Results for ' dramatic images, drama of Republic ‐ beautiful contrast between free and unfree human being'

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  1.  10
    Freedom.George Rudebusch - 2009-09-10 - In Steven Nadler, SOCRATES. Wiley‐Blackwell. pp. 164–169.
    This chapter contains sections titled: Subordinated Actions Dramatic Images Nietzsche's Objection Timeless Life Further Reading.
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  2. Plato’s Metaphysical Development before Middle Period Dialogues.Mohammad Bagher Ghomi - manuscript
    Regarding the relation of Plato’s early and middle period dialogues, scholars have been divided to two opposing groups: unitarists and developmentalists. While developmentalists try to prove that there are some noticeable and even fundamental differences between Plato’s early and middle period dialogues, the unitarists assert that there is no essential difference in there. The main goal of this article is to suggest that some of Plato’s ontological as well as epistemological principles change, both radically and fundamentally, between the (...)
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  3. Human Beings // Human Freedom.Mariam Thalos - 2019 - In Graham Oppy & Joseph W. Koterski, Theism and Atheism: Opposing Viewpoints in Philosophy. Farmington Hills: MacMillan Reference. pp. 429-448.
    The traditional philosophical questions around human freedom are to do with how to square freedom for human organisms with increasingly scientific understandings of the universe itself. At the beginning of Western philosophical consciousness, Plato, unlike later philosophers eligible of the label rationalist, maintained that there are obstacles to free and rational agency, owing in no small measure to pressures exerted by the human psyche from what later were referred to as biological drives and drives for social (...)
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  4.  47
    Is beauty an archaic spirit in education?Howard Cannatella - 2006 - Journal of Aesthetic Education 40 (1):94-103.
    In lieu of an abstract, here is a brief excerpt of the content:Is Beauty an Archaic Spirit in Education?Howard Cannatella (bio)O! Father and mother, if buds are nip'd and blossoms blown away, and if the tender plants are strip'd of their joy in the spring day, by sorrow and care's dismay, how shall the summer arise in joy, or the summer fruit appear?William Blake, "The School Boy"1This article discusses the unfashionable and taboo idea that beauty matters. A sign of the (...)
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  5. Meillassoux’s Virtual Future.Graham Harman - 2011 - Continent 1 (2):78-91.
    continent. 1.2 (2011): 78-91. This article consists of three parts. First, I will review the major themes of Quentin Meillassoux’s After Finitude . Since some of my readers will have read this book and others not, I will try to strike a balance between clear summary and fresh critique. Second, I discuss an unpublished book by Meillassoux unfamiliar to all readers of this article, except those scant few that may have gone digging in the microfilm archives of the École (...)
     
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  6.  45
    Plato's Republic as a Philosophical Drama on Doing Well.Ivor Ludlam - 2014 - Lexington Books.
    The Republic is widely recognized to be Plato’s masterpiece, but for centuries it has been the subject of much debate. Is it about the ideal state, or the soul, or art, or education, or something else altogether? Interpretations have been many and various, for two main reasons: studies have tended to concentrate on parts of this very long dialogue to the exclusion of other parts; and some of the opinions expressed in the dialogue are routinely regarded as being (...)
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  7.  92
    Breve storia dell'etica.Sergio Cremaschi - 2012 - Roma RM, Italia: Carocci.
    The book reconstructs the history of Western ethics. The approach chosen focuses the endless dialectic of moral codes, or different kinds of ethos, moral doctrines that are preached in order to bring about a reform of existing ethos, and ethical theories that have taken shape in the context of controversies about the ethos and moral doctrines as means of justifying or reforming moral doctrines. Such dialectic is what is meant here by the phrase ‘moral traditions’, taken as a name for (...)
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  8.  68
    Dramatic Prefiguration in Plato's Republic.George Rudebusch - 2002 - Philosophy and Literature 26 (1):75-83.
    After defining dramatic prefiguration, I show how (1) the initial meeting between Polemarchus's party and the smaller group of Socrates and Glaucon prefigures the Republic's theme of how to install the philosophical element in its proper place as ruler in the soul; (2) the relay race of torches carried on horseback prefigures the theory of the soul as tripartite, containing reason, spirit, and appetite; and (3) the opening image of Socrates descending to the Piraeus prefigures the descent (...)
