Industrial heritage as a relatively recent phenomenon is the production of mid-20th century. The industrial heritage represents the culture, historical situation, processes, technologies and outstanding achievements of each region. Based on the value of contemporary architecture, It is necessary to protect them. Nowadays, the protection of industrial heritage has become an international challenge. One of the prerequisites of the protection of industrial heritage is recognizing their value and their position. Proper protection of industrial heritage needs (...) to study and deep understanding it in a large- scale and recognition of the value of the heritage for conservation process, in a regional scale. However, these kind of buildings, due to the large-scale, locating in the proper point of the city, flexible plans (due to the modular structure) etc. have a great ability to transform into various functions, specially public and urban services. One of the most important values that can be imagined for industrial heritage, is architectural identity of the region. Therefore, it is necessary to understand the effect of this types of structures through survey survey. The aim of this paper is to evaluate the effectiveness of the industrial heritage on architectural identity in historic cities. The case study was selected by purpose - Dezful & “The MAKINEH of Flour” of Dezful, which now has become the mainstream of bazaar. The variable which is used in order to define local identity, is using this element in address, which the residents giving to someone else to mention the accurate location of specific place, near the “MAKINEH”. The statistical population are selected from among people who lives in eastern sahrabedar mahallah. The results of the paper shows that the industrial heritage has the value of architectural and urban identity in local level. The results indicate significance of comprehensive approach toward reunderstanding and redevelopment of contemporary buildings and industrial heritage sites. (shrink)

This work approaches views on the preservation of industrial housing heritage in Malaga, Spain, and the pressure caused by its recent urban renovation. The aims of the research include geographic space analysis and assessing how archaeological recording and archaeometry, specifically archaeometallurgy, can contribute to the preservation of information about structures and materials that continuously disappear from urban contexts. The results constitute an initial beginning to expand a comparative archaeological database for the city. The ideas and procedures presented here are (...) expected to provide some guidance for generating further research from urban, architectural, archaeological, and geographical perspectives. (shrink)

Bali island’s beautiful nature in Indonesia are the result of volcanic activity under the sea, more than 23 million years ago. The geology of Bali island lies in the Sunda mountains arc, part of the volcanic rings of Pacific ring of fire. This causes the condition of Bali island is often unstable in ancient times, due to the shocks of volcanic eruptions. One of the beautiful areas caused by ancient volcanic activity is the Caldera of Mount Batur. On the northwestern (...) side of the caldera of the ancient Mount Batur, the archaeological traces of statues in sacred venues have been found since the prehistoric Balinese civilization. The holy place built on the hill at the highest peak of this ancient Batur Mountain caldera, often called Pura Penulisan. This holy place is designed in accordance with local wisdom, the concept of punden berundak, a concept of the original architectural space of Indonesia since prehistoric times. The shape of the architectural space design follows the topography of the hills, in form of leveled terrace and equipped with plaza. Archaelogical of Pura Penulisan merges with the caldera of Mount Batur, which was formed due to eruption 5,500 years ago. Therefore, Pura Penulisan architecture and the ancient Batur Mountain caldera, are both a valuable heritage, containing knowledge, and can knit memories. (shrink)

Enhancing national cultural self-confidence involves promoting and strengthening the protection and utilisation of traditional national villages. Studying how to protect and inherit the resources of these villages, as well as utilising existing resources in a sustainable manner, poses a challenging issue. Further research is needed to investigate the influence of regional culture on residential buildings in the mountainous areas of the Yao people in Guangxi, and to explore how traditional architectural elements can preserve their cultural essence using modern artistic (...) language. The project aims to: 1. Examine how regional culture influences Yao ethnic minority houses in Guangxi's mountains; 2. Evaluate existing challenges and implement contemporary design for improvement; 3. Create sustainable and culturally significant Yao mountain dwellings. The research collected qualitative data from six towns using a combination of semi-structured interviews, participant observation, and reviewing internet and print news sources. The residential structures in Yaochi Mountain District, Guangxi exhibit unique regional cultural traits, although they also have deficiencies in several areas. This study find that the beauty of the natural environment remains constant but the architectural vestiges and cultural history show remarkable variance, both of which greatly contribute to sustainable development. This study found that traditional villages in Guangxi share a number of characteristics, including a severe deficiency in clean energy and a poor rate of carbon utilisation, during our investigation of the sustainable development of the spatial dimension of the ecological legacy of these communities. According to a weight analysis performed at the sub-index factor level, the variety of building uses is the most important indicator of the spatial sustainability of traditional villages in Guangxi. The outcomes of this study provided a valuable empirical evidence and practical suggestions for areas and nations involved in the preservation of cultural heritage and the investigation of sustainable rural development. (shrink)

Virtual Heritage is the use of electronic media to recreate or interpret culture and cultural artifacts as they are today or as they might have been in the past. By definition, VH applications employ some kind of three dimensional representation; the means used to display it range from still photos to immersive Virtual Reality. Virtual Heritage is a very active area of research and development in both the academic and the commercial realms.. Most VH applications are intended forsome (...) kind of educational use. While the main activity of virtual heritage is to create ancient artifacts, the real goal is to understand ancient cultures.Most VH applications are architectural reconstructions, centered on a reconstructed building or monument. However, in the same way that archaeologists and historians study the artifacts because they are the primary cultural evidence we have, VH uses architecture as a frame for recreating ancient cultures. The larger goal of VH is to recreate ancient cultures, not as dead simulations, but as living museums where students/users can enter and understand a culture that is different from their own. The closest analog is the real-world living museums, where actors in period dress occupy a life-size historical setting and interact with the visitors. Ultimately, we would like to see the users themselves creating activities in the virtual space as a way of exploring different cultural viewpoints. For example, students who know about the Virtual Egyptian Temple and the supporting material may attempt to recreate activities there. In doing so, they would learn about what is and is not possible in the architectural and cultural space.In this paper we will begin by reviewing the issues and tradeoffs around building the architectural models for VH applications. These models are crucial in themselves and many of the issues involved in designing and creating them also apply to the dynamic and interactive aspects of VR. Then, we will touch on issues of how to bring culture to life in VR, the strengths and limitations for VR technology for VH applications. Finally, we will present the Virtual Egyptian Temple, our current project, as a working example. (shrink)

