Although many historians of science have devoted a good part of their working life to the study and cataloguing of scientific manuscripts, no systematic bibliography of their work is available. The present checklist—a first attempt to prepare such a bibliography—has been compiled using P. O. Kristeller's Latin manuscript books before 1600 as a guide. Material for a supplement is being collected. Readers are invited to send their comments and suggestions.

The inscription published here, found in 1985 at Haliartus in Boeotia, is a three-sided stele, broken from top to bottom, bearing lists of proper names. It can be dated to about the middle of the 3rd c. BC from the engraving, and particularly from the majority presence of patronymic adjectives. In spite of the lack of a title, due to the break in the stone, it may be said with probability that it concerns one or more lists of conscripts. If (...) a prosopographical study does not permit a sure conclusion, an onomastic analysis is rather more rewarding. Thus it is possible to distinguish three layers of names: the first comprises names current throughout the Greek world, the second names that were properly Boeotian, in particular theophoric ones like Πτωιόδωρος, and the third rare names, like Πέρμιχος and Πέρμων. (shrink)

This paper provides an analysis of data collected on the continued prevalence of outdated, marginalizing terms in contemporary cataloguing practices, stemming from the Library of Congress Subject Heading term “Indians” and all its related terms. Using Manitoba Archival Information Network’s (MAIN) list of current LCSH and recommended alternatives as a foundation, we built a dataset from titles published in the last five years. We show a wide distribution of LCSH used to catalogue fiction and non-fiction, with outdated but recognized terms (...) like “Indians of North America-History” appearing the most frequently and ambiguous and offensive terms like “Indian gays” appearing throughout the dataset. We discuss two primary problems with the continued use of current LCSH terms: their ambiguity limits the effectiveness of an institution’s catalog, and they do not reflect the way Indigenous Peoples, Nations, and communities in North America prefer to represent themselves as individuals and collectives. These findings support those of parallel scholarship on knowl­edge organization practices for works on Indigenous topics and provide a foundation for further work. (shrink)

William Scoresby Jnr spent the first years of his working life as a whaler, and then became an ordained minister of the Church of England. His early writings on the environment of the Greenland Sea gained him a reputation as an Arctic scientist. In the later part of his life he turned to the investigation of magnetism as it concerned the ship's compass, trying to find the best form of needle, and how the compass was affected by the magnetism of (...) the ship itself.Though he lived in various parts of the country, Scoresby kept his attachment to Whitby and bequeathed his papers, books and apparatus to its Literary and Philosophical Society. In this catalogue the apparatus and material relics are related to published accounts of his work.In the text, [S] numbers refer to Scoresby's publications and [C] numbers to the catalogue. (shrink)

This bibliography is the most comprehensive compilation of Jacques Rancière's published works to date. It is not intended, however, to be the definitive catalogue of his intellectual output. In the first instance, it does not include works and interviews published in languages other than French and English. Some publications, particularly shorter works in French periodicals, have not been included, and a few of the more obscure publications listed below have been confirmed only through their appearance in secondary sources. Unpublished materials, (...) such as the rapidly expanding collection of sanctioned and unsanctioned videorecordings of Rancière's lectures available online, have not, with a few notable exceptions, been included. (shrink)

TheCatalogue of Scientific Papers, published by the Royal Society of London beginning in 1867, projected back to the beginning of the nineteenth century a novel vision of the history of science in which knowledge was built up out of discrete papers each connected to an author. Its construction was an act of canon formation that helped naturalize the idea that scientific publishing consisted of special kinds of texts and authors that were set apart from the wider landscape of publishing. By (...) recovering the decisions and struggles through which theCataloguewas assembled, this essay aims to contribute to current efforts to denaturalize the scientific paper as the dominant genre of scientific life. By privileging a specific representation of the course of a scientific life as a list of papers, theCataloguehelped shape underlying assumptions about the most valuable fruits of a scientific career. Its enumerated lists of authors’ periodical publications were quickly put to use as a means of measuring scientific productivity and reputation, as well as by writers of biography and history. Although it was first conceived as a search technology, this essay locates theCatalogue’s most consequential legacy in its uses as a technology of valuation. (shrink)

Documents the history and rationale as well as the technology for the creation of an open online corpus of Ancient Greek texts, the Free First Thousand Years of Greek. Reveals the energy on a worldwide basis for building open data along with the boundless creativity around developing software tools for teaching, research, and publishing that exploit open data in ways that were impossible before.

A friend, correspondent and intellectual successor to David Ricardo, John Ramsay McCulloch forged his reputation in the emerging field of political economy by publishing deeply researched articles in Scottish periodicals and the Encyclopaedia Britannica. From 1828 he spent nearly a decade as professor of political economy at the newly founded University of London, thereafter becoming comptroller of the Stationery Office. Perhaps the first professional economist, McCulloch had become internationally renowned by the middle of the century, recognised for sharing his ideas (...) through lucid lecturing and writing. The present reference work, first published in 1845, reflects McCulloch's extraordinarily wide reading across subjects relating to his field of expertise. Featuring sections on foundling hospitals and slavery, as well as money and prices, the bibliography is annotated throughout with McCulloch's frank assessments. Several other works written or edited by McCulloch are also reissued in the Cambridge Library Collection. (shrink)

previous editions or to the original lectures, the nature of the lectures themselves , and what role Dooyeweerd had in bringing the lectures to publication or seeing them later revised. Some 45 years distant from the original publication, some of these questions can be answered, but not all. Nevertheless, they should not be ignored. For In the Twilight of Western Thought to be valuable in the present-day to readers interested in Dooyeweerd’s thought, what little can be established concerning the editorial (...) process must be made known and the remaining uncertainties of its publication and revision history must be publicly established. Furthermore, differences between the editions must also be catalogued and made accessible to readers of his work. The purpose of this essay is to document the history of the lectures, their initial publication, and revisions. Secondly, this essay includes a catalog of the differences between the various editions. As the publishing history of In the Twilight of Western Thought makes evident, in order for the work of Herman Dooyeweerd to continue to have influence, his published and unpublished works must be carefully catalogued, their provenance clearly determined, and the publishing, translation, and revision history of each carefully delineated. (shrink)

