A noted professor at Northwestern University provides new insights into God, creation, the world, and human emotion.

According to Stanley Cavell, Thoreau finished the job Kant started. He shows us the externality of the world, of the "other"—the noumena, in Kant's parlance—while Kant only deduced the things-in-themselves as limits or conditions of knowledge. Insomuch as Thoreau pulls this off at Walden and in Walden, his contact is evanescent and he uses evanescence, the poetic device employed widely by the English Romantic poets, to communicate his experience.

I introduce a perceptual phenomenon so far overlooked in the philosophical literature: ‘visual evanescence’. ‘Evanescent’ objects are those that due to their structured visible appearances have a tendency to vanish or evanesce from sight at certain places and for certain ‘biologically apt’ perceivers. Paradigmatically evanescent objects are those associated with certain forms of animal camouflage. I show that reflection on visual evanescence helps create conceptual room for a treatment of looks statements not explicit in the contemporary literature, one which takes (...) its cue from the relatively neglected philosophy of perception of G.E.M. Anscombe. In sensory contexts in which evanescence is known to have occurred, the use of ‘looks invisible’ seems to be intelligible, a fact that sensationalist and objectivist treatments of the nature of looks, as I call them, cannot obviously accommodate - at least, as I explain, when coupled with what Cora Diamond (1981) describes as a ‘natural’ understanding of nonsense. Focusing on a number of imaginative scenarios in which the statement ‘looks invisible’ is permissible, I oppose these ontological treatments with the grammatical approach I draw from Anscombe and in doing so I uncover a degree of unity across the cases I consider: something can intelligibly be said to ‘look invisible’ if one can see or appears to see the entirety of the region that the ‘invisible’ thing occupies. The region ‘looks empty’ but is full. (shrink)

This paper addresses semiotic elements of ritual in human encounter. The notion of an essential ritual presence in the existential/communicative connection of persons has been established in the work of Langer, Gadamer, and Jakobson. Yet, as Richard Lanigan maintains, vital aspects of Jakobson’s model of communication are typically missed in the application of his work, a consequence of which is that social science no longer differentiates between “communication” and “information”. As such, everything perceived as meaningful is reducible to “message”, and (...) thus, effective communication means merely “finding the right message”. The regression to our current cybernetic world, along with the intellectual paradigms enabling it, was never a foregone conclusion, but the entrenchment of social science in information theory makes it clear that an epistemological commitment to a semiotic phenomenology of communicative existence—and the visibility of ritual life—may well be our only way out. (shrink)

Selfhood is a topic of great interest in early modern philosophy. In this essay, I will discuss Spinoza’s radical position on the topic of selfhood. Whereas for Descartes and Leibniz, there is a manifold of thinking substances, for Spinoza, there is, crucially only one: God. Minds, for Spinoza, do not have substantial status, they are instead merely complexes of ideas, and thus complex modes of the one substance: God. Observations such as these often lead Spinoza’s readers to the conclusion that, (...) whereas for Descartes as for Leibniz, human beings have robust or genuine selves, this is not so for Spinoza. However, this reductionist interpretation is also challenged—in recent times most intriguingly by Koistinen. Koistinen has argued that there are, fundamentally, human selves of whom agency can be predicated in Spinozism. In this paper I discuss to what extent this is true. In section 1, I introduce the reductionist interpretation of selfhood in Spinoza’s thought. In section 2.1, I present and criticize Koistinen’s proposal. In section 2.2, I acknowledge the strength of Koistinen’s view that insofar as human beings act, they are God somehow. In section 3, I propose an alternative reading of human selfhood in terms of witnessing being acted out rather than in terms of being an agent. This view isprima facieparadoxical. In section 4, I nonetheless support it by highlighting that Spinoza seems to have seen practical benefits in knowing oneself to be acted out by God. I conclude the essay by pointing out some comparative directions for future research. (shrink)

The paper argues that contemporary consciousness studies can profit from Charles S. Peirce’s philosophy of consciousness. It confronts mainstream tendencies in contemporary consciousness studies, including those which consider consciousness as an unsolvable mystery, with Peirce’s phenomenological approach to consciousness. Peirce’s answers to the following contemporary issues are presented: phenomenological consciousness and the qualia, consciousness as self-controlled agency of humans, self-control and self-reflection, consciousness and language, self-consciousness and introspection, consciousness and the other, consciousness of nonhuman animals, and the question of a (...) quasi-consciousness of the physical universe. A detailed account of Peirce’s three modes of consciousness is presented: primisense, qualisense or feeling-consciousness, altersense, and medisense, the consciousness of cognition, thought, and reasoning. In contrast to consciousness studies that establish a rather sharp dividing line between conscious and unconscious states of mind, Peirce adopts the principle of synechism, the theory of continuity. For him, consciousness is a matter of degree. An important difference between Peirce’s concept of qualia and current theories of qualia in human consciousness is discussed. The paper shows how consciousness, according to Peirce, emerges from unconscious qualia and vanishes into equally unconscious habits. It concludes with a study of the roles of qualia, habit, and self-control in Peirce’s theory of signs, in particular in qualisigns and symbols, and the question of signs as quasi-conscious agents in semiosis. (shrink)

Experiments with evanescent modes and tunneling particles have shown that (i) their signal velocity may be faster than light, (ii) they are described by virtual particles, (iii) they are nonlocal and act at a distance, (iv) experimental tunneling data of phonons, photons, and electrons display a universal scattering time at the tunneling barrier front, and (v) the properties of evanescent, i.e. tunneling modes are not compatible with the special theory of relativity.

