Concept chargé d’un long passé de luttes idéologiques, l’idolâtrie n’en finit pas d’interpeller notre présent. C’est que son champ d’extension s’est considérablement élargi puisqu’elle désigne aujourd’hui tous les phénomènes où se manifestent une sacralisation indue. Afin de rendre compte de la manière dont cette notion a pu quitter le terrain strictement religieux pour gagner d’autres espaces culturels, cet article s’intéresse aux glissements sémantiques qui s’opèrent entre les XVIe et XVIIIe siècles, et qui témoignent d’un déplacement des idoles extérieures aux idoles (...) intérieures, des « faux » dieux du paganisme aux « folles » images sécrétées par l’imagination. (shrink)

Billy Idol was the name we gave Ruthie in the hospital in the days immediately after she was born. She had fluorescent white hair, and had she been born to different parents, they might have thought more of it. But both of Ruthie's parents had bleached blond hair as young children. So in the late summer and into the fall of 2006, we happily celebrated the arrival of our second child, little blond baby Ruthie "Billie Idol" Weiss.Like many second-time parents, (...) we doted less. We did not love less, but we were clearly less excited. We were much more exhausted. We also paid a little less attention. Around the time Ruthie turned one month old, Palmer started to tell me about things she had noticed that seemed off. By... (shrink)

This essay addresses dominant critiques of Francisco Suárez’s metaphysical project raised by many contemporary philosophers of religion. Those critiques often center upon two main claims. (1) God and creature are both comprehended under the concept of being such that God amounts to just one more being among others. As such, a univocal community of being results wherein God’s divine transcendence and irreducibility to creation are destroyed. (2) Since Suárez employs a univocal concept of being when conducting his metaphysical speculations about (...) God, he has (unwittingly) abandoned the God of Christian revelation in favor of a conceptual idol. The author argues that both critiques harbor a severe misunderstanding of Suárezian metaphysics, and that it is precisely in turning to the concept of being that Suárez defends both God’s irreducible transcendence and his incomprehensibility. Paradoxically, to think of God in terms of being is just to leave God unthought. (shrink)

Twilight of the Idols. Nietzsche's own unabashed appraisal of the last work intended to serve as a short introduction to the whole of his philosophy, and the most synoptic of all his books, bristles with a register of vocabulary derived from physiology, pathology, symptomatalogy and medicine. This new translation is supplemented by an introduction and extensive notes, which provide close analysis of a highly condensed work.

In its infancy the British Association for the Advancement of Science derived a good deal of its inspiration from the writings of Francis Bacon. But the pursuit of Baconian policies brought with it attendant dangers which critics from Charles Dickens to the Times were not slow to magnify. Although the situation was further complicated by the sensitiveness of institutional Christianity at the start of Victoria's reign, some of the hazards which the Association endured had to be accepted simply as consequences (...) of the attempt to provide a secure platform for British science. (shrink)

“The idol of communism, which spread social strife, enmity and unparalleled brutality everywhere, which instilled fear in humanity, has collapsed.” These words, spoken by Russian president Boris Yeltsin before a joint session of the U.S. Congress in 1992, brought a tumultuous response from America's political leaders. The evocation of the theme of idolatry by a former member of the Communist Party was striking, all the more so because it must have called to his listeners' minds the dramatic scenes of the (...) destruction of the statues of Lenin then taking place throughout the Communist world. Nothing of the kind had been seen since the end of the Pagan era, when temples of the old gods were toppled throughout the Roman Empire. The events that historian Edward Gibbon, in his classic The Decline and Fall of the Roman Empire, described as happening in Alexandria in A.D. 389 might just as well have applied to what was happening in Minsk or Tirana: “The huge idol [of Serapis] was overthrown and broken into pieces, [its] limbs ignominiously pulled through the streets. (shrink)