Mendelian Inheritance in Man, a computerized catalogue of human genetic disorders authored and maintained by cardiologist and medical genetics pioneer Victor A. McKusick, played a major part in demarcating between a novel biomedical science and the eugenic projects of racial betterment which existed prior to its emergence. Nonetheless, it built upon prior efforts to systematize genetic knowledge tied to individuals and institutions invested in eugenics. By unpacking the process of digitizing a homespun cataloguing project and charting its development into an (...) online database, this article aims to illuminate how the institution-building efforts of one individual created an ‘information order’ for accessing genetic information that tacitly shaped the norms and priorities of the field toward the pursuit of specific genes associated with discernible genetic disorders. This was not by design, but rather arose through negotiation with the catalogue's users; it accommodated further changes as biomedical research displaced the Mendelian paradigm. While great effort was expended toward making sequence data available to investigators during the Human Genome Project, MIM was largely taken for granted as a ‘legacy system’, McKusick's own labour of love. Drawing on recent histories of biomedical data, the article suggests that the bibliographical work of curation and translation is a central feature of value production in the life sciences meriting attention in its own right. (shrink)

Small-scale research projects involving human subjects have been identified as being effective in developing critical appraisal skills in undergraduate students. In deciding whether to grant ethical approval to such projects, university research ethics committees must weigh the benefits of the research against the risk of harm or discomfort to the participants. As the learning objectives associated with student research can be met without the need for human subjects, the benefit associated with training new healthcare professionals cannot, in itself, justify such (...) risks. The outputs of research must be shared with the wider scientific community if it is to influence future practice. Our survey of 19 UK universities indicates that undergraduate dissertations associated with the disciplines of medicine, dentistry and pharmacy are not routinely retained in their library catalogues, thus closing a major avenue to the dissemination of their findings. If such research is unlikely to be published in a peer-reviewed journal, presented at a conference, or otherwise made available to other researchers, then the risks of harm, discomfort or inconvenience to participants are unlikely to be offset by societal benefits. Ethics committees should be satisfied that undergraduate research will be funnelled into further research that is likely to inform clinical practice before granting ethical approval. (shrink)

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their (...) first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates. (shrink)

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their (...) first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates. (shrink)

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their (...) first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates. (shrink)

Using the example of the Herzog August Bibliothek, the paper shows how (medieval) manuscripts are currently catalogued in the digital environment and how the data is published and shared with other relevant communities. The paper focuses both on the process of data production as well as the exchange and re-use of data. In particular, the paper will discuss the challenges of distributing the data into non-specialised databases. Two elements are crucial here: firstly, the standardised modelling of manuscript-related information, including semantic (...) enrichment. Secondly, the challenge of providing as much data as possible on the Web and offering interfaces to access the data. (shrink)

With the rapidly expanding catalogue of scientific publications, especially within the Biomedical Sciences field, it is becoming increasingly difficult for researchers to search for, read or even interpret emerging scientific findings. PubMed, just one of the current biomedical data repositories, comprises over 33 million citations for biomedical research, and over 2500 publications are added each day. To further strengthen the impact biomedical research, we suggest that there should be more synergy between publications and machines. By bringing machines into the realm (...) of research and publication, we can greatly augment the assessment, investigation and cataloging of the biomedical literary corpus. The effective application of machine-based manuscript assessment and interpretation is now crucial, and potentially stands as the most effective way for researchers to comprehend and process the tsunami of biomedical data and literature. Many biomedical manuscripts are currently published online in poorly searchable document types, with figures and data presented in formats that are partially inaccessible to machine-based approaches. The structure and format of biomedical manuscripts should be adapted to facilitate machine-assisted interrogation of this important literary corpus. In this context, it is important to embrace the concept that biomedical scientists should also write manuscripts that can be read by machines. It is likely that an enhanced human–machine synergy in reading biomedical publications will greatly enhance biomedical data retrieval and reveal novel insights into complex datasets. (shrink)

Trieste Publishing has a massive catalogue of classic book titles. Our aim is to provide readers with the highest quality reproductions of fiction and non-fiction literature that has stood the test of time. The many thousands of books in our collection have been sourced from libraries and private collections around the world.The titles that Trieste Publishing has chosen to be part of the collection have been scanned to simulate the original. Our readers see the books the same way that their (...) first readers did decades or a hundred or more years ago. Books from that period are often spoiled by imperfections that did not exist in the original. Imperfections could be in the form of blurred text, photographs, or missing pages. It is highly unlikely that this would occur with one of our books. Our extensive quality control ensures that the readers of Trieste Publishing's books will be delighted with their purchase. Our staff has thoroughly reviewed every page of all the books in the collection, repairing, or if necessary, rejecting titles that are not of the highest quality. This process ensures that the reader of one of Trieste Publishing's titles receives a volume that faithfully reproduces the original, and to the maximum degree possible, gives them the experience of owning the original work.We pride ourselves on not only creating a pathway to an extensive reservoir of books of the finest quality, but also providing value to every one of our readers. Generally, Trieste books are purchased singly - on demand, however they may also be purchased in bulk. Readers interested in bulk purchases are invited to contact us directly to enquire about our tailored bulk rates. (shrink)

When Gamurrini first published the Peregrinatio ad loca sancta, the narrative by an abbess of a pilgrimage undertaken to the Holy Land in the last quarter of the fourth century, he identified the authoress with Silvia, the sister of Arcadius' minister Rufinus. Heraeus, however, in his edition lends the weight of his authority to the view that the work was written by a certain Aetheria, and in his preface gives solid reasons for his preference. He also states that a thirteenth-century (...) catalogue of the Limoges Cathedral Library mentions the book under the title Itinevarium Egenae abbatissae, but he regards the form Egeria as a mere corruption. (shrink)