In lieu of an abstract, here is a brief excerpt of the content:TOWARD A GENERAL THEORY OF FICTION by James D. Parsons When nelson Goodman writes, "All fiction is literal, literary falsehood," he seems to be disregarding at least one noteworthy tradition.1 The tradition I have in mind includes works by Jeremy Bendiam, Hans Vaihinger, Tobias Dantzig, Wallace Stevens, and a host ofother writers in many fields who have been laboring for more man two centuries to clear the ground for (...) a general theory of fiction. Such a general dieory would, if its exponents are right about its relevemce, be situated at the very heart of die law, literature, religion, science, mathematics — in fact, of humem life itself. Fiction dien would be no neirrow litereiry falsehood, but a kind of pressure, eis Wedlace Stevens said, which die imagination exerts "against die pressure of reality," and which "helps us to live our lives,"2 or, in Hans Vaihingens metaphor, "a scaffolding afterwards to be demolished" 3 — that is, elfter it heis served its constructive purpose. A fiction is a vitally useful creation of die mind corresponding to nothing in the real world. Most people eire aware of some of these fictions, from the perfect geometric figures of Euclid to the black box of contemporary axiomatics. There are many odiers. The notion diat all human beings are equal before die law is a fiction that can serve opposing purposes: it can work as an instrument for securing greater justice in the courts and in society, or it can function as ceimouflage, helping to perpetuate em unjust legal system and em oppressive social order — emd probably in any actual situation it serves both purposes at once. In die science of mechanics the idea of a pure vacuum, in which moving objects meet with no resistance, was for some centuries a useful fiction diat made possible the exact mathematiced analysis of motion in memy forms — another useful fiction. The notion of normality in psychology — mat diere is a universal standard of reference for human behavior — is stdl utilized by clinical and laboratory workers in the field, in spite of the metssive sociological emd ethnographic criticisms that have been leveled against it. In science generally, the idea that 92 James D. Parsons93 diere is a community of experts who by dieir combined influence decide what the trudi is in every field is a fiction diat seems to have come to the end of its usefulness, diough some philosophers have written about it as if it were a reality and not a fiction at edl. The fictions I have cited so far are none of them literary, nor être diey fedse in the ordinetry meaning of the word. They are simply not true; they describe nothing mat exists, except in die mind, emd cem be considered false only if one forgets what they eire emd tries, illegitimately, to apply tests of trudi to them in a direct way. Among the fictions mat might be called literary are the fictions derived from mydis. Now, a myth is a story told in answer to a question or a series of questions that has never been asked, eidier about the real world or (most likely) about the perennial performance of a ritual. The mydi is designed to forestall the questioning, because the questions that might be raised would be too embarrassing or because questions about some aspects of reality ceuinot be formulated without distorting our relation to them. These are the aspects of reedity that can be viewed only out of die corner of the eye, that disappear when we focus our gaze upon diem, and mat can be identified only indirectly.4 The more explicitly fictional devices, too, of poetry, drama, and the novel develop out of the attempt to achieve some sort of cognizeuice of the seune aspects of reality that are related in mydis. I do not meetn to imply that literature, of which mydi is a part, is concerned only with such disconcerting or evanescent aspects of reality. Literature, like all the great realms of culture, is concerned with the whole of reality. It has to be, omerwise its more passionate, its more ediereed concerns would have no lodging place, no environment in which to maintain... (shrink)

This paper contrasts three different schemes of reference relevant to understanding systems of perceptual representation: a location-based system dubbed "feature-placing", a system of "visual indices" referring to things called "proto-objects", and the full sortal-based individuation allowed by a natural language. The first three sections summarize some of the key arguments (in Clark, 2000) to the effect that the early, parallel, and pre-attentive registration of sensory features itself constitutes a simple system of nonconceptual mental representation. In particular, feature integration--perceiving something as (...) being both F and G, where F and G are sensible properties registered in distinct parallel streams--requires a referential apparatus. Section V. reviews some grounds for thinking that at these earliest levels this apparatus is location-based: that it has a direct and nonconceptual means of picking out places. Feature-placing is contrasted with a somewhat more sophisticated system that can identify and track four or five "perceptual objects" or "proto-objects", independently of their location, for as long as they remain perceptible. Such a system is found in Zenon Pylyshyn's fascinating work on "visual indices", in Dana Ballard's notion of deictic codes, and in Kahneman, Treisman, and Wolfe's accounts of systems of evanescent representations they call "object files". Perceptual representation is a layered affair, and I argue that it probably includes both feature-placing and proto-objects. Finally, both nonconceptual systems are contrasted with the full-blooded individuation allowed in a natural language. (shrink)

We are all, I take it, unshakably sure that we are each in a special position to report, or to know, or to witness or experience a set of something-or-others we may call, as neutrally as possible, elements of our own conscious experience. In short, we all believe in the doctrine of privileged access, however much we disagree or are uncertain about what we mean by privilege and access. Yet trying to make sense of this well-entrenched and highly intuitive doctrine (...) is a frustrating and tantalizing job, nor does denying the doctrine root and branch sit any more comfortably. There is a curious evanescence and incompleteness to philosophical accounts of privileged access, and I suspect the difficulty lies in the larger strategy philosophers have often quite reasonably adopted: they have set out to compose accounts of privileged access that are intuitive throughout, when in fact the only hope of giving any coherent account of any form of privileged access requires radical surgery on our intuitions, requires defending an initially counter-intuitive thesis. (shrink)

The theory of document acts is an extension of the more traditional theory of speech acts advanced by Austin and Searle. It is designed to do justice to the ways in which documents can be used to bring about a variety of effects in virtue of the fact that, where speech is evanescent, documents are continuant entities. This means that documents can be preserved in such a way that they can be inspected and modified at successive points in time and (...) grouped together into enduring document complexes. We outline some components of a theory of document acts, and show how it can throw light on certain problems in Searle’s ontology of social reality. (shrink)

