The paper develops the claim that in The Sickness unto Death, Kierkegaard conceptualizes a demoralized understanding of sin. Rather than interpreting sin as moral guilt, he proposes a concept of sin that takes the form of alienation. The claim is unfolded in a three-step argumentation: First, we identify crucial hermeneutical issues and stress the role of the pseudonyms within Kierkegaard’s writings. Second, we offer a detailed analysis of the theory of self-consciousness developed by Anti-Climacus. Finally, using the romantic (...) interpretation of Kierkegaard as a foundation, we demonstrate how Anti-Climacus conceptualizes sin as alienation. (shrink)

O propósito do artigo é analisar a possibilidade de o conceito de "homem" presente em "A Doença para a Morte" corresponde a uma definição de "natureza humana". Começa por se analisar brevemente num aspecto da noção de "natureza", segundo Aristóteles, e examina-se em que medida a noção de "natureza" é compatível com a de liberdade, tal como Anti-Climacus a expõe. Conclui-se que, segundo o texto de "A Doença para a Morte", a noção de "natureza humana" tem de receber (...) um novo sentido metafísico, pois deve ser compreendida como um terminus ad quem e não, como nos restantes entes, um terminus a quo.The purpose of the article is to analyse if the concept of "man" in "The Sickness unto Death" corresponds to a definition of "human nature". It starts analysing briefly the notion of "nature" according to Aristotle and tries to determine in what degree is the notion of "nature" compatible with the notion of liberty, as Anti-Climacus explains it. The conclusion is that, according to "The Sickness unto Death", the notion of "human nature" must receive a new metaphysic understanding, since, unlike the other beings, it must be understood as a terminus ad quem and not as a terminus ad quo. (shrink)

In this article I argue that The Sickness unto Death, authored by Kierkegaard under the pseudonym Johannes Anti-Climacus, has resources for an interesting critique of technology in some ways like that of Heidegger’s critiques in “Question Concerning Technology” and Being and Time. I suggest that Anti-Climacus’s account of “despair” resonates with much of what Heidegger says about inauthenticity and the self’s orientation toward death. But I also contend that in maintaining that the self can only be (...) complete by understanding itself as essentially relating and related to God, Anti-Climacus has a critique of the sort of solution that Heidegger would provide. Finally, I trace the origin of this view to fundamental differences in ontology that must be settled outside of the problems posed by technology. (shrink)

What place do imagination and art have in Christian existence? This paper examines this question through the writings of Kierkegaard's pseudonym Anti‐Climacus: The Sickness Unto Death and Practice in Christianity. I focus on the latter work in particular because it best illustrates the importance of imagination in following after (Efterfølgelse) Christ in imitation, which Anti‐Climacus presents as the proper task of faithful Christian existence. After outlining both his critique and his affirmation of the imagination, I then (...) consider what role the notion of ‘Christian art’ might play in his account of the imitation of Christ. Anti‐Climacus gives a severe critique of Christian art, insofar as it disposes the viewer to detached observation and admiration – rather than imitation – of Christ. However, an earlier passage in the same text gives a provocative yet cryptic indication of the sort of art that would not succumb to this danger. Taking a cue from the phenomenology of Jean‐Luc Marion, I draw out this suggestion and argue for the important role that visual art can play in imitating Christ. The final section illustrates this point briefly with three paintings: Matthias Grünewald's Crucifixion, Hans Holbein's The Body of the Dead Christ in the Tomb, and Albrecht Dürer's Self‐Portrait (1500). (shrink)

Name der Zeitschrift: Kierkegaard Studies Yearbook Jahrgang: 23 Heft: 1 Seiten: 105-123.

In Practice in Christianity, Søren Kierkegaard's pseudonym, Anti-Climacus enters into an extended engagement with Matthew 11.6, ‘Blessed is he who takes no offense at me’. In so doing, he comes to an understanding that ‘the possibility of offense’ characterises the ‘crossroad’ at which one either comes to faith in Christ's revelation or rejects it. Such a choice, as he is well aware, cannot be made from a neutral standpoint, and so he is led to propose that it is (...) ‘the thoughts of the heart’ (i.e. a person's disposition) that constitute the pivotal factor in determining whether or not God will reconcile a person into the Christian faith. In this paper, I discuss Anti-Climacus' interpretation of Mt. 11.6 and consider his reasons for interpreting a person's predisposition as being so decisive for faith. (shrink)

