(1996). Photomechanical tendencies in Giorgio de Chirico's Melancholy vision. The European Legacy: Vol. 1, Fourth International Conference of the International Society for the Study of European Ideas, pp. 1310-1315.

‘Metaphysical painting’ (‘pittura metafisica’) is a paradoxical term: extrasensory sensuousness, as it were. Painting is the representation of visible surfaces; metaphysics rejects surfaces, as deceptive, in favour of the deeper essence. But Giorgio de Chirico (1888–1978) who coined the term ‘pittura metafisica’ in 1919 was a follower of the anti-essentialist Nietzsche. ‘Metaphysics’, then, is not about discovering the essence of things but about shaping their appearances, their ‘physique’. This is an intriguing concept and the corollary to a subtle artistic (...) oeuvre. (shrink)

본 연구는 데 키리코의 ‘형이상학적 회화(Pittura Metafisica)’에 나타난 니체의 철학적 인간상에 관한 고찰이다. 초현실주의의 선구자인 데 키리코는 니체의 철학을 기반으로 현실과 비현실이 뒤섞인 ‘형이상학적 회화’를 창조한다. 니체의 디오니소스적 정신과 영원회귀, 위버멘쉬는 은유의 방식을 통해 데 키리코 특유의 회화적 형식으로 재탄생한다.BR 데 키리코의 형이상학적 회화의 방식이란 눈에 보이는 표면적 세계 이면에 존재하는 수수께끼와 미스터리를 품은 세계의 발견이자 재현이다. 데 키리코에게 회화의 진리란 이성과 관습을 통한 기억으로부터 멀어지는 방식을 통해 성취될 수 있다. 이것은 원근법의 파괴, 데페이즈망 기법, 마네킹의 형상, 건축적 주제의 반복 (...) 등의 형식을 통해 달성된다. 이는 바로 니체의 철학적 인간상, 즉 영원회귀와 디오니소스적 인간인 위버멘쉬를 함의한 회화적 외침이다. 하나의 진리는 존재하지 않으며 모순적이고 비합리적 상황에 대한 긍정과 자기극복을 형이상학적 회화 속에 함축하고자한 데 키리코의 의지는 바로 힘에의 의지를 포함한다. 니체와 데 키리코의 방식은 논리적 인식에 맞서 진실로 ‘인간이란 무엇인가?’ 진정 ‘삶이란 무엇인가?’라는 인간학적, 존재론적 물음에 대한 성찰이다. (shrink)

Modernism in the early 20th century has usually been viewed as a radical break with the past and tradition. Nevertheless, there are a great deal of direct references to classical antiquity in many works of modernist artists. This apparent contradiction forces us to rethink the notion of a radical break between the new and the past. It is with this in mind that the present article focuses on one of the most exiting periods in European cultural history. In particular, the (...) article refers to two attempts to revitalize classical antiquity during the first decades of the 20th century. These two attempts are illustrated by the Portuguese writer, Fernando Pessoa, and the Italian painter, Giorgio de Chirico. Their works are not only characteristic of the marked revival of classical antiquity in the first years of Modernism, but they also reveal that this revival is more than a simple “new classicism”. Insofar as this new/ past dualism, the work of Pessoa and de Chirico should be better described as an updated mythological thinking. (shrink)

In this interdisciplinary book, Keala Jewell reunites Giorgio de Chirico with his brother, Alberto Savinio, a prolific writer and painter who has been kept at the margins of the discussion of Surrealism and, more generally, the culture politics of twentieth-century Italy. Yet as Jewell demonstrates, the brothers worked together during their formative years in Munich and Paris and always shared, on the one hand, a drive to salvage Mediterranean myth and history and, on the other, a deep involvement with (...) art’s power to shape cultural identity and authority. Rather than looking for a key to unlock the secrets of the brothers’ recurrent use of dislocated spaces and bizarre hybrid figures, Jewell focuses on assessing the issues of identity and mastery put at stake in the haunting enigmas that characterize their paintings and writings. Deeply impressed by Nietzsche, she argues, they believed the "human" is inherently unstable and must be constantly "rewoven" with analogies and metaphors seized from empowering states of being. Jewell’s approach to the de Chirico brothers breaks new ground, not only because it brings them together as artists and writers but also because it sets the brothers within the context of myth, history, and Italian culture politics, instead of French surrealism and its aesthetic and psychoanalytic theories. Further, Jewell’s strong readings of little-known paintings and notoriously difficult texts like Giorgio de Chirico’s _Ebdòmero_ will expand and diversify the sources used in modernist studies. (shrink)