`Anyone who wants to gain a quick idea of how before me everything was topsy-turvy should make a start with this work. That which is called idol on the title-page is quite simply that which was called truth hitherto. Twilight of the Idols - in plain words: the old truth is coming to an end...' Nietzsche intended Twilight of the Idols to serve as a short introduction to his philosophy, and as a result it is the most synoptic (...) of all his books. Continuing in the spirit of its immediate predecessors On The Genealogy of Morals and The Wagner Case, it is a masterpiece of polemic, targeting not only `eternal idols' like Socratic rationality and Christian morality but also their contemporary counterparts, as Nietzsche the `untimely man' goes roaming in the gloaming of nineteenth-century European culture. He allies philosophy with psychology and physiology, relentlessly diagnozing the symptoms of decadence, and his stylistic virtuosity is such that the sheer delight he takes in his 'demonic' mischief-making communicates itself on every page. A brilliant new translation, this edition provides detailed commentary on a highly condensed and allusive work. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more. (shrink)

In this critical history of modern philosophy, Cristaudo develops the argument put forward by Thomas Reid that modern philosophy has generally continued along the 'way of ideas' to its own detriment. Its ever-shifting dominant ideas contribute to capturing and imprisoning rather than expands our thinking.

The juxtaposition of models of God and Christian faith may seem repugnant to many, as models are tentative and faith aims at an abiding certainty. In fact, for many Christians, using models of God in worship amounts to idolatry. By examining Biblical and extra-Biblical views of idolatry, I argue that models are not idols. To the contrary, the practice of God-modeling inoculates Christians against one of the most seductive idols of our age: the love of certainty. Furthermore, by (...) examining meditations upon certainty in Melville’s Moby Dick and the early discourses of the Buddha, I suggest that overweening conviction is a vice that hinders rather than guarantees Christian discipleship, and that Christian faith is better defined as any or all of the following: relative confidence in propositions, faithful relationship, and a virtue of disciplined credulity. (shrink)

The reflections of Jean-Luc Marion on Aquinas’s notion of esse not only confirm the continued importance of the latter’s doctrines in the history of metaphysical speculation, but also reveal intriguing convergences of concern between Aquinas and this significant postmodern thinker. Marion’s embrace of phenomenological reflection tinted with Barthean and Heideggerian themes in order to retrieve Neoplatonic ‘theo-ontology’ ironically finds unsuspected corroborations along with important clarifications in Aquinas’s subtle assimilation of Neoplatonic sources and his rigorous causal analyses of the metaphysical constitution (...) of things and knowledge. (shrink)

Never one to back away from controversy, Friedrich Nietzsche assails the Christian church in Twilight of the Idols. In this classic work, he sets out to substitute the morality of the Catholic and Protestant churches with that of Dionysian morality. Twilight of the Idols furthermore lays the foundation for key arguments that Nietzsche more fully develops in later writings.

