Many of the terms of our language, such as “jar”, are open-textured in the sense that their applicability to novel objects is not entirely determined by their past usage. Many others, such as the verbs “use” and “have”, are schematic in the sense that they have only a very general meaning although on any particular occasion of use they denote some more particular relation. The phenomena of open texture and schematicity constitute a sharp challenge to referential semantics, which assumes (...) that every non-logical term has a definite extension. A different, non-referential approach to formal semantics defines truth as relative to a context and defines contexts as built up from exclusively linguistic entities. For any given utterance of a sentence, there will be one of these contexts that pertains to it. In this framework, open texture and schematicity can be understood as consequences of the complex nature of the pertaining relation between contexts and utterances. (shrink)

Textures of the Ordinary shows how anthropology finds a companionship with philosophy in the exploration of everyday life. Based on two decades of ethnographic work among low-income urban families in India, Das shows how the notion of texture aligns ethnography with the anthropological tone in Wittgenstein and Cavell, as well as in literary texts. The book shows different routes of return to the everyday as it is corroded not only by catastrophic events but also by repetitive and routine violence (...) within everyday life itself. As an alternative to normative ethics, this book develops ordinary ethics as attentiveness to the other and as the ability of small acts of care to stand up to horrific violence. Textures of the Ordinary offers a model of thinking in which concepts and experience are shown to be mutually vulnerable. The book is an intellectually intimate invitation into the ordinary, that which is most simple yet most difficult to perceive in our lives. (shrink)

Le tissu comme support, matériau ou modèle traverse l'histoire de l'art, et se manifeste également sous la forme d'analogies ou de métaphores dans d'autres disciplines artistiques. La racine étymologique qui lie la notion de texte au champ lexical du tissage établit un jeu d'échos entre la patience de Pénélope à défaire et refaire son ouvrage et le travail même du poète et l'image du tissage surgit encore, tout naturellement, dans la terminologie de Derrida pour définir ce qui fait l'essence même (...) d'un texte. La diversité des hantises exercées par la notion de texture et par l'objet tissu conduit à un questionnement mettant en jeu la connaissance des textiles aussi bien que l'analyse des pratiques artistiques et des formes esthétiques auxquelles le tissage a pu donner lieu. Ce volume se fonde donc sur une approche croisant histoire de l'art, esthétique et littérature pour interroger la façon dont l'image de la chose tissée travaille le monde de la création artistique. La recherche collective qui prend forme dans ces pages propose d'explorer les prouesses d'une métaphore peut-être irremplaçable, et peut-être nécessaire à la survie de l'oeuvre d'art en son essence. (shrink)

The purpose of this article is to explore the extent to which mathematics is subject to open texture and the extent to which mathematics resists open texture. The resistance is tied to the importance of proof and, in particular, rigor, in mathematics.

Open texture is a kind of semantic indeterminacy first systematically studied by Waismann. In this paper, extant definitions of open texture will be compared and contrasted, with a view towards the consequences of open-textured concepts in mathematics. It has been suggested that these would threaten the traditional virtues of proof, primarily the certainty bestowed by proof-possession, and this suggestion will be critically investigated using recent work on informal proof. It will be argued that informal proofs have virtues that (...) mitigate the danger posed by open texture. Moreover, it will be argued that while rigor in the guise of formalisation and axiomatisation might banish open texture from mathematical theories through implicit definition, it can do so only at the cost of restricting the tamed concepts in certain ways. (shrink)

This paper shows how the method of cohesion analysis in film provides a strong foundation for constructing coherent filmic narrative across different spatial and temporal settings. Until now the unit of a fine-grained systematic analysis of film viewers' narrative comprehension has been anchored in the shot. This paper provides a semiotic descriptive tool of filmic cohesion for analyzing elements within and across shots, i.e., how viewers comprehend the presenting and tracking of dominant narrative elements such as characters, objects, and settings (...) as a film unfolds. In addition, this paper also reviews the Neo-Formalist exploration of cinematic cohesion and then demonstrates how the semiotics-oriented method suggested here can support more systematically and even strengthen the Neo-Formalist account. Most importantly, this article will explicitly show the potential of this tool for providing empirical accounts of filmic narrative construction by analyzing scene transitions in Wong Kar Wai's film 2046 (2004). (shrink)

