Presentamos una reflexión en torno al llamado giro espacial en la filosofía. En primer lugar, enmarcaremos la problemática general y analizaremos el viejo paradigma de carácter trascendente e idealista. Presentaremos a éste como el Hades. Después caracterizaremos sus tres pilares fundamentales con las tres cabezas de su guardián Cerbero. Contra la identidad, el individualismo y la jerarquía vertical, la nueva concepción del espacio se basa en la diferencia, en la comunidad y en otras semióticas.

This work aims to identify and quantify the biases behind the anomalous behavior of people when they deal with the Three Doors dilemma, which is a really simple but counterintuitive game. Carrying out an artefactual field experiment and proposing eight different treatments to isolate the anomalies, we provide new interesting experimental evidence on the reasons why subjects fail to take the optimal decision. According to the experimental results, we are able to quantify the size and the impact of three main (...) biases that explain the anomalous behavior of participants: Bayesian updating, illusion of control and status quo bias. (shrink)

El presente trabajo se inscribe en la crítica a la modernidad positivista e instrumental en la deriva de un capitalismo globalizador asfixiante. De la mano de Nietzsche, Deleuze, Heidegger y Schürmann, estudiaremos la problemática en torno al arché, con el objetivo de evitar el relativismo donde todo vale y el subjetivismo que puede campar a sus anchas guiñando un ojo de soslayo a sus intereses particulares.

Desde finales de los años 1990, Libia ha experimentado una fase de crecimiento económico muy rápida y se ha convertido, gradualmente, en destino privilegiado de importantes flujos migratorios internacionales procedentes de otros países árabes, de varios países africanos al sur del Sahara e, incluso, de países asiáticos, como Bangladesh, India y China. Contrariando la visión de Libia como un país de tránsito, la realidad es que muchas personas migrantes se quedan en el país. Sin embargo, el espacio libio ha representado (...) en las últimas tres décadas un auténtico laboratorio para las políticas migratorias aplicadas en la relación entre Libia y los países europeos, en primer lugar, Italia. En los 90 y en la primera década del siglo XXI, Libia se caracterizó por dos tendencias opuestas: por un lado, las políticas del régimen de Gadafi encaminadas a abrir el país a la importación de mano de obra barata del África subsahariana y los países árabes; y por otro, las políticas de contención aplicadas por Italia para detener los flujos migratorios irregulares a través del Mediterráneo, que eran relativamente pequeños en comparación con el número total de migrantes en Libia. Este artículo trata de analizar la génesis y el desarrollo de las políticas de contención de la inmigración, centrándose especialmente en las relaciones entre Italia y Libia, analizando sus efectos a mediano plazo y debatiendo cómo estas políticas no solo han ido en detrimento de los derechos de las personas migrantes, sino que también han sido la premisa para su explotación económica y marginación social en Libia e Italia. (shrink)

Tant que l’art fera partie du luxe, c’est-à-dire tant qu’il organisera sa rareté par l’effet de sa spéculation intellectuelle, il vivra une croissance infinie. Pour cela, il ne faut pas qu’il y ait d’inflation, c’est-à-dire qu’il faut respecter un certain numerus clausus d’artistes et d’œuvres. Le Wall Street de nos désirs et nos désillusions, c’est justement l’organisation de cette inflation, c’est – dans la continuité de Beuys – affirmer que chacun d’entre nous est capable d’être un artiste. Nous allons bombarder (...) le réel qui nous est fait de tous les réels qui vivent logés en nous pour en faire Le Wall Street de nos désirs et de nos désillusions, une bourse de nos valeurs inscrites dans une symbolique, jouée à la hausse et à la baisse dans un jeu qui va faire monter votre désir et donc armer une révolution dans le sens des saisons. (shrink)

