Androgynia jako idea jedności i całości pojawia się w myśli Gastona Bachelarda w kontekście marzenia poetyckiego. To w nim bowiem – o czym dowiadujemy się z Poetyki marzenia - dochodzi do pojednania animy i animusa, żeńskiego i męskiego w jednej psyche. Marzenie będące spod znaku anima francuski filozof nazywa filozofią bytu androgynicznego, która ukazuje nam podwójną idealizację człowieczeństwa. Anima i animus, potwierdzające androgynię psyche, są momentami Ja. Ta dualna natura bytu psychicznego wyraża się poprzez dwa antagonizmy przedstawione za pomocą funkcji (...) realności (adaptacja do rzeczywistości i życia społecznego) i funkcji irrealności (samotność marzenia); myśli nadzorowanej (krytyka, cenzura) i wolnego marzenia (sympatia, przyjęcie, przyłączenie); pracy (wysiłek) i odpoczynku (rozluźnienie); niepokoju (projekt, antycypacja) i spokoju (obecność w sobie) - a zwłaszcza wokół dualności, która krystalizuje się w odróżnieniu umysłu naukowego (l’esprit scientifique) spod znaku animusa (pojęcia, wiedza) od umysłu poetyckiego (l’esprit poetique) spod znaku animy (obrazy, komunia dusz). Androgynia rozumiana jako życie integralne psyche dla Bachelarda jest perspektywiczna i wartościowa a próby jej poszukiwania utożsamia z pytaniem o sens ludzkiej egzystencji. Studia nad marzeniem ukazują jego fundamentalne znaczenie dla równowagi psyche. Tak rozumiana siła obrazów kreuje wówczas sztukę życia. W tym sensie, Bachelard staje się prekursorem nowego spojrzenia w dziedzinie refleksji nad problematyką obrazu – okazuje się, że to obraz odpowiada za relację, która zachodzi między człowiekiem a światem. (shrink)

La diversificación moderna de los saberes sobre el ser humano ha llevado a una visión diversificada de la antropología tomista. Se impone una vuelta revitalizadora a esta antropología que muestre la unidad estructural que para Santo Tomás tienen el alma y el hombre. El trabajo se centrará en las tres tesis que articulan la teoría tomista del espíritu y, en concreto, la exposición que nuestro autor hace en la Summa contra gentiles, obra capital en la producción del Angélico que, sin (...) embargo, ha sido bastante marginada. (shrink)

O objetivo do presente trabalho é apresentar os argumentos de Epicuro contra a crença em uma vida além-túmulo. Epicuro se opôs a essa crença porque ela culminava no medo da morte, mais especificamente no medo de castigos divinos. No intuito de dissipar esse fator de perturbação mental, Epicuro desenvolveu a tese de que a “morte nada é para nós” (οὐδὲν πρὸς ἡμᾶς), pois, uma vez que representa a privação dos sentidos (αἴσθησις), a morte surge como o fim da possibilidade de (...) nos relacionarmos com o mundo. Com esse raciocínio Epicuro pretendia mostrar a impossibilidade de uma cisão entre ‘corpo’ e ‘alma’ (ψυχή – psychē) na qual seria possível (para quem assim acreditava) uma existência da alma sem o corpo. Veremos como os argumentos de Epicuro se desenvolvem mediante três considerações: (a) a crítica de Lactâncio em relação a tese de Epicuro; (b) de que modo ocorre a relação entre corpo e psychē, segundo Epicuro, no intuito de mostrar a impossibilidade de uma separação entre esses dois compostos atômicos; (c) de que modo ocorre a relação entre corpo e psychē, segundo Lucrécio, a partir dos conceitos animus e anima. (shrink)

Since Wolfgang Giegerich published his animus psychology in 1994, the topic of anima and animus has become an offense to analytical psychology. This offense began to show with Hillman's essay in 1974. However, Giegerich elaborated the problematic issues in these two notions with admirable clarity and demonstrated that the terminology of Jungian psychology has not been thought through carefully enough. In this contribution I present Giegerich's critique on the concepts of anima and animus due to Jung . Then I indicate (...) how Giegerich's position can provide new incentives for Jungian psychology. (shrink)