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Inner speech has been shown to vary in form along several dimensions. Along condensation, condensed inner speech forms have been described, that are supposed to be deprived of acoustic, phonological and even syntactic qualities. Expanded forms, on the other extreme, display articulatory and auditory properties. Along dialogality, inner speech can be monologal, when we engage in internal soliloquy, or dialogal, when we recall past conversations or imagine future dialogs involving our own voice as well as that of others addressing us. (...) Along intentionality, it can be intentional (when we deliberately rehearse material in short-term memory) or it can arise unintentionally (during mind wandering). We introduce the ConDialInt model, a neurocognitive predictive control model of inner speech that accounts for its varieties along these three dimensions. ConDialInt spells out the condensation dimension by including inhibitory control at the conceptualization, formulation or articulatory planning stage. It accounts for dialogality, by assuming internal model adaptations and by speculating on neural processes underlying perspective switching. It explains the differences between intentional and spontaneous varieties in terms of monitoring. We present an fMRI study in which we probed varieties of inner speech along dialogality and intentionality, to examine the validity of the neuroanatomical correlates posited in ConDialInt. Condensation was also informally tackled. Our data support the hypothesis that expanded inner speech recruits speech production processes down to articulatory planning, resulting in a predicted signal, the inner voice, with auditory qualities. Along dialogality, covertly using an avatar’s voice resulted in the activation of right hemisphere homologs of the regions involved in internal own-voice soliloquy and in reduced cerebellar activation, consistent with internal model adaptation. Switching from first-person to third-person perspective resulted in activations in precuneus and parietal lobules. Along intentionality, compared with intentional inner speech, mind wandering with inner speech episodes was associated with greater bilateral inferior frontal activation and decreased activation in left temporal regions. This is consistent with the reported subjective evanescence and presumably reflects condensation processes. Our results provide neuroanatomical evidence compatible with predictive control and in favor of the assumptions made in the ConDialInt model. (shrink)

The continual background awareness of duration is an essential structure of consciousness, conferring temporal extension to the many objects of awareness within the evanescent sensory present. Seeking the possible neural correlates of ubiquitous temporal awareness, this article reexamines fMRI data from off-task “default mode” periods in 25 healthy subjects studied by Grady et al. , 2005). “Brain reading” using support vector machines detected information specifying elapsed time, and further analysis specified distributed networks encoding implicit time. These networks fluctuate; none are (...) continuously active during DM. However, the aggregate regions of greatest variability closely resemble the default mode network. It appears that the default mode network has an important role as a state-dependent monitor of temporality. (shrink)

This essay interprets changes in how “the political” was employed by a group of political theorists connected to the University of California, Berkeley, from the late 1950s up to the present. Initially, the political names both what students of politics ought to study and invokes a way of studying meant to have broad appeal. In later uses, however, the political takes on an evanescent quality compared to the solid realm of generality represented in earlier work. Also, only from the 1970s (...) on is the political explicitly identified with democracy. Finally, later uses of the political no longer invoke a mode of study with broad appeal but one that even most self-described political theorists fail to practice. Though the changes the author analyzes in how the political was conceived are specific to the work of a small group of theorists, they suggest a more general story about the late twentieth-century development of political theory in the American academy. (shrink)

A theory of basic moral rights ought to aim at telling us who the beings are that have rights and of what those rights consist. It may, however, seek to achieve that goal via an indirect route. In this paper I shall attempt a strategy of indirection. The first stage of the argument is a consideration of why moral theory can allow any place at all to rights. Acknowledging rights can be inconvenient. An otherwise desirable outcome is blocked if the (...) only ways in which it can be attained involve the violation of rights. Why not jettison rights and thereby render these outcomes achievable? The answer that will be suggested trades on it being a deep fact about human beings that they can and do order their lives by reference to long-term commitments and aspirations. In my terminology, they are project pursuers. If people were rational animals all of whose interests were flickering and evanescent, an ethic entirely resting on maximization of impersonal value would be appropriate. But because projects entail commitments to values not subject to trade-offs, the introduction of rights is plausible. That is the first major stage of the argument. The second builds on it and tries to show that the recognition of rights or their equivalent is morally required, that only an ethic in which basic rights are acknowledged can be properly responsive to persons' status as project pursuers. More particularly, is suggested that rights take the form of constraints imposing minimal forbearance on others such that one has reasonable expectations of being able to pursue one's projects amidst a world of other project pursuers. (shrink)

A macroscopic realization of the peculiar virtual particles is presented. The classical Helmholtz and the Schrödinger equations are differential equations of the same mathematical structure. The solutions with an imaginary wave number are called evanescent modes in the case of elastic and electromagnetic fields. In the case of non-relativistic quantum mechanical fields they are called tunneling solutions. The imaginary wave numbers point to strange consequences: The waves are non-local, they are not observable, and they are described as virtual particles. During (...) the last two decades QED calculations of the solutions with an imaginary wave number have been experimentally confirmed for phonons, photons, and electrons. The experimental proofs of the predictions of non-relativistic quantum mechanics and the Wigner phase time approach for the elastic, electromagnetic and Schrödinger fields will be presented in this article. The results are zero time in the barrier and an interaction time (i.e. a phase shift) at the barrier interfaces. The measured tunneling time scales approximately inversely with the particle energy. Actually, the tunneling time is given only by the barrier boundary interaction time, as zero time is spent inside a barrier. (shrink)

If there is an area of discourse in which disagreement is virtually absent, it is mathematics. After all, mathematicians justify their claims with deductive proofs: arguments that entail their conclusions. But is mathematics really exceptional in this respect? Looking at the history and practice of mathematics, we soon realize that it is not. First, deductive arguments must start somewhere. How should we choose the starting points (i.e., the axioms)? Second, mathematicians, like the rest of us, are fallible. Their ability to (...) recognize whether a putative proof is correct is not infallible. In most cases, disagreement over the correctness of a putative proof is, however, evanescent. Once an error is spotted and communicated, the disagreement disappears. But this is not always the case. Sometimes it is recalcitrant; that is, it persists over time. In order to zoom in on this type of disagreement and explain its very possibility, we focus on a single case study: a decades-long (1921-1949) controversy between Federigo Enriques and Francesco Severi, two prominent exponents of the Italian school of algebraic geometry. We suggest that the instability of the mathematical community to which they belonged can be explained by the gap between an abstract criterion of rigor and local criteria of acceptability. It is this instability that made the existence of recalcitrant disagreement over putative proofs possible. We do not condemn speculative mathematics but rather its pretense of being rigorous mathematics. In this respect, we show that the overly self-confident Severi and the more intuitive, visionary Enriques had a completely different attitude. (shrink)