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  9.  49
    The Future Present Tense.Justin Leiber - 1985 - Philosophy and Literature 9 (2):203-211.
    In lieu of an abstract, here is a brief excerpt of the content:Notes and Fragments THE FUTURE PRESENT TENSE by Justin Leiber Perhaps the simplest, most general, and oldest claim about fiction is that it should instruct and entertain. A logical positivist might draw a sharp line between the factual content of a discourse and the pleasurable emotional release available to the auditor. Aristotle straddles this distinction in seeing (dramatic) fiction as imitation of, principally, human action, an (...)
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  10.  17
    Is Every Human Being a Person?Robert Spaemann & Richard Schenk - 1996 - The Thomist 60 (3):463-474.
    In lieu of an abstract, here is a brief excerpt of the content:IS EVERY HUMAN BEING A PERSON?* ROBERT SPAEMANN Ludwig-Maximilians-Universitat Munich, Germany I. DEFINING THE QUESTION THE PAPAL encyclical, Evangelium vitae (EV), declares solemnly that "... the direct and voluntary killing of an innocent human being is always gravely immoral" (EV 57). This unconditional ethical obligation to respect every human life is justified by reference to "the incomparable dignity of the human person." Such (...)
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  11. πολλαχῶς ἔστι; Plato’s Neglected Ontology.Mohammad Bagher Ghomi - manuscript
    This paper aims to suggest a new approach to Plato’s theory of being in Republic V and Sophist based on the notion of difference and the being of a copy. To understand Plato’s ontology in these two dialogues we are going to suggest a theory we call Pollachos Esti; a name we took from Aristotle’s pollachos legetai both to remind the similarities of the two structures and to reach a consistent view of Plato’s ontology. Based on this (...)
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  12.  16
    Der Begriff des Lebens bei Plotin (review). [REVIEW]Ria Stavrides - 1973 - Journal of the History of Philosophy 11 (1):116-117.
    In lieu of an abstract, here is a brief excerpt of the content:116 HISTORY OF PHILOSOPHY Der Begriff des Lebens bei Plotin. By Grigorios Ph. Kostaras. (Hamburg: Felix Meiner Verlag, 1969. Pp. ix+139. DM 36) In his excellent book, The Concept of Life in Plotinus, Mr. Grigorios Ph. Kostaras presents the thesis that it is the problem of life which lies at the center of the thought of Plotinus, that it permeates it in its entirety and that he views all (...)
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  13.  54
    De-Dramatizing Darwinism.Mary Midgley - 1984 - The Monist 67 (2):200-215.
    Let us by-pass a lot of disputation by starting with the objections to the dispute itself. It is surely a misfortune, not a gain, both to the biological and the social sciences that a discontinuity has appeared between them over the topic of Human Nature—that the findings of each group seem in important ways alien and unusable for the purposes of the other. To be forced to give up hope of learning anything from a particular source is always (...)
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  14.  59
    Elateres Motiva: From the Good Will to the Good Human Being.Inder Marwah - 2013 - Kantian Review 18 (3):413-437.
    Kant's ethics has long been bedevilled by a peculiar tension. While his practical philosophy describes the moral obligations incumbent on all free, rational beings, Kant also understands moral anthropology as addressing to our moral advancement. How are we to reconcile Kant's Critical account of a transcendentally free human will with his developmental view of anthropology, history and education as assisting in our collective progress towards moral ends? I argue that Kant in fact distinguishes between the objective (...)
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  15.  13
    Images >> Visual Vertigo: Gaëlle Foray's Homage to the Discarded.Amber Bal - 2023 - Diacritics 51 (2):110-129.
    In lieu of an abstract, here is a brief excerpt of the content:Images >> Visual Vertigo:Gaëlle Foray's Homage to the DiscardedAmber Bal (bio)Gaëlle Foray's artistic style invites renewed meditation upon the two human processes that surround the artwork: first, the metamorphosis of raw materials into aesthetic object at the hands of the artist, and second, the phenomenology of perceiving art. On the side of reception (in other words, the viewer's experience of Foray's works), the artworks demand first to be (...)