Near the end of Practice in Christianity, Kierkegaard’s pseudonym Anti-Climacus denies that progress occurs within history. We are not getting better every day, in every way. According to Anti-Climacus, we are the same as we have always been. This essay sets Anti-Climacus’s denial of progress in its historical context, arguing that he develops a counter-philosophy of history which combats the prevailing Hegelianism of his age. The essay also draws connections between Anti-Climacus’s philosophy (...) of history and the themes of imitation and contemporaneity, showing how a denial of history’s progress enables contemporary humans to interact with the same world Christ faced. (shrink)

In Chapter 2 of the Philosophical Fragments, Søren Kierkegaard’s pseudonym Johannes Climacus poetises about a “king who loved a maiden.” Climacus concludes this venture with a bold claim: what he has just described is “so different from any human poem” that it should not be regarded as a poem at all, but as “the wonder” [Vidunderet] which leads one to exclaim in adoration that “[t]his thought did not arise in my own heart!” In the subsequent chapter of Philosophical (...) Fragments, Climacus proceeds to offer a number of arguments against demonstrations of God’s existence, leading many scholars to conclude that he represents an unequivocally anti-rationalist perspective. Against such interpretations, this paper will seek to highlight how Climacus’ claims track those of the seventeenth century Dutch lens-grinder and rationalist philosopher, Baruch Spinoza. From this, it will be argued that “the wonder” in Climacus’ thought takes the form of an indirect, ethico-existentialist argument for the truth of Christianity’s incarnate God. (shrink)

The article is an attempt to analyze the problem of possibility and necessity in the pseudonymous works of Kierkegaard. The basic assumption adopted in the text is that Kierkegaard’s oeuvre should be read holistically. That is why what is initially analyzed separately are the mutually excluding statements of Climacus from the Philosophical Fragments and Anti-Climacus from The Sickness Unto Death. Subsequently, the article demonstrates the way in which their main theses can be linked, in the process of (...) interpretation, to form a philosophically concise approach to the eponymous problem. (shrink)

Anti?Climacus (Kierkegaard) maintains that the self is, not the human psycho?physical synthesis of polarities, but the synthesis or relation ?related to itself?, which is ?freedom?. The author shows that this type of freedom or selfhood, though attained by free choice, is not itself freedom of choice. He contends that Anti?Climacus? statement about the self is too abstract and elliptical to be understood adequately from The Sickness Unto Death alone but is intelligible in terms of Judge William's (...) doctrine of ?choosing oneself? ('Equilibrium...?, Either/Or, Vol. II), and that Anti?Climacus in all likelihood intended it to be so interpreted. Arguing that for the synthesis to ?relate to itself? and become ?freedom? is identical with its ?choosing itself? through despair and repentance so as to become liberated from aesthetic bondage, the author explains William's and Anti?Climacus? use of ?aesthetic? and draws attention to their pervasive distinction between innocent and culpable aestheticism. (shrink)

Garelick, in this closely-argued presentation, maintains that although Johannes Climacus defines Christianity as irrational, he presents it not as an end in itself but as a means to the higher end, eternal happiness, "a choice which a reasonable man could accept." Climacus thus becomes "anti-Christian" in a twofold manner, by making Christianity reasonable and by making it a means. This book can be considered a welcome addition to Kierkegaard scholarship, even though the arguments for the final conclusion (...) are not quite convincing.—A. E. J. (shrink)

En La enfermedad mortal Anti-Climacus describe enfáticamente la desesperación como la consecuencia de la negación de la posibilidad producida por el deseo humano cuando este insiste en ser sí mismo u otro sin Dios. Esta negación genera una relación no efectiva del individuo consigo mismo y con los otros, dando lugar a la condición del pecado, entendido en su connotación religiosa. Lo anterior conduce al problema de cómo llegar a ser un verdadero cristiano en el marco de una (...) crítica, realizada frecuentemente por el pensador danés, del egoísmo moderno. En el siguiente artículo realizaré un análisis hermenéutico de la desesperación considerando el contexto de la objetividad moderna, en contraposición al concepto del amor planteado por Kierkegaard como un proyecto ético-existencial en Las obras del amor. (shrink)

The Danish word 'incognito' means to appear in disguise, or to act under an unfamiliar, assumed name (or title) in order to avoid identification. As a concept, incognito occurs in several of Kierkegaard’s works, but only becomes a subject of reflection in two: the Concluding Unscientific Postscript to Philosophical Fragments by Johannes Climacus and Practice in Christianity by Anti-Climacus. Both pseudonyms develop the concept from their own perspective and must be understood on their own terms. Johannes (...) class='Hi'>Climacus treats incognito as a category of existence, defining it as a comic contradiction that creates a disguise in order to hide and protect the inwardness of the existing individual. However, Anti-Climacus treats incognito as a category of communication. He defines it as “a sign of contradiction” that creates a disguise in order to activate and disclose the inwardness of a listener or reader. (shrink)