I. RATNAKIRTI. HIS PHILOSOPHICAL CONGENERS AND ADVERSARIES Ratnakirti flourished early in the 11th century A.D. at the University of Vi kramasila, a member of the Yogacara-Vijnanavada school oflate Buddhist philosophy. Thakur characterizes Ratnakirti's writing as "more concise and logical though not so poetical" 1 as that of his guru, Jfianasrimitra, two of 2 whose dicta are focal points of the present work. From a translogical or absolute point of view, Ratnakirti endorses a form of 3 solipsistic idealism. The Sarhtdndntaradu$alJa, his (...) proof of solipsism written from the standpoint ofthe highest truth, concludes that an exter nal nonmental continuum is impossible. In ultimate reality the cognizing sub ject, its act of awareness, and the cognized object coalesce - all are fabrications superposed on what is really an indivisible evanescent now. 4 As Ratnakirti's predecessors have put it: There is neither an 'I' nor a 'he' nor a 'you' nor even an 'it'; neither the thing, nor the not-thing; neither a law nor a system; neither the terms nor the relations. But there are only the cognitive events of colourless sensations which have forms but no names. They are caught for a moment in a stream and then rush to naught. Even the stream is a fiction. That sensum of the moment, the purest particular, that advaya, the indivisible unit of cognition, that is the sole reality, the rest are all fictions, stirred up by time-honoured 5 convention of language which is itself a grand fiction. (shrink)

Procrastination is frustrating. Because the procrastinator's frustration is self-imposed, procrastination can also be quite puzzling. I consider attempts at explaining, or explaining away, what appear to be genuine cases of procrastination. According to the position that I propose and defend, genuine procrastination exists and is supported by preference loops, which can be either stable or evanescent.

In this paper I want to return to some well-worn ideas; specifically, the attempt to show that there is a distinctive subject-matter of the aesthetic via consideration of the difference between aesthetic and non-aesthetic concepts. The classic exposition of this distinction is Frank Sibley's 'Aesthetic Concepts'. Sibley claimed that, given a set of relevant terms, there will be widespread non-collusive agreement as to which are aesthetic and which non-aesthetic. Non-aesthetic terms include _'red, noisy, brackish, clammy, square, docile, curved, evanescent, intelligent, (...) faithful, derelict, tardy, freakish'_. Aesthetic terms include _'unified, lifeless, serene, sombre, dynamic, powerful, vivid, delicate, moving, trite, sentimental, tragic'_. Further examples have been given by other philosophers working in the field. Given the widespread agreement, I shall assume there is a distinction of some sort whose nature is open to be discussed. (shrink)

In Matter and Memory, Bergson examines the relationship between perception and memory, the status of consciousness in its relation to the brain, and more generally, a possible conjunction of matter and mind. Our reading focuses in particular on his understanding of the evanescent presence of the present and of its debt vis-à-vis the "unconscious" consciousness of a "virtual" past. We wish to show that the Bergsonian version of a critique of "the metaphysics of presence" is, for all that, an offshoot (...) of a Platonic type of metaphysics. It is true that Bergson departs from traditional standpoints on the side of a self-sufficient and original present and a form of presence to which the transparency of consciousness would confer the character of immediate evidence. All the same, it can hardly be claimed that his rehabilitation of the past and the unconscious opens up new perspectives on how forgetting and death are bound up with the work of memory. (shrink)

Dementia progressively isolates sufferers from their loved ones, who continue to search for meanings in their actions and words. As the condition progresses, meaning becomes harder and harder to find. Yet the actions of the sufferer may contain patterns, hinting at meanings that tempt observers to interpret from their own standpoint. We report the patterns repeated by a sufferer from Alzheimer's disease, artistic arrangements that take time to make, and appeal to observers. To the sufferer, these arrangements seem to have (...) no value beyond the fact of their creation. We wonder how far we can go as observers in imposing interpretations on these patterns of activity, which seem beautiful and poignant to us, but are evanescent and unremarked by their creator. (shrink)

Islam displaces the ancient idea of time as an implacable enemy with the scriptural image of time as the stage of judgment, a narrow bridge of accountability stretched between creation and eternity. The stark contrast of temporal evanescence with all the immutability of eternity challenges Muslim theologians and philosophers of the classic age. The dialectical theologians of the kalam describe time and change atomisti‐cally and even occasionalistically, seeking to preserve the absoluteness of the contrast and to avoid compromising the purity (...) of God's creative act and the sheer facticity of its temporal effect. The falasifa, philosophers in the Greek tradition, use Platonic, Aristotelian, and Neoplatonic arguments to reconcile temporality with eternity. Stripped of argument, their emanative and archetypal schemes join the core symbolisms of Islam, but only when accommodated to the Qur'anic ideas of judgment and creation. (shrink)

This collection provides English readers with a critical update on current debates on biopolitics in and around Italian thought. More than a decade after the publication of seminal books such as Agamben’s _Homo Sacer_ and Hardt and Negri’s _Empire_, the names of, among others, Roberto Esposito, Paolo Virno, Christian Marazzi, and Andrea Fumagalli have recently been brought to the attention of Anglophone scholars and political activists. Several authors have rightly emphasised the evanescent character of biopolitics, and the difficulty in providing (...) a definition of it that could embrace all the conflicting theories of its most celebrated critics and supporters. The present collection is structured around the basic contention that bio-economy, human nature, and Christianity are the three visible contemporary manifestations of the theoretical object/problem of biopolitics in, respectively, Italian post-workerist economics, post-Marxist philosophical anthropology, and post-structuralist ontology. This book was originally published as a special issue of _Angelaki_. (shrink)