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Ideas 67.4 (2006) 561-569 MuseSearchJournalsThis JournalContents[Access article in PDF]Introduction: Thinking about Idols in Early Modern EuropeJonathan Sheehan University of MichiganAbstractThis essay is an introduction to a collection of six articles on early modern debates about idolatry. If the debates started in religion, however, they quickly generated political, philosophical, anthropological, and even scientific corollaries. These may appear to be abstract and theoretical questions, but (...) they produced a complex set of answers with important consequences for many people. To see what was at stake, we need look no further than the New World and its missions. If the most frequently cited texts in the collection of articles are Bartolomé de las Casas and José de Acosta, it is because the New World forced the reality of idolatry onto the wider European stage.When does an image become a god? The early Christian apologist Minucius Felix had an answer. A log "is cut, is hewn, is planed," and is still no god. A stone "is sculptured, and is polished by some abandoned man" and still is no god. A sculpture "is set up, and even yet it is not a god." But, "lo, it is adorned, it is consecrated, it is prayed to—then at length it is a god, when man has chosen it to be so, and for the purpose has dedicated it." 1If only it were that easy. Felix offered just half of the story as David Freedberg has argued. Veneration does not produce that unhealthy power that idols exert over the attentive viewer. Rather, the opposite is true: idols are venerated because they exert this power. All images seem to contain at least traces of it. They draw our eye with ineluctable command, and force themselves on our attention. The image is just a representation, of course. It has been made by humans and can only ever gesture to an absent presence. And yet, images are also effective. Their ability to move us depends on "the possibility of fusion" between image and prototype. The crucifix is always only wood or stone, but its power comes from what might be called, with Freedberg, a "sacred contagion" that penetrates from behind the veil of representation. Indeed, its value as a religious object depends on this [End Page 561] contagion. Worshipers know that those tears shed by the Virgin in anguish at Christ's broken body are, in reality, just paint over mute stone and wood. Nevertheless, they are moved by those specks of material. If not, why have a statue in the first place? "The miraculous object has an effectiveness that proceeds as if the original body were present," Freedberg notes, "but the difficulty lies in cognitively grasping that 'as if.'" 2 Men do not choose to invest images with power over their imaginations and intellects. Even before images are prayed to, before they are consecrated, they already have that power.Whatever one thinks of the phenomenology of images, there is no doubt that this super-human power of idols obsessed many people in the early modern period. An object that had no power to inspire attention and devotion was hardly a threat, after all. The enormous waves of iconoclasm that swept across Europe—Germany in the 1520s, Scotland in the late 1550s, the Netherlands in the 1560s, England in the 1640s—were not directed at decorative tiles, pews, or doorstops. They were directed exactly at those things that made the devout feel the presence of the divine. And no one was quicker to identify these powerful images than the breakers themselves, who, in their extreme acts of rage, confirmed the effects that these supposedly dead bits of wood and stone exerted over them. The man in Ulm in 1534 who defecated into "the mouth of an effigy of Christ" demonstrated his extreme revulsion at what was, in reality, merely a lump of brute material. 3 Perhaps, if asked, he would have insisted that his scatological exuberance was designed to show definitively the impotence of the... (shrink)

"Twilight of the Idols" plays an important role in Nietzsche’s work, since it represents the opening writing of the philosophical project called "Transvaluation of all values". In that text, Nietzsche aims to sound out the "eternal idols", which means to disclose the inconsistency of the principles of traditional metaphysics. The way Nietzsche addresses the "old truths" in Twilight of the Idols leads back to his early writings, when his theory of knowledge is first outlined, inspired by Schopenhauer (...) as much as neo- and post-Kantian thinkers such as F. Lange and A. Spir. As I shall show, these observations can be compared with Ernst Mach's anti-metaphisical attitude to the ordinary world-conception, insofar as Mach as much as Nietzsche stressed the importance of a historical approach as instrument to enlighten the "prejudices" of traditional scientists or philosophers. (shrink)

I will argue that the ontological doctrine of physicalism inevitably entails the denial that there is anything conceptual in logic and mathematics. The elements of a formal system, even if they are tagged by suggestive names, are merely meaningless parts of a physically existing machinery, which have nothing to do with concepts, because they have nothing to do with the actual things. The only situation in which they can become meaning-carriers is when they are involved in a physical theory. But (...) in this role they refer to elements of the physical reality, i.e. they represent a physical concept. “Mathematical concepts” are just idols, that philosophy can completely deny and physics can completely ignore. (shrink)

This essay is an attempt to think through some of the problems of idolatry and sacrifice for the early modern period and more generally, for the constitution of religious and political community. In particular, it argues that the altars of the idols condensed two problems: first, the problem of communion, and specifically the Protestant ability to communicate with God; and second, the problem of distinction. At a time when the nature of the religious polity was in question, the analysis (...) of idolatry and sacrifice produced a conceptual structure for understanding, in anthropological fashion, the very constitution of religious and political community. In fact, this essay will suggest, this structure lives on, alive and well, among modern theorists seeking to diagnose the ailments of modernity. (shrink)