Resumen: Este trabajo tiene como intención expresa acercar el foco de nuestra atención hacia dos elementos que habitan en el pensamiento junguiano: La dimensión espiritual que se deriva de la forma en que Jung concibe su propia labor terapéutica, así como de su comprensión del significado de la vida y del valor que en ella tiene el sufrimiento y la aflicción que le son asociados. La “cura de almas” como algo que, en definitiva, desborda necesariamente el marco de la medicina (...) y la psicología científicas.El complejo entramado de los presupuestos metafísicos y de las filiaciones filosóficas que, de forma sucesiva, va a ir adoptando el discurso junguiano a lo largo de su gestación. Palabras clave: arquetipo- proceso de individuación- sí-mismo- enantiodromía- persona- sombra- animus- anima- imaginación activa- wu-wei- proyección psicológica- pleroma- metanoia- hierogamia.Abstract: This work aims to express approach the focus of our attention to two elements that inhabit the Jungian thought:The spiritual dimension which is derived form that Jung conceives its own therapeutic work, as well as their understanding of the meaning of life and the value that it has suffering and grief that are associated with it. “Cure of souls” as something that, ultimately, necessarily goes beyond the framework of scientific medicine and psychology.The complex network of metaphysicians budgets and the philosophical affiliations which, successively, will go by adopting the Jungian thought along its gestation speech.Key words: archetype, individuation process, self, enantiodromia, persona, shadow, animus, anima, active imagination, wu-wei, psychological projection, pleroma, metanoia, hierogamy. (shrink)

"Corpus Anima" is a collection of previously published essays written for professional Jungian journals about the unity of psyche and soma, spirit and matter, body and soul. There are also two chapters of more personal reflections, previously unpublished, including a series of articles on the mid-Atlantic Azorean Archipelago. The essays on psyche and soma come from the direct experience of their unity. We live, life moves, at the confluence of these polarities of spirit and matter, body and soul, where through (...) the capacity to hold contradiction and paradox we can become whole. Included in this collection is a published essay (Routledge) on the Portuguese poet and writer, Fernando Pessoa (1888-1935). His particular paradoxical expression of the soul and its life in the world is radically inspiring. The lines below are written on his tomb in Lisbon, resting in the same national monument with Vasco de Gama (c. 1460s-1524), world oceanic explorer. Pessoa was an explorer of inner worlds. He is, posthumously, a national treasure. I am nothing. I shall always be nothing. I cannot want to be anything. But I have in me all the dreams of the world. Cedrus Monte, PhD, is a Jungian Analyst, graduate of the C.G. Jung Institute in Switzerland (1995) where she now resides. She is originally from Northern California. Her roots lie there, even her heart; but even deeper roots, soul roots, lie in the Azores and Madeira, both autonomous island regions of Portugal. An uprooted wanderer of many lands, she has grounded herself as much as possible in the one constant earth, the body. (shrink)

This paper begins with a discussion of C.G. Jung’s tautegorical approach to the symbol, and particularly the anima, the unconscious female component of a man’s psyche. The author then examines the anima by considering the criteria given by P. Tillich to evaluate religious symbols. The aim is to show that the consideration of anima in Tillich’s theology is likely to enrich this theologian’s approach to the process of sanctification. The emphasis is on the possibility for a man to develop his (...) link with the “power of being” by allowing his anima to enrich his personality. From a psychological point of view, this implies for the subject an awareness of his social mask, the persona, in order to allow his feminine part to reveal itself. (shrink)

Biology is the most extensive field in the Corpus Aristotelicum. In his fundamental work De anima, Aristotle tries to fix the borders of this life science. The term ψυχή has a twofold explanatory status. On the one hand, ψυχή is understood as a principle of all living beings. On the other hand, it is understood as a cause of the fact that all living beings are alive. The paper is divided into three sections. The first part shows why Aristotle discusses (...) these issues in a work entitled Περὶ ψυχῆς. Since Pythagoras and Heraclitus, ψυχή was understood as a life principle: Pythagoras believed that men, animals and plants share the same nature: they are all ἔμψυχα and they are homogenous qua ψυχή. The second part of this article deals with Aristotle’s definition of the soul in DA II: ψυχή is the principle of all living things. This establishes the external criteria to divide living and non-living beings and the internal criteria to divide living beings. The third part of this paper is concerned with the methodological consequences of this definition: the life functions are the central explanandum in Aristotle’s biology. De anima II defines such various life-functions as nourishment, sense-perception and locomotion. These capacities contour the main fields of the philosopher’s biological investigation. For Aristotle, the faculty of reproduction is a subtype of nourishment. Reproduction is the most important and most natural function of all living beings. Genetics is, therefore, the most important field in Aristotle’s biology. (shrink)

En este trabajo abordamos la concepción del hombre de Tertuliano, pensador africano del siglo II, en el marco de su inserción en la tradición apologista de Justino e Ireneo. Al igual que ellos, el cartaginés adopta una consideración positiva del cuerpo, más específi camente de la carne, como elemento constitutivo en la definición del hombre, pareciendo asumir, en ocasiones, la carga de la especificidad humana. Sin embargo, Tertuliano atiende a la noción de alma como un aspecto central de su esquema (...) antropológico en un escrito que le dedica especialmente. En este sentido, desarrollamos en el artículo los conceptos de corpus, caro y anima a la luz de la tensión respecto de lo que a veces indica una primacía de un aspecto por sobre el otro. A partir del análisis principalmente de la obra De anima y de algunas menciones al Libro II de Adversus Marcionem, concluimos que prevalece en Tertuliano una perspectiva unitaria sobre el hombre. (shrink)