In his catalogue of the manuscripts of Grosseteste's writings S.H. Thomson attributed to him a number of sermons each of which is free standing and none of which belongs to the sermon collection made after the bishop's death. One of these is found in the British Library MS Harley 979, where it occupies fols 37va-39rb. It is written in seven columns, in a hand of the second half of the thirteenth century. This sermon on the commandments is ascribed to Grosseteste (...) in the hand of the scribe, with the words: «Sermo magistri Roberti Lincolniensis Episcopi de decem preceptis decalogi». It has not hitherto been published. (shrink)

In an article published thirteen years ago, I tried to break new ground by showing that the texts transmitted under the titleCataleptonas the work of Virgil can be seen to form an elaborately arranged and highly allusive book of verse written by a single author. This latter, I argued, was identical with the anonymous poet who, in an epilogue, represents the preceding poems as the juvenilia of the author later known for hisBucolics,GeorgicsandAeneidand, consequently, is himself speaking in the alleged early (...) works asVirgil impersonator. This anonymous poet, however, cannot rightly be labelled a literary forger, since he repeatedly and quite unmistakably recalls each of Virgil's threeoperaas well as other texts written after the year 19b.c. Evidently, then, he is inviting his readers to take part in a literarylusus, one in which they are expected to be familiar not only with the texts ofBucolics,GeorgicsandAeneidbut also with the life of the man who wrote them. The fiction of a young Virgil is created, one who wrote his first poems—the verses referred to in the epilogue aselementaandrudis Calliope—primarily under the influence of Catullus, the said poems being, with the exception ofCatal.12 and 16, epigrams. My interpretation has borne fruit, with Irene Peirano and Markus Stachon each devoting, in 2012 and 2014 respectively, a monograph to this approach and offering what are often very thorough analytical readings of the poems as the creations of aVirgil impersonator. However, neither of these two Latinists has considered one particular interpretative aspect, which I myself had only been able to introduce very briefly into my paper: the recognition that, as many more recent studies have now further corroborated, Roman poetry books were designed for linear, sequential reading, that they have, as it were, a story to tell. Peirano, moreover, disregards in her study the threePriapeapositioned in editions before the other fifteen epigrams and shown there with their own separate numbering. In the manuscripts, however, the titleCataleptonrefers without exception to a unit comprising the threePriapeaand the fifteen epigrams. The titlePriapea, found in the catalogue of the Murbach manuscripts and in some codices, is always attached solely to the poemQuid hoc noui est?In theVita Suetoniana-Donatiana, the termsCatalepton,PriapeaandEpigrammatawere evidently used as three different titles; the author may not have seen thatCataleptonis the title of all the poems. Furthermore, I should like to point out that, counted together, ‘Virgil's’Priapeaand epigrams come to a total of seventeen poems and so match precisely both the total of seventeen books in the real Virgil's three works and the total number of Horace's epodes, of the poems, that is, which the not-so-real Virgil quite conspicuously evokes in his own penultimate poem. More significantly, however, a sequential reading of thePriapea et Epigrammatacan in fact build a watertight case for taking the texts to be, as it were, a composite whole, and that is what I intend to argue in the rest of the article. (shrink)

This volume is the first book-length study on post-publication responses to academic plagiarism in humanities disciplines. It demonstrates that the correction of the scholarly literature for plagiarism is not a task for editors and publishers alone; each member of the research community has an indispensable role in maintaining the integrity of the published literature in the aftermath of plagiarism. If untreated, academic plagiarism damages the integrity of the scholarly record, corrupts the surrounding academic enterprise, and creates inefficiencies across all levels (...) of knowledge production. By providing case studies from the field of philosophy and related disciplines, the volume exhibits that current post-publication responses to academic plagiarism are insufficient. It catalogues how humanities disciplines fall short in comparison with the natural and biomedical sciences for ensuring the integrity of the body of published research. This volume provides clarity about how to conceptualize the scholarly record, surveys the traditional methods for correcting it, and argues for new interventions to improve the reliability of the body of published research. The book is valuable not only to those in the field of philosophy and other humanities disciplines, but also to those interested in research ethics, meta-science, and the sociology of research. (shrink)

© The Author 2017. Published by Oxford University Press on behalf of The Scots Philosophical Association and the University of St Andrews. All rights reserved. For permissions, please e-mail: [email protected] Fisette and Riccardo Martinelli have put together the most comprehensive, ambitious, and engaging collection of essays on the philosophy of Carl Stumpf to date. The volume is impressive in both scope and depth. It covers every single aspect of Stumpf's contribution to philosophy, including issues in the philosophy of mathematics, metaphysics, (...) epistemology, phenomenology, aesthetics, philosophy of language, and the theory of feelings. It draws on an extensive array of Stumpf's writings, both published and unpublished, and it even features a selection of archival materials, notably, the transcription of a lecture on metaphysics from the late 1880s and some correspondence between Stumpf and Brentano. Some might suspect that we should simply ‘catalogue [Stumpf's] work... (shrink)

In 1987, Adrienne Asch published a short essay entitled “What's Missing (or What I Haven't Found Yet).” The essay sketched an agenda for future research in disability studies by cataloguing the questions she wished had been answered and the research she wished had been conducted thus far in the field. My tribute to Adrienne, written just over twenty‐five years later, charts a similar path.In this short essay, I will not rehearse the questions that Adrienne set out in the pages of (...) the Disability Studies Quarterly in 1987. Nor will I highlight the many ways the gaps in the field have been partially filled in the intervening years, as Adrienne surely appreciated by the time of her death. I will instead follow Adrienne's inspiring example of asking hard questions. (shrink)