ABSTRACT In this paper I explore the role of imagination in ethical life. I do so by discussing the thought of Kierkegaard and Murdoch, both of whom stress the importance as well as the dangerousness of imagination for ethical life. Both distinguish between proper imagination and mere fantasy in dealing with the tension. Anti-Climacus’s views on imagination emphasize that the proper use of the imagination plays a vital role in realizing the fundamental ethical task of becoming ourselves, whereas (...) fantasy only alienates us from ourselves. Murdoch’s account of imagination stresses that a proper use of the imagination contributes to the realization of a selfless attunement to the world, whereas fantasy only reinforces the (what she describes as) ‘fat, relentless ego’. In the final part of the paper I discuss some existing comparisons between both accounts. I conclude by drawing attention to the fundamental choice that comparing their views on the role of imagination in ethical life confronts us with: should we be existentialists or mystics in ethics? (shrink)

Kierkegaard's pseudonymous authorship has baffled readers, his apparent capriciousness making it difficult to determine his position at a given point and to understand his work as an organic whole. Gregor Malantschuk's study, based on careful reading of Kierkegaard's journals, papers, and texts, cuts through the authorship problem to clarify the philosopher's key ideas, see the comprehensive plan of his work, and make intelligible the dialectical coherence of his thought. Discussing Kierkegaard's dialectical method and his use of it from Either/Or to (...) the final Two Discourses, Professor Malantschuk shows how coherently Kierkegaard set the individual works in place, so that even the conflict between the principal pseudonyms, Climacus and Anti-Climacus, serves to elucidate his major philosophical ideas. Contents: 1. Anthropological Contemplation. II. Kierkegaard's Dialectical Method. III. The Dialectic Employed in the Authorship. Index. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

Manifold expressions of a particular critique appear throughout Søren Kierkegaard’s pseudonymous corpus: for Kierkegaard and his pseudonyms faith is categorically not a first immediacy, and it is certainly not the first immediate, the annulment of which concludes the first movement of Hegelian philosophy. Kierkegaard’s pseudonyms make it clear that he holds the Hegelian dogmaticians responsible for the promulgation of this misconception, but when Kierkegaard’s journals and papers are consulted another transgressor emerges: the renowned anti-idealist F.D.E. Schleiermacher. I address the (...) extent to which this particular indictment is justified; over-against Gerhard Schreiber, I argue that this characterization of Schleiermacher’s view of religion is indeed a de facto critique. I begin by presenting and demonstrating the ubiquity of the phenomenon at the heart of Schleiermacher’s conception of perfect God-consciousness, then proceed to apply criticisms raised by Kierkegaardian pseudonyms Judge William, Vigilius Haufniensis, Johannes Climacus, and Anti-Climacus, supplemented with concerns raised by Kierkegaard himself, in order to demonstrate that these criticisms do indeed apply to and problematize Schleiermacher’s view. (shrink)

El punto de partida de este trabajo es que la idea de autoconservación es constitutiva para la comprensión y el desarrollo histórico de la subjetividad moderna. El análisis kierkegaardiano de la psicología del individuo moderno en La enfermedad mortal retoma y reelabora el tópico de la autoconservación. Anti-Climacus (el pseudónimo kierkegaardiano) sostiene que los seres humanos no están ocupados con el mantenimiento de un yo ya determinado y concluido; sino, más bien, con la constitución misma de ese yo. (...) En su exposición, él considera que la potenciación de la auto-constitución puede conducir a la autodestrucción. Este artículo procura interpretar la desesperación como autodestrucción y ofrecer, desde dicha interpretación, una comprensión consistente de sus dos modalidades principales: no querer ser sí mismo y querer ser sí mismo. Por último, el artículo considera la posibilidad de superación de la desesperación y concluye reflexionando en torno al desarrollo moderno del concepto de autoconservación. (shrink)