In this paper, I combine sources from environmental psychology with insights from the everyday aesthetics literature to explore the concept of ‘everyday heritage’, formerly introduced by Saruhan Mosler. Highlighting the potential of heritage in its everyday context shows that symbolic, aesthetic, and broadly conceived affective factors may be as important as architectural, historical, and artistic issues when it comes to conceiving of heritage value. Indeed, there seems to be more to a heritage site than its (...) official inscription on the UNESCO register. A place is included as part of our heritage primarily because it matters to us. People live in, form relationships with, and derive existential and affective meanings from it. Above and beyond its official significance, a heritage site is thus a living dimension that plays a vital role in the everyday life and social practices of people, who transform it into a place of human significance. (shrink)

This article studies the architectural design and cultural significance of Villa Namazee, a modernist building designed by Italian architect Gio Ponti in Tehran. The study explores how the building, once a symbol of modernity and progress, has been neglected, delisted from the national heritage, and fallen into disrepair. Focusing primarily on the case of Villa Namazee in Tehran, Iran, as an example of Ponti’s projects in the Middle Eastern context, the second part of this paper aims to reconsider (...) and re-narrate Gio Ponti’s project in Tehran. In this context, the article sheds light on the nationally and internationally prominent concepts, ideas, collaborations, and design elements of Gio Ponti’s project in Tehran. The paper argues for reevaluating our understanding of heritage and recognizing the importance of preserving modern architectural masterpieces such as Villa Namazee. (shrink)

This study extensively explores the multifaceted realm of Mongolian yurts, deeply ingrained in Mongolia's cultural heritage and emblematic of nomadic life. Through detailed case studies, it investigates the fusion of traditional craftsmanship with modern architectural principles and the application of prefabricated elements for yurt renewal. These yurts, situated in diverse sociocultural contexts, provide a comprehensive cross-section of their architectural heritage, spanning from ancestral to contemporary instances. The methodology involves a harmonious synthesis of indigenous wisdom, sustainable material (...) selection, and precision prefabrication techniques. Initiating with a meticulous analysis of each yurt's structural condition, historical significance, and cultural relevance, skilled artisans and contemporary architects collaboratively integrate prefabricated elements tailored to the unique attributes of each yurt while preserving heritage-specific designs. Qualitative and quantitative data collected through fieldwork, custodian interviews, and structural assessments form the basis for an exhaustive analysis. The analysis covers architectural heritage preservation, the effectiveness of prefabricated elements in enhancing structural integrity while retaining cultural authenticity, as well as the evaluation of environmental sustainability and energy efficiency, shedding light on ecological impact. This research makes a significant contribution to the field of heritage conservation, extending its implications beyond Mongolian yurts. It underscores the dynamic interplay between tradition and innovation, advocating a reconsideration of the perceived past-versus-future dichotomy. The potential of prefabricated elements unveiled in yurt renewal offers a globally relevant path that respects historical significance while embracing modernity. (shrink)

During the rapid process of deindustrialization in Iran, the term ‘industrial heritage’ has recently emerged as a new subject into public realm. In order to integrate the methodologies for the protection and adaptive reuse strategies, the ‘industrial heritage’ itself needs to be divided into various categories. UNESCO has begun inscribing increasing numbers of local industrial legacies such as railway, mines, factories, assembly plants, agricultural production and manufacturing production in its World Heritage List. However, in the process of (...) their adaptive reuse the question of heritage meanings arises. Over the past century in Iran, powerful corporate and governmental actors have created a broad range of oil imaginaries that changed over time and in line with local cultures. Starting from 1920s and after the nationalization of oil industry in Iran, oil cities such as Abadan and Masjid Suleiman saw massive expansion to house labors and oil-industry specialists who had arrived from the United States, Europe, India, and the Persian Gulf states. This research aims to clarify how the oil industry, in close collaboration with national governments, has materially shaped the oil cities through oil-specific architecture like company headquarters, gas stations, retail and infrastructure buildings. The current legacy of oil industry continues to reshape the industry, society and politics as well. This research uses a critical and analytical problem-based approach to examine the current policies that build a new image and identity through adaptive reuse strategies to promote sustainable local development in Iran’s industrial heritage. (shrink)

In modern cities, many old or abandoned buildings occupy valuable land without providing a comparably valuable service. In the past they have often met with the fate of being demolished and replaced, but modern day sentiment, be it foolhardy nostalgia or legitimate concern for architectural heritage, often leads to a building’s refurbishment. As a result, buildings save themselves from the wrecking ball by providing a service that satiates modern day demand.

Trees belong to humanity’s heritage, but they are more than that. Their loss, through catastrophic fires or under business-as-usual, is devastating to many forms of life. Moved by this fact, we begin with an assertion that heritage can have an active role in the design of future places. Written from within the field of architecture, this article focuses on structures that house life. Habitat features of trees and artificial replacement habitats for arboreal wildlife serve as concrete examples. Designs (...) of such habitats need to reflect behaviours, traditions and cultures of birds, bats, and other animals. Our narrative highlights the nonhuman aspect of heritage, seeking to understand how nonhuman stakeholders can act as users and consumers of heritage and not only as its constituents. Our working definition states that more-than-human heritage encompasses tangible and intangible outcomes of historical processes that are of value to human as well as nonhuman stakeholders. From this basis, the article asks how the established notions of heritage can extend to include nonhuman concerns, artefacts, behaviours and cultures. As a possible answer to this question, the hypothesis tested here is that digital information can (1) contribute to the preservation of more-than-human heritage; and (2) illuminate its characteristics for future study and use. This article assesses the potential of three imaging technologies and considers the resulting data within the conceptual framework of more-than-human heritage, illuminating some of its concrete aspects and challenges. (shrink)

Brought to you by: Crop X editors: Jonathan Alexander Perez, Harmony Smith, Corinne Tendorf, David Turturo, and Derek Rahn Williams. Faculty Advisor: David Turturo; Crop X team included: Chaimae Alehyane, Zachary S. Casey, Suzanna Brinez, Jacob Brown, Elizabeth George, Francisco Javier Muniz Ituarte, Brodey Myers. -/- Credits: Huckabee College of Architecture; Graphic Designers: Studio BLDG (Blossom Liu + Danny Gray); English Editor: Luke Studebaker; Spanish Translator: Jessie Forbes; Printer: Die Keure. Cover Photo: Derek Williams. -/- Generously supported by the Graham (...) Foundation for Advanced Studies in the Fine Arts and the Huckabee College of Architecture, Texas Tech University. (shrink)