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  16.  17
    Unseen beauty.Vitor Guerreiro - 2022 - Veritas – Revista de Filosofia da Pucrs 67 (1):e43273.
    The experience of beauty is no less mysterious for the aesthetician today than it was in the Middle Ages. Here I focus on the notion of ‘unseen beauty’ and how certain aspects of medieval philosophizing about the nature of beauty can still be of use for the contemporary aesthetician. I draw a comparison between some concepts that pervade the whole of the Medieval period – that there is a transcendent source of visible beauty, and that visible beauties function as (...)
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  17.  24
    Image, Europe, drama.Mishel Pavlovski - 2013 - Human Affairs 23 (1):56-65.
    By questioning the ways in which a supra-national European identity can be created in an environment of globalization, this article starts with the thesis that this concept faces problems which must be resolved first and foremost at the national level. By problematizing multiculturalism as a “utopian theory” which does not solve any problems at the practical level, and by viewing interculturalism as a potential danger to “smaller” cultures, this article identifies what it is that hinders the possible acceptance of the (...)
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  18.  37
    Necessarily Free: Why Teachers Must be Free.Orit Schwarz-Franco - 2021 - Studies in Philosophy and Education 41 (3):325-343.
    Teachers are necessarily free. The present article discusses the dual meaning of this necessity. The first meaning relates to freedom as an inevitable aspect of the actual reality in the classroom ; the second to teachers’ freedom as the ideal condition, or a prerequisite for optimal teaching. Existentialist philosopher Jean-Paul Sartre argued that human beings are “condemned to be free” and demanded that freedom be considered an imperative value. Philosopher of education Joseph Schwab, who analysed the practical (...)
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  19.  44
    Exploring Human Cognition Using Large Image Databases.Thomas L. Griffiths, Joshua T. Abbott & Anne S. Hsu - 2016 - Topics in Cognitive Science 8 (3):569-588.
    Most cognitive psychology experiments evaluate models of human cognition using a relatively small, well-controlled set of stimuli. This approach stands in contrast to current work in neuroscience, perception, and computer vision, which have begun to focus on using large databases of natural images. We argue that natural images provide a powerful tool for characterizing the statistical environment in which people operate, for better evaluating psychological theories, and for bringing the insights of cognitive science closer to real applications. We (...)
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  20.  12
    Boundary images.Giselle Beiguelman, Melody Devries, Magdalena Tyżlik-Carver & Winnie Soon (eds.) - 2023 - Minneapolis: University of Minnesota Press.
    Boundary Images investigates the political, material, and visual work that images do to cross and blur the boundaries between the technological and biological and between humans, machines, and nature. Exploring the limits of the visual and beyond what can be seen, Boundary Images posits these boundaries as starting points for the production of new and radically different ways of knowing about the world.
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  21.  7
    Philosophy as Drama: Plato’s Thinking through Dialogue.Hallvard Fossheim, Vigdis Songe-Møller & Knut Ågotnes (eds.) - 2019 - Bloomsbury Academic.
    Plato's philosophical dialogues can be seen as his creation of a new genre. Plato borrows from, as well as rejects, earlier and contemporary authors, and he is constantly in conversation with established genres, such as tragedy, comedy, lyric poetry, and rhetoric in a variety of ways. This intertextuality reinforces the relevance of material from other types of literary works, as well as a general knowledge of classical culture in Plato's time, and the political and moral environment that Plato addressed, when (...)
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  22. The “Beauty Myth” Is No Myth.Jonathan Gottschall - 2008 - Human Nature 19 (2):174-188.
    The phenomenon of apparently greater emphasis on human female physical attractiveness has spawned an array of explanatory responses, but the great majority can be broadly categorized as either evolutionary or social constructivist in nature. Both perspectives generate distinct and testable predictions. If, as Naomi Wolf (The beauty myth: How images of female beauty are used against women. New York: William Morrow, [originally published in 1991], 2002) and others have argued, greater emphasis on female attractiveness is part of a predominantly (...)