Comment comprendre la publicité, sa communication, son rôle dans la société ? En répondant à cette question, cet article aura pour but de montrer que la publicité, au-delà de sa dimension fonctionnelle, offre des prothèses identitaires dans un monde social où les repères sont de plus en plus flous et évanescents.How can one understand advertising, its communication, its role in society ? By answering this question, this article will aim to show that advertising, beyond its functional dimension, offers identity prostheses (...) in a social world where bearings are increasingly vague and elusive. (shrink)

A contemporary to Thomas Aquinas in Latin Catholic Italy, and with a parallel motivation to stabilize each his own civilization in its flux and storm, 'Abd Allah Baydawi of Ilkhan Persia wrote a compact and memorable Arabic Summation of Islamic Natural and Traditional Theology. With the same strokes of his pen he presented the Islamic version of the Science of Theological Statement, bafflingly called "Kalam" while familiarly embracing "Theology". Baydawi's Tawali'al-Anwar min Matal'al-Anzar (Rays of Dawnlight Outstreaming from Far Horizons of (...) Logical Reasoning), with Mahmud Isfahani's commentary, is a formidably clear logical and mental vision of mankind's final completion as a spiritual structure in Islam. Reality - in nature's Possible mode, in an apodictic Divine mode, and in humanity's heroic Prophetic mode - comprises man's Worldview and is the Theme of the Baydawi/Isfahani discourse. The Edifice of Man and Humanity's evanescent Evidence within it are both hugely arresting and moving. The print edition is available as a set of two volumes (9789004121027). (shrink)

The following text revolves around a contrast in the form of a chiasm: the human skin of the word is the word of human skin, of its orifices and crevices. Halfway between a phenomenology of the life-world and quasi-surrealistic automatic writing, we attempt per impossibile to restore its rights to the living and speaking body, to allow the ear to speak, the eye to smell, and the hands to look – an exercise in synesthesia not devoid of a certain irony. (...) In the process, the rules of writing are rendered as flexible, not to say evanescent, as they were in the beginnings of writing. Thus written language twists and turns against itself and, in accordance with the teachings of the Platonic dialogue Phaedrus, becomes a spur for oral, and corporeal communication, rather than simply replacing it. This is why we ask the reader to let himself be carried along by the flow of language, instead of attempting intellectually to recombine the fixed, rigid, clear and distinct units of meaning that serve to transform living speech into an instrument of domination. (shrink)

This chapter offers an analysis of the speech conditions constitutive for the staging of political disagreement. Rather than seeking to offer an explanation for various situations of protest, however, it aims to identify what, if anything, is unique or peculiar to such modes of address. Drawing on the resources of speech act theory, the chapter suggests a reading of ‘dissensual speech’ as a form of ‘unauthorised’ speech through which the ‘people’ appear, however, evanescently. It analyses the peculiarities of dissensual speech (...) in the following ways: first, in terms of specifying its modes of utterance, which are identified with phatic and agonic modes of address and, second, in terms of its performative attitudes. In analysing the latter, I turn to Foucault’s notion of parrēsiastic speech in order to confront a paradox that arises with my reading of dissensual speech viewed in terms of ‘performatives’, since parrēsia—‘speaking truth to power’—is radically opposed to two fundamental rules that govern performatives and illocutionary forces: that they are conventional and that their enunciator must be authorised to use them. The chapter proposes a resolution to this contradiction by showing that an affinity exists between parrēsiastic speech and dissensual speech insofar as both entail ‘risk’ to the speaker in uttering a truth. The question then is whether it is possible to collectivise that risk, or whether parrēsia necessarily remains the speech of the individual martyr. (shrink)

This book offers a radical challenge to accounts of the common law's development. Contrary to received jurisprudential wisdom, it maintains there is no grand theory which will explain satisfactorily the dynamic interactions of change and stability in the common law's history. Offering original readings of Charles Darwin's and Hans-Georg Gadamer's works, the book shows that law is a rhetorical activity that can only be properly appreciated in its historical and political context; tradition and transformation are locked in a mutually reinforcing (...) but thoroughly contingent embrace. In contrast to the dewy-eyed offerings of much contemporary work, it demonstrates that, like life, law is an organic process rather than a miraculous one. In short, common law is a perpetual work-in-progress - evanescent, dynamic, messy, productive, tantalising, and bottom-up. (shrink)

Prior to being a body present in time, the Other is a mountainous relief in the landscape of a common world, a perspective shape that the “I” chooses to welcome or not. This relief—if it has often been considered from the point of view of an authority deciding where It should stand—will become, we hope, the possible zone of an encounter. When this relief comes out of the ground and enters the world, when the Other becomes simultaneously something that feels (...) and is felt, its expression opens up to become a zone of contact, a mobile and permeable layer of exchange. In this surrounding zone, the Other strips and exposes itself as evanescence. It is this unattainable geometric point that inscribes an atmospheric change by its presence: tempest, thunder, earthquake, but also heat, humidity, and evaporation. The Other is an organic sounding board reflecting our modes of being together. It is this person— per-sonare—through which the world resonates, who transforms, in the same fashion, the thermal sensations into energizing transfers, into dynamic emotions. A sensorial choice is always inscribed at the threshold of an encounter. (shrink)

The introduction starts from the exhaustion of modernity, drawing the fundamental lines of its development inside Western historical experience. The end of the political nexus between theology and politics, the evanescence of nation-state sovereignty, the check of great historical interpretations reveal the necessity of new categories and new organizational models, able to make us answer to the violence that the ongoing processes are liberating. Schiera underlines in particular the relevance of the administrative apparatus because of its capacity to link the (...) global government with global organization, human rights and the commons. (shrink)