Virtual heritage has been explained as virtual reality applied to cultural heritage, but this definition only scratches the surface of the fascinating applications, tools and challenges of this fast-changing interdisciplinary field. This book provides an accessible but concise edited coverage of the main topics, tools and issues in virtual heritage. -/- Leading international scholars have provided chapters to explain current issues in accuracy and precision; challenges in adopting advanced animation techniques; shows how archaeological learning can be developed (...) in Minecraft; they propose mixed reality is conceptual rather than just technical; they explore how useful Linked Open Data can be for art history; explain how accessible photogrammetry can be but also ethical and practical issues for applying at scale; provide insight into how to provide interaction in museums involving the wider public; and describe issues in evaluating virtual heritage projects not often addressed even in scholarly papers. -/- The book will be of particular interest to students and scholars in museum studies, digital archaeology, heritage studies, architectural history and modelling, virtual environments. (shrink)

As a spiritual or meditative practice solitude implies more than mere silence or being alone. While these are perhaps indispensablecomponents, it is possible to be alone or to live in silence and nevertheless be unable to reconfigure these into genuine solitude. Solitude is also more than being in some remote or inaccessible place. Even though geographical isolation might be conducive to solitude, with rare exceptions human beings have seldom sought solitude in complete seclusion in the wilderness. The places where human (...) beings have sought solitude have in the end been human places, human-built places. It should come as no surprise then that through architecture humans beings have sought to build solitude, to construct, through stone and glass and wooden structures, placesthat are conducive to and encourage solitude. Such structures include individual hermitages, monasteries, temples, and even cathedrals. In each case the purpose is to translate or reconfigure a natural geographical place into a space, a human space, where solitude as a spiritual or meditative practice becomes possible. What the individual sojourner brings to the experience is an inner openness to the architecture, to the natural environment and to the spiritual realm which interweave to create solitude. This paper examines (1) the spiritual need to experience solitude, (2) what it is that solitude requires, and (3) the endeavor to create solitudethrough architecture and the challenges it poses to both architecture and spiritual practice. In particular the paper explores and compares solitude’s architectural expression in three Medieval Christian monastic orders—the Camaldolese Order, the Carthusian Order, and the Cistercian Order. Despite their common heritage these orders realize solitude, as an essential spiritual value, through unique architectural expressions. (shrink)

This article is a study of the artisanship involved in the construction of Iranian Watermills, and the cultural aspects of a traditional architecture that incorporates an understanding of constructions that date back centuries. Expanding the existing knowledge of these heritage properties and explaining their current condition in order to express the need for the preservation of ancient artisanship as part of a sustainable conservation future are the other prominent concerns of this work. Herein, historical and contemporary documents and travel (...) accounts concerning the traditional buildings of the Iranian water-mills are studied to achieve a better understanding of the buildings background in the region. In addition, depending on the information accessibility and the existence of the constructions` remains, the authors chose some historical sites to be aware of the buildings` current condition and their exact functions based on observational studies. The article discusses that Iranian traditional Water mills represent knowledge of a highly developed technology which makes such ingenious use of natural resources without the consumption of additional power. Among different Iranian Traditional constructions, water-mills are the subject of the main body of this article. (shrink)

Presence of users as the main actors of each adaptive reuse of a given cultural heritage site heavily depends on the quality of their sensual experience there. This, in turn, seems to stem from how much they trust the integrity and provenance of the heritage attributes and activities pending within such historical sites. This paper aims to define the sincerity and authenticity as influential indicators of the users’ trust in adaptive reuse of cultural heritage sites. To reach (...) the goal, the author hereof has analyzed all the industrial heritage sites in Iran which have been adaptively reused (case studies) and has surveyed 125 visitors. The findings confirm that sincerity and authenticity can largely influence the visitors’ trust and sensitize their experience. (shrink)

For the Venice Architecture Biennale 2010, curator Rietveld Landscape has been invited by the Netherlands Architecture Institute (NAI) to make a statement about the potential of landscape architecture to contribute to resolving the complex challenges that our society faces today. These challenges call for innovation; for a culture centred on design skills and cooperation between scientists and creative pioneers. The installation ‘Vacant NL, where architecture meets ideas’ calls upon the Dutch government to make use of the enormous potential of inspiring, (...) unoccupied buildings from the 17th, 18th, 19th, 20th and 21st centuries for innovation within the creative knowledge economy. Images of the installation can be found here: www.rietveldlandscape.nl/en/projects/439. (shrink)

The idea of cultural heritage has become widespread in many countries, justifying government regulation and providing the background to disputes over valuable works of art and architecture. In this book, Derek Gillman uses several well-known cases from Asia, Europe, and the United States to review the competing claims that works of art belong either to a particular people and place, or, from a cosmopolitan perspective, to all of humankind. He looks at the ways in which the idea of (...) class='Hi'>heritage has been constructed. He focuses first on Britain and the writings of Edmund Burke and then on China and its medieval debate about the nature of 'our culture'. Drawing on a range of sources, including the work of Ronald Dworkin, Will Kymlicka, and Joseph Raz, Gillman relates debates about heritage to those in contemporary political philosophy and offers a liberal approach to moral claims and government regulation. (shrink)

This qualitative research study explores the cultural identity and artistic creation of traditional architecture in the Wuyuan area within the context of China's new rural construction. The research focuses on the reinvention of tradition and its impact on Wuyuan's architectural art, highlighting the conflict and change between traditional culture and modernization. By maintaining the traditional look, Wuyuan's architectural art has become representative of China's rural landscape, embodying rich historical and cultural heritage. The study aims to provide insights (...) on ways to inherit cultural identity in a balanced and sustainable manner under the principle of reinvention of tradition. Through an analysis of architectural art in Wuyuan, the research emphasizes the importance of traditional creations in the context of new rural construction, offering value to all involved parties. The findings of the study contribute to a better understanding of the preservation and innovation of traditional architectural styles, providing theoretical references for rural development policies in the context of China's new rural construction. (shrink)

