The designation of Diego Maradona’s ‘handball’ goal, that it was an intervention by God himself, brings the phenomena of sport and religion into an interrelationship. The basic thesis of this paper is that, despite many of their phenomenal similarities, explicit religion is not, and cannot be, substantially related to sport, as the two manifest themselves in different ways of being. This thesis is supported by arguments from three philosophical areas: 1. The ontological dimension of the manifestation of the sacred in (...) the profane through the process of hierophany in sport does not refer to a specific deity or God, and is therefore not a presentation but an indirect representation of the sacred; 2. The epistemological perspective of the intentional relation of consciousness to religious ritual justifies the necessity of situating them in an overall horizon of references and meanings to the horizon of the lifeworld; 3. The existential and experiential aspects of transformative sport experiences transform the horizon of meanings of empirical reality, but lack the sacramental perspective. Implicit religion as a possibility of transition on a continuum of complementary existential states is a suitable explicative framework for analyzing the phenomenal similarities and essential differences of religion and sport. (shrink)

엘리아데는 애초의 성스러움이 저절로 드러나는 것을 聖顯이라고 하였는데, 성현이 일어나는 대상이나 장소는 질의 전환을 이루어 그 자체가 성스러워진다. 사람들은 태초의 성스러움을 되살리기 위해 최초로 성스러움이 일어난 그 순간을 재현하고자 하여 원형의 순간과 동일한 시간에 동일한 장소에서 동일한 행위를 통해 성을 재현하려고 하였다. 이 논문에서 주목한 것은 성스러움이 드러나는 구체적 장소이다. 천제가 세운 지상의 도읍으로 신이 사는 영역이며, 지상과 천상을 이어주는 역할을 하는 우주산의 특성을 갖춘 곤륜, 하늘과 지상을 이어주는 매개인 하늘사다리의 역할을 하는 건목, 종교적 인간이 성스러운 실재적 공간에서 살고 싶은 (...) 욕망을 드러내며 성스러운 공간을 통해 신적 존재나 조상과 교류함으로써 태초의 순수한 영혼으로 회귀할 수 있는 공간인 도시와 종묘는 모두 고대 중국에서 볼 수 있는 성이 드러나는 구체적 공간이라고 할 수 있다. (shrink)

My aim in this paper is to investigate the variants of directionality implied in visual hieratic texts as religious markers in the sacrosphere, which are substantially expressed in the form of a wayside shrine/cross. The methodological underpinnings for this project rely on the proposed semiotactics : the investigative perspective modeled after phonotactics – a branch of phonology investigating the restrictions on and the possibilities of phoneme combinations in languages. The study draws on digital documentation of wayside shrines, crosses, and sacrality (...) markers on houses collected by the author in various European countries, focusing in particular on the material collected in the area of present Slovakia, Ukraine, Austria, Slovenia, and the region of the Beskid Mountains in Poland. It shows how bodily hexis is inscribed into the phenomenology of a wayside shrine through particular types of hierophanic dynamics. The study also focuses on the aspect of headedness and markedness in the nano-structure of a sign, surfacing as directionality in the conceptualization of the religious sphere by particular communities. (shrink)

Many commentators have concentrated their attention on the first moment of Mircea Eliade’s dialectic of the sacred, the essentialist one, where the archetype overhangs history, neglecting the second one, where the archetype exists only through its realization in history, and so they give the impression that Eliade is a anhistorical thinker, who conceives time mostly through eternity and not in itself A closer look reveals however that Eliade is a much more historical thinker than what we usually make him to (...) be. Indeed, Eliade considers the miracle of the Incarnation as being the supreme hierophany and the other hierophanies as being its prefigurations. (shrink)

This article evaluates Emmanuel Levinas's novel "ethical metaphysics" of interpersonal relations from a religious perspective. Levinas presents a unique version of agape ethics that can be evaluated in terms of a number of the dilemmas that have traditionally attended Christian discussions of neighbor-love. Because Levinas's analysis makes our responsibility for other persons depend on their eschatological significance, it has the same problems that hamper all theories of neighbor-love that lack a sufficient role for reciprocity.