Organic evolution, or change, among the diatoms has proceeded with considerable regularity. The origins, the extinctions, and the increases in numbers of species and genera, on the whole, have submitted to law and order, as rules-within-limits . The changes of evolution have followed from two sorts of phenomena — 1) the origin and extinction of shortlived or unstable species, in a proportion which has been more or less constant, but different in the two groups of diatoms, Centricae and Pennatae; these (...) short-lived species died out in the subperiod of their origin even under favourable enough environment or surrounding conditions, because of the innate instability of these particular species: and 2) the origin of new species which demonstrated their innate capacity for permanence by remaining in the living condition from their origins mostly up to the present time. The continued or continual additions of new and long-living species, in proportion to the number available as possible and parental species, has given the geometrical progressions.Consequently evolution in the diatoms has been monopodial, or one-stemmed, and not sympodial or not with many substitutions of one species after another in successions. The two kinds of species-durations are well-known in other classes of plants and animals. Exactly the same processes of additions, subtractions, and multiplications, particularly as found in the centric diatoms, are very probable in these classes of plants and animals which have given the same answer or arithmetical result for the whole of their previous histories, in the form of the frequency distribution of the present sizes of their genera.The rules-within-limits of this basic evolution are described, defined, and discussed in their relations to various theories of evolution which perhaps only concern the working of factors of superimposed modifications that reduce the results of the pattern or plan of basic evolution.Die phylogenetische Entwicklung wurde im Bereich der Kieselalgen von bestimmten Gesetzmässigkeiten beherrscht. Die Entstehung neuer Arten und Gattungen, ihr Wiederverschwinden und die Zunahme des Formenreichtums, resultierend aus der Zahl der neuentstandenen, vermindert um die der wieder verschwindenen Arten und Gattungen und vollzog sich nach Regeln , die durch folgende Phänomene gekennzeichnet sind: Zwischen der Zahl der neuentstehenden und der Zahl der in der gleichen geologischen Subperiode aus inneren Gründen wieder aussterbenden Arten besteht eine mehr oder wenig feste Beziehung. Diese ist für die Centricae und Pennatae verschieden. Ein bestimmter Anteil der neuentstandenen Arten und Gattungen erwies sich aus inneren Gründen als „ausdauernd” und blieb bis auf den heutigen Tag erhalten. Die Zunahme der Arten- Zahl durch das Hinzukommen langlebiger Formen war stetig und vollzog sich nach Massgabe geometrischer Progressionen.Diese Tatsachen führen zu dem Schluss, dass die phylogenetische Entwicklung der Kieselalgen nach monopodialem, und nicht nach sympodialem Muster vorsichging. Auch in andern Pflanzengruppen und im Tierreich durften die gleichen Gesetzmässigkeiten herrschend sein. Am klarsten gelangen sie bei den Centricae zum, Ausdruck und werden vom Autor als das Fazit von Additions-, Subtraktions-, und Multiplikationsprozessen aufgefasst. Die heutige Situation bezüglich Häufigkeit der Grössen der Gattungen, in Zahl der Arten, ist das Endergebnis der summativen Wirkung dieser Einzelprozesse.Diese als ‚rules-within-limits’ bezeichneten Gesetzmässigkeiten werden im einzelnen beschrieben, erklärt und zusammenfassend dargestellt. Zu andern Evolutionstheorien in Beziehung gebracht, werden sie schliesslich für Erörterung des Problems benutzt, inwieweit noch andere evolutionsgeschichtliche Prozesse als übergeordnete Faktoren in den vom Verfasser dargestellten Grundplan des Evolutionsgeschehens eingreifen können.L'évolution organique ou le changement parmi les Diatomées s'est effectué avec une régularité considérable. Les origines et les extinctions, et les accroissements des nombres des espèces et des genres, se sont soumis en tout aux lois et aux ordres, commes des régularités à l'intérieur de légères déviations. Le changement de l'évolution fut la conséquence de deux sortes de phénomène: l'origine et l'extinction des espèces éphémères dans une proportion plus ou moins déterminée mais différente pour les deux classes des Diatomées, Centricae et Pennatae; ces espèces éphémères moururent dans la subpériode de leur origines malgré le caractère assez favorable des circonstances environnantes, à cause de l'évanescence inhérente aux espèces particulières, et l'origine des espèces nouvelles qui démontrèrent leur qualité innée de permanence tout en continuant de vivre depuis leurs origines, pour la plupart, jusqu'à présent. Les additions continuelles d'espèces nouvelles et permanentes, en nombres proportionnés aux nombres disponibles comme espèces parentes et possibles, donnèrent des accroissements par progressions géométriques.Par conséquent, l'évolution parmi les Diatomées fut monopodiale et non pas sympodiale. Les deux sortes d'espèces-durées sont bien connues parmi beaucoup d'autres classes de plantes et d'animaux. Les mêmes procédés d'additions, de soustractions et de multiplications, particulièrement tels qu'on les trouve dans les Centricae, sont très probables pour ces classes de plantes et d'animaux qui ont donné un résultat le plus semblable pour la somme totale de leur histoire précédente, sous la forme de la répartition des fréquences de leurs grandeurs générique actuelles.Les régularités à l'intérieur de légères déviations de cette évolution fondamentale sont détaillées, définies et discutées dans leurs relations aux diverses théories touchant les autres méthodes de l'évolution qui jouent le rôle de facteurs modifiants superposés au dessin général ou au dessein de l'évolution fondamentale. (shrink)

It has become banal to say that the object of the art of theatre, its artifact, is particularly fragile, that a theatrical performance— necessarily limited in time and not reproducible—is an ephemeral phenomenon. And yet it is a fact that the evanescence of the theatre arts explains better than any other circumstance the universality and the importance of iconography in this area. What could be more natural than the forever manifested desire to prolong the length of the theatrical phenomenon, to (...) immortalize it in a certain sense. (shrink)