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  23.  29
    To perceive, to conceive, to image: An attempt to reframe future designers’ preconceptions.Tommaso Maggio - 2017 - Technoetic Arts 15 (3):275-282.
    Gary Zukav suggested that we consider reality what we take to be true, what we believe and that is based on our perception (1979). If we assume that this is the case, then we might try to use tangible and intangible tools to reframe our preconception. As human beings we are trying to maintain the relation between our body and soma. In the same way someone might try to understand the body–mind coupling as oneness of duality, in other (...)
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  24.  16
    Ekphratische Schichtarbeit und die Ikonoklasmen der Übermalung in Heiner Müllers Bildbeschreibung.Birgit Mersmann - 2016 - Zeitschrift für Ästhetik Und Allgemeine Kunstwissenschaft 61 (1):71-96.
    The auto-drama Bildbeschreibung (1984), written by Heiner Müller in the form of a poetic prose, can be read as a response to the emergence of a post-dramatic theater of images and media. In the work of the playwright Müller, it plays a key role as a performance-related Sehtext (viewing text). Under the agenda of image aesthetics, the article explores how the theater text Bildbeschreibung adopts the classical tradition of ekphrasis in order to transform it by transcription. It discusses (...)
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  25.  26
    Plato's republic.I. A. Plato & Richards - 2020 - Moscow, Idaho: Canon Classics. Edited by Benjamin Jowett.
    You'd never know Athens was locked in a life-or-death struggle from the tranquil and leisurely philosophical discussion that unfolds through the pages of the Republic...Plato's masterpiece continues to inform our questions and our thinking when it comes to being, truth, beauty, goodness, justice, community, the soul, and more." -From Dr. Littlejohn's Introduction. On the way back from a festival, Socrates is waylaid by some friends who compel him to go home with them. There he and his companions engage (...)
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  26.  84
    Beautiful people, beautiful things.David E. Cooper - 2008 - British Journal of Aesthetics 48 (3):247-260.
    This paper sympathetically examines the neglected virtue-centric idea that the primary location of beauty is in bodily expressions of human virtues, so that things like buildings are beautiful only because of an appropriate relationship they have to beautiful people. After a brief history of the idea as articulated by, for example, Kant, it is then distinguished from accounts of beauty with which it might be confused, such as the view that something is beautiful only if it (...)
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  27.  22
    Foreword to Beauty Unlimited.Carolyn Korsmeyer - 2013 - In Peg Brand Weiser, Beauty Unlimited. Indiana University Press.
    Whatever approach one favors, the relationships between the most abstract and disembodied sense of beauty and the physical, erotic sense are clearly harder to sever than many philosophers have previously realized. The soul may be glad to forget its connection with the body, as Santayana put it, but that gladness indicates that the connection is there to be forgotten in the first place. And often it is not so much forgotten as reshaped and transfigured. Such transformations are explored here (...)
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  28.  33
    Psyche as Agent: Overcoming the "Free/Unfree" Dichotomy.Jessica Wahman - 2022 - Transactions of the Charles S. Peirce Society 58 (2):79-96.
    I argue that the dichotomous treatment of agency and free will is problematic because it rests on a Cartesian interpretation of self and world that many present-day thinkers take themselves to be denying. I do so in order to reconstruct the concept of human agency using the psychologies of American philosophers John Dewey and George Santayana. Identifying the self with the entire organism, as these thinkers do, allows for an importantly different sense of agency. In embracing an organismic (...)
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  29.  66
    Self-Standing Beauty: Tracing Kant’s Views on Purpose-Based Beauty.Emine Hande Tuna - 2019 - Southwest Philosophy Review 35 (1):7-16.
    In his recent article, “Beauty and Utility in Kant’s Aesthetics: The Origins of Adherent Beauty,” Robert Clewis aims to offer a fresh perspective on Kant’s views on the relation between beauty and utility. While, admittedly, a fresh approach is hard to come by, given the extensive treatment of the topic, Clewis thinks that a study of its historical context and origins might give us the needed edge. The most interesting and novel aspect of Clewis’s discussion is his detailed treatment (...)