This research explores why a metallic basketball hoop is referred to as sacred within the secular realm of sports, drawing on Phil Jackson’s insights alongside the ideas of Mircea Eliade and Dōgen Zenji. Phil Jackson, known as the “Zen Master,” holds the most NBA championship rings as a coach. In Sacred Hoops, he explores a basketball world entangled with commercialism, violence, and scandals, while presenting a vision of the sport as “sacred.” Jackson’s Western religious background and his exploration of concepts (...) like “enlightened mind,” “no-mind,” and “action without intention” align closely with Eastern Zen principles. This article also examines Eliade’s The Sacred and the Profane, where he explores the coexistence of the sacred and profane throughout history, and Dōgen Zenji’s philosophy of “casting off body and mind.” Using creative hermeneutics as its methodology, this study attempts to reinterpret the idea of sacredness in sports. The key findings are: (1) sacredness can emerge from the mundane/everyday world, with sports providing a space for such awareness; (2) Eliade views sacredness externally through the Western concept of hierophany; (3) Dōgen Zenji’s Eastern view focuses on internal transformation through casting off body and mind; (4) this study emphasizes the difference between Eastern and Western views of the sacred, proposing an Eastern interpretation; and (5) through mindful practice, basketball players can unify with the game, transcend individual limits, and achieve tranquility and sacredness. (shrink)

The solemnity, sacrifice, and concern for the state of the soul portrayed at Opie's funeral seems out of place among anarchists on motorcycles. The chapter analyzes if Opie's wake should be regarded as a religious rite as Sons of Anarchy are not a Christian sect, nor do they belong to any religious body that Americans commonly embrace. The chapter touches upon gender inequality in religious rites, and male bonding that becomes a primary good and maybe even something like a religious (...) duty. German classicist Walter Burkert terms such a group is a Männerbund (or MB), literally an “all‐male society.” The chapter explains the significance of ubiquitous symbol for the Sons of Anarchy MC – the Grim Reaper logo. Like the image of Santa Muerte, the Reaper logo is what scholars of religion call a hierophany. Finally, the chapter talks about the tragic flaws in the faith of SAMCRO. (shrink)

Sport as the pursuit of competition and the achievement of ever greater records goes beyond the dimension of mere physical activity and has many similarities not only with play, drama and art, but also with religion. Symbolic representations of sporting activity are then interpreted in religious terms, e.g. that sport has the power to create a new kind of religion, that sporting and religious experiences are identical, that a specific sporting sacred can be defined. The paper accepts the position that (...) similar phenomenal resemblances (phenomenalism) are not sufficient proof of the essential correspondence of these modes of being (phenomenology), since they touch in different ways on the relation between transcendence and immanence. Sport may point to something beyond empirical reality, but it cannot be a presentation of the sacred. It can become a representation, a depiction, not a making present of it. Thus it is possible to adequately conceptualize the world of sport as an implicit, not explicit, religion. (shrink)

Between Mircea Eliade and Rudolf Otto many connections can be made concerning the idea of sacred. Even though, the scientist of Romanian origin perceives the sacred reality differently from the German theologian. If the latter puts an emphasis on the irrational side of the divine, the former argues that the sacred has to be perceived twofold: as irrational and rational in the same time, the concept of coincidentia oppositorum best embodying the sacred reality. The sacred’s materializations are the hierophanies, the (...) history of religion being nothing else than a sum of hierophanies. Finally, for Eliade, the ascred is connected to the life of homo religiosus. (shrink)

This article aims to reconstruct Simondon’s concept of technophany, which disperses throughout different writings that appeared posthumously and suggest how elaborating this concept could be understood as a significant philosophical task today. Technophany, namely the manifestation of technicity, is central to Simondon’s thought on techno-aesthetics and, more importantly, his intellectual project of reintegrating technology into culture. However, when we place Simondon’s concept of technophany in today’s context, namely the convergence of technology, art and design since the second half of the (...) 20th century, we see that technophanies are becoming more or less ordinary marketing phenomena of the tech industry. Then, could the concept of technophany still take up this task of reconciling technology and culture? Or, instead, is it reduced to a mere economic category, and Simondon’s techno-aesthetics is only a forerunner of today’s industrial marketing strategies? In order to respond to these questions, this article returns to the source of Simondon’s concept of technicity. It shows that there is an intimacy between technophany and Mircea Eliade’s concept of hierophany, and indeed, Simondon’s genesis of technicity vividly mirrors Eliade’s analysis of sacrality and its crisis in modern times. The concept of technophany acquires a new meaning, and it refuses to be a mere phenomenon of publicity as one might easily misread it. Technophany has the task of occupying the “no man’s land” between technicity and sacrality. However, what exactly does it mean? Through the reconstruction of the concept of technophany in Simondon’s thought, this article hopes to examine the limit of the concept and, at the same time, reconceptualise and prolong it. (shrink)