In the twentieth century one interpretative perspective is curiously and strikingly absent: spatiality of narrative. Philosophical thought saw fundamental ontology as founded on temporality with space as decoration. Johannine inquiry has tended to follow in philosophy's temporal footsteps. However, it is plausible to assume that New Testament writers were spatially oriented while modern interpreters have been ensconced in temporal consciousness. Furthermore, as anthropology has long recognized, conceptions of space and place are central to any culture's sense of self. The undue (...) hermeneutic privileging of linearity and causality may have forced biblical texts into a temporal mode of reading that their original authors may not have intended.In understanding biblical worlds it is necessary to again explore spatiality. This essay will introduce textured spatiality as it applies to John 9. It will briefly review temporal thought and consciousness and explain how visual imagery is an essential component to the transmission and preservation of tradition. Textuality will also be used to tell the tale of the man born blind. Using the nature of Shabbat as a pivot, and a narrative juxtaposition of two contrasting Sabbath spaces, the paper will point to a possible Urcarnivalesque element in the chapter. (shrink)

In this paper we present the results of two experiments. The first is on the categorization of texture words in the English language. The goal was to determine whether there is a common basis for subjects' groupings of words related to visual texture, and if so, to identify the underlying dimensions used to categorize those words.Eleven major clusters were identified through hierarchical cluster analysis, ranging from “random” to “repetitive”. These clusters remained intact in a multidimensional scaling solution. The (...) stress for a three‐dimensional solution obtained through multidimensional scaling was 0.18, meaning that 82% of the variance in the data is explained through the use of three dimensions. It appears that the major dimensions of texture descriptors are repetitive versus nonrepetitive; linearly oriented versus circularly oriented; and simple versus complex.In the second experiment we measured the strength of association between texture words and texture images. The goal was to determine whether there is any systematic correspondence between the domains of texture words and texture images. Pearson's coefficient of contingency, a measure of the strength of association, was found to be 0.63 for words corresponding to given images and 0.56 for images corresponding to given words. Thus the texture categories in the verbal space and those in the visual space are strongly tied.In sum, our two experiments show (a) that despite the tremendous variety in the words we have to describe textures, there is an underlying structure to the lexical space which can be derived from the experimental data; and (b) that the association between a category of words and a category of images was strongest when both categories represent the same underlying property. This suggests that subjects' organizations of texture terms are systematically tied to their organization of texture images. (shrink)

In the debate on meaning in life as part of a good human life, the role of time still needs to be worked out in greater detail. This paper argues that making the role of time in a specific sense explicit allows for the development of an account that leaves behind some of the objections with which current accounts are confronted. To show this, I will reconstruct two accounts of meaning in life and critically discuss them—the account of meaning by (...) valuable activities and the account of meaning by intelligibility. The first one struggles with how to distinguish the value of meaning from the values of happiness and morality and neglects the common understanding of meaning in other contexts; the second one at least partly falls back into the older discussion about the meaning of life with undesired theoretical consequences. A new account, called the account of meaning by temporal textures, focuses on narrative intelligibility, showing that meaning in life builds on temporal relations between events. This time focused narrative account avoids some misleading associations and enables one to answer some pertinent questions concerning the relevance of meaning for the good life as a whole. (shrink)