A partir de la ontología de fuerzas de Nietzsche, en el presente escrito buscaremos convergencias entre dos conceptos clave de dos pensadores fundamentales del siglo XX. Por un lado, el pensamiento en Gilles Deleuze; por otro, la nada en Heidegger. Nuestro objetivo es imbricarlos y enarbolarlos para luchar contra el nihilismo. Por tanto, en primer momento presentaremos la ontología de fuerzas de Nietzsche; después, en torno al sentido de las fuerzas, estudiaremos la voluntad de poder y el nihilismo, reformulando los (...) dos sentidos clásicos nietzscheanos. A continuación, siempre en el marco de la ontología de fuerzas, daremos paso al estudio de la nada en Heidegger y del pensamiento deleuziano. Finalmente, antes de las conclusiones, uniremos pensamiento y nada usando los animales heráldicos de Nietzsche, esto es: la serpiente y el águila, respectivamente. (shrink)

En el presente trabajo se asume la identidad de América Latina desde una categoría andina, a saber, Chakana , como elemento posibilitador de la integración del subcontinente. El estudio se realiza en el marco de la filosofía intercultural, específicamente desde el autor Josef Estermann, quien ha mostrado un profundo interés por la cuestión del diálogo intercultural entre Andes y Occidente . Interrogantes como: ¿responde el concepto y realidad de Chakana a la exigencia identitaria latinoamericana?, ¿cómo debe concebirse?, ¿puede la identidad (...) de Chakana favorecer al proyecto de integración de América Latina? son las principales preocupaciones de la presente labor. El autor termina señalando algunos elementos de reflexión-acción en torno a la exigencia identitaria-integracionista. (shrink)

The study examines the associations of emotion understanding, interpersonal competencies, loneliness and correlated variables. Two conceptual models of relations were tested. In the first model it was hypothesized that interpersonal competencies mediate relations between emotion understanding and loneliness, perceived social support and quality of social networks. In the second model emotion understanding was tested as a moderator of relationships between interpersonal competencies and loneliness, perceived social support and quality of social networks. Study 1 provided only a weak confirmation of the (...) mediatory model, restricted to men. Study 2, employing different measures of emotion understanding and loneliness, confirmed weakly both the mediatory and moderatory models. In both studies a direct negative correlation between emotion understanding and loneliness was not confirmed. (shrink)