This paper tries to offer a descriptive account of the normative workings of evaluative fallacy charges directed to narratives. In order to do that, I first defend the continuity and mutual dependence, as based on a dynamical conception of argument, between the ‘belief conception’ and the ‘argumentative conception’ of fallacy. Then, I construe a catalogue of ‘fallacy charges’ based on both such a continuity and the variety of counterarguments explored by the theoretical framework of Argument Dialectics. And finally, I apply (...) these ideas and distinctions in the analysis of four examples of published texts in which the charge of ‘fallacious narrative’ is issued by a discursive agent against other discursive agents’ either full-fledged narratives or narrative assumptions. The analyses confirm some of the characteristics mentioned in the catalogue as well as the argumentative nature of fallacy charges, even when the censored discourse does not exactly or explicitly contain an argument. The analyses also help understand the distinction between a rather concrete ‘linguistic’ use of the term narrative and a more abstract and elusive ‘discursive’ one, in which the difficulties of both identifying the object of censorship and the exact meaning of the fallacy charge multiply. (shrink)

During the querelle des infiniment petits Leibniz wrote several texts addressed to Parisian savants to justify the use of the differential calculus, but only three of them were made public. One of the three, the “Sentiment de Monsieur Leibnitz”, was published without authorization in 1706 at the peak of the quarrel, together with the writings of other mathematicians united in the defence of the new calculus ( Joseph Saurin, Jacob Hermann and the Bernoulli brothers). However, Jean-Paul Bignon, director of the (...) Académie Royale des Sciences, confiscated the prints. All copies of this publication were assumed to be lost, but we have recently identified one copy of it in the British Library catalogue. In this article, we analyse the “Sentiment de Monsieur Leibnitz” by contextualizing it not only from an epistemological approach but also from a political perspective. We will examine the institutional issues at stake by relying on recently published correspondence. (shrink)

This article deals with the Katta Langar manuscript, which is known as one of the earliest Qur'ān copies attributed to III. Caliph Uthman. The study consists of an introduction, a conclusion and two sections. The introduction section begins with the information that the Katta Langar Mushaf which is called by this name relative to the Katta Langar village of Uzbekistan, is in the library of the Tashkent Uzbekistan Muslims Administration. Only ninety-seven pages of the mushaf, which was lost for a (...) period, have survived. Since twelve of these leaves appear again in Katta Langar, they are meant as the Katta Langar manuscripts. Therefore, this article not only aims to examine in detail all the extant leaves of the mushaf but also the twelve leaves, which are known today as the Katta Langar manuscripts. Although the research done so far has made it clear that this mushaf is not one of the copies of Uthman, the mushaf has been the subject of many studies. The first of the studies on the Katta Langar Mushaf was published by M.E. Masson, while the most detailed work belongs to Efim Rezvan. Existing studies on the mushaf are methodologically either a publication or a catalogue study. In this study, the Katta Langar copy was compared with the sources of the mushaf literature and discussed more comprehensively. (shrink)

This work publishes the entirety of Hobbes's MS E.1.A, "Old Catalogue," the 1630s catalogue of the Hardwick/Chatsworth library. The author provides handwriting samples and a full discussion of the problem of identifying Hobbes's handwriting to prove that the "Old Catalogue" is in Hobbes's own handwriting. He goes on to prove that almost all the books in the library were purchased by the Devonshires for Hobbes's own purposes, and that the Catalogue dates to the 1630s.

It was the general practice until not at all long ago to look at Turner as one of the moderns, if not as one of the founding fathers of modern art. He was a man straddling the fence between two periods, but he was looking forward. In a history of art that marches through time, forever endorsing what is about to be forgotten, wrapping up, as it were, one style to open eagerly the package of the next, such a position (...) is most enviable for, no matter where the times may be going, it is a hallmark of greatness to be ahead of one's time. There were things to be explained, of course, Turner himself, a keen pessimist, did not approved of the future and had little use for the present.1 His love of art was schooled on Reynolds' Discourses, and he remained loyal to them; his poets were Thomson and Pope and, among contemporaries, the rather frigid but delicate Samuel Rogers, a classicist par excellence. Above all, however, Turner looked back to classical antiquity for training and guidance, and for the delectation of his heart. And the poetry of the ancients, such as he could obtain it in translation, was as important to him as their art. What does one do with a declared classicist whom a historicizing hindsight feels compelled to rescue as a man of the future by making him a Romantic? It is a challenge stylistic analysis likes to meet, for it goes beneath what it declares to be the surface of a work of art to find its style, the essence that must conform to the presumed spirit of the age in question. The triumphant result of such studies in depth is a forgone conclusion as much as it is a surprise to the uninitiated. The facade of the Louvre, for example, used to suffice to make it a building in the classical style; it took the acumen of a Wölfflin to prove that it really was "baroque." The more the artist struggled not to be of his time, the more, poor man, he betrayed to the analyst that he was of his time. The Louvre facade stands convicted of being "classicizing-baroque."2 · 1. On Turner's view of the modern art of his time see John Gage, Color in Turner: Poetry and Truth , pp.97-105. On his literary education and taste see the seminal essay by Jerrold Ziff, "Turner on Poetry and Painting, " Studies in Romanticism 3 no. 4 : 193-215. Turner's poetical writings have been edited by Jack Lindsay, The Sunset Ship: The Poems of J.M.W. Turner . For the most recent and also most elegantly practical introduction to the work and life of Turner, see the catalogue of the Turner Exhibition of the Royal Academy and the Tate Gallery, Turner, 1775-1851 . · 2. This is now a commonplace of art historical teaching. See, for example, Gardner’s Art Through the Ages, 6th ed. Horst de la Croix and Richard G. Tansey , p. 632. On the theory behind the application to the particular case, see Heinrich Wölfflin, Principles of Art History, trans. M. D. Hottinger . Philipp Fehl, artist and art historian, is currently preparing a collection of essays, Art and Morality: Studies in the History of the Classical Tradition. He is a professor in the department of art and design at the University of Illinois at Urbana-Champaign. "Farewell to Jokes: The Last Capricci of Giovanni Domenico Tiepolo and the Tradition of Irony in Venetian Painting" was published in Summer 1979 in Critical Inquiry. (shrink)