The study investigates the possibility of applying texture analysis (TA) for testing Duchenne Muscular Dystrophy (DMD) therapies. The work is based on the Golden Retriever Muscular Dystrophy (GRMD) canine model, in which 3 phases of canine growth and/or dystrophy development are identified: the first phase (0–4 months of age), the second phase (from over 4 to 6 months), and the third phase (from over 6 months to death). Two differentiation problems are posed: (i) the first phase vs. the second (...) phase and (ii) the second phase vs. the third phase. Textural features are derived from T2-weighted Magnetic Resonance Imaging (MRI) images. In total, 37 features provided by 8 different TA methods (statistical, filter-based, and model-based) have been tested. The work focuses on finding such textural features that evolve along with the dog’s growth. These features are indicated by means of statistical analyses and eliminated from further investigation, as they may disturb the correct assessment of response to treatment in dystrophy. The relative importance of each remaining feature is then assessed with the use of the Monte Carlo (MC) procedure. Furthermore, feature selection based on the MC procedure is employed to find the optimal subset of age-independent features. Finally, three classifiers are used for evaluating different sets of textural features: Adaptive Boosting (AB), back-propagation Neural Network (NN), and nonlinear Support Vector Machines (SVM). The best subsets of age-independent features ensure 80.0% and 78.5% of correctly identified phases of dystrophy progression, for the first (i) and second (ii) differentiation problem respectively. (shrink)

This edited collection covers Friedrich Waismann's most influential contributions to twentieth-century philosophy of language: his concepts of open texture and language strata, his early criticism of verificationism and the analytic-synthetic distinction, as well as their significance for experimental and legal philosophy. -/- In addition, Waismann's original papers in ethics, metaphysics, epistemology and the philosophy of mathematics are here evaluated. They introduce Waismann's theory of action along with his groundbreaking work on fiction, proper names and Kafka's Trial. -/- Waismann is (...) known as the voice of Ludwig Wittgenstein in the Vienna Circle. At the same time we find in his works a determined critic of logical positivism and ordinary language philosophy, who anticipated much later developments in the analytic tradition and devised his very own vision for its future. (shrink)

In this article, the covariance of wavelet transform coefficients is used to obtain a texture inpainted image. The covariance is obtained by the maximum likelihood estimate. The integration of wavelet decomposition and maximum likelihood estimate of a group of pixels captures the best-fitting texture used to fill in the inpainting area. The image is decomposed into four wavelet coefficient images by using wavelet transform. These wavelet coefficient images are divided into small square patches. The damaged region in each (...) coefficient image is filled by searching a similar square patch around the damaged region in that particular wavelet coefficient image by using covariance. (shrink)

Depuis une époque immémoriale, nous sommes entourés d'êtres et de choses qui ont une forme reconnaissable, un certain 'visage', et c'est une donnée première de notre expérience. Cela contribue à tisser une 'texture des choses' que diverses théories contemporaines, de concert avec certaines forces sociales, s'emploient à défaire ou nier. Ainsi s'effectuent peu à peu une disparition des formes et un retour à une réalité supposée être originairement un flux indifférencié. Pour s'opposer à cette tendance, Jacques Dewitte met en (...) évidence un terrain commun pouvant accueillir à la fois une pensée des apparences vivantes et du "tact" qu'exige toute classification (Adolf Portmann), un renouveau de la 'typologie' en architecture (Léon Krier), une exigence de faire des 'distinctions conceptuelles' dans la théorie sociale et politique (Hannah Arendt), et une théologie des êtres créés selon leur espèce. Un petit livre fondamental au sens où il pose les fondements rationnels de l'émerveillement devant un 'monde beau et très divers'."--Page 4 of cover. (shrink)

This essay examines women's spectacularly visible status in feminised mass cultural domains in the first decades of the twentieth century. Feminine spectacles are commonly understood to invite viewers to access women's bodies, yet early twentieth-century spectacles paradoxically called renewed attention to women's illegibility. Women's visual prominence made apparent their ‘unknowability’, recasting an ancient ideational heritage in modern terms. Representations of women as opaque in the early twentieth century constituted a challenge to ocularcentrism and reveal the centrality of femininity in mass (...) mediations of epistemology and ontology. Drawing on written accounts of women's opacity in the fashion and beauty press, I argue that attention to spectacles of unknowability can be productive for feminist modernist studies. The texturing of histories of feminine spectacle challenges some tenacious dichotomies that continue to inform accounts of women's place in the modern, including those of subject and object, and visibility and invisibility. Focusing on opacity leads us to a productive account of the variable visibility of women in the modern, which foregrounds the multiple historical relations of different groups of women to regimes of visibility and keeps in view the diverse ways that differently classed and raced women were positioned vis-à-vis spectacle. The essay draws on feminist and postcolonial theory to suggest that an attunement to the unknowable not only nuances our understanding of a discrete historical period, but can lead the feminist researcher to confront and expand her own gaze in the era of capitalist modernity. (shrink)