Religion and violence are related in an ambivalent, paradoxical way, for the systems of religious knowledge tend to prohibit violence and to motivate it at the same time. This paper looks for the roots of that ambivalence and reveals particular mechanisms that generate violence within religious systems and their associated practices. It argues that violence in religious systems is present in at least three forms: It is inherent to communication with the “sacred,” it is generated by processes of inclusion and (...) exclusion, shaping religiously interpreted lifeworlds, and it is motivated or moderated by the respective semantics of religious narratives. The paper concludes that violence as a moment of hierophany is constitutive for the living experience in religious systems and cannot be eliminated entirely by moderating semantics. (shrink)

Recent studies have been increasingly interested in the connections between popular culture – cinema in particular – and religion, and most particularly in how traditional mythologies and religious frameworks and practices are recycled and reinterpreted within modern media. These interactions can be ranged from opposition to dialogue and move towards appropriation and even replacement, in terms of functions and impact. Departing from a series of theories – mainly that of “implicit religion”, coined by Bailey but also developed by theorists like (...) Lyden – the article examines the issue of recycled myth and religious pattern in contemporary cinema, focusing on the Russian “New Wave” and more specifically on discussing Zvyagintsev’s Vozvrashchenie [The Return]. The article aims to decode the religious layers and symbolism of the film, which can find a coherent explanation in Eliade’s theories on the pattern of initiation, but also in those on the sacred camouflaged into the profane and most particularly on the hierophanies and initiation religious patterns. The paper also focuses on the function of religious archetypes and rituals as employed by contemporary storytellers like cinema, especially when such religious scripts are as articulated, although implicit, as in Zvyagintsev’s narrative. The article concludes that this return to religion and the sacred as worldviews and manners of understanding of the world can be explained as employed for their persistent function of myth structures as meaning and coherence providers. (shrink)

Abstractabstract:Adopting a cross-cultural perspective on hierophanies, this article not only explores the fundamental patterns of prophet Muhammad and Buddhas as expositors of cosmic light as interpreted in the Islamic and Buddhist traditions, but it also engages in comparative theological reflection on how Islam and Buddhism use the symbol of light in describing the cosmological and practical dimension of Muhammad's prophetic nature and the revelatory role of the Buddha. Examples are Nūr Muḥammadī, Muhammadan light, and Shin Buddhism's understanding of Amitābha/Amida Buddha (...) as the Buddha of Infinite Light with Śākyamuni, Siddhārtha Gautama, as the narrator of the Pure Land Sutras. This essay considers the role and perception of the Muslim prophet in relation to the role of the Buddhas as a shared motif for building appreciation between Islam and Shin-Buddhism. (shrink)

The paper asks the question, whether nakedness embodies a potential wisdom. It deals with two different approaches to the phenomenon of nakedness: the first one rejecting, the second one appreciating the corporeality. The authors show different meanings the various cultures and civilizations attributed to nakedness, e.g. nakedness as a religious symbol of social subordination or belittling or of a specific national dominance . Attention is paid also to the meanings of nakedness in Jainism, where the nakedness is a symbol of (...) non-possessiveness; in Christianity, where the approach to nakedness is ambiguous, in tantrism with its vision of a person with numerous bodies, where the role of nakedness and sexuality is seen in cosmic context. Thus the meaning of nakedness remains multiple, depending on its context and visualization. The authors reject the pornography culture of contemporary society in favor of gymnosophy as the hierophany of the naturalness of nakedness. (shrink)

Critics of Western medicine have long heralded a “new paradigm” opposed to the reigning materialistic worldview of biomedical science and allopathy. This new paradigm has undergone several name changes (e.g., holistic, alternative, complementary, integrative) and presumably advances a radically new worldview. On closer inspection, it looks more like the opposite pole of the same dualistic worldview and not a radical break with the past. A truly new paradigm prepared to jettison tacit conceptual assumptions would have significant implications for medical research, (...) provided that institutional and professional constraints not inhibit the studies to follow. A research agenda is proposed comprising possible jumping-off points for investigators comfortable with working around the reigning assumptions both of current medical thinking and of a rapidly institutionalizing integrative-medicine worldview. These include proposed medical research on spirituality, alien abductions, hierophanies, thought forms, placebo pharmacology, radionics, arcane medical wisdom, prenatal ensoulment, and musical genetics. (shrink)

