadows on studies. However, fundamentally critical edition process needs expert contribution itself. Difference between studies is related to the fact that the critical edition is relatively a new field of study in Turkey. Therefore, specific studies in the field of critical edition and codicology are still needed to be developed. On the other hand, there are various publications to establish an objective methodology of the critical edition. Significant studies are being held by the Center for Islamic Studies (ISAM) to establish a mutual language and method for critical edition studies. The factor that led to the emergence of this article is the effort to contribute to the realization of this method. The article discusses the principles to be followed during a critical edition process. Moreover, topics are explained practically with examples selected from manuscripts. Those examples have been chosen from the author’s previous critical edition works. The article would be considered as an “Introduction to Critical Edition” for the researchers who are new at this field. In this respect, the article aims to make a methodological contribution to the critical edition studies.There are many parts of a manuscript –something more than the written text on the page– which makes it a whole. These parts can be divided into internal and external elements of the manuscript. All of these are parts have different levels of contribution to the examination of the critical edition of the work and the interpretation of the texts.Some external elements of manuscript are: ink production and color, inkwell, production of paper, foliation, rule-borders, and frames, ruling board (misṭara), sewing of quires, gilt and gilding, bookbinding, stamping and tooling, frontispiece, cases and pouches, storage boxes and cabinets, flap, tabula ansata, the history of manuscript.The internal elements of the manuscript are: text of the manuscript, script, subject, authenticity, historical value and importance, proprietor, literary features, number of copies and textual variants, scribes and copyists, whether it has been falsified or not, sources used or referenced by the author, abbreviations, records of marginalia, colophon, glosses and scholia, ownership statements, seals and seal impressions, word transposition or transposition of words/letters, waqf-statements, correction signs and corrections, countermarks.While the internal elements of manuscript are the work of critical edition, the external elements of the text fall within the field of codicology. Although critical edition and codicology are considered as separate sciences, there are points where they can contribute to each other. For instance, the ink tone or binding style of a manuscript may help to determine the writing date range of it. The references used by the manuscript can give us an idea about the name or the subject of another manuscript. The literary characteristics of the manuscript may reflect the author's success in language and literature fields. Thus, we are able to inform that the critical edition process of a manuscript requires the evaluation of substantial information at the same time which is no different from an archaeologist carefully examining an arrowhead. Therefore, whatever is the relation between History and Archeology has; Islamic sciences have the same relationship with critical edition. They are both individual sciences with methods of their own and two inseparable common sciences. Thus, without the contribution of codicology or other sciences, rewriting a manuscript on a computer does not mean making a critical edition of it. According to this information, we can define the critical edition as follows, “Critical Edition is the process of reviving of any manuscript -which belongs to Islamic civilization- with comparison of all available copies to create a single text which is closest to the text of the author and to determine the sources which this main text is based, citations such as verses, hadiths and poetry.”For studies on critical edition, the priority should be given to the texts which will contribute to this science. Before initiating critical edition, the authenticity of the author of the manuscript should be determined precisely. Of course, having a person's name on the page is not enough for determination. All copies of the manuscript must be identified. From those copies, critical edition should be based on the text that the author has personally written or prepared as a draft and other copies should be compared with this. In the absence of the author’s authentic copy, new criteria will apply. For instance, the copy written by the closest student of the author or the copy with the closest writing date takes precedence over the copies with no date. After comparison of all copies, the differences are shown in the citation.Critical Edition consists of two sections entitled as Edition (Editing/Dirāsa) and Text (Naṣṣ):The Edition section includes: the author’s name, lineage, place and date of birth, scientific life of the author and his/her prominent students, works, the authentication document which is proven that the text is belong to the author, the place of the work in the history of science, studies about the work, bibliography, literary characteristic, terms in the text, the amount and characteristics of the copies, the characteristic of the main copy which is determined as the fundamental text for the research, the rules and principles applied during the critical edition, the digital images of the first and last pages of the copies used. The Edition section is the part that demonstrates the reliability of the study. All external elements of writing are being introduced here. The importance of the text is confirmed by this edition process. Thus, the final shape of the edition section must be shaped by reading and understanding the text.In the text section, the main aim is to reach the very first text which has been written originally by the author. In this section, principles of morality and objectivity are followed. The text is preserved; additions or subtractions are not made. Cited sources at the manuscript are being found. Verses and ḥadīths are written with their sources. Poems are found in Dīwāns. Text is made legible with punctuation and pilcrow. Proper names, dates of death are written together. Page numbers in the manuscript are shown in square brackets. Some simple grammatical errors are corrected without interfering with the main text. Mostly the reason for this is the letters used for men or women. At the end of the study, a bibliography with all the resources used during the critical edition process is added. The Islamic codicology and manuscripts appear to receiving interest especially in academic studies. Considering that many manuscripts from the Ottoman Era are still waiting to be revived thus, we may come across profound critical edition works in the near future. Therefore, it is understood that individual studies related to the manuscript itself and the method of the critical edition will guide the researchers. (shrink)

T.S. Eliot, who went up to Oxford from America to write his doctoral dissertation, not only appreciated Bradley for his philosophical views, but perhaps even more for his prose, to the extent that he used to refer to the British philosopher as the ‘master of style’. The poet would have been surprised, and perhaps disappointed, to hear that such elegant writings are no longer available to the general public, confined as they are to antiquarian booksellers or philosophy libraries — and (...) sometimes not even to the latter. Indeed, it appears that what Eliot regarded as masterpieces of English prose have since turned into inaccessible and neglected texts. (shrink)

The 1770s witnessed an attempt by Parliament to control how it was represented in the press: questions of parliamentary reporting and parliamentary privilege quickly became a national political crisis. Key political figures such as Edmund Burke, John Wilkes, George Onslow and the Marquis of Rockingham were involved with printers and booksellers such as John Almon, Robert Wheble and Henry Woodfall. The British Enlightenment was effectively interrupted, and its fault lines highlighted, as politicians clashed with the book trade—and with newspaper and (...) periodical proprietors in particular. (shrink)