Le texte aborde un cas particulier d’atmosphère, l’inquiétante étrangeté, dans son rapport à l’espace architectural, selon une inflexion phénoménologique soulignant la teneur d’atmosphère (Stimmung) du sentiment éprouvé. Effectuant une relecture du texte éponyme de 1919 de Freud sous cet angle, notamment l’épisode de la promenade dans la petite ville italienne, la réflexion s’engage ensuite dans une approche de la peinture de De Chirico, en particulier le tableau de 1913 La grande Tour. Les écrits du théoricien américain de l’architecture Anthony (...) Vidler viennent à l’appui de la réflexion. La conclusion fait retour sur la maison hantée, au regard d’expériences artistiques plus contemporaines. (shrink)

In the spring of 1900, British archaeologist Arthur Evans began to excavate the palace of Knossos on Crete, bringing ancient Greek legends to life just as a new century dawned amid far-reaching questions about human history, art, and culture. With _Knossos and the Prophets of Modernism_, Cathy Gere relates the fascinating story of Evans’s excavation and its long-term effects on Western culture. After the World War I left the Enlightenment dream in tatters, the lost paradise that Evans offered in the (...) concrete labyrinth—pacifist and matriarchal, pagan and cosmic—seemed to offer a new way forward for writers, artists, and thinkers such as Sigmund Freud, James Joyce, Giorgio de Chirico, Robert Graves, and Hilda Doolittle. Assembling a brilliant, talented, and eccentric cast at a moment of tremendous intellectual vitality and wrenching change, Cathy Gere paints an unforgettable portrait of the age of concrete and the birth of modernism. (shrink)

Ce livre repart de la notion nietzschéenne de "philosophe-artiste" pour s'en désolidariser aussitôt. Certes, la philosophie-artiste, qui se caractérise par l'indissociabilité de la pensée et de la vie et par l'hétérogénéité de ses discours, est le mode mineur du philosopher depuis Platon. Mais, à sa conception musicale encore partagée par Nietzsche, l'auteur oppose une conception visuelle de la pensée, qui prend sa source conceptuelle dans l'oeuvre de Giorgio de Chirico, inventeur de la peinture métaphysique. Dans un second temps, ce (...) livre esquisse une série de perspectives de recherches visant à déployer le concept de philosophie-artiste dans toutes ses dimensions : la primauté de "la narration philosophique", avec J.-P. Faye ; le cadre posé par "le théâtre de la pensée", avec Platon et Nietzsche ; la pragmatique de " 'image totale", avec Eisenstein et Artaud ; ce dernier permettant, en plus, au théâtre de la pensée une sortie de la métaphore... Enfin, en guise de conclusion, l'auteur propose que la poésie, repensée à l'aune de l'éthno-poésie et des dialogues transculturels, soit la terre d'élection de cette nouvelle conceptualité de la pensée visuelle libérée de la pesanteur de la technique et des appareils. (shrink)

Das Verhältnis von Verschwinden und Erscheinen wurde in der bildenden Kunst nirgends so explizit behandelt wie im Surrealismus. Exemplarisch kann dabei Das Rätsel des Orakels von Giorgio de Chirico und The Enigma of Isidore Ducasse von Man Ray herangezogen werden. Eingerahmt von einem Manifest zur Rolle des Traums wurde Man Rays Enigma bereits auf der ersten Seite der ersten Ausgabe der Zeitschrift Le révolution surréaliste abgedruckt. Wie im Beitrag gezeigt werden soll, wird die Beziehung von Verschwinden und Erscheinen im (...) Surrealismus nicht nur visualisiert, sondern diese wird in ihrer Struktur von Anwesenheit und Abwesenheit analytisch und zugleich sinnlich seziert. No epoch of the visual arts has treated the relation of disappearance and appearance as explicitly as surrealism. Especially Giorgio de Chirico’s The Enigma of the Oracle and Man Ray’s The Enigma of Isidore Ducasse can be used as examples. Framed by a manifesto on the role of the dream, Man Ray’s Enigma was printed on the first page of the first issue of the journal La révolution surréaliste. In this paper I show how in surrealism, the relation of disappearance and appearance is not only visualized, but dissected in an analytical and at the same time sensual way. (shrink)