Marked sharply by its time and place (Paris in the 1970s), this early theological text by Jean-Luc Marion nevertheless maintains a strikingly deep resonance with his most recent, groundbreaking, and ever more widely discussed phenomenology. And while Marion will want to insist on a clear distinction between the theological and phenomenological projects, to read each in light of the other can prove illuminating for both the theological and the philosophical reader - and perhaps above all for the reader who wants (...) to read in both directions at once, the reader concerned with those points of interplay and undecidability where theology and philosophy inform, provoke, and challenge one another in endlessly complex ways." "In both his theological and his phenomenological projects Marion's central effort to free the absolute or unconditional (be it theology's God or phenomenology's phenomenon) from the various limits and preconditions of human thought and language will imply a thoroughgoing critique of all metaphysics, and above all of the modern metaphysics centered on the active, spontaneous subject who occupies modern philosophy from Descartes through Hegel and Nietzsche. (shrink)

Search Without Idols is a study of human transcendence in the context of human striving, projecting, surpassing, overcoming. This power is central to man's search for wholeness. Such transcendence makes reality tolerable. It provides us with ~m impressive array of human responses which enable us to cope. But it also provides the excesses that go beyond human striving. Nothing seems to be off-limits to this ubiquitous power. Such a state of surpassing limits is what we find in the relation (...) between the human search for wholeness and the quest for external totalities which lies beyond the human context. Such soaring flights beyond the capacity of human striving are hard to control, impossible to show responsibility-for and beyond the reach of criteria. The reach exceeds both our grasp and our control. Transcendence, then, is a greatly used and much abuse~ human power. Its activities have never ceased to amaze me, its excesses have always troubled me even from the beginning of my studies. This book is not an exercise in self-clarification. I have some thoughts on the matter which I wish to share with the reader. Perhaps we can mutually appreciate the great gift without compromising our sanity. Part I will provide a new look at the meaning of transcendence. (shrink)

Das angebliche Bilderverbot, das im Zweiten Gebot des Dekalogs enthalten sein soll, ist eigentlich ein Idolatrieverbot. Das heißt, dass das jüdische Gesetz nicht Bilder an sich, sondern Idole verbietet. Gewiss: Manche Bilder werden als Idole verehrt. Es gibt aber auch Bilder, die keine idolatrische Bedeutung haben, und umgekehrt Idole, die keinen bildlichen Charakter aufweisen. Die Untersuchung dieser komplexen Zusammenhänge ist das Hauptziel des vorliegenden Sammelbandes. Von unterschiedlichen theoretischen Standpunkten ausgehend, eröffnen die hier versammelten Aufsätze neue Perspektiven auf das Verhältnis zwischen (...) Bild und Idol. Mit Beiträgen von Beniamino Fortis, Asher D. Biemann, Ellen Rinner, Mario C. Schmidt, Lars Tittmar, Johannes Bennke und Agata Bielik-Robson. (shrink)

"The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous ...

This book offers a broad-based critical survey of recent anti-realist arguments in the philosophy of science, cultural theory, hermeneutics, the sociology of knowledge and the interpretation of quantum-mechanics.

Robots are now associated with various aspects of our lives. These sophisticated machines have been increasingly used in different manufacturing industries and services sectors for decades. During this time, they have been a factor in causing significant harm to humans, prompting questions of liability. Industrial robots are presently regarded as products for liability purposes. In contrast, some commentators have proposed that robots be granted legal personality, with an overarching aim of exonerating the respective creators and users of these artefacts from (...) liability. This article is concerned mainly with industrial robots that exercise some degree of self-control as programmed, though the creation of fully autonomous robots is still a long way off. The proponents of the robot’s personality compare these machines generally with corporations, and sporadically with, inter alia, animals, and idols, in substantiating their arguments. This article discusses the attributes of legal personhood and the justifications for the separate personality of corporations and idols. It then demonstrates the reasons for refusal of an animal’s personality. It concludes that robots are ineligible to be persons, based on the requirements of personhood. (shrink)

In the background of this book stands its yet-to-appear companion volume that will present the “alternative philosophical path” followed by Vico, Hamman, Herder and others. This, more positive visi...