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  30.  11
    Beauty, Dominance, Humanity.Matthew Meyer - 2018 - In James B. South & Kimberly S. Engels, Westworld and Philosophy. Wiley-Blackwell. pp. 196–205.
    Instances of nudity in Westworld can be put into three categories: Nudity as a beautiful art form, nudity as a sign of (male) dominance, and nudity as a sign of humanity or more to the point, nudity as a sign of becoming human. All the hosts presented as nudes in Westworld are idealized. The hosts are always more idealized in their form than either the human guests or the human directors of the park. Kenneth Clark makes (...)
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  31. Symposium: Beauty Matters.Peg Zeglin Brand - 1999 - Journal of Aesthetics and Art Criticism 57 (1):1-10.
    The "Introduction" to "Symposium: Beauty Matters" in the Journal of Aesthetics and Art Criticism, Vol. 57, No. 1 (Winter 1999), pages 1-10, is presented here. Abstract: The point of this symposium is to locate one trajectory of the new wave of discussions about beauty beyond the customary confines of analytic aesthetics and to situate it at the intersection of aesthetics, ethics, social-political philosophy, and cultural criticism. The three essays that follow, authored by Marcia Muelder Eaton, Paul C. Taylor, and Susan (...)
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  32.  81
    Imaging God: A theological answer to the anthropological question?Alistair McFadyen - 2012 - Zygon 47 (4):918-933.
    Traditionally the central trope in Christian theological anthropology, “the image of God” tends to function more as a noun than a verb. While that has grounded significant interplay between specific Christian formulations and the concepts of nontheological disciplines and cultural constructs, it facilitates the withdrawal of the image and of theological anthropology more broadly from the context of active relation with God. Rather than a static rendering of the image a more interactionist, dynamic, and relational view of “imaging God” (...)
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  33.  93
    Physical beauty: only skin deep?Medard T. Hilhorst - 2002 - Medicine, Health Care and Philosophy 5 (1):11-21.
    Personal appearance and physical beauty are becoming increasingly important in our societies and, as a consequence, enter into the realm of medicine and health care. Adequate and just health care policies call for an understanding of this trend. The core question to be addressed concerns the very idea of beauty. In the following, a conceptual clarification is given in terms of beauty's meaning, value and function (i.e. beauty that is used instrumentally, and beauty that is attained). Furthermore, some relevant distinctions (...)
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  34. Plato's Republic, Books Five & Six. Plato - forthcoming - Audio CD.
    In Books Five and Six of The Republic, the quest for justice that has guided the dialogue from the beginning now shifts to the search for an even more encompassing quality—goodness. But what is the nature of goodness? Can human beings know it and teach it to others? How can it be manifested in the republic? To answer such questions requires a genuine lover of wisdom. How can such people be distinguished from those who simply pretend to (...)
     
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  35.  41
    Painting as Metaphor in Plato's Republic.Brian Marrin - 2023 - International Philosophical Quarterly 63 (1):5-21.
    This paper examines the use of the painting metaphor in the Republic, showing that earlier mentions of painting suggest an understanding of mimesis at odds with the critique of book X, and argues that this disagreement can only be understood in the dialogical context of the work as a whole. Early on, painters are said to be able to produce images truer and more beautiful than any existing object, and both the depiction of the city in speech itself (...)
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  36.  5
    Beautiful Performances by Morally Flawed Athletes.Jason Holt - 2024 - Philosophies 9 (6):187.
    Much has been written about the presumed interaction between moral and aesthetic properties in art, about whether moral flaws in a work or its artist can compromise the work’s aesthetic value. In the philosophy of sport, similarly, the beauty of an athlete’s performance may be undermined by moral flaws in the performance itself (e.g., in a case of cheating). Yet to be addressed, however, is a potential analogy between artists and athletes where personal moral flaws failing to register (...)