A creative attitude based on an “open mind approach” toward art, on a stylistic salience of images and on a continuative research of sense are the main features of Nespolo’s art. Many of his artworks are related to de Chirico’s artistic search. Many others are pervaded by a conceptualist approach to art. Nespolo’s formalist and visionary attitude becomes decisive in the 80s, the period in which he explores the effects of postmodernism in art. A topic in particular dominates his (...) pictorial production: that of museum, conceived as depository of forms. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Summary Of The Spoken Responses By The Poets To Their CriticsJohn HollanderMark Strand responded to Charles Berger’s comments by mak-ing appreciative remarks about the kind of attention his work had received, adding that he did occasionally in writing perceive “glimmers, in the kind of attention I pay, to what Charles Berger has spoken of.” With regard to certain aspects of prior intention, he said that “vague formal imperatives got (...) fulfilled in the writing” and that knowing at the time “the rightness of what I’ve said,” I was nonetheless able to “know the meaning of what I’d said only weeks afterward.” He also acknowledged the kinds of allusiveness which Berger had adduced in his writing, speaking of how and when in the course of writing the resources of his particular sort of echo and allusion seemed to make themselves available.He then turned to the specific question of one of the sequences of poems that Berger had discussed, the “Great Dog Poem No. 2.” He averred that in choosing a dog as speaker he had “not just meant to be funny” [he avowed later on in his remarks that his poems frequently began with “dark humor”] but had also sought for a mode of introspection more original than the fashionably solemn ones of so much contemporary poetry: “I could look within and bark.” With respect to the final line, he observed “I like to finish with a flourish, to pretend I’m Laforgue or Rimbaud,” manifesting “a desire to be a symbolist poet.” With respect to that concluding verse, “I feel like the end of a gorgeous line,” he added that if a dog said that—particularly “a [End Page 189] platinum retriever”—it could not be self-pitying. He spoke in general of the relation of high and low in the poem (a dog named “Rex,” and so forth) and of the relation of this sequence to a much earlier poem of his called “Eating Poetry” in which the speaker is likewise a dog.With regard to formal design, he concluded by saying that in general he tended to start poems “with rough drafts in blank verse” which he then “roughened up” in various ways, preferring as he said “cadences” rather than “measure” in the framing of lines. But he added that in the De Chirico poems he had read, he felt that if one wrote a villanelle, one should keep strictly to the form, without changing words in the refrain lines, and keeping to the iambic meter, saying that “I don’t think you should cheat” under those circumstances.Strand concluded by thanking Berger for the precise nature of his critical attentiveness.John Hollander started out by acknowledging with pleasure that Eleanor Cook’s analysis of his “Owl” had certainly helped him to understand it better; he observed that he felt he had only started to write what he called “real poetry” in his third book, when he had first written a poem he could not understand at the time, and only came to understand years later. He remarked that “The relation of poet and critic as framed by this panel is this: good criticism is a poem’s best friend. We all depend on our friends to point out to us things about ourselves we may not know or acknowledge; although their cousins and other familial relations are other poems, our poems’ best friends are pieces of critical writing.”He was particularly grateful to Cook for pointing out things he hadn’t himself seen—such as the question of the terminal words in the first stanza—but which as a result of the critical insight he had to acknowledge. And this brought up the crucial question of intentionality at the practical rather than theoretical level: in the case of such observations by critics and acknowledgments by poets, it would seem that the writing of a poem could have an intention of which the writer would be unaware. Hollander adduced the analogy of dreaming to poetic composition, paralleling the question “Did you mean to write that?” with (to anyone reporting a dream) “Did you mean to dream that?”He then observed about the... (shrink)