Many philosophers hold one of two extreme views about our capacity to have phenomenally conscious experience : either that inner-sense enables us to know our experience and its properties infallibly or the contrary conviction that inner-sense is utterly fallible and the evidence it provides completely defeasible. Both of these are in error. This paper presents an alternative conception of inner-sense, modeled on disjunctive conceptions of perceptual awareness, that avoids both erroneous extremes, but that builds on the commonsense intuitions that motivate (...) them. (shrink)

This volume of essays deals with values and their place in the humanities. Professor Gombrich argues for the ideals of tolerance and pluralism and against the idols of determinism and relativism that would threaten all culture.

In this paper, the author aims to show that transhumanists are confused about their own conception of the posthuman: transhumanists anticipate radical transformation of the human through technology and at the same time assume that the criteria to determine what is “normal” and what is “enhanced” are univocal, both in our present time and in the future. Inspired by Nietzsche’s notion of the Overhuman, the author argues that the slightest “historical and phenomenological sense” discloses copious variations of criteria, both diachronic (...) and synchronic, for what can be considered “normal” and “enhanced.” Radical transformation through technology does not simply enable us to become “stronger,” “smarter,” or “healthier,” but it can and often will also change the very standard or yardstick with which we measure what counts as “stronger,” “smarter,” or “healthier.” Put yet differently: new and emerging technologies are not neutral means but often bring about different and, from our current perspective, foreign standards for determining what are “normal” and “enhanced” capacities. Since the qualitative meanings of these terms are themselves not fixed, it is unintelligible and too reassuring to simply predict that new technologies will enhance human beings. (shrink)

In the background of this book stands its yet-to-appear companion volume that will present the “alternative philosophical path” followed by Vico, Hamman, Herder and others. This, more positive visi...

The Bible ridicules idolaters for bowing down to sticks and stones. Since idolaters worship what the sticks and stones stand for, not the sticks and stones themselves, isn’t the biblical position confused? At the basis of the Bible’s consistent refusal to observe the preceding distinction are found the conceptual underpinnings of its critique of idolatry. Men and women alone among creatures are inspired with God’s breath. Men and women alone among creatures, that is, are like God. They alone among creatures (...) are persons. Since mere pieces of nature cannot understand prayers, entreaties, etc., and hence cannot respond in the personal way, idolatrous practices are incoherent. But while it is true that (sub-person) elements of nature cannot enter into inter-personal relations, idolatry has a sequel: the scientific interrogation of nature, an interrogation which has been magnificently effective in eliciting responses. Elijah’s dramatic confrontation with the Baalites is a stylized version of the clash between the biblical view of men and women as in an irreducible respect non-natural, and the naturalizing scientific view. On the Carmel, the prophets of the Baal are soundly defeated. Must those who inherit from them lose too? That is a live question. Read closely, the story of Elijah implies that those behind the Bible would defend the view of human distinctiveness against the renascent idolatry. (shrink)

In this article, we discuss the current trend of authoritarianism in the Islamic world, especially as embodied in the institution of taqlîd, whereby a lay person blindly follows a religious scholar. We will compare this to the mystical tradition of Ibn ‘Arabî as well as the early esoteric Shî’ite tradition, where a much more “rebellious” type of Islam was offered and provided purviews of pluralism and universalism that challenge authoritarian closures of interpretation in relationship with God. By way of further (...) comparison, we will also attend to the writings of some liberal and pluralistic thinkers in the Muslim world. Maintaining cheerfulness in the midst of a gloomy task, fraught with immeasurable responsibility, is no small feat; and yet what is needed more than cheerfulness?-Nietzsche Twilight of the Idols. (shrink)