Con base en la filosofía de Gilles Deleuze, presentamos un arma conceptual, a la que llamaremos horizontalización-desorientativa, que nos servirá para luchar contra cualquier sistema autoritario. En primer lugar, buscaremos algunos denominadores comunes en la filosofía deleuziana, como son la imbricación teórico-práctica, la minoridad, la radicalidad y la anomalía. Después, explicaremos el arma conceptual de la mano de la inmanencia y la expresividad. A continuación, antes de las conclusiones, propondremos una aplicación sobre el non-finito escultórico y comprobaremos que la crítica (...) llevada a cabo mediante la horizontalización-desorientativa comportará creatividad. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:American Journal of Philology 121.3 (2000) 453-478 [Access article in PDF] Plutarch's Lysander and Sulla: Integrated Characters in Roman Historical Perspective José María Candau Morón The term ritratto paradossale has been used to describe a formula of character portrayal seen in Latin literature of the first centuries B.C. and A.D. whose basic process consists in combining in one character apparently contradictory traits (La Penna 1976). To be precise, the (...) formula produced a type of man who in his moments of action shows energy, diligence, and constancy but exhibits licentious feelings, allows himself to be taken in by indolence, and succumbs to pleasures when his negotia are finished. This model may already have been present in Greek historical literature of the fourth century B.C., as the portrait of Philip II that the historian Theopompus delineates seems to bear this stamp. The public image of Maecenas and the Petronius of Tacitus are two clear examples of ritratto paradossale. The figure of Sulla also falls under this influence; in fact, according to La Penna (1976, 284), Plutarch's biography of Sulla often exhibits these same characteristics.The terms "paradox" and "paradoxical" also occur frequently in works devoted to Plutarch's Life of Lysander. Its paradoxical features are the central point of Pelling's comments (1988a, 268-74) on that biography. Pelling explores aspects of "integration" in the Parallel Lives, a technique of portrayal which he defines as follows: "a man's qualities are brought into some sort of relation with one another, and every trait goes closely with the next." 1 An almost universal literary habit in the [End Page 453] ancient world, integration appears even in a figure as complex and full of contrasts as Plutarch's Lysander. Arrogance and cruelty, incorruptibility and a capacity for adulation, duplicity, ingenuity, ambition, treachery: all the contradictions that coexist in him are seen to be unified through philotimia, a central trait that dominates Lysander's other characteristics and gives his portrayal a unified appearance.But Plutarch's interests in his Life of Lysander do not impel him to explain or reconstruct the traits of its protagonist. It is the contrasts and the paradoxes in Lysander that have drawn the author's attention and lend the biography its particular flavor. Plutarch shows how these diverse character traits work against the individual and end up destroying him. In this way, the biography of Lysander is similar to tragic works in which a character's potentialities unleash forces that ultimately defeat him, and Plutarch explicitly plans on parallelisms with the tragic genre. From this standpoint, Pelling concludes, Lysander offers a moral that is similar to that of tragedy and different from that of other biographies: human nature can produce a figure such as Lysander, and such figures tend to bring about their own destruction through appropriate tragic processes.Stadter (1992) has recently analyzed from start to finish the paradoxical character that Plutarch assigns to Lysander and also to Sulla, the protagonist of the Roman Life presented as his parallel. In Stadter's view the contradictions in each character--that is, the combination of admirable and repulsive traits--form the basis of the portrayal of both subjects. The biographer also contrives to cross the two Lives so as to convey that they form an ensemble. Among other things, we see a type of progression whose upper limit is delineated by the harshest components of the portrayal of Sulla: his destructive nature, bloodthirsty and implacable, his tyrannical and frequently arbitrary conduct, his arrogance and lack of humanity. These traits are only sketched in the parallel Greek Life; yet their presence there evokes sinister dimensions which horrify when they appear, full-blown, in the Roman counterpart. From this interplay of traits and personalities our understanding of the human type treated in the biographies becomes increasingly deep. The final result in the present instance is that we are enabled to recognize the true traits of Lysander's character, and so escape the difficulty that Plutarch alludes to in his prologue through a cryptic... (shrink)

A partir de la filosofía de Gilles Deleuze, en el presente artículo estudiaremos el proceso de sujeción, es decir, cómo cierto Poder reduce el potencial de los seres (humanos y otros), convirtiéndolos en súbditos de su ordenamiento autoritario. Tomando varios conceptos (plano de inmanencia, plano de consistencia, Cuerpo-Sin-Órganos) que atraviesan la ontología política deleuziana, analizaremos este proceso generador de impotencia señalando tres fases: cierre, sumisión y vigilancia. Explicaremos estos tres estadios (estratos) usando unos sencillos gráficos que facilitarán la comprensión y (...) promoverán su aplicación a problemáticas actuales concretas. Finalmente, en las conclusiones, enarbolaremos el concepto animal (antagonista del sujeto) como expresión del CsO. (shrink)

Argues that the Comedia de Calisto y Melibea is a drama grounded in the western humanist tradition.

El libro La opinión pública en la red. Análisis pragmático de la voz de los ciudadanos de Ana Mancera Rueda y Ana Pano Alamán pertenece a la colección “Lengua y sociedad en el mundo hispánico” que publica investigaciones sobre las lenguas ibero-románicas y sobre aquellas con las cuales entran en contacto. Este libro tiene como objeto de estudio las manifestaciones lingüísticas que permiten la configuración de la opinión pública en las redes sociales en el marco teórico que le proveen el (...) Análisis del Discurso y la Pragmática Lingüística. (shrink)