Kierkegaard steadily maintains, against Lessing, that Jesus’s contemporaries had no advantage as regards faith merely because they had personal experience of him. It is a view proposed both by Johannes Climacus and Anti-Climacus, as well as over Kierkegaard’s own signature; it is indirectly communicated and then directly communicated, and so the importance of becoming a true contemporary of Jesus can hardly be underestimated in the authorship, including the later journals. When Michel Henry considers this motif in his (...) Phénoménologie matérielle he says that it is one feature of what Kierkegaard calls “’the strange acoustics of the spiritual world’ [l’étrange acoustique du monde spirituel].” These acoustics are not those we learn about in physics: “the laws of being in common are not in fact those belonging to things and the laws of perception,” and this claim gives Henry an opportunity to continue a long standing argument with Husserl. For “here” and “there” in Henry’s account of inter-subjectivity have no relation to the intersubjectivity that is explored in the fifth of the Cartesian Meditations. Indeed, Henry goes on to say, “This spiritual acoustics, which defies the laws of perception, defines our concrete relation to the other”; that is, it gives the “how” of the relation rather than the “what” or “why.”. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kierkegaard on Self, Ethics, and Religion: Purity or Despair by Roe FremstedalVanessa RumbleRoe Fremstedal. Kierkegaard on Self, Ethics, and Religion: Purity or Despair. Cambridge: Cambridge University Press, 2022. Pp. xiv + 280. Hardback, $99.99. Paperback, $32.99.Fremstedal’s impressive synthesis of the anthropological, ethical, and religious dimensions of Kierkegaard’s thought draws on the fruits of his earlier work, Kierkegaard and Kant on Radical Evil and the Highest Good (London: Palgrave (...) Macmillan, 2014). In each of the two volumes, Fremstedal argues for key points of agreement between Kant and Kierkegaard, and he proposes a precise and differentiated account of the way in which the anthropological assumptions of each thinker (a) undergird and shape their respective ethics and (b) pave the way for a religiosity that not only builds on but actively fortifies moral agency. The result, Fremstedal claims, is a rendering of Kierkegaard as by no means averse to the demands of systematic thought. Fremstedal’s Kierkegaard rejects the existence of “epistemic, objective evidence for or against faith” while nonetheless adducing “practical and subjective grounds” (252) for earnest ethical striving and religious faith. In addition to Fremstedal’s analysis of Kierkegaard’s debt to Kant, this book contains a finely drawn analysis of and response to the contemporary scholarship on ethical issues posed by (or to) Kierkegaard’s texts, drawing on the work of Rudd, Davenport, Helms, Stokes, Piety, and others, contributing thereby to the integration of Kierkegaardian ethics in larger discussions of moral psychology.Fremstedal’s stated aim is to provide both (i) the historical context for Kierkegaard’s authorship and (ii) a detailed consideration of Kierkegaard’s potential contribution to contemporary philosophical debates. With regard to (i), Fremstedal’s thirteen chapters offer considerably more than he is able to telegraph in the introduction. Fremstedal’s rough-and-ready appraisal of Kierkegaard’s relation to J. G. Fichte’s Ethics; his expert distillation of [End Page 513] the bearing of the Pantheism Controversy on the account of the “leap” in Postscript (173); and the alacrity with which he charts Kant’s, Jacobi’s, and Kiekegaard’s varying takes on the notion of “reason” (Vernunft/Fornuft) in its relation to “understanding” (Verstand/Forstand) all provide invaluable orientation and grist for further analysis. His discussion of the Pantheism Controversy lends support to his reading of the Postscript’s “leap” as indicating unavoidable discontinuities in “the transition from one normative domain to another” (179) rather than an espousal of fideism.What follows is a summary of Fremstedal’s central chapters on Kierkegaard’s ethics (chapters 2–9), with a particular focus on a key, contentious aspect of the former’s reading. Since the 1981 publication of Alasdair MacIntyre’s After Virtue, Kierkegaard scholars queued up to defend the Danish philosopher against MacIntyre’s claim that Kierkegaard depicts the commitment to moral existence as criterionless. In Davenport and Rudd’s anthology, Kierkegaard after MacIntyre, Peter Mehl’s essay encapsulates the standard response: “Kierkegaard is primarily concerned with providing a philosophical anthropology as a basis for a coherent and reasonable approach to moral praxis,” a concern that is hardly compatible with a conception of morality as pure subjectivism (“Kierkegaard and the Relativist Challenge to Practical Philosophy,” in Kierkegaard after MacIntyre, ed. John J. Davenport and Anthony Rudd [Chicago: Open Court, 2001], 4).Like Mehl, Fremstedal believes Kierkegaard’s philosophical anthropology offers the best defense against MacIntyre’s charge of irrationalism. He grounds his account of Kierkegaard’s anthropology in The Sickness unto Death, citing Anti-Climacus’s depiction of the synthesis of finitude and infinitude as establishing the “fundamental tension between facticity and freedom,... constitutive of our human nature” (20). He parses the supervening relational task placed on the self (Selvet) as twofold: (a) recognition of the conjunction of the given and the chosen in the actual self and, crucially, (b) the evaluation and ranking of the “first order” motivations and inclinations of the actual self with a view to forging a coherent self, namely, the “pure” or “whole-hearted” self that is to evade despair and guide ethical striving. (Fremstedal nods here to work by Davenport and Stokes.) Fremstedal highlights the limitations of the “given” self by reminding... (shrink)