Texts and textures: approaching an age of human-made nature through the particulate, the volatile, and the radiant. We have entered the Anthropocene era—a geological age of our own making, in which what we have understood to be nature is made by man. We need a new way to understand the dynamics of a new epoch. These volumes offer writings that approach the Anthropocene through the perspectives of grain, vapor, and ray—the particulate, the volatile, and the radiant. The first three volumes—each (...) devoted to one of the three textures—offer a series of paired texts, with contemporary writers responding to historic writings. A fourth volume offers a guide to the project as a whole. Grain: Granular materials add up to concrete forms; insignificant specks accumulate into complex entities. The texts in this volume narrate some of the fundamental qualities of the granular. In one pairing of texts, Robert Smithson compares the accumulation of thoughts to the aggregation of sediment, and an environmental historian writes about the stakes for earthly knowledge today. Other authors include Alfred Russel Wallace, Denis Diderot, and Georges Bataille. Vapor: The vaporous represents matter's transformations. In this volume, a political scientist compares Kafka's haunting “Odradek” to “vibrant matter”; a media theorist responds to poems and diagrams by Buckminster Fuller; and more, including texts by Hippocrates, Italo Calvino, and James Clerk Maxwell. Ray: A ray is an act of propagation and diffusion, encompassing a chain of interdependencies between energy and matter. This volume includes texts by Spinoza (with a reconceptualization by a contemporary philosopher), Jacques Lacan (followed by an anthropologist's reflections on temporality), Thomas Pynchon (accompanied by an interpretation of Pynchon's “electro-mysticism”), and others. These volumes constitute a unique experiment in design and composition as well as content. The mingling of texts and the juxtaposition of different areas of knowledge represented in a variety of forms express the dynamics of a world in change. (shrink)

Waste has often been a target of literature and policy promoting pro-environmental behaviour. However, little attention has been paid to how subjects interpret and construct waste in their daily lives. In this article we develop a synthesis of practice theory and psycho-social concepts of attachment and transitional space to explore how biographically patterned relationships and attachments to practice shape subjects’ understandings of resource consumption and disposal. Deploying biographical interview data produced by the Energy Biographies Project, we illustrate how tangible, intersubjective (...) and interdependent experiences rub up against cultural and behavioural norms, reshaping the meanings and strategies through which subjects interpret and manage waste. (shrink)

Human development takes place in an ornamented – redundantly patterned and highly repetitive – world. The emergence of knowledge takes the form of episodic unpredictable synthetic events at the intersection of the fields of internal and external cultural meaning systems – through the mutually linked processes of constructive internalization and externalization. Patterns of decorations – ornaments – are relevant as redundant “inputs” into the internalization/externalization processes. Ornaments can be viewed not merely as "aesthetic accessories" to human activity contexts but as (...) holistic devices of cultural guidance of human conduct that acts through the subjectivity of personal feelings. This guidance is peripheral in its nature – surrounding the ordinary life activities with affectively oriented textures of cultural meanings. (shrink)

The debates concerning what ought to be the nature and orientations of African philosophy are long drawn-out. These debates reflect the different conceptual approaches to the invention of contemporary practices of African philosophy between Anglophone and Francophone modes of philosophizing. This article reflects on these differences as well the continuing problems of creating modern African philosophical traditions. In doing so, it demonstrates why some methodological presuppositions are inadequate in grappling with some forms of sociality and the more general dilemmas of (...) modernity and also applauds the efforts of some contemporary African thinkers who have adopted a multidisciplinary approach to overcome internal discursive limitations within the field. (shrink)