This book is a re-thinking of Aristotle's metaphysical theory of material substances. The view of the author is that the 'substances' are the living things, the organisms: chiefly, the animals. There are three main parts to the book: Part I, a treatment of the concepts of substance and nonsubstance in Aristotle's Categories; Part III, which discusses some important features of biological objects as Aristotelian substances, as analysed in Aristotle's biological treatises and the de Anima; and Part V, which attempts to (...) relate the conception of substance as interpreted so far to that of the Metaphysics itself. The main aim of the study is to recreate in modern imagination a vivid, intuitive understanding of Aristotle's concept of material substance: a certain distinctive concept of what an individual material object is. (shrink)

We offer an interpretation of Biblical Wisdom personified as an anima figure, the unconscious feminine part of a man, drawing on the model of Carl Gustav Jung’s psyche, while critically discussing the sophiology he presents in Answer to Job. This Sophia’s psychological approach can contribute to the debate about her elusiveness and the articulation between transcendent Wisdom and immanent wisdom.

This study offers an analytical reading of two anthropological works of Gregory of Nyssa, De opificio hominis and De anima et resurrectione, in order to investigate the hypothesis of an aesthetic perspective, based on the frequent use of terms like καλόν, κάλλοϛ, etc. This perspective is identified in Gregory’s protology, ethics and eschatology as they develop. The Greek word καλόν is ambiguous between ‘beautiful’ and ‘good’, but is interpreted here, according to context, in an aesthetic sense.

Réunies en collectif de recherche et d'écriture, cinq femmes psychanalystes se penchent sur la question très actuelle de l'affirmation de la femme, portée par la figure inconsciente de l'Animus. Elles revendiquent une remise en cause des théories de CG Jung sur l'Animus, et des points de vue passéistes qui irriguent la littérature traitant de ce sujet à la suite du "maître". Elles témoignent ici en toute liberté de leurs expériences psychiques et de leur relation avec cette âme masculine inconsciente. Plusieurs (...) sujets sont abordés : la femme et sa créativité, le corps de la femme, l'épreuve du manque de père, l'expression de la femme et celle de la mère, la femme et la violence, la femme entre archaïsme et modernité. Un livre dont la forme fait une large part aux illustrations et au graphisme pour offrir un ensemble accessible même aux non-spécialistes. (shrink)

Aristotle’s treatment of tactility is at odds with the hierarchical order of psyche’s faculties. Touching is the commonest and lowest power; it is possessed by all sentient beings; thinking is, on the contrary, the highest faculty that distinguishes human beings. Yet, while Aristotle maintains against some of his predecessors that to think is not to sense, he nevertheless posits a causal link between practical intelligence and tactility and even describes noetic activity as a certain kind of touch. This essay elucidates (...) Aristotle’s analysis of the sense of touch in De anima and argues that tactility provides a paradigm for sensitivity in general and in particular for the reflexivity of sensation whereby the senses disclose not only what they are sensing but also that they are sensing. This feature, it is argued, has epistemological and ontological consequences. The sense of touch testifies to the physical presence of material beings and provides an empirical verification of substance’s essential feature, namely, self-reference. (shrink)

L’articolo presenta un’analisi quasi ‘pedissequa’ ed esclusiva sull’evoluzione del pensiero hegeliano concernente la Verrückheit (pazzia). Lungo l’esame dei testi che cronologicamente si sono susseguiti, si è potuto determinare uno ‘spartiacque’ di tale evoluzione per la presenza o meno dell’antropologia quale scienza filosofico-sistematica della Seele che a partire dalla fine del periodo norimberghese (18016 circa) è posta quale primo momento della filosofia dello spirito. Dal punto di vista del contenuto si è potuto mostrare come un simile tema psicopatologico sia stato (...) delineato sin dai suoi scritti giovanili come parte integrante e ineludibile dell’individualità antropica e in modo sempre più articolato e definito quale momento imprescindibile nello sviluppo della sua stessa razionalità. (shrink)

