[Esotericism. One-day Workshop about the Annale n. 25 of the Storia d'Italia Einaudi]. This section contains the proceedings of the one-day workshop on the book Esoterismo, published as the Annale n. 25 in the collection "History of Italy" by Einaudi. The workshop was organized by ISPF on the October 26, 2011 to promote the discussion on the significance of Western esotericist traditions in Italian history. S. Caianiello’s introduction highlights some major concepts and goals of the recent field of studies about (...) Western Esotericism, and some open problems about its definition. M. Cambi comments on the substantial transformation of esotericist themes in Giordano Bruno’s natural philosophy, whereby the sources of the magician’s power are completely enclosed in the realm of nature, thus rejecting any transcendent foundation. M. Conforti focuses on "the function and opportunities" offered by the Western Esotericism approach "to the genesis and development of early modern science" and comments from this perspective on different contributions in the volume, emphasizing however the importance of largely pre-existing traditions in the history of science and medicine which have long challenged the wiggish separation between science and magic, rational and irrational thought. L. Simonutti provides new material to the general theme, with a historical-philosophical analysis of the esotericist elements in Picart’s iconography of the 18th Century edition of "Cymbalum mundi". F. Sofia discusses the effective role of esotericist traditions in the attempts to establish a "civil religion" in Italy from Risorgimento to Fascism, a history in which, she argues, it is difficult to establish "how much esotericism was an intentional choice or the product of an unavoidable nicodemism". C. Castellano reviews the contributions dedicated to the "political teology" of Italian Risorgimento, dealing in depth with the complex relationship between Freemasonry and Carbonari in Italy – in her view, more of a cultural than of a strictly political connection – and highlights the relevance of the anticurial component in their esotericist inspiration. G.M. Cazzaniga, author and editor of the Annale, beyond reacting to the different stimuli offered by the discussion, provides a brief history of Western Esotericism studies in Europe and of the reasons of their difficult reception in Italy. (shrink)

Renaud Barbaras, La vie lacunaire [Thomas Vercruysse, p. 324] • Wolfram Hogrebe, Der implizite Mensch [Federica Ceranovi, p. 334] • Emmanuel Alloa, Das durchscheinende Bild [Maria Teresa Costa, p. 344] • Alexander R. Galloway, The Interface Effect [Angela Maiello, p. 346] • Francisco José Ramos, La significación del lenguaje poético [Michele Gardini, p. 348] • Alessandro Arbo, Entendre comme. Wittgenstein et l’esthétique musicale [Leonardo V. Distaso, p. 351.

Nella seconda metà del Novecento la conoscenza dell'etica anglosassone in Italia è stata alquanto parziale. Si pensava che il mondo dell'etica di lingua inglese fosse stato dominato nel Novecento dallo scientismo neopositivista o pragmatista che non riusciva a concepire l'etica se non nella forma tecnicizzata dell'analisi del linguaggio o metaetica. In questo modo si è ignorata tutta una ripresa dell'etica normativa, in particolare di Kant e di Aristotele, o la ripresa del diritto naturale che ha tra i suoi principali riferimenti (...) storici il pensiero di Tommaso d'Aquino intorno alla legge. Questo volume presenta un quadro della filosofia pratica anglosassone degli ultimi cinquant'anni. (shrink)

Volumi e saggi Jay Schulkin, Reflections on the Musical Mind. An Evolutionary Perspective , [Michele Gardini, p. 202] • Hans Belting, Faces. Eine Geschichte des Gesichts [Pietro Conte, p. 205] • Aby Warburg, Il primo Rinascimento italiano. Sette conferenze inedite [Alice Barale, p. 207] • Laura Anna Macor , Reading Schiller: Ethics, Aesthetics and Religion [Lorenzo Leonardo Pizzichemi, p. 209] • Bernard Lafargue, Stéphanie Cardoso , Figures de l’art n° 25, Philosophie du design [Claire Azéma, Anne Beyaert Geslin, Stéphanie Cardoso, (...) Cécile Croce, p. 212] • Helmut Leder et al., What Makes an Art Expert? Emotion and Evaluation in Art Appreciation , “Cognition and Emotion”, 2013, 28, pp. 1-11; Enric Munar et al., Aesthetic Appreciation: Event-Related Field and Time-Frequency Analyses , “Frontiers in Human Neurosciences”, 2012, 5, pp. 1-11; Gerald C. Cupchik et al., Viewing Artworks: Contributions of Cognitive Control and Perceptual Facilitation to Aesthetic Experience , “Brain and Cognition”, 2009, 70, pp. 84-91 [Gianluca Consoli, p. 217]. (shrink)

Books Christy Mag Uidhir, Art andObjects [Elisa Caldarola, p. 182] • Julie Jaffee Nagel, Melodies of the Mind. Connections Between Psychoanalisis and Music [Michele Gardini, p. 185] • Dominic McIver Lopes, Beyond Art [Filippo Focosi, p. 187] • Annemarie Gethmann-Siefert, Herta Nagl-Docekal, Erzsébet Ròsza, Elisabeth Weisser-Lohmann, Hegels Ästhetik als Theorie der Moderne [Lorenzo Leonardo Pizzichemi, p. 190] Comments Toward an Integrated Science of Aesthetics. Getting Rid of the Main Misunderstandings in Evolutionary Aesthetics [Mariagrazia Portera, p. 194].