The absence of a universally recognized definition of national minority is perceived as problematic by legal scholars on the international level as well as in domestic jurisdictions [Kymlicka, Will. 2015. Solidarity in diverse societies: Beyond neoliberal multiculturalism and welfare chauvinism. _Comparative Migration Studies_. https://doi.org/10.1186/s40878-015-0017-4, Ringelheim, Julie. 2010. Minority Rights in a Time of Multiculturalism-The Evolving Scope of the Framework Convention on the Protection of National Minorities. _Human rights law review_. https://doi.org/10.1093/hrlr/ngp038, Velázquez, Elisa Ortega. 2017. Minority rights for immigrants: From Multiculturalism (...) to Civic Participation. _Mexican Law Review_, no. 1., Dimitras, Panayote Elias. 2004. _Recognition of minorities in Europe: Protecting rights and dignity_. London: Minority Rights Group International]. National minority under Czech law is defined by the Act on National Minorities, and the definition combines the objective and subjective criteria of Capotorti’s [Capotorti, Francesco. 1977. _Study on the Rights of Persons belonging to Ethnic, Religious and Linguistic Minorities_, UN Document E/CN.4/Sub.2/384/Add.1–7. p. 96] and Deschênes’ [Deschênes, Jules. 1985. _Proposal Concerning a Definition of the Term Minority_. UN Document E/CN.4/Sub.2/1985/31. paragraph 181] definitions. However, the Czech Minority Act makes a distinction between ‘minorities that have traditionally and for a long time resided in the territory of the Czech Republic’ (§§ 8–12) and other minority groups, while there is no explicit criterion for differentiating among these groups objectively. Such absence of clearcut criteria is often relevant when certain minority groups claim unfavourable treatment due to the authorities’ perception of such national groups as being ‘immigrant’ as opposed to ‘autochthonous’. Additionally, recent case-law has shown that the most ‘traditional’ groups residing in the Czech territory, such as Moravians or Silesians, can equally lack state support, while it is typically argued by Courts that such groups lack ‘distinct features’, be it ethnic, linguistic and cultural, from the majority population and thus do not fall under the legal definition of national minorities (Verdict of the Supreme Administrative Court of the Czech Republic, Ref No 7 As 324/2020-42, of 17 August 2021; Verdict of the Regional Court in Brno, Ref No 62 A 35/2020 − 186, of 8 October 2020). This paper combines doctrinal legal analysis with a socio-legal approach. The language of legislative acts and court verdicts is assessed with the methodology of critical discourse analysis, specifically the discourse-historical approach [Reisigl, Martin, and Ruth Wodak. 2015. The Discourse-Historical Approach (DHA). In _Methods of Critical Discourse Studies_, 3rd edition, eds. Ruth Wodak and Michael Meyer, 23–61. London: Sage]. I focus on nomination, predication and argumentation strategies [Wodak, Ruth. 2009. The semiotics of racism: A critical discourse-historical analysis. In _Discourse, of Course: An overview of Research in Discourse studies_, ed. Jan Renkema. 311–326. Amsterdam: John Benjamins Publishing Company] used by the judges in court verdicts and on the role of perceived ‘tradition’ of certain groups’ residence in the territory of the Czech Republic on their access to state support or, on the contrary, their marginalization. It is concluded that the current state of the Czech law does not allow for the spatial dynamics of minority groups, which are mostly apprehended as fixed categories based on the 19th century idea of nation states and on the 1920s perception of the Czechoslovak nation after the breakdown of the Austro-Hungarian empire. Such approach does not allow for accommodating the rights for more up-to-date categories or for critical revisiting of the catalogue of minority groups as it was defined in the early 20th century. (shrink)