Tout le monde en conviendra : lire n'est pas une activité de tout repos. La vue y est certes sollicitée, et même d'emblée, mais c'est pour aussitôt s'éclipser. S'il était purement vu, le texte (dans son sens étendu d'objet de l'interprétation) ne serait pas encore lu. La lecture proprement dite aura lieu dès l'instant où je cesse de voir ce qui m'est donné à voir pour me faufiler au-delà. J'embrasse à présent une réalité tri-dimensionnelle, je deviens le texte et le (...) texte m'épouse, je flaire et je ressens, j'hallucine et je jubile, bref : je lis. La lecture sera synesthésique ou ne sera pas. Mon voyeurisme n'est plus trivial mais absolu. Or ce don de voyance que je m'accorde pour pallier mon aveuglement du départ n'est pas sans risques : je ne suis à l'abri ni de la méprise ni de la foi aveugle. Et c'est là le côté ironique de toute lecture. On a beau s'investir dans l'oeuvre, tôt ou tard l'enchantement sera rompu. Je me vois en train de lire, donc je ne lis plus.Le texte me renvoie soudain à mes propres limites. Il n'empêche que cet ébranlement du sujet soit souvent déclencheur d'une expérience esthétique, expérience qui porte également un enseignement : la lecture aujourd'hui engage quiconque s'y adonne à être prêt à abdiquer à chaque instant ou, du moins, à respecter l'illisible et l'inappropriable. L'aboutissement de ce travail ce confond avec son présupposé majeur : inutile de vouloir maintenir le clivage entre lecture textuelle et lecture tout court (d'une image, du monde, d'un corps désiré, etc.), ce sont leurs empiètements qui restituent à ce geste ancestral et sans doute universel son souffle et son ampleur. Des scènes de perception entravée, lacunaire ou défectueuse, glanées dans le patrimoine littéraire et plastique contemporain (Proust, Cocteau, Michaux, Calvino, Manganelli, De Chirico, Alechinsky, Fuentes, Biély, Nabokov, Gombrowicz et tant d'autres) et appréhendées comme autant de simulacres de l'expérience de lecture, nous ont permis de cerner l'activité lectorielle au plus proche des textes. (shrink)

Prehistory is an invention of the later nineteenth century. It was in this moment of technological progress and the acceleration of production and circulation, that three major Western narratives about time took shape. One after another, these new fields of inquiry delved into the obscure immensity of the past: first, to reckon the age of the Earth; second, to find a point of emergence of human beings; and third, to ponder the age of art. Maria Stavrinaki's Transfixed by Prehistory considers (...) the inseparability of these accounts of temporality from the disruptive forces of modernity. She asks what a history of modernity and its art would look like if it was considered through these three, at once consecutive and interwoven, inventions of the longue durée? This book attempts to articulate such a history, which turns out to be more complex than that of an inevitable march of progress leading up to the "Anthropocene." Rather, it's a history of stupor, defamiliarization, regressive acceleration and incessant invention, since the "new" was also found in the deep sediments of the Earth. Composed as much of speed as of slowness, as much of change as of deep time, as much of confidence as of skepticism and doubt, modernity is a complex phenomenon that needs to be thought again. This book focuses on this intrinsic tension through major artistic practices (Cézanne, Matisse, De Chirico, Ernst, Picasso, Dubuffet, Smithson, Morris, and contemporary artists such as Pierre Huyghe and Thomas Hirschhorn), philosophical discourses (Bataille, Blumenberg, and Jünger) and the human sciences. This groundbreaking book will attract readers interested in the intersections of art history, anthropology, psychoanalysis, mythology, geology, and archaeology. (shrink)

Since the nineteenth century the poetic and metaphysical vision of the fifteenth-century painter Piero della Francesca has been admired by intellectuals, studied by a host of art historians, and has inspired a long line of modern painters from Cezanne to de Chirico, Balthus, Hockney and many others. Despite this modern interest, Piero has remained enigmatic due to the paucity of documentation pertaining to him and his works. Banker’s book is a valuable contribution towards elucidating the social and cultural context (...) into which Piero was born and in which he received his earliest education and artistic training. In Banker’s words “this book has two focal points: the culture of the town and the youth of the painter.” The entire study challenges the traditional view that regards Piero’s sojourn in Florence in 1439 as the formative event in his artistic development. Indeed, Banker makes a strong case for Piero’s early formation in his native Borgo San Sepolcro, a town in the upper Tiber river valley on the frontiers between Tuscany, the Marches, and Umbria. (shrink)

A study of the nature of philosophical reason, architecture, and politics as they are shaped by the influence of port cities and by the eternally returning movement of entry and exit through those cities. The examples of Piraeus, Venice, Rome, Marseilles, Königsberg and New York are considered.