The vision of an art masterpiece is associated with brain arousal by neural processes occurring quite spontaneously in the viewer. This aesthetic experience may even elicit a response in the motor areas of the observers. In the neurorehabilitation of patients with stroke, art observation has been used for reducing psychological disorders, and creative art therapy for enhancing physical functions and cognitive abilities. Here, we developed a virtual reality task which allows patients, by moving their hand on a virtual canvas, to (...) have the illusion of painting some art masterpieces, such as The Creation of Adam of Michelangelo or The birth of Venus of Botticelli. Twenty healthy subjects and four patients with stroke performed this task and a control one in which they simply colored the virtual canvas. Results from User Satisfaction Evaluation Questionnaire and the NASA Task Load Index highlighted an appropriate level of usability. Moreover, despite the motor task was the same for art and control stimuli, the art condition was performed by healthy subjects with shorter trajectories and with a lower perception of physical demand. In experiment 2, only the patients treated with artistic stimuli showed a reduction in the erroneous movements performed orthogonally to the canvas. This finding reminds the so-called Mozart effect that improves the performance of subjects when they listen to classic music. Thus, we called this improvement in the performance when interacting with an artistic stimulus as Michelangelo effect. (shrink)

Automatic behavioral matching includes Rapid Facial Mimicry (RFM) and Yawn Contagion (YC) that occur when the facial expression of an individual acts as a ‘mirror social releaser’ and induces the same facial expression in the observer (within 1 s for RFM, and minutes for YC). Motor replication has been linked to coordination and emotional contagion, a basic form of empathy. We investigated the presence and modulating factors of Rapid Smile Mimicry (RSM) and YC in infants/toddlers from 10 to 36 months (...) at the nursery ‘Melis’ (Turin, Italy). In February-May 2022, we gathered audio and/or video of all occurrences data on affiliative behaviors, smiling during play, and yawning during everyday activities. Both RSM and YC were present, as toddlers were most likely to smile (within 1 s) or yawn (within three-min) after perceiving a smile/yawn from another toddler. Sex, age, and parents’ country of origin did not influence RSM and YC occurrence, probably because gonadal maturation was long to come, the age range was skewed towards the early developmental phase, and toddlers had been in the same social group for months. RSM and YC showed social modulation, thus possibly implying more than just motor resonance. Both phenomena were inversely related to affiliation levels (a social bond proxy). Because literature reports that in adults RSM and YC may increase with familiarity, our reversed result suggests that in certain toddler cohorts the same phenomena may help increase socio-emotional coordination and that the function of motoric resonance may be experience- and context-dependent. (shrink)

Desde el marco del llamado giro espacial, el presente trabajo reflexiona sobre los diferentes espacios en la filosofía de Foucault. Nos centraremos en el estudio del emplazamiento y sus principales consecuencias políticas. Tomaremos diferentes conceptos foucaultianos, como el de utopía-heterotopía y llevaremos su crítica hasta el capitalismo actual. Nuestro principal objetivo es el desvelamiento de todo sistema impositivo de corte autoritario y la construcción de espacios verdaderamente democráticos, siempre en busca de modos de habitar activos.

This book attempts to fairly summarize the thought of over four hundred "greatest" contributors to philosophy in addition to providing thumbnail biographies. As might be excepted, it fails. For example, all of Plato's dialogues, except the Republic, are allowed one sentence; Berkeley comes off as an influential moron. Heidegger is "to philosophy what Gertrude Stein is to literature...." Of Kierkegaard's nineteen lines, six are devoted to his alleged dislike for women, and none to his philosophic contributions of note.—L. C.

Duchamp’s aspiration to become more philosophical in his art mirrors Heidegger’s aspiration to become more poetical in his philosophy. Their shared mistrust of subjectivity led them to question the continued viability of art on the one hand and of philosophy on the other. This article examines Heidegger’s essay in juxtaposition to Duchamp’s work, highlighting Heidegger’s (often underappreciated) playful approach to his weighty task, and, in regard to Duchamp, revealing just how serious art can be when it doesn’t appear to take (...) itself too seriously. (shrink)