Este ensayo analiza la concepción de Hegel sobre la locura humana a partir del tratado “Antropología. El alma” (Enciclopedia de Ciencias Filosóficas III, Primera Parte). Primero esbozo el estatuto ontológico del Seele, modelado según el psychē de Aristóteles. A continuación, se muestra que el hyloeidismo de Seele es el fundamento metafísico de la afirmación de Hegel sobre la naturaleza psicosomática de todos los tipos de enajenación, cuyo patrón común identifica en la regresión, desencadenada por acontecimientos históricamente traumáticos, de la mismidad (...) consciente a la mismidad preconsciente y “sintiente”. Luego discuto la clasificación de los tipos de locura en la Enciclopedia §408, su deuda con predecesores y contemporáneos, y sus ecos en las categorizaciones actuales de los “trastornos mentales”. La conclusión subraya que la etiología de la locura de Hegel —contrariamente a la psiquiatría oficial actual— está fuertemente orientada hacia la identificación de catalizadores histórico-sociales, más que individuales o familiares. (shrink)

Il y a dans les Dialogues de Platon une idée scénique de l’âme. Le texte lui-même peut-être lu comme une représentation, comme une mise en scène de la pensée qui se déploie dans l’âme. L’âme, à son tour, contient une population psychique avec de nombreux habitants. Ces habitants de l’âme parlent entre eux, et ce sont ces discours qui font (sont) l’âme, parce que la psyche pour Platon a une nature linguistique, est un tissu de mots et d’images. Dans le (...) Philèbe l’âme est assimilée à un biblion, et les textes de Platon, tout autant que les textes du théâtre, sont des biblia. L’écriture des logoi sokratikoi a pour but la mémoire (mneme) et la conservation (sōtēría) de l’enseignement du maître pendant son absence. Cependant – comme dit le Phédre – le discours du maître doit s’écrire dans l’âme des disciples, et tous les discours – comme dit le Protagoras – se gardent uniquement dans l’âme des hommes. L’âme est un texte qui garde les discours et les images, et dans l’âme, comme sur une scène, on parle avec les autres ou avec soi même. L’idée de l’âme comme une scène est fondée aussi bien sur la définition de la pensée qui – dans le Théétète – est «une discussion que l’âme elle-même poursuit tout du long avec elle-même». (shrink)

La relazione di Francesca Puccini è stata presentata al seminario di Studio "Il problema anima-corpo alla luce dell'etica. Pomponazzi, Vanini, Helvétius". Roma, Villa Mirafiori, 17 marzo 2014.

The article tries to analyze the nexus between sóma and psyché in the context of Aristotle’s philosophy with particular reference to the biology of human and nonhuman animals. By means of a complete survey of some fundamental aristotelian concepts, it promotes a particular conception of the phenomenology’s body.

This study aimed to provide an in-depth description and interpretation of African Roman Catholic Church priests’ experiences integrating African and Western worldviews into their lives and works as Roman Catholic Church priests through the lens of Jungian constructs. Fifteen African priests were purposely selected and interviewed in depth. Additional sources of data were reflexive notes and observation notes. Data were subjected to various iterative cycles of analysis. Most participants (80%) indicated that, in one way or another, they were experiencing conflict (...) in terms of the cultural values of manhood and Roman Catholic Church prescription. Findings suggest that a more concerted and serious effort should be undertaken by the Roman Catholic Church to support and guide its priests on a path of healing, which includes the priests risking cultural openness and being true to themselves and God. (shrink)

Como é que três eminentes Jesuítas comentadores de Aristóteles poderiam ler o método concebido por Inácio de Loyola nos Exercícios Espirituais, denominado “aplicação dos sentidos” externos? A resposta a esta hipotética questão, absolutamente inédita, será dada em três passos. Começando com a doutrina dos sentidos e tocando na passagem da ontologia para a semiótica, atender-‑se-‑á ao aparecimento do mundo – mediante uma segunda passagem, da psicologia para a cosmologia – em que o lugar do ser humano, entendido no espaço de (...) uma antropologia criatural, nos conduz a uma nova perceção das relações entre imaginação e espiritualidade mundana, na aceção de “incarnada”. (shrink)

This book provides a very accessible general introduction to the Jungian concept of ego development and Jung's theory of personality structure--the collective unconscious, anima, animus, shadow, archetypes.

In this article, we introduce the theory of archetype, which explains the connection between ancient myths and the human mind. Based on the assumption that archetypes are in the deepest level of human mind, we propose that archetypal symbolism is a kind of knowledge that supports the cognitive process for creating subjective world-view towards the physical world we live in. According to archetypal symbolism, we conducted an empirical study to identify archetypal symbols in modern movies. A new collection of movie (...) clips was developed to represent eight essential archetypes: anima, animus, mentor, mother, shadow, hero’s departure, hero’s initiation and hero’s return, which can be used in future studies on human emotion. In order to investigate the emotions towards these archetypal symbols, we provide suggestions from the psychological point of view. The present study demonstrates how to identify symbolic meanings in movies, and indicates a new direction for future studies in psychology. (shrink)