Recently, interest in the unique pathways linking discrete positive emotions to specific health outcomes has gained increasing attention, but the role of awe is yet to be elucidated. Awe is a complex and transformative emotion that can restructure individuals' mental frames so deeply that it could be considered a therapeutic asset for major mental health major issues, including depression. Despite sparse evidence showing a potential connection between depression and awe, this link has not been combined into a proposal resulting in (...) specific intervention guidelines. The aim of this perspective was three-fold: to provide a new unifying model of awe's functioning—the Matryoshka model; to show systematic and explicit connections between this emotion and depression; and to suggest specific guidelines of intervention utilizing the potential therapeutic role of awe for mental health, specifically for depression. This theoretical endeavor in its entirety has been framed within the health domain. (shrink)

The concept of transformative experience (TE) has been widely explored by several disciplines from philosophy to neurobiology, and in different domains, from the spiritual to the educational one. This attitude has engendered heterogeneous models to explain this phenomenon. However, a consistent and clear understanding of this construct remains elusive. The aim of this work is to provide an initial comprehensive interdisciplinary, cross-domain, up-to-date, and integrated overview on the concept of TEs. Firstly, all the models and theories on TEs were reviewed (...) to extract and analyze TEs’ main components emerging from different disciplines. Then, this preliminary analysis was integrated with an in-depth examination of redundancies and particularities across domains and disciplines, to provide an integrated theoretical framework of TEs and a preliminary interdisciplinary operational definition of TEs. This examination, in turn, can help organize current research and theories, thus providing suggestions for operationalizing TEs as well as encouraging new interdisciplinary research endeavors. (shrink)

Are green patents granted to family firms perceived more favorably by the market than those granted to non-family firms? Using a sample of 8918 green patents granted to family and non-family firms between 2014 and 2018, our study shows that it depends on the attributes of the green patent. Integrating the green innovation and family firm literatures with signaling theory, we develop a theoretical framework that highlights the need for family firms to balance their pursuit of green innovation with signals (...) of innovation stability and due diligence so as to gain the greatest market value from their green patents. In contrast, we theorize that green patents offer nonfamily firms the greatest gain in market value when they signal innovation radicalness and newness. While our results show that the stock market reaction does not vary significantly between family and non-family firms, when we consider the attributes of green patents, we find that compared to nonfamily firms, family firms with longer green patent grant lags realize a more positive market reaction whereas those with higher patent radicalness experience a more negative market reaction. As such, our study suggests that the types of green patents that garner the greatest market value differ for family and nonfamily firms. The findings are robust to alternate family firm definitions, and additional robustness checks. (shrink)

In this work, I explored the complex relationship between psychological awe and the philosophical concept of the sublime. While psychology has often considered awe as a positive emotion distinct from the negative variant of the sublime, philosophical discourse has suggested an inherent historical and aesthetic connection between the two phenomena. I aimed to provide a preliminary contribution towards solving this puzzle, by relying on empirical findings from psychology and drawing from philosophical theories of Longinus, Kant, Schopenhauer and Hegel. I suggested (...) a conceptualization of awe as a potential cultural evolution of the sublime, thus highlighting an overlap of key dimensions, such as vastness, self-transcendence, and alteration of sense of time. Moreover, I outlined practical insights and guidelines for eliciting awe in everyday life. Finally, the transformative nature of awe was explored by integrating psychological and philosophical perspectives, thus enabling a broader understanding of complex emotions and how they can influence human experience and wellbeing. (shrink)

Self-transcendence has been characterized as a decrease in self-saliency (ego disillusionment) and increased connection, and has been growing in research interest in the past decade. Several measures have been developed and published with some degree of psychometric validity and reliability. However, to date, there has been no review systematically describing, contrasting, and evaluating the different methodological approaches toward measuring self-transcendence including questionnaires, neurological and physiological measures, and qualitative methods. To address this gap, we conducted a review to describe existing methods (...) of measuring self-transcendence, evaluate the strengths and weaknesses of these methods, and discuss research avenues to advance assessment of self-transcendence, including recommendations for suitability of methods given research contexts. (shrink)

Objectives: Technology can assist and support both people with dementia and caregivers. Recently, technology has begun to embed remote components. Timely with respect to the pandemic, the present work reviews the most recent literature on technology in dementia contexts together with the newest studies about technological support published until October 2020. The final aim is to provide a synthesis of the timeliest evidence upon which clinical and non-clinical decision-makers can rely to make choices about technology in the case of further (...) pandemic waves.Methods: A review of reviews was performed alongside a review of the studies run during the first pandemic wave. PsycInfo, CINAHL, and PubMed-online were the databases inspected for relevant papers published from January 2010.Results: The search identified 420 articles, 30 of which were reviews and nine of which were new studies meeting the inclusion criteria. Studies were first sorted according to the target population, then summarized thematically in a narrative synthesis. The studies targeting technologies for PWD were categorized as follows: monitoring and security purposes, sustaining daily life, and therapeutic interventions. Each category showed potential benefits. Differently, the interventions for caregivers were classified as informative, psycho-education programs, psychosocial-supportive, therapeutic, and cognitive/physical training. Benefits to mental health, skills learning, and social aspects emerged.Conclusions: The evidence shows that technology is well-accepted and can support PWD and caregivers to bypass physical and environmental problems both during regular times and during future pandemic waves. Nevertheless, the lack of a common methodological background is revealed by this analysis. Further and more standardized research is necessary to improve the implementation of technologies in everyday life while respecting the necessary personalization. (shrink)