Danish theologian and philosopher Søren Kierkegaard is often overlooked as an author in the Christian spiritual tradition. This paper answers Christopher Barnett's call to investigate themes of Christian spirituality in Kierkegaard's writing. In this paper, I argue that we can construct of vision of sanctification from Kierkegaard's The Sickness unto Death. While Kierkegaard does not directly deal with themes of sanctification in The Sickness unto Death, Kierkegaard's pseudonym Anti-Climacus does demonstrate the ‘spiritless’ life of despair. The ‘spiritless’ life, (...) as Anti-Climacus defines it, is a life that is not truly a ‘self’. Anti-Climacus systematically demonstrates four categories of despair, and all people not living in faith, whether they realise it or not, fit into one of these categories of ‘spiritless’ existence. I argue that by constructing the opposites of Kierkegaard's categories of despair I demonstrate that a ‘spirit-filled’ life exemplifies a vibrant Christian life of sanctification. (shrink)

In the opening of The Sickness unto Death, Anti-Climacus establishes the essential relation to otherness that characterizes the human self. He also defines two different modes of failing to live in accordance with this relation, which are subsequently described as “feminine” and “masculine” despair. Starting from this somewhat surprising gendering of despair, the article compares Kierkegaard’s understanding of self and other to that of psychoanalysis. It is claimed that psychoanalysis offers a fruitful reinterpretation of the meaning of “the (...) Other,” while Anti-Climacus, on the other hand, gives new inspiration to the analysis of the despair of being a sexed being. (shrink)

In this article, I argue that, despite Kierkegaard’s seemingly harsh critique of temperance, it plays a crucial role in his ethics developed under the pseudonym of Anti-Climacus in The Sickness unto Death and Practice in Christianity. Anti-Climacus, following Socrates in the Philebus, thinks of the good life as ”mixed’, in which the different and opposed dimensions of human existence, peras and apeiron, are in due proportion. In Anti-Climacus’s ethics, the process of realizing the ”mixed’ (...) life does not, contra the Socratic conception, involve reason restricting desire but instead, the will grounding imagination in the facticity of human existence. It is through this process of perfection that we are able to imitate Christ, which is how Anti-Climacus ultimately understands the good life. Moreover, I suggest that we could understand this temperance as a virtue. In the conclusion, I show that Kierkegaard’s apparent critique of temperance is actually a critique of mediocrity. (shrink)

In this article I develop a new perspective on Kierkegaard’s ethics of becoming oneself. I understand this important subject from the perspective of moral exemplarity, a viewpoint for which there has not been sufficient attention in Kierkegaard scholarship on the subject of becoming oneself. On the basis of a combined reading of his The sickness unto death and his Practice in Christianity I show that Kierkegaard argues, under the pseudonym Anti-Climacus, that one becomes oneself through the imitation of (...) Christ. I elaborate this Christian ethics of becoming oneself by focusing on the transition from philosophy to theology in Anti-Climacus’ ethics, and, moreover, by making clear, first, how one can become oneself through the imitation of Christ; second, why one should, according to Anti-Climacus, imitate Christ; and third, what exactly should be imitated in the imitation of Christ. In the conclusion of this article I argue that, contra a dominant interpretation among Kierkegaard scholars, human beings can be themselves according to Anti-Climacus. (shrink)

Of the many works he wrote during 1848, his "richest and most fruitful year," Kierkegaard specified Practice in Christianity as "the most perfect and truest thing." In his reflections on such topics as Christ's invitation to the burdened, the imitatio Christi, the possibility of offense, and the exalted Christ, he takes as his theme the requirement of Christian ideality in the context of divine grace. Addressing clergy and laity alike, Kierkegaard asserts the need for institutional and personal admission of the (...) accommodation of Christianity to the culture and to the individual misuse of grace. As a corrective defense, the book is an attempt to find, ideally, a basis for the established order, which would involve the order's ability to acknowledge the Christian requirement, confess its own distance from it, and resort to grace for support in its continued existence. At the same time the book can be read as the beginning of Kierkegaard's attack on Christendom. Because of the high ideality of the contents and in order to prevent the misunderstanding that he himself represented that ideality, Kierkegaard writes under a new pseudonym, Anti-Climacus. (shrink)