The Book of Tobit is replete with various instances of ‘othering’ that hold the potential for alienation and a variety of strong emotions. For example, Tobit ‘others’ Anna by insisting that she had stolen a goat, whereas she had not. Following a Jungian paradigm, this paper reads the various ‘otherings’ inherent in the interrelationships between the characters as reflections of the main character’s relationship with himself. In so doing, it analyses these relationships through Jung’s concepts of Eros/Logos and anima/animus to (...) determine the nature of Tobit’s ‘self-othering’ and its effect on those around him. It is concluded, among others, that Tobit’s multiple ‘self-otherings’ and his ‘othering’ of ‘other’ characters are because of his suppression of his anima-Eros function that has, in turn, given rise to a dominant animus-Logos. (shrink)

Purpose. Without claiming to explain the meaning and purpose of the Cycladic figurines of the canonical type in the context of the culture that created them, the author attempts to investigate the phenomenon of these ancient images and their impact on contemporary humans through the lens of Carl Gustav Jung’s theory of the collective unconscious and the archetypes. Theoretical basis. The primary meanings and purposes of the Cycladic figurines are ambiguous and incomprehensible to us. We cannot understand them in the (...) context of their original culture. But we are able to create our own meanings: unfinished images generate an opportunity to bypass our conscious mind and to contact the unconscious. The Cycladic figurines may resonate with female archetypes in the male and female psyche, as well as symbolize the ontological primacy of creative unity of opposites, the integrity of consciousness and the unconscious. Originality. The author outlined the possible unconscious meanings generated by the Cycladic figurines for human psyche. The Cycladic figurines actualize the archetypes of the collective unconscious, such as the Great Mother, the Anima, and the Self. These ancient images can be used for introspection, art therapy, active imagination, meditation, mindfulness. Conclusions. The results show that the Cycladic figurines have had a huge impact on the artists of the 20 th century and continue to influence our contemporaries due to the emotional response they evoke in the unconscious, which conceals the primordial features of the ancient mind. Laconic ancient images provide a vast space of options for human imagination. In an attempt to interpret them, we are suddenly seized and carried away into unknown depths. Archetypal images are manifested in any form – from sublime and beautiful to terrible, but they create a single space full of numinous awe and beauty. Engaging with the archetypes and revealing their hidden messages, we establish a connection between consciousness and the unconscious, between the personal and collective unconscious to achieve a deep self-awareness and inner growth. (shrink)

I've got a "predecessor", and what a fine one too!" Circumstances of the creation of Nietzsche's "Zarathustra" The name of SSpinoza appears in the notes of F. Nietzsche from the beginning of the eighties. Basing on information contained in K.Fisher's History of Philosophy he hails the sage from den Haag as his predecessor. In the course of next few years the greatest works of Nietzsche are written and his professional, personal and health matters become very complicated. At the end of (...) his life embittered, lonely and deeply misunderstood Nietzsche pens remarks concerning Spinoza's writings once again - this time drastically different in style and the judgement of their worthiness. As both of the philosophers use the term of "power", both reject personalised God and propose the reversion of the hierarchy of the moral values, many researcherswere inspired by Nietzsche's notes to investigate the connections of the two philosophies. However, is the connection real, or is it but an illusion, a delusion of a link caused by the use of similarndevices and terms in different contexts? How did such a radical change in Nietzsche's views come to pass - a change of views not only of Spinoza's philosophy, but of Schopenhauer's and Wagner's musical work as well? The answers to those questions may be sought with use of Jung's theory of archetypes, as an example. In reference to Nietzsche's biography it shows one of the possible interpretations of his approach to the persons mentioned. (shrink)

Il presente studio si pone l’obiettivo di analizzare l’antropologia trinitaria di Edith Stein, caratterizzata dall’interazione tra corpo, anima e spirito. A questo scopo, viene effettuata una lettura estetica di tale antropologia, a partire dalla dimensione sensibile ed espressiva. Ciò è possibile grazie a un’apertura originaria dell’individuo all’alterità, apertura che si verifica attraverso modalità empatiche. La prima parte dell’articolo è dedicata a Il problema dell’empatia, in cui viene esplicitato come avviene la costituzione dell’io tramite l’incontro con l’altro. L’aisthesis del (...) Leib e la sua espressività rinviano così alle componenti animiche e spirituali. Nella seconda parte, ci si volge a Essere finito ed essere eterno, in cui la Stein riprende, in virtù di un percorso teologico-mistico, ciò che ha lasciato in sospeso nell’opera giovanile: un’approfondita trattazione dello spirito e della sua interazione con l’anima. Si delinea così la differenza tra le due componenti: la psiche è legata al corpo in virtù della sua funzione senziente e vivificante, mentre lo spirito è libero, capace di atti creativi e di compenetrazione con l’universale. È proprio il Geist a costituire la componente più elevata e feconda dell’uomo, in grado di superare la finitezza individuale e di comunicare, attraverso le espressioni sensibili, con gli altri spiriti incarnati, la natura e il divino. (shrink)