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  37.  23
    Des images attaquées : la soupe sur les tableaux et le déclin de la contemplation.Radu-Cristian Andreescu - forthcoming - Studia Universitatis Babeş-Bolyai Philosophia:7-33.
    Images under Attack: Soup on Paintings and the Decline of Aesthetic Contemplation. In 2022, two cans of tomato soup were thrown over Van Gogh’s Sunflowers at the National Gallery in London by two climate activists. The aim of this paper is not to explain the motives behind the protest in terms of environmental activism, but to address the implications of this phenomenon for the status of artistic images in our time. The protest in question is one of the many symptoms (...)
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  38. Drama in aesthetic education: An invitation to imagine the world as if it could be otherwise.Florence Samson - 2005 - Journal of Aesthetic Education 39 (4):70-81.
    In lieu of an abstract, here is a brief excerpt of the content:Drama in Aesthetic Education:An Invitation to Imagine the World as if It Could Be OtherwiseFlorence Samson (bio)Maxine Greene, philosopher-in-residence for the Lincoln Center Institute (LCI), suggests that through aesthetic education "new connections are made in experience: new patterns are formed, new vistas are opened. Persons see differently, resonate differently." As Rilke wrote in one of his poems, and as quoted by Greene, "they are enabled to pay heed (...)
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  39.  9
    Digital Wedding Photography: Capturing Beautiful Memories.Glen Johnson - 2006 - Wiley.
    Capture unforgettable moments of that special day Professional wedding photographer Glen Johnson knows there's a huge difference between being able to take good pictures and being a good wedding photographer. In this exquisite, full-color book, Glen dispenses sage advice and solutions for taking impressive digital wedding images -- posed or candid, in any weather, in any setting, at any locale. You will also learn the secrets of creating a successful digital wedding photography business, and much more. Whether (...)
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  40.  13
    God, Justice, Love, Beauty: Four Little Dialogues.Jean-Luc Nancy - 2011 - Fordham.
    The four talks collected here transcribe lectures delivered to an audience of children between the ages of ten and fourteen, under the auspices of the little dialogues series at the Montreuil's center for the dramatic arts. Modeled on Walter Benjamin's Aufklrung for Kinderradio talks, this series aims to awaken its young audience to pressing philosophical concerns. Each talk in God, Justice, Love, Beauty explores what is at stake in these topics as essential moments in human experience. (Indeed, (...)
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  41. Plato's Republic, Books Five & Six: Audio Cd. Plato - 2001 - Agora Publications.
    In Books Five and Six of The Republic, the quest for justice that has guided the dialogue from the beginning now shifts to the search for an even more encompassing quality—goodness. But what is the nature of goodness? Can human beings know it and teach it to others? How can it be manifested in the republic? To answer such questions requires a genuine lover of wisdom. How can such people be distinguished from those who simply pretend to (...)
     
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  42.  33
    Making Images Talk: Picasso’s Minotauromachy.Ana María Leyra Soriano - 2019 - Filozofija I Društvo 30 (1):19-29.
    We can say that Picasso’s images speak to us, and, as writing, speak to us from that space in which any text – far from being reduced to a single sense – “disseminates” its “truths”. Using the figure and the story of the Minotaur, Picasso devoted himself to one of the great themes of his pictorial work. The word “labyrinth” connotes, to the European mind, Greece, Knossos, Dedalus, Ariadne and the Minotaur. However, the Greek formula already represents a mythic (...)
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  43.  6
    Macintyre’s Republic.J. K. Swindler - 1990 - The Thomist 54 (2):343-354.
    In lieu of an abstract, here is a brief excerpt of the content:MACINTYRE'S REPUBLIC J. K. SWINDLER Westminster College Fulton, Missouri CONTRARY TO HIS own evident intentions and perceptions, in After Virtue A'lasdair Macinty!l.·e is much more of a Ptlatonist 1than the A1 ristotelian he aims to be. I hase this judgment both on the positive evidence that Macintyre and Plato (in the Republic) m1gue for and against the same crucial theses and on the negative evidence that Plato (...)
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  44. Kant on the Human Standpoint.Béatrice Longuenesse - 2005 - New York: Cambridge University Press.