Of the many works he wrote during 1848, his "richest and most fruitful year," Kierkegaard specified Practice in Christianity as "the most perfect and truest thing." In his reflections on such topics as Christ's invitation to the burdened, the imitatio Christi, the possibility of offense, and the exalted Christ, he takes as his theme the requirement of Christian ideality in the context of divine grace. Addressing clergy and laity alike, Kierkegaard asserts the need for institutional and personal admission of the (...) accommodation of Christianity to the culture and to the individual misuse of grace. As a corrective defense, the book is an attempt to find, ideally, a basis for the established order, which would involve the order's ability to acknowledge the Christian requirement, confess its own distance from it, and resort to grace for support in its continued existence. At the same time the book can be read as the beginning of Kierkegaard's attack on Christendom. Because of the high ideality of the contents and in order to prevent the misunderstanding that he himself represented that ideality, Kierkegaard writes under a new pseudonym, Anti-Climacus. (shrink)

For over a century, the Danish thinker Søren Kierkegaard has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which (...) consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard's journals and notebooks consists of reflections on a myriad of subjects--philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure--but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially completed but unpublished works. Kierkegaard's Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Volume 6 of this 11-volume series includes four of Kierkegaard's important "NB" journals, covering the months from early May 1849 to the beginning of 1850. At this time Denmark was coming to terms with the 1848 revolution that had replaced absolutism with popular sovereignty, while the war with the German states continued, and the country pondered exactly what replacing the old State Church with the Danish People's Church would mean. In these journals Kierkegaard reflects at length on political and, especially, on ecclesiastical developments. His brooding over the ongoing effects of his fight with the satirical journal Corsair continues, and he also examines and re-examines the broader personal and religious significance of his broken engagement with Regine Olsen. These journals also contain reflections by Kierkegaard on a number of his most important works, including the two works written under his "new" pseudonym Anti-Climacus and his various attempts at autobiographical explanations of his work. And, all the while, the drumbeat of his radical critique of "Christendom" continues and escalates. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. (shrink)

For over a century, the Danish thinker Søren Kierkegaard has been at the center of a number of important discussions, concerning not only philosophy and theology, but also, more recently, fields such as social thought, psychology, and contemporary aesthetics, especially literary theory. Despite his relatively short life, Kierkegaard was an extraordinarily prolific writer, as attested to by the 26-volume Princeton University Press edition of all of his published writings. But Kierkegaard left behind nearly as much unpublished writing, most of which (...) consists of what are called his "journals and notebooks." Kierkegaard has long been recognized as one of history's great journal keepers, but only rather small portions of his journals and notebooks are what we usually understand by the term "diaries." By far the greater part of Kierkegaard's journals and notebooks consists of reflections on a myriad of subjects--philosophical, religious, political, personal. Studying his journals and notebooks takes us into his workshop, where we can see his entire universe of thought. We can witness the genesis of his published works, to be sure--but we can also see whole galaxies of concepts, new insights, and fragments, large and small, of partially completed but unpublished works. Kierkegaard's Journals and Notebooks enables us to see the thinker in dialogue with his times and with himself. Volume 6 of this 11-volume series includes four of Kierkegaard's important "NB" journals, covering the months from early May 1849 to the beginning of 1850. At this time Denmark was coming to terms with the 1848 revolution that had replaced absolutism with popular sovereignty, while the war with the German states continued, and the country pondered exactly what replacing the old State Church with the Danish People's Church would mean. In these journals Kierkegaard reflects at length on political and, especially, on ecclesiastical developments. His brooding over the ongoing effects of his fight with the satirical journal Corsair continues, and he also examines and re-examines the broader personal and religious significance of his broken engagement with Regine Olsen. These journals also contain reflections by Kierkegaard on a number of his most important works, including the two works written under his "new" pseudonym Anti-Climacus and his various attempts at autobiographical explanations of his work. And, all the while, the drumbeat of his radical critique of "Christendom" continues and escalates. Kierkegaard wrote his journals in a two-column format, one for his initial entries and the second for the extensive marginal comments that he added later. This edition of the journals reproduces this format, includes several photographs of original manuscript pages, and contains extensive scholarly commentary on the various entries and on the history of the manuscripts being reproduced. (shrink)

The Abased Christ is the first monograph to be devoted exclusively to Søren Kierkegaard’s Christological masterpiece, Practice in Christianity. Alongside an argument for a new translation of the work’s title, it offers detailed textual commentary on a series of themes in Practice in Christianity, such as the person of Christ, contemporaneity, imitation, and Kierkegaard’s philosophy of history. Anti-Climacus, the pseudonymous author of Practice in Christianity, presents to his readers a uniquely challenging understanding of who Christ is and what (...) it means to follow him. The Christ of Anti-Climacus is not the glorious Christ who abides with the Father in heaven, but the abased Christ who is poor, marginal, offensive, and persecuted. Throughout Practice in Christianity, we are called not only to perceive the abased Christ, but to follow after him. The Abased Christ aims to enrich historical theologians’ appreciation of Kierkegaard’s Christology. However, it concludes by grappling with questions of power, agency, and sacrifice which have been at the forefront of contemporary theology in the 20th and 21st centuries, thereby suggesting how we might make sense of Kierkegaard’s Christology today. (shrink)