Straipsnyje analizuojamos Karsavino Eurazijos ir simfoninės asmenybės teorijos ir jų įtaka asmeniniam Karsavino likimui, jo sofiologinėms mesianistinėms nuostatoms. Aptariama svarbiausių filosofinių Karsavino idėjų genezė: gyvo religingumo ir bendrojo religinio fondo, gnostinės pleromos interpretacijos, Šv. Trejybės dialektika ir jos santykis su N. Kuziečio filosofija, simfoninės asmenybės teorija. Pagrindinis teiginys apie Karsavino ir Kuziečio filosofijų skirtumą yra pagrįstas kristologiniais Karsavino argumentais apie Kuziečio filosofijos nepakankamumą aiškinant Dievo kaip Possest eksplikacijos ir komplikacijos problematiką. Karsavinas, remdamasis ortodoksiniais kristologiniais teiginiais, simfoninės asmenybės bei ideokratijos teorija (...) bei tipologine, istoriosofine civilizacijų klasifikacija, pagrindžia kairiąją Eurazijos sąjūdžio ideologiją, kuri išliko aktuali ir šiandienos Rusijos politinei situacijai. Straipsnyje parodomos lietuviškosios filosofijos ir Karsavino samprotavimų paralelės ir keliamas klausimas dėl Eurazijos ideologijos nesvarstymo tarpukario Lietuvoje. Straipsnio pabaigoje grįžtama prie filosofinio Karsavino apsisprendimo, saikingų, asmeninių mesianistinių jo nuostatų ir sokratiško likimo tardymų, įkalinimo Abezės lageryje laikotarpiu. Pagrindiniai žodžiai: gyvasis religingumas, simfoninė asmenybė, panteizmas, gnoticizmas, mesianizmas. Historiosophical Messianism of L. Karsavin and the Idea of Eurasia Gintautas Mažeikis Summary The historiosophical and messianistic ideas of L. Karsavin and his ideology of left Eurasia were based on the theological and gnostic symbolism of the early 20th century, F. Schelling’s philosophy of Myth and Universality, Vl. Solovjov’s Philosophy of Universality, Mystics of Christology, the Orthodox understanding of Saint Trinity, typological theory of civilizations. At the beginning of his mediaeval researches Karsavin investigated sacral events in rural areas in the 17th–18th centuries, especially in Italy, magic activities and popular beliefs in Christian Saints, based on uncritical, natural, live religious feelings and spontaneous faith. He maintained live religious faith to be the background for the significance and utility of all canonical religious rules and churches. These ideas are similar to the French school of Annales and to the M. Bakhtin’s theory of Carnival issues of the Mediaeval tradition of laughter. However, Karsavin re lated his consideration of spontaneous hierophany to the gnostic tradition of Divine Pleroma. It is important to them in order to interpret the philosophy of Nicolaus Cusanus, especially his conception of God as Possest and a permanent and contradictory process of explicatio and complicatio. On the basis of Cusanus’ philosophy, Karsavin developed his personal idea of dialectics of Saint Trinity as a union of Divine personalities. Karsavin maintained that the conception of Cusanus is insufficient because Cusanus didn’t explain the role of Christ in the full reunification of sinful human beings with God. By Karsavin, Cusanus avoided pantheistic tendencies and therefore couldn’t develop the theory of divination of personality. On the contrary, Karsavin develops the idea of divination of oneself in his theory of Symphonic personality. Every personality is a form of free solution and responsibility, love and self-sacrifice. Therefore, the personality develops itself from an autonomous individual into the personality as a family, the personality as a nation, as a state, and finally the personality transforms into a cosmic human being, or Adam Kadmon. The hierarchic growth of personality, his ontology presupposes his essential responsibility for the development of nation, state, culture and civilization. It was the basis of Karsavin’s messianism. The nation or culture couldn’t be developed in the necessary direction, towards divinity, without creative and self-sacrificing activity of the individual. The hierarchical conception of the world personality presupposes the ideocratic form of government. The idea of the ideocratic power makes Karsavin’s political considerations similar to the Soviet system of power. Karsavin from 1925 until 1929 was the leader of the left wing of the Eurasia movement which was located in Paris. He initiated and supported a dialog with Bolsheviks’ representatives. However, Karsavin strongly criticized communism and Bolsheviks from the Orthodox point of view. Karsavin was a deep believer and couldn’t support the destruction of churches by the Soviet regime. However, today it is possible to say that Karsavin’s political visions are very similar to the modern Vl. Putins’ regime in contemporary Russia. Eurasia and Symphonic Personality ideas became important motives for Karsavin’s coming to Lithuania in 1928. However, after arrival he didn’t participate in any political movement and developed his civilization ideas, the conception of ideocratic power and Symphonic Personality there. In the Lithuanian period, he becomes closer to the Russian Orthodox tradition of Old Believers and its ideas of self-sacrifice to populace. Karsavin didn’t emigrate from Lithuania in the threat of Soviet occupation. On the contrary, he spread his ideas of Symphonic Personality, dialectics of Trinity, self-sacrificing after the War and even in the concentration camp in Abeze until his death in 1952. Keywords: live religions, Symphonic Personality, pantheism, gnosticism, messianism. -size: 11pt;">. (shrink)