Body and image are crucial to the elaboration of both Jean-Luc Nancy’s philosophy andClaire Denis’s work in cinema. Nancy’s short book about the body, Corpus ,though it may initially have appeared as a minor work in his œuvre, has since been shown,and notably since the intervention of Jacques Derrida, as the cornerstone of much ofNancy’s late thought. As Derrida demonstrates, Nancy’s interest in the body turnsaround the crucial trope of touch which comes to stand, in his philosophy, as the marker (...) ofthe most fundamental limits that shape our understanding of and interaction with theworld: between inside and outside, subject and object, matter and meaning. As such, theconcept of touch frequently recurs in the discussion of art works, where the inscription of amaterial trace coincides with, or touches upon an evanescent sense. Nancy’s discussions ofartistic meaning have frequently centred around images – both painterly and filmic – asthe phenomena whereby the real, in manifesting its presence, is granted a certain sense.1Claire Denis, in common with the vast majority of live-action filmmakers, necessarily dealsin images and bodies – images of bodies – but her frequent refusal to provide thetraditional cinematic signifiers of psychological depth often means that the spectator isbrought up short before the strangeness of these bodies as bodies, which in turn opens upan interrogation as to the sense of her images. The mutual fascination that exists betweenNancy and Denis is well established, demonstrated by Nancy’s detailed, published engagements with Denis’s films – Beau travail , Trouble Every Day , L’Intrus – as well as by Denis’s short film portrait of the philosopher – Vers Nancy –and her cryptic appropriation of his text L’Intrus . But their engagement witheach other’s work appears in the image of Nancy’s somewhat abstract conception of touch:an approaching and withdrawing, a momentary proximity to the other that serves as muchto consolidate the stable identity of the one as it does to share in the identity of the other.Mirroring this intermittent relationship, this article will seek not to over-state theinterpenetration of the two œuvres, but merely to sketch some points of contact betweenthem, turning notably around the fascinating, but perhaps ultimately untouchable figureof the wound. (shrink)

Human beings respond to their immediate environments in a variety of ways, with emotion playing a cardinal role. In evolutionary theories, emotions are thought to prepare an organism for action. The interplay of acoustic environments, emotions, and evolutionary needs are currently subject to discussion in soundscape research. Universal definitions of emotion and its nature are currently missing, but there seems to be a fundamental consensus that emotions are internal, evanescent, mostly conscious, relational, manifest in different forms, and serve a purpose. (...) Research in this area is expanding, particularly in regards to the context-related, affective, and emotional processing of environmental stimuli. A number of studies present ways to determine the nature of emotions elicited by a soundscape and to measure these reliably. Yet the crucial question—which basic and complex emotions are triggered and how they relate to affective appraisal—has still not been conclusively answered. To help frame research on this topic, an overview of the theoretical background is presented that applies emotion theory to soundscape. Two latent fundamental dimensions are often found at the center of theoretical concepts of emotion: valence and arousal. These established universal dimensions can also be applied in the context of emotions that are elicited by soundscapes. Another, and perhaps more familiar, parallel is found between emotion and music. However, acoustic environments are more subtle than musical arrangements, rarely applying the compositional and artistic considerations frequently used in music. That said, the measurement of emotion in the context of soundscape studies is only of additional value if some fundamental inquiries are sufficiently answered: To what extent does the reporting act itself alter emotional responses? Are all important affective qualities consciously accessible and directly measurable by self-reports? How can emotion related to the environment be separated from affective predisposition? By means of a conceptual analysis of relevant soundscape publications, the consensus and conflicts on these fundamental questions in the light of soundscape theory are highlighted and needed research actions are framed. The overview closes with a proposed modification to an existing, standardized framework to include the meaning of emotion in the design of soundscapes. (shrink)

After preparing the way with comments on evanescent quantities and then Newton’s interpretation of his second law, this study of Proposition II (Book I)— Proposition II Every body that moves in some curved line described in a plane and, by a radius drawn to a point, either unmoving or moving uniformly forward with a rectilinear motion, describes areas around that point proportional to the times, is urged by a centripetal force tending toward that same point. —asks and answers the following (...) questions: When does a version of Proposition II first appear in Newton’s work? What revisions bring that initial version to the final form in the 1726 Principia? What, exactly, does this proposition assert? In particular, what does Newton mean by the motion of a body “urged by a centripetal force”? Does it assert a true mathematical claim? If not, what revision makes it true? Does the demonstration of Proposition II persuade? Is it as convincing, for example, as the most convincing arguments of the Principia? If not, what revisions would make the demonstration more persuasive? What is the importance of Proposition II, to the physics of Book III and the mathematics of Book I? (shrink)

The question about life is inevitable. Our life is essentially what we are, what emerges within us at every moment. Our daily existence constantly leads us to think that our life is our circumstances, all the events that happen around us all the time. There is a dissonance and a sense of internal strangeness when we try to explain life rationally, mechanistically. But then, if life cannot be known by dissecting it, analyzing it, how can it be known? This question (...) is doubly important because knowing how to know life will allow us at the same time to know what life is. Many thinkers throughout history have faced the dilemma of how to know and define a living being. Many of them encountered the futility and evanescence of dissecting a living being and being left empty-handed, feeling that what they were looking for had already vanished, had already disappeared. Life is a path. In this article, we will investigate what this means and what consequences it has for the knowledge of life. (shrink)

There has been little previous scholarship regarding the aims, options and impact of ethics education on residential care‐givers. This manuscript details findings from a pragmatic cluster trial evaluating the impact of three different approaches to ethics education. The focus of the article is on one of the interventions, an immersive simulation experience. The simulation experience required residential care‐givers to assume the profile of elderly care‐recipients for a 24‐hr period. The care‐givers were student nurses. The project was reviewed favourably by a (...) university ethics committee, and participants provided informed consent. Data from six postsimulation experience focus groups were analysed thematically and three themes were identified: the experience of vulnerability, dignity in care and the organisation of care. Findings suggest that the immersive simulation experience had a powerful immediate impact as participants described epiphanous insights relating to their care experiences. It is suggested that reflecting on and recording epiphanous events has the potential to sustain ethical care practices. Further research is required to evaluate the impact of different ethics education interventions in different cultural contexts. Exploration is also required regarding the meaning and significance of care epiphanies, those “most delicate and evanescent of moments,” for the sustainability of ethical care. (shrink)

This book examines Whitehead’s process aesthetics focusing on two categories, the penumbral beauty of darkness and the tragic beauty of perishability, while establishing parallels with the Japanese sense of evanescent beauty. It clarifies how both traditions develop a religio-aesthetic vision of tragic beauty and its reconciliation in the supreme ecstasy of peace.