"Practice in Christianity is the second volume in what could be called the "collected Works" of "Anti-Climacus," Kierkegaard's new pseudonym. Anti-Climacus's first volume, The Sickness Unto Death, appeared just a year earlier in 1849. The use of a pseudonym is consistent with Kierkegaard's usual practice when presenting an idealized statement of his subject, be it sexual seduction or Christian theology. Anti-Climacus argues the conceptual content of Christianity against the "leading thought of the times" and (...) also against the ethical and social import of the comforts and consolations of bourgeois culture and religion which he called "Christendom." In his own mind at least, Kierkegaards presents Christianity as it must be thought and lived if it is to be authentic. The Sickness unto Death and Practice in Christianity can be and are read quite independently, but jointly they provide the basis of Kierkegaard's devastating critique of a secularized, culturally homogenized, and tame Christianity. The authors of the studies in this present volume, Merold Westphal, Paul R. Sponheim, Murray A. Rae, Niels Jorgen Cappelorn, Sylvia Walsh, David D. Possen, Andrew J. Burgess, Christian Fink Tolstrup, Robert L. Perkins, and Wanda Warren Berry, raise a wide spectrum of issues regarding Practice in Christianity, its theology, its moral and religious psychology, and its cultural, social, and political world" --. (shrink)

Om Søren Kierkegaards værk "Philosophiske smuler". Lise Søelund skriver til Kierkegaard-entusiaster med det formål, at guide læsere igennem værket På omslaget: Filosofi Søren Kierkegaard bruger også pseudonymerne: Anti-Climacus, Constantin Constantinus, Nicolaus Notabene, Johannes Climacus, Johannes de Silentio og Vigilius Haufniensis.

In his discourse The Glory of Being Human, Kierkegaard dons his spiritual therapist hat not only to help us recognize the futility of worldly ways of distraction but also to appreciate other more stable and edifying kinds of diversions which he calls ‘divine distractions,’ for instance, contemplating the lilies of the field and the birds of the air. Although the discourse The Glory of Being Human was published in 1847, two years before The Sickness Unto Death, Kierkegaard introduces in an (...) edifying fashion some of the main themes developed by Anti-Climacus in the later pseudonymous work published in 1849. So as his angst-ridden reader finally settles down to find edifying distraction in reading this discourse, he will soon discover that the cure for his anxiety cannot be found in escaping from the self in worldly aesthetic distractions, but rather by attending to ‘divine distractions’ in a life of worship and work before God. (shrink)

In this paper I defend the view that not only does Fear and Trembling espouse the teleological suspension of the ethical as a radical suspension and even possible violation of otherwise ethical duties, but also that Kierkegaard himself espouses it and carries the belief through his entire authorship. A brief analysis of Religiousness A suggests that Climacus made a dialectical error in Concluding Unscientific Postscript. This error is corrected by Anti-Climacus and Kierkegaard's own journals, and the correction (...) makes possible a full-blooded affirmation of the teleological suspension where Climacus failed. This reaffirmation can explain the shift from Climacus to Anti-Climacus on the topic of hidden inwardness as well as the shift from Climacus to Kierkegaard on the topic of religious suffering. It can also provide a legitimate Kierkegaardian alterative to positing a stage Merold Westphal (and not Kierkegaard) has termed Religiousness C. What we are left with is an uncompromisingly radical religious dialectic that gives every appearance of being exactly what Kierkegaard intended. (shrink)

This chapter contains sections titled: Practice in Christianity Discourses (1850, 1851) The “Attack” further reading.