Normal 0 false false false EN-US X-NONE AR-SA st1:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Arial; mso-bidi-theme-font:minor-bidi;} Architectural heritage is considered a fundamental issue in the life of modern societies. In addition to their historical interest, cultural heritage buildings are valuable because they contribute significantly to the economy by providing key attractions at a time when tourism and leisure are major industries. The need for preserving historical constructions is thus not only a cultural requirement, but also an economical and developmental demand. Herein, among different Iranian heritage buildings, pigeon towers, or dovecotes, are of a great importance. Hundreds of dovecotes, dating largely to the Safavid period, dot the fields in the vicinity of Isfahan. On the other hand, valleys formed by creeks in central parts of Anatolia seem to have offered suitable environments for ancient settlements. Cappadocia region and two valleys nearby the town of Gesi accommodate a number of villages surrounded by hundreds of dove cotes in different types. This paper investigates different types of dovecotes in Iran plateau and Central Anatolia, Turkey. The results show there is a fundamental difference between the structures of dovecotes in these two countries. However, ancient dovecotes in Iran and Central Anatolia can be considered good examples of 'architecture without architects' or ' spectacular vernacular architecture'. Master builders who designed and constructed these buildings for such a simple function, created impressive forms without much pretension and bringing forth the tectonic aspects of the art of architecture. Normal 0 false false false EN-US X-NONE AR-SA st1:*{behavior:url(#ieooui) } /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Table Normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:Arial; mso-bidi-theme-font:minor-bidi;} Keywords: Dovecotes, architecture, Iran, Isfahan, Central Anatolia. (shrink)

At first sight, classical architecture, with its continuous revivals and reworking of the forms of Greek and Roman building, would appear to offer a privileged field in which to apply Warburg's central notion of the survival of classical forms and his view of art history's unfolding as a process of remembrance. Yet Warburg himself did not write on architecture. The topic has also largely vanished from the pages of the Journal of the Warburg and Courtauld Institutes, though in the past (...) the journal has been the venue for influential publications on classical architecture. By comparing two Warburg circle publications from 1949 — Fritz Saxl and Rudolf Wittkower's British Art and the Mediterranean World and Wittkower's Architectural Principles in the Age of Humanism — this article shows that architectural history of this kind, developed in the context of the Warburg Institute, is connected not only to Aby Warburg's ideas on Nachleben der Antike and Mnemosyne, but also to the organization and holdings of the Warburg Institute Library. Working in the Warburg Library gives architectural historians the intellectual space to think about architecture in terms of design issues, but moreover as an actor shaping society and culture. This article concludes that Warburg's thought offers important, and thus far hardly explored, starting points for new investigations of the built classical heritage. (shrink)

Context: Luhmann’s theory of autopoietic social systems is increasingly receiving attention in the scholarly dispute about constructivism. Problem: The paper explores the transition from Kant’s “transcendental/empirical” to Luhmann’s “system/environment” distinction to provide a deepened understanding of Luhmann’s constructivist approach. Method: Luhmann’s construction of reality via the system/environment distinction is discussed with respect to preceding concepts provided by philosophical and system/cybernetic scholars such as Kant, Husserl, Piaget, von Glasersfeld, von Foerster, and Maturana & Varela. The innovativeness of Luhmann’s approach is then (...) critically evaluated. Results: Luhmann’s contribution to constructivism is innovative only in the context of his stringent theory architecture of autopoietic meaning-based systems. Implications: The text is a contribution to the positioning of this approach as part of the philosophical and systems/cybernetics constructivist heritage. (shrink)

L’examen minutieux auquel l’Espagne andalouse a été soumise par les voyageurs, artistes et historiens européens, a généré un débat intense sur l’originalité de son héritage monumental. Le sud de l’Espagne péninsulaire, représenté par la mosquée de Cordoue et l’Alhambra de Grenade, est devenu un dépôt de l’art islamique. La stratégie esthétique, selon laquelle le modèle nasride a atteint une telle suprématie, mettait en valeur l’altérité comme espace discursif approprié pour le processus de construction de l’identité nationale et de la domination (...) coloniale. The scrutiny to which Moslem Spain was subjected on the part of European travellers, artists and historians fueled an intense debate over the authenticity of its legacy of monuments. The characterization of the south of the peninsula in the wake of the mosque of Córdoba and the Alhambra of Granada, made these monuments the touchstones of Islamic art. The aesthetic strategy, by which the Nazarite model thus became supreme, took its exotic nature as a standard for evolving the discourse appropriate to the processes of national identity and colonial domination. (shrink)

