Husserl’s analyses of time consciousness have proved to be one of the more intricate challenges of his phenomenology. The article addresses his writings on time consciousness not with the aim of discussing or solving the epstemological problems that arise, but instead is interested in the descriptive procedure with which Husserl approaches them. The concept of ›Darstellung‹ serves as a starting point for this, a concept which Husserl takes up in order to describe the unified constitution of temporal objects ›vis à (...) vis‹ the continuity of their temporal givenness. Thus importing a traditionally poetological-rhetorical vocabulary – in rhetoric ›Darstellung‹ denotes vivid representation in language – into the analysis of temporal consciousness, it points to Husserl’s own descriptive project as potentially working in a similar manner. In Husserl’s writings, a ›Verlaufspoetik‹ (transitory poetics) comes into view, in which the textual flow of the descriptive process seems to match the stream of experience of temporal consciousness. (shrink)