Abstract:This article conducts a close textual analysis of "A Painting of a Rice Cake (Gabyō)," a key fascicle in the Shōbōgenzō that reveals the significance of artistic creation as a metaphor for realizational practice. By analyzing the multiple meanings of "gabyō," it is shown that artistic creation can clarify the nonduality of practice and enlightenment in Dōgen's thought, inasmuch as enlightenment is a constant practice as if making an evanescent and cocreative painting of enlightenment with the entire world as Buddha-nature. (...) For Dōgen, enlightenment involves a deeply personal attunement to and a concrete actualization of the dharma that is not reducible to the purely theoretical understanding of Buddhist texts, and the metaphor of "painting rice cakes" demonstrates the importance of expressive activities in manifesting one's understanding of the dharma. (shrink)

Is it possible to have a materialist definition of the subject which nonetheless separates the latter from any given type of object? In this article I start from the criticism – which both Alain Badiou and Gilles Deleuze provide – of the identification of the subject with a given type of substance, provided with specific modes of correlation with other objects. Namely, I try to show how for both authors the identification of the subject with a res – be it (...) the res cogitans, the human animal, or even the conditions of the possibility of experience of the latter –, pins down the subject to a specific place and function, and in this way ultimately provides a representation of the subject as a specimen of a given category of objects. More precisely, the identification of the subject with a specific class of objects is exposed by Deleuze as the very structure that tends to reduce the transformative capacity of the latter into the limits of a finite form; in a similar way, Badiou exposes this identification as one of the fundamental features of reactionary ideology. The article also shows how it is in this sense that one needs to read Deleuze’s refusal of the subsumption of the subjective process under the sole name ‘subject’, especially when the latter is identified with the cognitive structures of the human animal. Aiming nonetheless at maintaining a materialist definition of the subject, both authors stress the idea that the subject is an always singular process in which a new figure is created via a process of disidentification from a specific class of objects. This article then follows in particular three formal characteristics that Deleuze and Badiou find for the subjective process: first, that a subject appears as (or under condition of) a fracture or an inconsistency in the mode of organization of a class of objects; second, that a subject tends to turn such an evanescent fracture into a new body; and finally that a subject exposes such moments of disidentification and of production of novelty as being infinitely repeatable and universally valid. Starting from this, the article concludes by identifying a set of internal limits and contradictions in Badiou’s and Deleuze’s positions (namely a re-naturalization and re-anthropologization of the category of the subject) and by highlighting a series of developments in contemporary philosophy that allow the further elaboration of further the idea of the subject as an always singular (and yet universally repetable) practice of disidentification from a specific class of objects. (shrink)

In this essay I explore the encounter between religion and music via ideas taken from Olivier Messiaen. I first present his categorization of music and the concepts of sound-colour and dazzlement as the 'directional meaning' of music. I then show how Messiaen relates this to the phenomena of natural resonance and afterimages, and based on this, I present-via Goethe and Rudolf Steiner-the notion of an etheric, evanescent or incorporeal matter. This understanding and experience of matter is then brought to bear (...) on music. In this context the notion of a 'religious experience' can be understood as both referring to content and sentiment related to a religious belief, and, in a more general sense of 'religare' (to bind), as a deeper bond with the material-temporal flow of nature. This gives way to a Johannine vision of Messiaen's musical thinking where the creative-sounding Logos or 'word' is both spirit and matter, and where music may represent a potential awakening to this reality. (shrink)

In this paper, based on video recordings of Orientation and Mobility (O&M) lessons for visually-disabled students, I will examine how occasioned maps (Psathas, 1979 ; Garfinkel, 2002 ), drawn in the student’s palm are interactionally traced, felt, and noticed in order to represent the shape of a crossing for all practical purposes. Touching will be examined from the perspective of the live production of "trails" on a specific region of the body, the palm of the hand. We will begin to (...) question how such hand-drawing map episodes occur during O&M courses, stressing how the coparticipants establish a participation framework that facilitates the making of the drawing, hand-map drawings are based on lines that are neither evanescent nor permanent. Their “persistence” is not an intrinsic feature but a systematic multimodal accomplishment. We will show how the drawn lines become depictions of the streets and contribute to producing two contrasting geometrical representations of the layout of a junction. (shrink)

El Impresionismo fue una tendencia que se desarrolló en la cultura europea de fines del siglo XIX. La música no fue ajena a esa expresión cultural, con sus modos tan apropiados para manifestar lo etéreo y evanescente. En este artículo nos detendremos en tres exponentes del impresionismo en la música: Claude Debussy, Eric Satie y Maurice Ravel, y en sus temas tomados de la antigüedad clásica: El Après midi d’un faune de Debussy, las Gimnopédies, Gnossiennes y el Socrate de Satie (...) y el ballet de Ravel sobre la leyenda de Daphnis y Chloe. Se ofrecerá una breve reseña sobre la formación musical de cada uno y una descripción de las obras clave señaladas más arriba. Se destacan aquellas que fueron objeto de una recepción escandalosa y luego se volvieron clásicos del repertorio orquestal o pianístico. Impressionism was a tendency that developed in the late nineteenth century European culture. Music was no stranger to that expression, with its appropriate ways for conveying the ethereal and evanescent. This article deals with the best known musicians of impressionistic tendencies: Claude Debussy, Erik Satie and Maurice Ravel, and their works on the classical antiquity: The Afternoon of a Faun by Debussy, Gimnopaedias, Gnossiennes and Socrate by Satie and Ravel’s Ballet on Daphnis and Chloé legend. It consists on a short review of their musical education, a description of the mentioned works, underlining those that were initially rejected and later became classics of piano and orchestral repertory. (shrink)