During the COVID-19 lockdown, individuals were forced to remain at home, hence severely limiting the interaction within environmental stimuli, reducing the cognitive load placed on spatial competences. The effects of the behavioral restriction on cognition have been little examined. The present study is aimed at analyzing the effects of lockdown on executive function prominently involved in adapting behavior to new environmental demands. We analyze non-verbal fluency abilities, as indirectly providing a measure of cognitive flexibility to react to spatial changes. Sixteen (...) students, evaluated before the start of the lockdown in a battery of psychological tasks exploring different cognitive domains, have been reassessed during lockdown. The assessment included the modified Five-Point Test to analyze non-verbal fluency abilities. At T2, the students were also administered the Toronto Alexithymia Scale. The restriction of behaviors following a lockdown determines increased non-verbal fluency, evidenced by the significant increase of the number of new drawings. We found worsened verbal span, while phonemic verbal fluency remained unchanged. Interestingly, we observed a significant tendency to use the left part of each box in the m-FPT correlated with TAS-20 and with the subscales that assess difficulty in describing and identifying feelings. Although our data were collected from a small sample, they evidence that the restriction of behaviors determines a leftward bias, suggesting a greater activation of the right hemisphere, intrinsically connected with the processing of non-verbal information and with the need to manage an emotional situation. (shrink)

The aim of the study was to evaluate the effectiveness of a media literacy intervention targeting, for the first time, the specific topic of Performance and Appearance Enhancing Substances use in high-school students. Overall, 389 students aged between 13 and 19 years participated to a media literacy intervention while 103 students aged between 14 and 19 year were considered as the control group. In two separate occasions over the course of six consecutive months, students in both groups filled out a (...) set of questionnaires which included measures of social-cognitive beliefs and a self-reported measure of retrospective use of doping and supplements. Compared to students in the control group = 1.96; SD= 0.85; and Mean= 2.09; SD= 0.94), intervention students on average expressed relatively stronger attitudes against doping use over time = 2.2; SD= 0.85; and Mean= 2.05; SD= 0.82). Students in the latter group also showed a statistically significant decrease in self-reported supplement use = 6.7%; Use= 3.8%;p= 0.05, McNemar Test). Interestingly, albeit marginally significant, students in the control group showed a relative increment in the self-reported use of supplements over time = 4.9%; Use= 8.7%;p= 0.22, McNemar Test). Overall, the media literacy intervention investigated in the present study was effective in decreasing adolescent student’s positive attitudes toward doping use and in reducing the use of legal PAES. These findings supported the generalizability and the usefulness of a media literacy approach in the specific field of PAES. (shrink)

Cognitively engaging physical activity has been suggested to have superior effects on cognition compared to PA with low cognitive demands; however, there have been few studies directly comparing these different types of activities. The aim of this study is to compare the cognitive effects of a combined physically and cognitively engaging bout of PA to a physical or cognitive activity alone in children. Children were randomized in pairs to one of three 20-min conditions: a cognitive sedentary activity; a non-cognitively engaging (...) PA; and a cognitively engaging PA. Executive function was assessed using a modified Eriksen flanker task immediately before and 10–15 min following the experimental condition. Children ages 6–8 years were included in the study. A repeated measures ANOVA found no significant difference between groups with respect to scores on the flanker task. The results do not support the hypotheses that a cognitively engaging bout of PA enhances cognitive performance over non-cognitively engaging PA or sedentary activities. Possible explanations for our findings include overexertion during the acute bout of PA and depletion of positive affect prior to performing the post-intervention EF tasks. (shrink)