In recent times, the exponential growth of sequenced genomes and structural knowledge of proteins, as well as the development of computational tools and controlled vocabularies to deal with this growth, has fueled a demand for conceptual clarification regarding the concept of function in molecular biology. In this article, we will attempt to develop an account of function fit to deal with the conceptual/philosophical problems in that domain, but which can be extended to other areas of biology. To provide this account, (...) we will argue for three theses: (1) some authors have confused metatheoretical issues (about the meaning and application criteria of terms) with metaphysical ones (about teleology); this led them to (2) look for explicit definitions of “function”, in terms of necessary and sufficient criteria of application, in order to make the concept of function eliminable; however, (3) if one leaves metaphysical worries aside and focuses on functional attribution practices, it is more adequate to say that the concept of function has an open texture. That is, that a multiplicity of application criteria is available, none of which is sufficient nor necessary to attribute a function to a trait, and which only in concert form a clear picture. We distinguish this thesis from some usual forms of pluralism. Finally, we will illustrate this account with a historical reconstruction of the ascription of a water transport function to aquaporins. (shrink)

This article offers a new interpretation of the theme of servile ‘crime and punishment’ in the Cena Trimalchionis. Focussing on scenes that directly involve the dinner host, it argues that the domestic justice system that they flesh out adds nuance to the satirical bite of the episode. An initial overview of the instances of ‘crime and punishment’ involving enslaved characters demonstrates how these scenes parade not just Trimalchio's wealth but his masterly power overreaching that of private domini. While previous scholarship (...) understood Trimalchio's questionable chastisements as indicative of this parvenu's pretensions, this article shows that they cumulatively develop an image of a jumbled execution of justice—brought to life through the presence of state functionaries, judicial infrastructures and penalties normally executed by the state. The climax of this image is hidden in plain sight, in a hitherto underappreciated scene involving purple wool (54.3–5), discussion of which proves in conclusion that the instances of servile ‘crime and punishment’ craftily build a subplot that plays on the freedman's imperial authority. The imperial matrix already recognized in several dimensions of the Cena in earlier scholarship unmistakably characterizes Trimalchio's domestic jurisdiction too; arbitrary and unfair, it offers biting comment on the state of Roman justice during the Principate with the progressive channelling of justice through the sole authority of the emperor. In sum, the servile ‘crime and punishment’ theme works as a fierce attack on the imperial government, encouraging broader reconsideration of the target of Petronius’ satirical pen. (shrink)

Some thinkers distrust Darwinist explorations of complex human behaviors, particularly investigations into possible differences in valued skills between genders, races or classes. Such projects, it is claimed, tend to have adverse effects on people who are already disadvantaged. A recent argument by Philip Kitcher both clarifies and generalizes this charge to cover a whole genre of scientific projects. In this paper I try to spell out and analyze Kitcher's argument. The argument fails, I suggest, because some of its key premises (...) fail to convince. My analysis focuses on relevant facts about the role of inquiry in fallibilist contexts, the texture of belief in contemporary natural science, and the moral dimension of scientific research. (shrink)

This book offers a systematized overview of Ian Hacking's work. It presents Hacking’s oeuvre as a network made up of four interconnected key nodes: styles of scientific thinking & doing, probability, making up people, and experimentation and scientific realism. Its central claim is that Michel Foucault’s influence is the underlying thread that runs across the Canadian philosopher’s oeuvre. Foucault’s imprint on Hacking’s work is usually mentioned in relation to styles of scientific reasoning and the human sciences. This research shows that (...) Foucault’s influence can in fact be extended beyond these fields, insofar the underlying interest to the whole corpus of Hacking’s works, namely the analysis of conditions of possibility, is stimulated by the work of the French philosopher. Displacing scientific realism as the central focus of Ian Hacking’s oeuvre opens up a very different landscape, showing, behind the apparent dispersion of his works, the far-reaching interest that amalgamates them: to reveal the historical and situated conditions of possibility for the emergence of scientific objects and concepts. This book shows how Hacking’s deployment concepts such as looping effect, making up people, and interactive kinds, can complement Foucauldian analyses, offering an overarching perspective that can provide a better explanation of the objects of the human sciences and their behaviors. (shrink)