This anthology is a collection of key essays by and about the Romanian-American Historian of Religions, Mircea Eliade. It introduces the beginning student to the terms and categories of Eliade's understanding of religious behaviour as a universal phenomenon: apprehension of the sacred by homo religiosus, humanity's religious mode, through hierophanies, revelatory events and objects. The analysis of religious behaviour as the restoration of illud tempus, an alternative continuum of sacred time, through myth, ritual, and symbol is a central feature of (...) that understanding, assumed to have an authentic application in the struggle for freedom from the human condition. As well as Eliade's own understanding and its implication for the study of Religions, the collection alerts the reader to the critical response to the problems of his thought. This includes the issues raised by Eliade's biography, politics, and career as one of the most successful and influential historians of religion of the late 20th Century. Moving from inter-war Romania, through India during the struggle for independence, to war-time London and Lisbon, post-war Paris, and finally to America in the 60s and 70s, Eliade's career traces a complex trajectory involving many problems central to the academic study of religion and culture. (shrink)

This paper poses the question of how to understand Heidegger’s notion of the holy in its relevance to a phenomenology of religion. I show that the holy is connected with Heidegger’s notion of the “whole” as it is analysed in anxiety, boredom, and wonder. Insofar as there is no experience of the whole in our time, there is also no experience of the holy. The notion of the whole and the holy are linked with Heidegger’s analysis of the contemporary era, (...) which is a time in which the gods have fled. Religions have a history because the way that the holy appears (hierophany) is connected with the openness of the situation in which it appears. The notion of the holy is therefore historical because it is taken up into the destiny and historicity of being. As long as there is no hierophany, there is no understanding of the gods in a religion. (shrink)

The religious consciousness functions symbolically. As the orientation towards the sacred belongs to consciousness, human existence is constituently symbolic. For Eliade, symbolism is an immediate given of consciousness, an essential object of intelligence that belongs to human beings and can be found in any existential situation of man in cosmos. If, according to Eliade, the religious history of humanity begins with the existence of the sacred, with those infinite hierophanies which organize the world and fill it with significances, then we (...) are entitled to state the anthropological importance invested by Eliade into the religious symbolism. (shrink)

This paper discusses Croatian maritime pilgrimages by searching for their sources in the prehistoric Mediterranean context. From the first search for the sacred, different and the other, from the prehistoric hierophanies and human being’s attempts to explain the mysterious Cosmos through their endeavour to respond to the unknown and give an order to the Chaos – we encounter a human being who travels searching for answers. The human being, as a part of the community, through cosmogonies, and then theophanies, explains (...) the creation of the world and tries to give meaning to the reality surrounding him. This modus of travel and pilgrimage to the sacred and divine continues through the historical period in three great monotheistic religions that are born and spread in the Mediterranean: Judaism, Christianity and Islam. The Mediterranean is a space of travels and travellers, intersections of thoughts, philosophies and religions. From late antiquity through the Middle Ages to the Modern Ages, the Mediterranean is the intersection of pilgrims from all directions. This paper describes pilgrimages and pilgrims who travelled from the Croatian coast to Loreto and Assisi in the 18th century. Based on 16,000 documents of Croatian Maritime Regesta of the 18th century vol. I–III, a total of 303 pilgrimages to Loreto and Assisi have been found, attesting to 2,513 pilgrims travelling, mostly in large and organized groups of up to 80 people, from the east coast of the Adriatic – from Umag in the north to Boka Kotorska in the south – to these old and Croatian believers well-known sanctuaries. Croatian maritime pilgrimages, therefore, have undeniable Mediterranean roots and an incredible continuity of tens of thousands of years. (shrink)

In the paper two forms of human dealing with the notion of the sacred are compared — manifestation and proclamation. Author suggests that proclamation is a characteristic for modern monotheistic religions based on the Old Testament theology. In particular, a vivid example of proclamation is a teaching of Jesus Christ, as presented in synoptic Gospels. In Ricouer’s view, a decline of the sacred in modern Western civilization is connected with an unjustified absolutization of the scientific and technical achievements and must (...) be overcome in the course of the further social development. (shrink)