Horst Bredekamp’s subject is the astute deployment and perennial resonance of the startling image of the body politic that dominates the frontispiece to Leviathan: a treatise on the psychology of the individual and the dynamic of the multitude, published in 1651 by the English philosopher Thomas Hobbes. Affirming the centrality of such a figural device for this pioneering theorist of the state, Bredekamp goes on to address the art-historical dimension of the mesmerising etched title-page. In his central chapters he explores (...) the extraordinary range of sources – from socio-cultural tradition to scientific advances – on which the author and his artist-collaborator may have drawn. In conclusion, he reveals Hobbes to be no less passionate than shrewd in his belief that the constraints and amenities of a tolerable life in common attest to the potency of the visual. As appendices, two essays and catalogues explore the portraits made of Hobbes as well as illustrations that appeared in his other works, thus systematically completing the exploration of the images connected with this exceptional philosopher. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:A Propaedeutic to Walter BenjaminDavid Socher (bio)I took the picture—the Marines took Iwo Jima.—Joe Rosenthal (1912-2006)The Emerson College Web site on Walter Benjamin's essay The Work of Art in an Age of Mechanical Reproduction1 nicely animates some ideas of the essay. One such idea is the following: To an ever greater degree the work of art reproduced becomes the work of art designed for reproducibility. When Benjamin wrote this (...) essay and this maxim, Norman Rockwell had been illustrating magazine covers for both Boy's Life and the Saturday Evening Post for several years. Rockwell, who also made paintings for advertisements, said he didn't "want to paint for the few who can see a canvas in a museum." He wanted his "pictures to be published," exemplifying Benjamin's point.2 Wood engravings have been around for a thousand years and coins with portraits for two thousand. I don't mention these old examples to dispute Benjamin's point—certainly to an ever-greater degree the modern age designs for reproducibility. And Benjamin himself at the outset mentions the stampings, coins, and terra cottas of the Greeks as ancient cases of reproduction of a work of art. I merely intend to highlight the distinction between creating a print and painting a painting or drawing a drawing. In the latter cases the artist's goal is to produce one particular physical surface. We often imbue this surface with what Benjamin called an aura.3 Collectors of Rockwell Post covers don't have Rockwell's auras,4 and even less so those who have and hang reproductions of such covers. The making of prints has its own cachet, however. Although he is far from a typical printmaker, M. C. Escher here expresses a thought applicable to all printmakers: "The printmaker has [End Page 1] something of the minstrel spirit; he sings, and in every print … he repeats his song over and over again."5As is usual with such illustrations, Rockwell's paintings were put on magazine covers by photographic processes. Rockwell, of course, is not a photographer. His name will not be included in the history of photography. Why is it even worth stating such more-than-obvious observations? Because Benjamin seems to me to be mixed up about photography and the mix-up pervades his essay, even including his very title. Getting clear about exactly what photography is will help untangle things. Therefore, before turning to Benjamin's text, allow me a few words on photography.It is hard to overstate the importance of photography. About his own parents, whom he had never seen, Dickens's Pip says, he "never saw any likeness of either of them (for their days were long before the days of photographs)."6 Many school textbooks feature photos of children in a classroom, but often these are staged photos not actually taken in a classroom. At least one textbook publisher keeps props, including a wheelchair to take photos of "Able bodied children selected through modeling agencies [posing] in the wheelchair."7 Well, it's hard to get disabled children to serve as models, and in this way the publisher meets his disability quota. In such a case the photo is not doctored. It does picture the event in front of the camera, although unknown to the student, the picture is staged and the pictured student is neither in a classroom, nor disabled. This is a small deception; it is, however, a greater deception than is normal for, say, clothing catalogues. In such a catalogue all know that the model photographed is not actually skiing or chopping wood, although the model is so pictured. In the textbook an able-bodied child is presented as a disabled one, however, no direct falsehoods are being taught and no picture is falsely captioned. On the other hand, when a news agency doctors, falsely captions, or stages a picture, the deception is great.Newspapermen and newspaperwomen know well that photo-ops and managed news are cases where the tail wags the dog inasmuch as the event itself was only created for the sake of the picture. Somewhat similarly, staged wedding photos and other... (shrink)

This important and extensive fragment of the Catalogues is preserved on a papyrus of the third century A.D., no. 10560 in the Berlin collection. First published in 1907 by Schubart and Wilamowitz, Berliner Klassikertexte, v. 1. 31 ff. , it was also collated by Crönert, who published his readings in Hermes xlii , 610 ff. The most recent edition is that of Merkelbach, Die Hesiod-fragmente auf Papyrus , pp. 24 ff. The photograph mentioned above is the only one published. (...) It covers only a small portion of the text; most of the rest is too faint to be suitable for photography. (shrink)

NOTES: Based on the book Socrates on trial written by Andrew Irvine and published by the University of Toronto Press. Performed at the Chan Centre for the Performing Arts, University of British Columbia, Vancouver, Canada, May 31-June 7, 2008. CONTENTS: Trailer, Who was Socrates?, Selected scenes, The production, Credits. UBC Library Catalogue Permanent URL: http://resolve.library.ubc.ca/cgi-bin/catsearch?bid=3956307.

The Works and Days is contained in far more manuscripts than the other Hesiodic poems. Altogether there are something over 260, as against seventyodd for the Theogony and sixty-odd for the Shield. Over a hundred of them are later than 1480, the approximate date of the earliest printed edition of the poem; but even when these are subtracted, a formidable number remains, many of which have never been investigated. The present century has seen more done in the way of cataloguing (...) them than the nineteenth, but less in the way of collating them. Since N. A. Livadaras published his list of Hesiod manuscripts in 1963, the disparity between what has been done and what might be done has become more apparent than ever before. (shrink)

In the 1687 Principia, Newton gave a solution to the direct problem (given the orbit and center of force, find the central force) for a conic-section with a focal center of force (answer: a reciprocal square force) and for a spiral orbit with a polar center of force (answer: a reciprocal cube force). He did not, however, give solutions for the two corresponding inverse problems (given the force and center of force, find the orbit). He gave a cryptic solution to (...) the inverse problem of a reciprocal cube force, but offered no solution for the reciprocal square force. Some take this omission as an indication that Newton could not solve the reciprocal square, for, they ask, why else would he not select this important problem? Others claim that ``it is child's play'' for him, as evidenced by his 1671 catalogue of quadratures (tables of integrals). The answer to that question is obscured for all who attempt to work through Newton's published solution of the reciprocal cube force because it is done in the synthetic geometric style of the 1687 Principia rather than in the analytic algebraic style that Newton employed until 1671. In response to a request from David Gregory in 1694, however, Newton produced an analytic version of the body of the proof, but one which still had a geometric conclusion. Newton's charge is to find both ``the orbit'' and ``the time in orbit.'' In the determination of the dependence of the time on orbital position, t(r), Newton evaluated an integral of the form ∫dx/xn to calculate a finite algebraic equation for the area swept out as a function of the radius, but he did not write out the analytic expression for time t = t(r), even though he knew that the time t is proportional to that area. In the determination of the orbit, θ (r), Newton obtained an integral of the form ∫dx/√(1−x2) for the area that is proportional to the angle θ, an integral he had shown in his 1669 On Analysis by Infinite Equations to be equal to the arcsin(x). Since the solution must therefore contain a transcendental function, he knew that a finite algebraic solution for θ=θ(r) did not exist for ``the orbit'' as it had for ``the time in orbit.'' In contrast to these two solutions for the inverse cube force, however, it is not possible in the inverse square solution to generate a finite algebraic expression for either ``the orbit'' or ``the time in orbit.'' In fact, in Lemma 28, Newton offers a demonstration that the area of an ellipse cannot be given by a finite equation. I claim that the limitation of Lemma 28 forces Newton to reject the inverse square force as an example and to choose instead the reciprocal cube force as his example in Proposition 41. (shrink)