The Decision Regret Scale was assessed for its psychometric qualities in measuring decision regret in ordinary life scenarios. Although the scale has typically been used with patients and in the context of medical decision-making in earlier studies, this contribution shows that the instrument may have a variety of uses, retaining excellent metric properties even in non-medical contexts. The tool showed good fits with both the CFA and the gender Measurement Invariance. A non-probabilistic selection of 2,534 Italian university students was conducted. (...) The internal consistency measures were found to be completely appropriate. Correlations with the General Decision-Making Style and Scale of Regulatory Modes were used to check for convergent validity. Convergence analysis showed that participants with higher regret scores were those who favored a rational decision-making style, while lower regret scores correlated with avoidant and spontaneous styles. With regard to the regulatory modes, the relationship between regret and locomotion was positive. Overall, the directions of association point to an interesting predictive measure of a person’s decision-making and self-regulatory orientation through the evaluation of regret using the DRS. The excellent psychometric properties found foreshadow a reliable use in various contexts where knowledge of post-decisional attitude becomes important: school, university, professional orientation, marketing studies, relationship choices, as well as for use in research. (shrink)

The Coronavirus Covid 19 pandemic has produced terrible effects in the world economy and is shaking social and political stability around the world. The world of sport has obviously been severely affected by the pandemic, as authorities progressively canceled all level of competitions, including the 2020 Olympic Games in Tokyo. In Spain, the initial government-lockdown closed the Sports High-performance Centers, and many other sports facilities. In order to support athlete's health and performance at crises like these, an online questionnaire named (...) RECOVID-19, was designed to assess how athletes were living their lives during such periods of home confinement. The main purpose of the questionnaire was to assess the impact of prolongued confinement on athlete's psychological, emotional, and behavioral performance. One thousand, two hundred forty-eight athletes participated in the survey. They had the fllowing characteristics:, who compete at National and International level. Results showed that during the confinement period, those athletes who lacked motivation reported a higher level of stressful thoughts, more behavioral problems, and greater emotional upheaval. However, those athletes who accepted confinement measures as necessary, and were in favor of respecting the rules of social isolation, fostered positive emotional states such as feelings of friendship. In addition, the availability of some sport equipment together with the ability to continue some training, were protective factors against emotional stress, lack of motivation and behavioral problems; and they were associated with greater respect for, and adherence to, confinement rules. Gender differences, tested by multigroup analysis, revealed that coping activities were more often associated to negative emotional states among women, whereas the ongoing availability of training information and future conditions were equally protective factors for both genders. This study also showed that receiving coaching, support and completing frequent training routines seem to be valuable tools to prevent or reduce some of the harmful effects of isolation on athlete's emotional well-being. The conclusions derived from this research would possibly help sport authorities to design supporting policies and plans to support athletes and trainers in future disruptive health crises. (shrink)

Review of Vassallo, C.. The Presocratics at Herculaneum. A Study of Early Greek Philosophy in the Epicurean Tradition. Berlin: De Gruyter.

Jusqu’à présent, les discussions au sein de la communauté universitaire et dans la littérature scientifique sur la conduite responsable en recherche (CRR), incluant l’intégrité scientifique et l’éthique de la recherche, ont principalement été menées par les chercheurs en sciences de la santé et en sciences fondamentales. Préoccupés, à juste titre, par des problèmes d’inconduite, leurs effets négatifs sur la rigueur scientifique et la confiance du public dans l’entreprise de la recherche, ces débats ont conduit à l’élaboration et à la mise (...) en œuvre de lignes directrices nationales et de politiques institutionnelles. Ces lignes directrices visent entre autres à promouvoir la CRR, notamment dans le but de prévenir ces inconduites. Cependant, pour garantir la pertinence et une application appropriée de ces normes à tous les domaines universitaires, il est nécessaire que les sciences humaines et sociales (SHS) contribuent plus directement à ces discussions. Un tel engagement devrait permettre d’exprimer les particularités disciplinaires et méthodologiques des SHS, dont certaines peuvent être très différentes des sciences appliquées et fondamentales. Cela permettrait également de s’assurer que la littérature sur la CRR ainsi que les politiques et les directives qui en découlent soient à la fois fondées sur des principes universellement généralisables, mais aussi appliquées avec nuance afin de refléter la diversité des pratiques disciplinaires. Dans ce chapitre, nous explorons trois grands domaines dans lesquels les SHS pourraient contribuer à façonner les discussions dans la littérature sur la CRR, tout en informant les chercheurs en SHS des meilleures pratiques en matière de CRR : l’autorat/paternité, la collaboration et l’autorégulation. (shrink)