O artigo pretende apresentar de modo geral a situação do homem contemporâneo, cuja noção se esvazia diante das provocações do animalismo, de um lado, e do pós-humanismo, de outro. Quem é realmente o homem? Um animal como os outros ou uma potencial máquina a ser desenvolvida através do enhancement de suas capacidades? Está-se diante de dois fenômenos preocupantes: uma absolutização do dado biológico no caso do animalismo, fazendo do ser humano somente um momento específico dentro do gênero animal; ou senão (...) o abandono do biológico, transformado pela tecnologia que produz o “além-homem”, em condições diversas de existência, no caso do pós-humanismo. De qualquer modo, nessas novas antropologias (naturalista e tecnicista) perde-se aquilo que torna o homem propriamente humano, ou seja, o que a tradição chama de espírito ou alma (nous, psyché). Sem descer a detalhes, deseja- se indicar as principais teses, bem como os autores de referência, que caracterizam ambas as posições mencionadas. A atenção também se dirige à tentativa de re-dizer o humano como pessoa, partindo dos elementos presentes nas posições em estudo, mas indo além de seus reducionismos. (shrink)

Tracing the unconscious forces at work in the male psyche, the author uses mythology and psychology to show how the development of a feminine "anima" is a vital component in men's emotional maturity.

In lieu of an abstract, here is a brief excerpt of the content:Aristotle’s Phantasia in the Rhetoric:Lexis, Appearance, and the Epideictic Function of DiscourseNed O’GormanIntroductionThe well-known opening line of Aristotle's Rhetoric, where he defines rhetoric as a "counterpart" (antistrophos) to dialectic, has spurred many conversations on Aristotelian rhetoric and motivated the widespread interpretation of Aristotle's theory of civic discourse as heavily rationalistic. This study starts from a statement in the Rhetoric less discussed, yet still important, that suggests that a visual (...) aspect inheres in Aristotle's theory of rhetoric. Near the beginning of book 3, which deals with lexis (style, sometimes subsuming delivery1 ), Aristotle conjoins lexis and phantasia with the copula "is" (eimi): "The subject of expression [lexeôs], however, has some small necessary place in all teaching; for to speak in one way rather than another does make some difference in regard to clarity, though not a great difference; but all these things are forms of outward show [phantasia] and intended to affect the audience" (1404a).2 Whereas scholars exploring the relationship between rhetoric and dialectic have compared and contrasted the Rhetoric and the Topics, I explore rhetoric's relationship with phantasia by reading the Rhetoric alongside De Anima. De Anima is Aristotle's seminal account of the senses and their relationship to psychê (often translated "soul"). It addresses topics intimately connected to rhetoric: perception, cognition, deliberation, visualization, imagination, and the image. Phantasia is integral to each of these psychic processes and to Aristotle's understanding of the function of appearance in human experience. Hence, itis a lens suitable for exploring the relationship between Aristotle's conception of civic discourse and his notions of sight and appearances as they relate to perception, interpretation, deliberation, and judgment. I find in Aristotle's phantasia a tie between his art of rhetoric and his psychology and phenomenology (anachronistic though these terms are). Aristotle's psychological works, as Richard McKeon points out, are foundational to Aristotle's philosophy, and thus to his Rhetoric. [End Page 16] "Psychological inquiries occupy an extremely important position in the philosophy of Aristotle, for the conception of the psychê lays the foundation for the continuity of functions in nature" (1947, 142). De Anima, especially, articulates the psychological and phenomenological conceptions often tacitly at work in the Rhetoric.The importance of phantasia for the trajectory of ancient rhetorical and aesthetic theory is seen in the parallels between the visual arts, rhetoric, and poetics in Greek and Roman thought.3 As David Freedberg states (perhaps, slightly overstates), parallels between painting and poetry are "to be found everywhere in classical literature" (1989, 50). With respect to such visual-verbal parallels in Aristotle, D. Thomas Benediktson's reading of Aristotle's psychological, poetic, and rhetorical works concludes that phantasia ties together the visual and the literary. "[Aristotle's passages on phantasia] do help to see why Aristotle took for granted the similarity, almost the identity, of literature and the visual arts. Both types of art are imagistic; they present to the viewer either an image, as in visual art, or as in literature, a set of moving images that the soul then uses as raw data (phantasia) to enable thought to occur" (2000, 170). Phantasia developed a legacy in Hellenistic aesthetics, where it came to designate suprarealism in painting, moving art "beyond imitation" (Fowler 1989, 180–81). In later Greco-Roman works, phantasia was used to designate vivid imagery in written and oral discourse, imagery that could create sights and scenes in the minds of audience members. As Quintilian noted in his discussion of forensic rhetoric, in Latin phantasiai were termed visiones. Here, phantasiabecame a mode of displacing narrative in rhetorical discourse:There are certain experiences which the Greeks call phantasiai, and the Romans visions [visiones], whereby things absent are presented to our imagination with such extreme vividness that they seem actually to be before our very eyes.... From such impressions arises that enargeia which Cicero calls illumination [illustration] and actuality [evidential], which makes us seem not so much to narrate [dicere] as to exhibit [ostendere] the actual scene.(Institutio Oratoria 4.2.29, 32)Quintilian's invocations of phantasia and enargeia can be traced to Aristotle's discussion of rhetorical style in book... (shrink)