Ulrich von Wilamowitz-Moellendorff wrote surprisingly often to British colleagues. Usually it was a matter of a letter or two. The prolonged exchange with Gilbert Murray is the exception. More typical is the brief but important one with Sir James George Frazer. Extant evidence attests that he corresponded with some forty Englishmen and Scots. I omit Anglo-Irish: J.B. Bury, J.P. Mahaffy, L.C. Purser and the papyrologist, J.G. Smyly. The evidence is incomplete because most letters after the letter N were stolen and (...) burned in the Berlin winter 1945–6. A first catalogue of his British correspondents is assembled. Because of the remoteness of much published biographical material, I include references to the important published sources and occasionally publish a document which otherwise would be forgotten. For the first time Wilamowitz's influence on the English scholars of his time is precisely documented. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Nietzsche’s Reading and Private Library, 1885–1889Thomas H. BrobjerOne can easily get the impression that Nietzsche read little, especially later in his life. He criticizes reading because it is not sufficiently life-affirming and Dionysian: “Early in the morning at the break of day, in all the freshness and dawn of one’s strength, to read a book—I call that vicious!...” 1 He also criticizes it for making one reactive and forcing (...) one to be concerned with the thoughts of others rather than with one’s own:My eyes alone put an end to all bookwormishness, in plain terms philology: I was redeemed from the “book,” for years I read nothing—the greatest favour I have ever done myself!—That deepest self, as it were buried and grown silent under a constant compulsion to listen to other selves (—and that is what reading means!) awoke slowly, timidly, doubtfully—but at length it spoke again. 2This impression is strengthened by the fact that in his published books from 1885–88 very few contemporary and minor authors and books are mentioned. [End Page 663] He also explicitly claims that he read little: “It does not perhaps lie in my nature to read much or many kinds of things: a reading room makes me ill.... Caution, even towards new books is rather part of my instinct.” 3 Concretely, he claims in Ecce Homo that, “I have to reckon back half a year to catch myself with a book in my hand. But what was it?—An excellent study by Victor Brochard, les Sceptiques Grecs.” 4 As suggested in a quotation above, and as a major leitmotif in his letters, his health and especially that of his eyes is another reason to assume that he read little. This is also how most philosophers and historians have tended to treat Nietzsche—as an isolated, profound thinker.However, this impression and Nietzsche’s claims here are to a large extent incorrect. Nietzsche was, in fact, a rather substantial reader. This is true not only for his younger days but also for his last four active years, 1885–88. 5 Contrary to his claim that he is hostile to new books, he was very pleased with the large trilingual bookshop Löscher in Turin. He was a frequent and good enough customer to know its “Chef “ and to make contacts through it. 6 Nietzsche frequently used other bookshops, ordered book catalogues, and asked for recommendations of new book titles. 7 Nietzsche found some of the most important books in his life as random discoveries in bookshops, for example, those of Schopenhauer, Stendhal, and Dostoyevsky. Contrary to his claim that a reading room made him ill, he praised Turin for its good libraries, 8 and he wrote to his sister: “one cannot even with ten horses draw me to a place where, if I am correctly informed, not even a good library is to be found.” 9 Libraries were [End Page 664] important for Nietzsche’s reading, and the quality of the libraries was an important determining factor in deciding Nietzsche’s travels and places of residence. He even occasionally wrote to libraries to inquire if they were suitable for his purposes and for deciding if he would visit the town. 10 During the period 1885–88 Nietzsche used the libraries in Nice, Leipzig, Chur, Venice, Turin, and the Hotel Alpenrosen’s library in Sils-Maria. He probably also used the library in Zürich and possibly in other towns, and he planned to visit Stuttgart for the sake of its library.Nietzsche did not have a permanent address during the period discussed in this article and hence travelled frequently. But travelling was difficult for him and almost without exception made him ill, and it was more difficult still with a heavy load of books. During these years Nietzsche lived on a low pension from the University of Basel and constantly worried about his expenses. In spite of this he bought a not insignificant number of books. His private library today contains 60 books published from 1885 to 1888 and in 23 of these Nietzsche has made markings, often extensively, and from several... (shrink)

ABSTRACT During a visit to Europe in the autumn of 1882, Henry Augustus Rowland, Professor of Physics at Johns Hopkins University, displayed diffraction gratings produced on a ruling engine he had designed and built, which were bigger and much higher quality than any previously made. Some were of a novel type, ruled on concave surfaces, which he used in a simple but equally novel spectroscope that he had devised, to reveal spectral lines in great detail, and by means of photography (...) to record spectral data much more rapidly than previously possible. Over about twenty years Rowland built three ruling engines, published photographic maps of the solar spectrum, compiled a catalogue of the wavelengths of lines in the solar spectrum correlated with laboratory-produced spectra of almost all the chemical elements, and produced and sold the diffraction gratings used by spectroscopists everywhere. For decades after his death Rowland’s ruling engines remained practically the only source of good-quality diffraction gratings. This paper describes and analyses this work of Rowland and of the other men, Theodore Schneider, John Brashear, and Lewis Jewell, who played major roles in it. (shrink)

The first edition of Hugo Grotius’s De iure belli ac pacis was published in Paris by Nicolas Buon in 1625. An unauthorised second edition appeared in Frankfurt a year later, from the reputable Wechel press. After Grotius made hundreds of changes to the first and second states of the first edition, and failed to convince the publisher Nicolas Buon of the merits of printing yet another edition of the book, the Wechels’s release of a new edition sought to capitalise on (...) the high demand for the text, as copies had sold out in Central Europe by the summer of 1625. In this preliminary report on the 1626 edition, using online and card catalogues, we have located 59 surviving copies. We examined thirteen copies in person, and another three fully digitised copies online, and on the basis of this small sample we have been able to draw a number of conclusions. We hope that this research note on preliminary results will generate interest in this unduly neglected edition, and that readers will kindly bring further copies to our attention. (shrink)