    In this collection of essays Béatrice Longuenesse considers the three aspects of Kant's philosophy, his epistemology and metaphysics of nature, his moral philosophy and his aesthetic theory, under one unifying standpoint: Kant's conception of our capacity to form judgements. She argues that the elements which make up our cognitive access to the world - what Kant calls the 'human point of view' - have an equally important role to play in our moral evaluations and our aesthetic judgements. Her discussion (...)
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  45. Being free by losing control: What Obsessive-Compulsive Disorder can tell us about Free Will.Sanneke de Haan, Erik Rietveld & Damiaan Denys - 2015 - In Walter Glannon, Free Will and the Brain: Neuroscientific, Philosophical, and Legal Perspectives. Cambridge, UK: Cambridge University Press.
    According to the traditional Western concept of freedom, the ability to exercise free will depends on the availability of options and the possibility to consciously decide which one to choose. Since neuroscientific research increasingly shows the limits of what we in fact consciously control, it seems that our belief in free will and hence in personal autonomy is in trouble. -/- A closer look at the phenomenology of Obsessive-Compulsive Disorder (OCD) gives us reason to doubt the traditional concept (...)
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  46.  78
    Dramatization as method in political theory.Iain Mackenzie & Robert Porter - 2011 - Contemporary Political Theory 10 (4):482-501.
    The aim of this article is to give an account of a methodological link between drama and political theory. This account is drawn primarily from the early philosophical work of Deleuze. Following Deleuze, we will refer to it as ‘the method of dramatization’. We will argue that dramatization is a method aimed at determining the quality of political concepts by ‘bringing them to life’, in the way that dramatic performances bring to life the characters and themes of (...)
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  47.  41
    The Woman Question in Plato’s Republic.Mary Townsend - 2017 - Lanham, Md.: Lexington Books.
    In this book, Mary Townsend proposes that, contrary to the current scholarship on Plato's Republic, Socrates does not in fact set out to prove the weakness of women. Rather, she argues that close attention to the drama of the Republic reveals that Plato dramatizes the reluctance of men to allow women into the public sphere and offers a deeply aporetic vision of women’s nature and political position—a vision full of concern not only for the human community, (...)
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  48.  66
    Opining Beauty Itself in Republic V.Naomi Reshotko - 2020 - International Journal of the Platonic Tradition 14 (1):5-22.
    In consoling the lover of sights and sounds at Republic 475e4-479d5, Socrates describes a tripartite distinction among knowledge, doxa, and ignorance. Socrates claims that knowledge is ‘over’ what-is, doxa is over what is and is-not, and ignorance is over nothing at all. I argue that Plato shows that doxa and ignorance are also related to what-is. While knowledge, doxa, and ignorance interact with different first-degree objects, these three capacities have a common second-degree object: what-is. The fact that Socrates claims (...)
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  49.  43
    The wandering commons: A conservation conundrum in the Dominican Republic[REVIEW]Charles Geisler, Rees Warne & Alan Barton - 1997 - Agriculture and Human Values 14 (4):325-335.
    In contrast to the jeopardy caused to commonproperty regimes by conditions of open access, factorssuch as boundary ambiguity, shifts, and maintenancefailures are the causes of a different set of problemsin the Los Haitises National Park, a controversialprotected area in the Dominican Republic. Survey data,historical sources, and digital mapping informationoverlaying past boundary changes show that this areahas undergone two decades of design modifications inits perimeters. Despite a long history of communalownership in that country, there appears to be littlelikelihood of (...)
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  50.  23
    Navigation in Real-World Environments: New Opportunities Afforded by Advances in Mobile Brain Imaging.Joanne L. Park, Paul A. Dudchenko & David I. Donaldson - 2018 - Frontiers in Human Neuroscience 12:412438.
    A central question in neuroscience and psychology is how the mammalian brain represents the outside world and enables interaction with it. Significant progress on this question has been made in the domain of spatial cognition, where a consistent network of brain regions that represent external space has been identified in both humans and rodents. In rodents, much of the work to date has been done in situations where the animal is free to move about naturally. By contrast, the (...)
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