Cultural heritage conservation has two aspects, tangible and intangible, both of which contribute greatly to the understanding of ancient inheritances. Due to the role of education in the preservation process, and the strength of the new media in the current era, serious games can play a key role in conservancy by transmitting the target culture. There is a gap in the serious game field in relation to Turkey's cultural heritage on the Silk Roads, underlining the motivation of this (...) research. Hence, this study proposes the Anatolian Journey serious game, which is developed in the Twine platform, designed to transmit Turkey's tangible and intangible cultural heritage, providing comprehensive information on the Seljuk caravanserais, located on the Silk Roads. Moreover, the research compares undergraduate and graduate students' gains in knowledge of heritage data while playing a serious game and encountering the same content in text form with an online survey. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Ennius and the Architecture of the Annales by Jackie Elliott, and: The Annals of Quintus Ennius and the Italic Tradition by Jay Fisher, and: Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid by Nora GoldschmidtThomas BiggsJackie Elliott. Ennius and the Architecture of the Annales. Cambridge and New York: Cambridge University Press, 2013. xiv + 590. Hardcover, $110.00.Jay Fisher. The Annals of Quintus Ennius and the Italic Tradition. Baltimore: Johns (...) Hopkins University Press, 2014. x + 206. Hardcover, $69.95.Nora Goldschmidt. Shaggy Crowns: Ennius’ Annales and Virgil’s Aeneid. Oxford Classical Monographs. Oxford: Oxford University Press, 2013. x + 258. Hardcover, $125.00.According to Aulus Gellius, Ennius claimed to have three hearts, each representing a part of his hybrid cultural identity (Gel. 17.71.1: Quintus Ennius tria corda habere sese dicebat, quod loqui Graece et Osce et Latine sciret). Matching his hearts in number, the three books under review delve into the various Greek, Italic, and Latin influences on Ennius’ eighteen-book Annales, exploring the epic’s literary heritage and reception. One might rightly claim that in the wake of these important contributions (1088 pages for 623 fragments), we have firmly entered an aetas Enniana. The elephant in the room for all those interested in the poem is, of course, its highly fragmentary state of preservation. Instead of serving as an insurmountable obstacle, the scholarly process of interpreting fragmentary texts actually emerges as a shared feature of the methodologies on display in these otherwise quite different works. While Fisher and Goldschmidt push the limits of what an incomplete epic can communicate, Elliott more skeptically tackles the nature of transmission and its impact on our knowledge of the text.Ennius’ Oscan heart, representing his Italic heritage, takes center stage in Fisher’s study. Many readers will find most original and striking his arguments for the epic resonance and formulaic quality of “traditional” Latin phrases and their links with languages such as Umbrian and Oscan. Fisher relies throughout on the meaningful co-occurrence of communicative words, “traditional collocation” (3), and the use of language from various “traditional” cultural fields such as ritual, prayer, kinship, and the military (he adopts Lowell Edmunds’ concept of “system reference,” 5). According to Fisher, Ennius’ use of these culturally marked forms of language, shaped during the period of the central Italian koine\ (seventh to fourth centuries b.c.e.), allows his epic to include and enact an elevated tone appropriate to the inherited demands of his genre. While Ennius’ revolutionary turn to the hexameter may initially suggest a decision to abandon all that is old (or perhaps old-fashioned) about “native” literary culture, the pervasive presence of the Italic militates against severing Ennius from the lifeblood pumped through his Oscan heart. In fact, the dialogue between “foreign and familiar” aspects of culture is key to Fisher’s demonstration of how the Italic past emerges as a ghostly mediator and occasional replacement of superficially Greek and Homeric elements (10, 56, 85).With a presumed audience of Latinists, it is somewhat surprising that the introduction, “Ennius and the Italic Tradition,” devotes little time to outlining his rather unique methodology. But Fisher prefers to show rather than tell. On page 5 he jumps right into an analysis of Skutsch Ann. 232 (non semper vostra [End Page 713] evortit nunc Iuppiter hac stat), the language and context of Jupiter Stator in Cicero Cat. 1, and the Oscan Jupiter Versor: he convincingly connects Oscan Iovi Versori with Ennius’ evortit... Iuppiter (8). While the particulars of the argument take a winding course through various temples and texts, it is the act itself of probing seemingly commonplace language to reveal linguistic and cultural significance that highlights the best of what Fisher has to offer.Chapter 2, “The Annals and the Greek Tradition,” traces the Italic features of the epic through what one might call cross-lingual window-allusion. For example, Ann. 1 (Musae quae pedibus magnum pulsatis Olympum) contains a well-known substitution of the Greek Musae for his predecessors’ Camenae, but Fisher draws our attention to the “native Latin tradition” of the Salian priests’ tripudium behind pedibus... pulsatis: “if the collocation pedem pulsare is a traditional expression for... (shrink)

Industrial heritage has become a very matter of debate among experts as the most significant reminder of the industrial era, it also is of great examples of 20th-century heritage. Nowadays, industrial heritage sites are suffering from intense physical conditions and are being intruded by massive economic projects since they are located in favorable places of towns and possess vast spaces. Conservation methods have mostly been limited to the surroundings of industrial heritage sites and have not considered (...) the extended areas connected to the site. The resolutions should be sought throughout these questions: How do outstanding values of an industrial heritage site affect its buffer zone mapping? Or what should a buffer zone map encompass to protect specific values of an industrial heritage site? During this research ample of evidence is seen which firstly depicts the appreciation of industrial heritage and the tendency to conserve them among the host countries. The main result concluded is a guideline based on the similarities and differences between various types of industrial heritage and their impacts on determining boundaries and zones. In case of increasing the number of case studies, the results of this paper can aid in charge organizations to take more effective measure in developing plans to determine boundaries and zones for different types of industrial heritage sites. The data gathered for this paper was collected through library resources about industrial heritage and basically from academic and universal management manuals of buffer zones. The information chiefly is adopted from registration files received by the world heritage committee of UNESCO. The method of this research is case study research and the method for analysis is descriptive-analytical. (shrink)

The use of Artificial Intelligence (AI) in educational gamification marks a significant advancement, transforming traditional learning methods by offering interactive, adaptive, and personalized content. This approach makes historical content more relatable and promotes active learning and exploration. This research presents an innovative approach to heritage education, combining AI and gamification, explicitly targeting the Silk Roads. It represents a significant progression in a series of research, transitioning from basic 2D textual interactions to a 3D environment using photogrammetry, combining historical authenticity (...) and immersive gameplay. It features AI-driven characters developed in Unreal Engine, which provides heritage insights augmented by personalized interactions, highlighting the importance of collaborative tools like interactive quizzes for enriching education and promoting critical thinking and community among learners. In conclusion, this research underlines the transformative impact of AI and gamification in heritage education enhancement, integrating real-time voice conversation and interactive pedagogical methods into immersive 3D environments as a supplementary tool. (shrink)

This article discusses the ways in which “walking” in a place that exhibits institutional heritage (albeit is not set as a separate gallery) discloses individuality within institutional/hegemonic intent. Examining photographs taken in a place that,among other activities, comprises institutional heritage, the article adds to the literature by specifying a new mode of walking in heritage “sites.” Walking is regarded a semiotic resource; hence, the article’s insights relate to: (a) arguments in the institution, (b) definitions of “center,” (c) (...) “attractors” in retailing and museums (as places which present heritage), and (d) the architecture of paths. The final section of the article considers heritage ineducationalinstitutions (the specific environment that the article discusses). It relates to the characteristics of classroom talk and offers recommendations for incorporating them in exhibitions dedicated to the heritage of education institutions, as a means to establish teachers’ professional identity. (shrink)

Efforts to preserve cultural heritage have continuedthroughout history, and currently use game technology. Seriousgames, with their audio-visual features make it possible for players toabsorb and retain the often rather arid data of heritage. Furthermore,such technology facilitates the transmission of heritage globallyamongst remote people, without the need to commute personally.Exploring the literature, we noted a lack of local game culture in Iran,and in the Middle East more broadly. This region is limited in terms ofthe existing global game industry, (...) and the introduction of its culture tothe world depends on the global market. This ascertains the paper'sresearch problem: the need for more local games in the field to promote local historical culture. Hence, the paper aims to preserve anddisseminate the tangible and intangible cultural heritage of its focus area, Iran’s Silk Roads and its caravanserais, by developing and testing a serious game named The Sericum Via. It has a non-linearnarrative, engaging the player in a long journey visiting the Safavidcaravanserais on the Silk Roads, using their detailed information. Thegame's text-based and strategic environment demands decision-making skills throughout the game and is challenging enough to makethe player revisit the game frequently. (shrink)