This book contains the proceedings from Weaponising Speculation, a two-day conference and exhibition that took place in Dublin in March 2013. Weaponising Speculation was organised by D.U.S.T. (Dublin Unit for Speculative Thought) and aimed to be an exploration of the various expressions of DIY theory operative in the elsewheres, the shafts and tunnels of the para-academy. The topics covered all come under the welcoming embrace of speculation, spanning a broad range: from art, philosophy, nature, fiction, and computation to spiders, culinary (...) cosmology, and Oscar the Grouch. The book itself aims to be more than just a collection of essays and catalogue of artworks, but also a documentation of the event as a whole"--Publisher website, August 19, 2020. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Cynthia: A Companion to the Text of Propertius by S. J. HeyworthLuigi GalassoS. J. Heyworth. Cynthia: A Companion to the Text of Propertius. Oxford: Oxford University Press, 2007, first published in paperback 2009 (with corrections). xiii + 648 pp. Paper. £56.Cynthia represents the hypomnemata to the edition of Propertius by Stephen Heyworth. It is an indispensable tool for readers of the new Oxford Classical Text of Propertius and (...) for this reason the contemporary publication of both books has been extremely important. The text edited by Heyworth is so innovative that it was necessary to explain and discuss the editor’s choices. Cynthia is a long dialogue with the reader: Heyworth exposes reflections that are the fruits of decades of engagement with the text of Propertius, and one feels that he speaks with authority.The Preface is brief, but it summarizes the method followed in the book and places the critic in his appropriate setting, where he acknowledges his debts to scholars like J. L. Butrica and G. P. Goold. The true introduction is the one to the edition in the OCT: in fact it is one work in two volumes. The bulk of the book consists of a discussion of passages from the entire work of the Latin poet. [End Page 169] Before each elegy there is an essential bibliography. Then follows a quotation (in the vulgate form of the text) of the passage under discussion; in most cases it is accompanied by the critical apparatus of the OCT edition, with some modifications. All the passages examined are included because of textual problems, even if sometimes one gets the impression of being confronted with purely literary aspects of the text. There is no introduction to any elegy, and it is not in fact necessary: we grasp only what is problematic, and following Heyworth’s guidance we are taken through a stimulating experience. After 512 pages of Propertiana (D. R. Shackleton Bailey’s model is unquestionable), there is a complete translation of the text proposed by the editor, which is particularly useful. His policy is not to avoid any problem but to discuss it honestly without preconceptions. At the end there are rich indexes, which offer easy access to the wealth of linguistic and stylistic observations that are disseminated over the commentary. They also include the preface to the edition in the OCT.It is impossible to deal in a detailed manner with the hundreds of proposals and hypotheses. The editor offers us a completely different Propertius from the poet we have been accustomed to know from the more important editions of the twentieth century (deemed as conservative until the edition by Goold [Cambridge, Mass. 1990]). Following the wishes of Butrica, the elegies of Propertius are now consistent with the judgments of ancient critics, who valued in Propertius “a poet of finish, grace and charm” (M. Hubbard, Propertius [London 1974]:3). The text has undergone a massive restoration and it is readable and fluent: no more the work of an “expressionistic” poet (E. Pasoli) with his idiosyncratic language, but of a contemporary of Tibullus and an immediate predecessor of Ovid. The severe corruptions of the text are no longer visible in its linguistic texture, but in its fragmentation, which characterizes in particular the second book. In the others there are not so many ruins, but for lacunae and expunged distichs. The decision not only to bracket them, but to put them at the end of each elegy, is rhetorically astute: if one sees these couplets out of their context, one will certainly damn them, since they usually are a proverbial thought or an item of a catalogue.The text of the OCT exhibits a smooth surface that derives from a complex work of restoration. Butrica had told us that most editors of Propertius are like those who had loved the smoke deposited during the centuries onto the frescoes by Michelangelo in the Sistine Chapel (“Editing Propertius.” CQ 47 [1997]:208). The Propertian frescoes have now been restored: parts which were severely damaged are even better than the original; others, whose authenticity we do not trust, have been detached and put aside. The result is a piece... (shrink)

Jan W. Wojcik - The Works of Robert Boyle - Journal of the History of Philosophy 40:4 Journal of the History of Philosophy 40.4 543-545 Book Review The Works of Robert Boyle Robert Boyle. The Works of Robert Boyle. 14 vols. Edited by Michael Hunter and Edward B. Davis. London: Pickering & Chatto, 1999, 2000. Cloth, $1,950. This is the first edition of Boyle's oeuvre since that of Thomas Birch , and is the first scholarly edition ever. It is a (...) masterful achievement by Michael Hunter and Ted Davis, informed as it is by a total of approximately forty years of experience with the Boyle archive housed at the Royal Society of London. What began in 1980 as an attempt to catalogue the archive has led to this new, and most welcome, edition—one that includes not only Boyle's published work, but also two volumes of previously unpublished archival material. Despite its many defects, Birch's 1772 edition, in its reprint of edition of 1965 , has been popular with scholars living far from access to large collections of seventeenth-century works. The first thing to note about this new edition is that the editors have repaired the defects in Birch's edition. In selecting.. (shrink)

Beginning with this issue, the "Review Essays" section of the journal has been renamed "Critical Assessments." The new name more accurately describes not only the content of the section but also the journal's methods of assessment. Submissions to the section are peer reviewed; published essays are catalogued and indexed like the rest of the content of Perspectives in Biology and Medicine.Where many journals publish reviews on the assets and liabilities of newly published books, the Critical Assessments section of Perspectives in (...) Biology and Medicine aims for robust, engaging essays, written in an informal style about important new books, and also about important new articles. Books are a typical means of publishing... (shrink)