Aristotle's De Anima discusses the psychological causes of what he calls locomotion – i.e, roughly, purpose-driven behavior. One cause is desire. The other is cognition, which falls into two kinds: thought (nous) and imagination (phantasia). Aristotle’s discussion is dense and confusing, but I argue that we can extract from it an account that is coherent, compelling, and that in many ways closely anticipates modern psychological theories, in particular Dual Processing theory. Animals and humans are driven to pursue objects that attract (...) us. Objects take on that power when we cognize them as valuable. If we rely on imagistic, automatic, uncontrolled processing mechanisms – Aristotle’s phantasia, which closely anticipates the modern notion of Type 1 processing – our resulting desires and actions will be impulsive. If we rely instead on rational, critical, deliberative capacities – Aristotle’s thought, which closely anticipates the modern notion of Type 2 processing – our resulting desires and actions will be reflective. Animals are capable only of the first kind of behavior; the human psyche is constituted of an animal psyche united with an intellectual one, so we are capable of both. (shrink)

Con lo sviluppo dell'antropologia moderna, alcuni problemi filosofici si ripropongono in forma inedita. Riflettere sull'uomo non significa più conoscere se stessi, né parlare di Dio o dell'anima, ma confrontarsi con un essere problematicamente proteso tra determinatezza e libertà, tra "natura" e "mondo". Il volume mostra come lo svolgersi di questa vicenda sia assai meno frammentario e discontinuo di quanto talora si presuma. Il problema antropologico è al centro di un vivace ed aspro dibattito che, dal fiorire dell'antropologia all'epoca (...) di Herder e Kant, giunge, attraversando l'intero sviluppo del pensiero ottocentesco e in particolare le opere di Hegel, Marx, Darwin e Nietzsche, fino all'«antropologia filosofica» e alla critica dell’«antropologismo» da parte di Husserl e Heidegger. E’ su questo sfondo tematico che si comprendono molti degli sviluppi novecenteschi e contemporanei. (shrink)