History reveals how civilisations can be decimated by changes in climate. More recently modern methods of warfare have exposed the vulnerability of the artefacts of civilisation. Bringing together a range of subjects - from science, energy and sustainability to aesthetics theory and civilization theory - this book uniquely deals with climate change and the ensuing catastrophes in relation to cultural factors, urbanism and architecture. It links the evolution of civilisation, with special emphasis on the dynamics of beauty as displayed in (...) architecture and urbanism, to climate change. It then considers both the historic and predicted impacts of climate change and the threat it poses to the continued viability of human civilisation when survival is the top priority. This book gives students, researchers and professionals in architecture and sustainable design as well as anyone interested in the threat of global warming to civilisation, new insights as to what could be lost if action is not taken at a global level. (shrink)

In the 1920s, London was a city on the cusp of change. Just as dance halls and jazz-age decadence displaced wartime austerity, a new generation of artists and designers sought to enliven the city's architecture, erecting dazzling buildings in the emerging art deco style. In contrast with the aging Victorian structures that dotted the city, these bright and colorful buildings--from the Hoover factory to the Ideal House by Raymond Hood, who later designed New York's Rockefeller Center--communicated the city's aspirations as (...) a thriving, modern metropolis. In the decades since, London's art deco buildings have lost none of their appeal. Millions of visitors gaze up at the headquarters of the Daily Telegraph and the nearby Daily Express, take in the elegance of Eltham Palace, or sip a martini at the Savoy. The city's most popular art deco attraction, however, is the London Underground, which boasts a series of art deco and modernist stations, designed throughout the 1920s and '30s by noted architect Charles Holden. In Modernism London Style, architectural historian Christoph Rauhut, with the help of three hundred photographs by Niels Lehmann, captures the architectural art deco heritage of London in a thrilling photographic tour. A portrait of the city during the interwar years, it chronicles the creativity of the artists and designers of the period--and the currents in the city's culture that helped shape their work. Insightful essays and an introduction by architecture scholar Adam Caruso shed light on some of the key features that characterize art deco, from floral and animal motifs to Egyptian themes. For readers planning a trip to London and hoping to place these striking buildings, the book also includes a detailed register and maps. (shrink)

The complex interaction between colonizer and colonized has attracted increasing attention among historians in the post-colonial period of the last fifty years. This perspective is also adopted by Maria Georgopoulou (hereafter: M. G.) in her treatment of the encounter between Venice and the Byzantine heritage of the territories the latter occupied shortly after the Fourth Crusade. M. G's. main thesis may be summarized as follows. Venice manipulated Crete's Byzantine heritage and assimilated it into her own rhetoric in order (...) to undermine the Byzantine presence in the island and to support and legitimize her own colonial rule. This was achieved mainly by the appropriation of Byzantine traditions in civic and religious ceremonies and the symbolic colonization of urban space, expressed in architectural designs, the use of buildings and spatial patterns. All these served as bold statements of control over the local Greek population and the Jewish communities. The same strategy of urban planning was implemented in the other main cities of the colonial empire (26). In addition, M. G. argues that there was yet another channel of appropriation of Byzantine culture, art and imperial heritage by Venice, resulting from the Byzantine impact of the Venetian colonial territories on the political and cultural identity of the Adriatic city. Until now this issue has been examined in numerous studies primarily focused on the relationship between Constantinople and Venice. (shrink)

Through analysing different case studies in the Middle East, this section uses rooted cosmopolitanism as a theoretical lens to explore exported modernism and architecture between socialist and capitalist countries during the Cold War. This research analyses the circulation and local applications of urban development and modernisation paradigms in so-called ‘Third World’ countries. For assessing the socialist and capitalist-inspired modernisation processes in the Middle East, this chapter studies the cosmopolitan and trans-cultural architecture created by global and local influences. Comparing two types (...) of cosmopolitan architecture (socialist and capitalist) during the Cold War period in third-world contexts will help us to analyse and compare their relative rootedness and to learn from the interconnected, multifaceted, and multilayered planning transfers and architectural exportations. (shrink)

In this study I investigate several questions related to adaptive restoration, i.e. when a functioning piece of architecture operates with a different purpose to its original one, as well as the role of aesthetics in re-purposing, and the importance of the special forms of experience such a conversion provides. The questions connected to these architectural projects are not only theoretically inspiring, leading to diverse and broad fields of research in architecture, art and aesthetics, but are also crucial on a (...) practical level, and hence require caution and precise consideration, given the impact the final results of such projects may have, as well as in terms of the effect and efficiency of the new space. Creative and adaptive re-purpose, modification or complete change of function can have wonderful potential, as well as, obviously, presenting serious hazards to avoid. What is equally important, however, is that this will also contribute to a strengthening of awareness of architecture and its aesthetic qualities, hence further promoting the idea of safeguarding and care of edifices and of tangible heritage. (shrink)

In the southern regions of China, the Mulao ethnic group is regarded as one of the most ancient ethnic communities. This group possesses a long-standing history and a rich cultural heritage, making it a crucial component in the study of regional ethnic histories. It holds a significant place in the historical evolution of China's ethnic diversity. The traditional residential architecture of the Mulao people, along with its decorative elements, forms a vital part of the cultural heritage of the (...) Mulao community. These structures serve not merely as places of residence but also as venues for cultural transmission and practice, reflecting the profound historical and cultural depth of the Mulao people. As carriers of history, these buildings document the culture, art, and spiritual qualities of the ethnic group, playing an indispensable role in the preservation and development of Mulao culture. This paper conducts an in-depth study of the historical evolution of traditional Mulao residential architectural decoration, aiming to explore its traditional features and modern innovations while, the dissertation examines the various challenges currently faced by conservation efforts. The study extensively compares the traditional features and modern innovations of Mulao residential architectural decoration, showcasing unique styles in form, color, and patterns. Through case analysis, successful preservation practices are identified, providing valuable experiences.This provides invaluable experience and profound insights for future cultural preservation efforts.This research contributes to a better understanding and respect for Mulao cultural heritage, offering substantial support for the continued preservation and evolution of Mulao traditional architectural decoration. (shrink)