This paper investigates Johannes Climacus''s infamous satire against Hegelianism in the Concluding Unscientific Postscript. In considering why Climacus aims to show speculative thought as comical rather than simply mistaken, it is argued that Climacus sees the need for the comic as a vital form of ''indirect communication.'' The thinker who approaches ethical and religious questions in an inappropriately ''objective'' manner is in the grip of an illusion which can only be dispelled by his coming to see his (...) own confusion, and satire (as well as other forms of the comic) can be a more effective weapon in dispelling such illusions than can more ''direct'' forms of critical argument. Moreover, it is argued that the ''Hegelian'' is not simply a figure at whom Climacus''s readers are invited to scoff. Rather, we are intended to see ourselves as prone to the same kind of confusions and evasions. Thus Climacus''s ostensibly anti-Hegelian satire is itself a form of indirect communication which, if we do see how it rebounds upon ourselves, serves a vital ethical-religious purpose. (shrink)

This dissertation explores the dialectic of thought and existence implicit in the human person's task of self-constitution as both a knower and a chooser. By way of comparative interpretation and critical analysis of the thought of Soren Kierkegaard and Bernard Lonergan, it argues for the complementarity of cognitional and existential praxis and adumbrates the possibility of an intellectualist existentialism. ;The Kierkegaardian polarization of thought and existence is situated within the context of a polemic against Hegelian holism and its totalizing aspirations. (...) Not only does Hegelian speculation attempt to reduce Christianity to a mere philosophical theory, it also absentmindedly yet oppressively neglects the ethical and religious exigencies of the concretely existing individual. ;In Lonergan's account of the dynamism of conscious intentionality , there is found support for Kierkegaard's critique of speculative aestheticism. There occurs not only a clear differentiation between knowledge and decisiveness, but also an affirmation of the primacy of conscience. In the full expansion of this dynamism, the cognitional is sublated by the existential; immanent exigencies of intelligence are preserved, yet knowing is to be contextualized within a wider horizon of concern for actualizing the good. Hence Lonergan's intellectualism offers the possibility of re-integrating thought and existence; it is an alternative both to anti-intellectual existentialism and to anti-existential rationalism. ;The task of self-appropriation, which is the core of Lonergan's philosophy, is complementary to the Kierkegaardian retrieval of existential subjectivity. Full self-appropriation involves both self-knowledge and self-choice. Yet self-appropriation, unlike Kierkegaardian and later existentialism, also reveals how objectivity is the fruit of authentic subjectivity. Lonergan avoids, as Kierkegaard's pseudonym Johannes Climacus does not, a denigration of objectivity and theoretical knowing. ;On grounds of performative self-contradiction, an objection is raised concerning existentialism's tendency to view objectivity in a merely pejorative manner. Theoretical knowing is more relevant to ethico-religious existence and to the actualization of personalist values than is commonly realized. A normative notion of objectivity is a necessary condition for the possibility of an ethics of historical authenticity. (shrink)

Summary John Stuart Mill's classic tale of disillusionment from a ‘narrow creed’, an overt as much as a covert theme of his Autobiography (London, 1873), has for many years served as a guide to the search for the causes and sources of his ‘enlargement-of-the-utilitarian-creed’ project. As a result, in analyses of Mill's mature views, Samuel Taylor Coleridge—and friends—commonly take centre stage in terms of influence, whereas John's father—James Mill—is reduced either to a supernumerary or a villain in the last act (...) of John's intellectual development. However, students of Mill's works should not take at face value the story presented in Autobiography. Mill's own emphasis on the role of his ‘new influences’ has led scholars to disregard the role of his ‘old influences’ in his attempt to create a broader theory of living—one which takes into account both the intellectual and the emotional capacities of individuals. A close look at key aspects of John Stuart Mill's ‘enlargement project’ suggests that James Mill may have played a more positive role than is usually acknowledged. A way into the intellectual affinity of the two Mills is the person they both kept returning to for guidance and inspiration throughout their lives: Plato. (shrink)

It seems that eudaimonistic reconstructions of John Stuart Mill's conception of happiness have fallen prey to what they thought Mill should have done with regard to the role of pleasure in his notion of happiness. Insisting that utility and eudaimonia make conflicting claims, something which mirrors Mill's ‘conflicting loyalties’, they downgrade pleasure to just one of the ingredients of happiness. However, a closer look at Mill's intellectual development suggests otherwise. By focusing on Mill's radical background, this paper argues that pleasure (...) retains a central role in his conception of happiness – even from a eudaimonistic point of view. (shrink)

The article views the development of the Tartu–Moscow semiotic school from the analysis of texts to the study of spatial entities (semiosphere being most well known of them). It comes to light that ‘culture’ and ‘space’ have been such notions in Tartu–Moscow School to which, for instance, the ‘semiosphere’ does not add much. There are studied possibilities to join Uexküll’s and Lotman’s basic concepts (as certain grounds of Estonian semiotics) with Tartu–Moscow School’s treatment of culture and space through the notion (...) of ‘semiotic subject’. Such an approach allows to see transdisciplinarity, which has come to issue only during the last decade, already in the first conceptions of Tartu–Moscow School where transdisciplinarity revealed itself in the symbiotic use of ‘culture’ and ‘space’. (shrink)