This paper explores the significance of Heraclitus’s fragment B45 for Husserl and Merleau-Ponty as it appears in the Crisis of the European Sciences and Merleau-Ponty’s lectures on this text in the late 1950s. I claim that at stake is a revision or mutation of the sense of transcendentality: by naming it psyche, the transcendental is no longer understood as a static set of a priori conditions but what I call, following Jean-Luc Nancy, “outsidedness.” I elaborate this idea in dialogue with (...) Nancy and Derrida in their texts “De l’âme” and On Touching: Jean-Luc Nancy. By identifying the sense of transcendentality with the psyche of Heraclitus, we see a transcendentality in the process of departing, and hence transcendentality is an event for which we always arrive late.Cet article explore la signification du fragment B45 de Héraclite pour Husserl et Merleau-Ponty telle qu’elle apparaît dans la Crise des Sciences Européennes et dans la lecture de ce texte par Merleau-Ponty à la fin des années 1950. Je postule qu’il en va de la révision ou de la mutation du sens de la « transcendantalité » : en l’appelant psyche, le transcendantal n’est plus compris comme un ensemble statique de conditions a priori mais comme ce que je nomme, suivant Jean-Luc Nancy, un « au-delà ». J’élabore cette idée en dialogue avec les textes de Nancy et de Derrida : « De l’âme » et Le Toucher, Jean-Luc Nancy. En identifiant le sens de la « transcendantalité » avec la psyche de Héraclite, nous remarquons une « transcendantalité » sur le départ, et donc la « transcendantalité » est un événement pour lequel nous arrivons toujours en retard. Questo saggio esplora il significato del frammento di Eraclito B45 per Husserl e Merleau-Ponty, per come appare nella Crisi delle scienze europee e nella lettura merleau-pontiana di questo testo verso la fine degli anni Cinquanta. Ci sembra di poter affermare che in gioco vi sia una rivisitazione, una mutazione, del senso del trascendentale: definendolo come psyche, il trascendentale non è più concepito come una serie statica di condizioni a priori, ma come ciò che, con Jean-Luc Nancy, chiamiamo “esteriorità”. Abbiamo elaborato questa idea in dialogo con Nancy e Derrida e i loro testi rispettivi Dell’anima e Toccare, Jean-Luc Nancy. Identificando il senso della trascendentalità con la psyche di Eraclito, possiamo vedere della trascendentalità nel processo del dipartirsi (partance), e quindi, proprio in questo senso, comprendere la trascendentalità come un evento rispetto al quale siamo sempre in ritardo. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Aristotle on Thought and Feeling by Paula GottliebCorinne GartnerPaula Gottlieb. Aristotle on Thought and Feeling. Cambridge: Cambridge University Press, 2021. Pp. 173. Hardback, $99.99.Paula Gottlieb's recent book is an illuminating, synoptic study of Aristotle's theory of human motivation, according to which his innovative notion of prohairesis (choice)—specifically, the virtuous agent's prohairesis—is the cornerstone. She argues against both Kantian-flavored readings, which prioritize reason's role in motivating ethical action, and (...) Humean-flavored readings, which emphasize the virtuous agent's well-habituated feelings. Gottlieb's account explains how the virtuous agent's prohairesis incorporates his or her feelings, desires, and thoughts, building in the motivational contributions of both the rational and nonrational parts of the psyche. The resulting treatment does justice to Aristotle's prima facie incongruous characterizations of prohairesis: on the one hand, it is the conclusion of deliberation, an explicitly rational process; on the other, it is an expression of character virtue.Although prohairesis is the unifying focus of the book, Gottlieb's project touches on a number of related controversies concerning Aristotle's ethics, including the process of moral habituation, the thorny phenomenon of akrasia, the relationship between contemplation and practically virtuous activity, and how to conceive of the connection between the aesthetic and ethical sides of to kalon (the fine). And it does so in a way that is attuned to ongoing scholarly debates without getting bogged down in them. Similarly, while she primarily concerns herself with the Nicomachean Ethics, Gottlieb helpfully draws upon material from other parts of the corpus—for example, she invokes, with appropriate caveats, Aristotle's discussion of feelings in the Rhetoric as well as De Anima. Lastly, some interesting subsidiary motifs animate the book, perhaps the most novel and provocative of which is the through line that connects her insightful understanding of eleos—which she translates, with helpful qualifications, as "sympathy" rather than "pity" (31)—with learning to be virtuous, as her fresh reading of Aristotle's Neoptolemus case exemplifies (98–102, 134–35). According to Gottlieb's hybridized picture of the good person's motivation, in the rational part of the soul the agent's wish is channeled via deliberation, which itself involves situation-specific information from the feelings, into the agent's prohairesis. In the nonrational part of the soul, the agent experiences a feeling that, strictly speaking, includes (a) a physiological component; (b) an impression of the circumstances, itself partly shaped by the agent's thought; and (c) a specific desire (chapter 2). The virtuous agent's nonrational desire will always correspond to—indeed, it, too, is channeled into—his or her prohairesis (79), the unified desiderative thought or thoughtful desire (NE VI.2, 1139b4–5), from which he or she then acts (chapter 4). The virtuous agent never experiences even mild psychic conflict, having a fully integrated soul whose two parts are in perfect harmony.At some points of Gottlieb's discussion, it seems as if all of these psychic components involved in the production of an action actually constitute the agent's prohairesis, while in other places it seems as though prohairesis is the discrete desiderative product. If one adopts the former conception, it is difficult to make sense of Aristotle's claim that the choice of the akratic agent, who acts on his or her errant nonrational desire, is correct. It turns out that the akratic agent's choice is correct because he or she has rightly judged what he or she should do, but it is distinct in composition from the good person's choice, since it does not [End Page 703] include his or her nonrational desire. One consequence of Gottlieb's view is thus that, as she indicates, the good person's prohairesis is sui generis. Another consequence is that, within the nonrational part of the soul, there may be physiological responses plus accompanying impressions (phantasiai) that, it seems, contain "motivational oomph" (40) but do not get channeled into desires. While her view avoids conflating the virtuous agent and the enkratic agent (who, despite acting correctly, experiences an occurrent nonrational desire to the contrary), there may be cases in which the virtuous... (shrink)

Heidegger's notion of dasein, Understood as the pre-Conceptual togetherness of man and world, Is deepened by going back to the "beginnings" of this togetherness in the imaginal (archaic) psyche, Which archetypal psychology, Founded by james hillman, Envisions--In the wake of the platonic tradition--As part of the "anima mundi". As a result the phenomenological call "back to the things themselves" is redefined in the sense of "back to the images themselves." imagination in its fully creative import is seen as equivalent to (...) heidegger's "groundless ground" (or being) which he ultimately equates with dasein. (edited). (shrink)