As our contemporary international order seems to come apart at its seams in the trenches of Eastern Europe, many observers have sought solace in the promises made by the historical crucible in which this order was forged. It was, after all, in the aftermath of a previous global conflagration that a planetary constellation of statespeople attempted to create an architecture that would save ‘succeeding generations from the scourge of war’ under the aegis of the ‘United Nations Organization’ (uno). In hindsight, (...) it is easy to look at the years that led to the creation of this international institution—and the proclamation of the Universal Declaration of Human Rights (udhr) of 1948, one of its central pillars—as a decisive ‘Grotian moment,’ insofar as it promised a new age for international ordering. And yet, the historical record shows that those contemporary to the making of the uno and the udhr were less certain about the ‘Grotianness’ of the moment they were living. In this sense, I argue that the plural legacies of the years 1941–1948 have been contested and disputed from the outset. In this contribution I think with, and perhaps against, the notion of ‘Grotian moments’ to interrogate how a narrative of the udhr as a watershed period for secularized individual rights came to eclipse another account of the udhr, which highlighted the centrality of collective welfare for the post-war settlement. (shrink)

The major part of India’s architectural heritage is to be found in its towns. This paper will, after an historical survey, look at the various agencies that over the last two decades have been concerned with urban heritage, to examine their agenda, and the pressures they face. ‘Heritage cities’ is a term which appears not only in documents of the Archaeological Survey of India and of the Indian National Trust but also, more recently, in statements made (...) by the Ministry of Urban Development, the Government of Delhi in the context of the Commonwealth Games, and the Ministry of Tourism. The paper will discuss ‘preservation’ of facades/interiors of individual buildings, or of precincts, the use/reuse of historic areas/buildings, and the references to history, through commemoration, naming/renaming, erasing. It argues that conservation should be part of a holistic and humane town-planning policy. (shrink)

Mimesis can refer to imitation, emulation, representation, or reenactment - and it is a concept that links together many aspects of ancient Greek Culture. The Western Greek bell-krater on the cover, for example, is painted with a scene from a phlyax play with performers imitating mythical characters drawn from poetry, which also represent collective cultural beliefs and practices. One figure is shown playing a flute, the music from which might imitate nature, or represent deeper truths of the cosmos based upon (...) Pythagorean views (which were widespread in Western Greece at the time). The idea that mimesis should be restricted to ideals was made famous by Plato (whose connections to Pythagoreanism and Siracusa are well-known), and famously challenged by his student Aristotle (not to mention by the mimetic character of Plato’s own poetry). This volume gathers essays not only on the philosophical debate about mimesis, but also on its use in architecture, drama, poetry, history, music, ritual, and visual art. The emphasis is on examples from Hellenic cities in Southern Italy and Sicily, but the insights apply far beyond – even to modern times. Contributors include: Thomas Noble Howe, Francisco J. Gonzalez, Gene Fendt, Guilherme Domingues da Motta, Jeremy DeLong, Carolina Araújo, Marie-Élise Zovko, Lidia Palumbo, Sean Driscoll, Konstantinos Gkaleas, Anna Motta, Jure Zovko, Alexander H. Zistakis, Christos C. Evangeliou, Dorota Tymura, Iris Sulimani, Elliott Domagola, Jonah Radding, Giulia Corrente, Laura Tisi, Ewa Osek, Argyri G. Karanasiou, Rocío Manuela Cuadra Rubio, Jorge Tomás García, Aura Piccioni, and José Miguel Puebla Morón. (shrink)

The pandemic brought new norms and techniques of pedagogical strategies in formal education. The synchronous/ asynchronous video streaming brought an emphasis on virtual and augmented realities, which are rapidly replacing textbooks as the main medium for learning and teaching. This transformation requires more extensive online and interactive content with simpler user interfaces. The aim of this study is to report on the design, implementation, and testing of a game based on low-cost and user-friendly content for digital cultural heritage. In (...) this project, a game aimed at inclusive and equitable education was developed using 360° images of the targeted architectural heritage geographically distributed in a pilot site. We promote lifelong learning opportunities for all, following the SDG4, aiming for quality education with the easy-to-use online platform and easy access to immersive education through mobile platforms. Towards a post-carbon future without the need for travel, computational design methods such as using 360° videos and images in combination with virtual reality (VR) headsets allow a low-cost approach to remotely experiencing cultural heritage. We propose developing and testing a GIS-based educational game using a low-cost 360° virtual tour of architectural heritage, more specifically, caravanserais of Anatolia. (shrink)

Architectural research forms the basis of design in seeking a solution that considers the site’s sociopolitical and spatial-cultural factors and the built environment surrounding it. In addressing industrial heritage, industrial revolutions, energy transitions, and technological innovation uniquely shape the city. The transformation and new discourse between similar heritage and different sites allow for a combination of ideas with transnational and interdisciplinary depth, bolstering individual designs through a developed perspective on industrial architecture. This studio addresses the socio-political and (...) spatial-cultural challenges of post-industrial cities. This article uses a critical, comparative, and analytical problem-based design research approach to examine collaborative pedagogical practices that can build a new image and identity through adaptive reuse strategies in the post-industrial urbanscape. (shrink)

This chapter delves into the museological side of ‘the way forward’ to conservation for planetary health bioethics. Specifically, it highlights the crucial role that museums play – their curatorial or exhibition interventions, conservation operations, development policies, or practices – which present or represent the vital relationship between human and planetary health. While it is not new to stress the significance of museums’ link to the environment and environmental education, it is necessary to re-examine recent cases in light of the rapid (...) changes brought about by climate change and the constant call for sustainability. We thus offer a review of some recent literature that appraises the museum’s role in bioethically considering the health of our living planet. Learning this role taps into relatively new themes such as ecomuseums and architectural heritage, or critical eco-museology. (shrink)

Adaptive reuse embodies a significant transition in the evolution of urban landscapes, representing a paradigm shift from industrial or obsolete uses to vibrant, sustainable, and community-centric functions. This transformative process, deeply rooted in the principles of sustainable urban development, emphasizes the conservation of architectural heritage, environmental sustainability, and socio-economic revitalization. At the heart of adaptive reuse is the concept of sustainability, which challenges traditional notions of development and conservation by repurposing existing structures, thereby conserving resources, and reducing the (...) carbon footprint associated with new constructions. These initiatives align with broader sustainability goals, such as those outlined in the 2030 United Nations’ Sustainable Development Goals (UN SDGs), particularly those related to sustainable cities and communities, responsible consumption and production, and climate action. (shrink)

The pandemic has brought new norms and techniques in education, emphasizing virtual and augmented realities. Through this study, an educational game was designed to provide inclusive and equitable learning using 360° images of cultural heritage. The game aims to promote quality education with easy access through mobile devices, using a low-cost 360° virtual tour of architectural heritage, specifically caravanserais of Anatolia, for a remote cultural experience.

This research evaluates the improvements that the use of Active Teaching and Learning Methodologies entails regarding the acquisition of professional skills of future graduates of the Masters dealing with intervention in Architectural Heritage, including product and resource improvements. The objectives address students’ training, oriented toward professional activity, determining the effectiveness of innovation. The real problems were exposed to be faced at a professional level and were solved through different parts, which were developed in different phases. The results obtained (...) allowed us to conclude that teaching and performing practical tasks related to professional competencies are verified as an advance in the subject. (shrink)

Our culture of appreciation of old buildings today is a product of the heritage culture of the eighteenth-century Central European upper class. While we find it pleasant and historically informative to have buildings well preserved, we find the absence of critical questioning of the practice surprisingly absent, although we observe an increasing number of academic discussions in the field of heritage studies, informed by decolonisation, climate change activism, and sustainability issues. Critical artistic practices have too been venturing into (...) heritage and memory politics. The extensive costs of preserving old architecture raise eyebrows mainly only in the far- and alt-right circles, but as late reactions by parts of the global community, such as the attacks on statues as part of the Black Lives Matter movement, signal, there might be a change coming regarding our relationship to the built material past. We offer a reading of the history of the phenomenon, which will make it easier to, first, see it as an ethnic and class construct, and then sketch out a new perspective on its metaphysics, from memory to identity, to discourse. We include voices external to the world of heritage­­ – one that is still run by a privileged group that often claims to speak for others, and whose aims and practices are often, at least for now, accepted by others. We then proceed to discuss what kind of a role a curatorial approach could have in questioning and rethinking the idea of preserving. (shrink)

After the public announcement of the invention of the camera in 1839, photography spread swiftly round the world, and by the early 1850s the medium had become well-established in the Indian subcontinent. In a land characterised by the variety and splendour of its architecture and landscapes, and the diversity of its peoples and customs, India offered the photographic artist an unsurpassed range of subject matter. In addition to the artistic achievements of international masters of photography like Dr John Murray and (...) Samuel Bourne, official encouragement of the medium as a documentary tool came from the East India Company. By the mid-1850s a remarkable visual 'archive' had been created, which charted the architectural heritage and ethnic composition of the subcontinent. This book, which accompanied a major exhibition of 19th century images from India, traces the development of photography from 1850 to 1900, when the ascendency of the large format camera and print began to crumble in the face of the simplified amateur camera. Drawn from the collections of the British Library, and Howard and Jane Ricketts, the book is illustrated with some of the finest photographs produced in India during the latter half of the nineteenth century, many never previously reproduced. (shrink)

Institutions are committed to a constant work aimed at classifying cultural heritages, in order to preserve selected objects from decay or disappearing. In this domain of policy, a significant role is played by architecture and by the preservation of the architectural heritage of cities. How is it possible, however, to determine the value in the field of architectural heritages? What are the criteria for evaluation and the degree of objectivity these classifications are based upon? Is architectural (...) worth immanent to objects or does it reside outside them? These are fundamental questions for the science of preservation and the legislation on cultural heritages. By closely examining a controversial case occurred in the European Union, e.g. England, the paper tackles analytically some of these issues, and it exploits also concepts borrowed from social ontology and ontology of art. (shrink)

The rethinking of the events of the Soviet past largely concerns the sphere of church-state relations. The significant losses of cultural and architectural heritage during the Soviet period make it expedient to study the mechanisms of liquidation of church buildings in the second half of the 1960s. The purpose and objectives of the article. To determine the principles of state policy in the field of religion and methods of its implementation by party-state structures concerning the church network of (...) the Russian Orthodox Church in the Ukrainian SSR. The research methodology. The research methodology is based on a set of philosophical, general scientific, and historical methods and principles. To solve the specific tasks of the study, the principles of objectivity, historicism, systematicity, and comprehensiveness were also used. Research results. The period of the second half of the 1960s was marked by the liberalization of official views on the religious sphere, the abandonment of repressive methods of fighting religion and the Church, the beginning of the latent destruction of sacred buildings, and the dominance of the Soviet state’s nihilistic attitude toward cultural heritage. The Russian Orthodox Church remained entirely subordinate to the Soviet state, which disregarded its legitimate rights and interests. Discussion. The repressions of the “Thaw“ period and the failure of building a communist society led to a loss of public confidence in the possibility of a just welfare state. It became clear that by practicing persecution, restricting the rights of priests, and banning them from studying in theological schools, the Soviet government was undermining its authority. Therefore, in the 1970s, ideologues of the CPSU Central Committee proposed a new model of churchstate relations — the adaptation to communism. There were no fundamental changes in party policy, as it was based on the Marxist doctrine of religion as the opium of the people. The anti-church orientation of state policy remained, only its forms and methods were transformed. The period of massive closure of Orthodox churches was replaced by a new long-term period, called the period of “streamlining the religious network”. Conclusions. One of the directions of the state’s policy towards religion in the mid-1960s was the targeted liquidation of religious buildings of the Russian Orthodox Church. The main reasons for it were the ideological and political priorities of the state leadership. The closure and destruction of religious buildings were systematic actions of the party-state structures in the process of implementing their policy in the field of religion in the Ukrainian SSR. (shrink)

This article is an attempt to introducing ancient fridges as sustainable method to store ice in hot-arid Climates. Architectural heritages are considered as fundamental issue in the life of contemporaryworld.Hence, researches around this category despite of historical interest attractscientific scopesto providesustainable society through tourism industry and green architecture. In this paper among different Iranian heritage buildings, ancient fridges, or Pachal (in Persian), has been analyzed. Because of great importance of water and especially cold water in hot-arid climates, Hundreds (...) of Pachals have built in central plateau of Iran. The interpretive technique has been applied to assessment ancient fridges. In addition, observation as a part of the authors` field work, and Historical documentsconcerning the traditional buildings built techniques and the architectural heritage of the Iraniantraditional fridges, are another part of this research. This article is atry to indicate that vernacular architecture of “Pachals” are very responsible monuments to fit the hard-life situation of hot-arid climates in ancient world. (shrink)