In lieu of an abstract, here is a brief excerpt of the content:Wilhelm Griesinger: Psychiatry between Philosophy and PraxisKatherine Arens (bio)AbstractThis essay discusses Wilhelm Griesinger’s seminal work on mental illness, Mental Pathology and Therapeutics (1867, trans. 1882), in the context of transcendental idealism, as an outgrowth of the work of Kant, Herbart, and Hegel. Griesinger drew on an adaptation of Hegel’s dialectical model of history and science to offer both a new way to interpret mental illness as a product of (...) an individual’s long-term interactions with both nature and culture and a new norm for therapeutic practice based on the patient’s role in his community and history.Mental Pathology and Therapeutics rests on Griesinger’s adaptation of the Hegelian dialectic to the context of pragmatic science, first by adopting its model of the mind, then by describing the etiology of mental disease and a taxonomy of its forms. Griesinger’s work thus stands in a largely unacknowledged tradition alive as late as Sigmund Freud and Jacques Lacan.KeywordsGriesinger, history of psychiatry/psychology, idealism, Hegel, dialecticIn the nineteenth century, Wilhelm Griesinger (1817–68) emerged as a leader in a range of fields: modern-day psychiatric clinical practice, neuropathology, and diagnostics of mental diseases. 1 Griesinger was a theoretician, a clinician, a textbook author, and the founding editor of major professional organs in his field during the political and social ferment in the German-speaking world that allowed new, more socially responsible institutional practices to be considered by intellectual communities. As a consequence of 1849 German civil reforms, theory and practice became mutually enlightening, actually allowing Griesinger to implement his theories into concrete institutional reforms in the German mental health system.Wilhelm Griesinger’s education and career were in many ways typical for his generation. He enrolled at the University of Tübingen in 1834 as a medical student; there, he became politically active (as a member of a forbidden fraternity), and, like many of his contemporaries, became familiar with Hegelian philosophy. After holding several private positions, he was appointed an associate professor (ausserordentlicher Professor) for pathology, “materia medica” and history of medicine at Tübingen in 1847. In 1848, he was called to Kiel; in 1850, to Egypt. Tübingen reappointed him as a full professor for clinical medicine and head of the university clinic in 1854. By 1860, he had moved to Zurich in a professorship for the medical clinic, where, starting in 1863, he was a key person in the planning of a new clinic for mental diseases—the Burghölzli, where Jung later worked. By 1865, he went to Berlin, as director of the Charité (mental institution), among other positions, and he wrote extensively about reform in asylum practice until his premature death in 1868.To a degree, the eminence of this career is contradicted today by his reputation. Contemporary wisdom describes Griesinger as a synthesizer [End Page 147] rather than an innovator, a man who mixed medical psychology with psychology and psychiatric practice, allowing neurology to take a major role in the treatment of mental disease. 2 In one version, Griesinger simply pulled the clinic and the laboratory together, and so bridged Romanticism (i.e., speculative natural philosophy) and materialism (i.e., empirical science) while failing to effect crucial modern reforms. 3 In other descriptions, Griesinger is identified as an activist (Doerner 1981), a key player in the debates between the Hegelian left and right about the reformulation of public institutions (cf. Verwey 1985), 4 or a typical (but effective) member of the intellectual elite of his age. 5 None of these options explains the attractive or threatening aspects of his clinical practice, or suggests why a psychiatrist of his rank could have been so thoroughly refuted after his death. 6The discussion which follows will try to remedy this lack by setting Griesinger’s approach to mental illness in the context of a transformation of a model from philosophy into medical practice. Griesinger’s scientific context strongly combined philosophical theorizing and empirical practice, a synthesis that later generations tended to denigrate as a “speculative” approach to a branch of medicine that required a more empirical foundation. Drawing on an adaptation of Hegel’s dialectical model of history and... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:DEAD MAN WALKING: ON THE CINEMATIC TREATMENT OF LICENSED PUBLIC KILLING Edmund Arens University ofLucerne I regret that so many people do not understand, but I know that they have not watched the state imitate the violence they so abhor. (Sister Helen Prejean) ~T\eadMan Walking, thehighlyacclaimed second film directed by Tim -Z-^Robbins, seems appropriate for discussion in the symposium's context oíFilm andModernity: Violence, Sacrifice andReligion. This film on the (...) one hand thematizes different forms ofviolence and victimization; on the other hand it presents divergent forms ofreligion. And it does so in a way which not only demonstrates the interplay of violence and religion but also opens up the chance of transcending various kinds of sacrificial structures inhabiting that interplay. We can approach DeadMan Walking in five steps. After some general remarks about this film as a work of art, I will briefly review the story line. In the part called Themes and Topics, I will outline some of the predominant topics addressed in this movie. The fourth step is devoted to the interrelation of Violence, Victimization and Redemption. Finally, the religious or theological question comes into view under the heading of Proximity and Testimony, an aspect which at the same time has a definite link to law and the legal system. I. DeadMan Walking as a Work of Art According to Susan Sontag, film "currently is the most vivid, the most stimulating, and the most important of all genres of art" (Sontag 13). But Edmund Arens15 whether a particular film really can be considered as a work of art depends on a number of presuppositions, a few of which I shall mention here. Without going too deeply into the debate on the nature and purpose of aesthetic production, there are at least some requirements which point to a work ofart. Roughly speaking, it is defined by putting matter and form into a certain relation, by creating or producing a certain structure, by adopting a certain style and by organizing the material by means ofgenres (all ofwhich relates to the classical notion of poesis). Secondly, a work of art deals with perception in a double way: while it implies a certain perception ofreality, it also invites the audience to participate in this perception and thus to deepen, alter, or correct the perception that they experienced (something which relates to aisthesis). Thirdly, art aims at having certain emotional effects on the public that are either purifying or edifying (something which since Aristotle has been discussed as katharsis). Ifthese three dimensions (cf. Jauss; Siller) are always involved in works ofart, we can ask how in DeadMan Walking the interplay ofpoesis, aisthesis, and katharsis is at work. Under certain conditions a film is a creative work ofart. In this case, the motion picture, whether documentary or fictitious, includes an aesthetic creation of an imagined reality. It does not simply mirror reality but always reconstructs or reshapes it. In fictional film narrative, everyday reality is disrupted and rearranged by means of a variety of formal and material techniques. The treatment of reality necessarily involves the question of representation. What Paul Ricoeur considered as decisive for narrative fiction, applies to narrative fiction films as well: they make use of "calculated dissonance" which disrupts everyday reality and thereby points to a "redescription ofreality" (Ricoeur 1975; 1976; 1986). We shall see later on how this process, attributed especially to certain metaphors, works in the case ofDeadMan Walking. Besides the topic ofrepresentation, any kind of art raises the question of perception. Art implies a certain perception and at the same time it offers or invites—in the case of visual art—the audience to perceive reality in a different or deeper manner. In amovie the audience, whether by a manipulative "aesthetics of overwhelming"1 or by an aesthetics of disclosing, is moved emotionally and imaginatively, the aim being to direct their attention to the secret ofthe things shown and thus to direct or redirect their view ofreality. From the point of view of a pragmatic theory of action (cf. Arens 1994; 1997b) which additionally takes up Ricoeur's most important insights, I would 'The term has been coined by Heiner Müller; quoted from Kirsner... (shrink)

Ce livre est le fruit d'un travail mené par Jacques Arènes depuis plusieurs années sur les conditions psychiques du fait religieux dans le monde contemporain. La démarche de l'ouvrage réfute l'approche fonctionnaliste du fait religieux - étudié dans le contexte chrétien -, et cherche à mettre en tension mutuelle les discours laïcs, "scientifiques", concernant l'intériorité et ceux, plus anciens, issus du christianisme. L'auteur soutient l'hypothèse que la "laïcisation" du psychisme, induite par les nouvelles théories de l'intériorité, s'est traduite en un (...) travail psychique inédit, sur le plan individuel autant que collectif. L'intuition fondamentale de l'ouvrage est que la religion est aujourd'hui en relation forte avec le processus de subjectivation : dans un cadre historique où les institutions productrices de sens sont devenues incertaines, le sujet contemporain "utilise" ainsi la religion comme lieu de construction personnelle. L'ouvrage aborde les configurations, hautement individuelles, de la spiritualité d'aujourd'hui, et analyse la manière dont la quête de sens s'articule avec des démarches religieuses plus classiques. Le fait spirituel contemporain se saisit ainsi des méthodes et des démarches psychothérapiques pour les intégrer dans une problématique croyante. La confrontation des paradigmes utilisés par les théories religieuses de l'intériorité et par les sciences du psychisme conduit à une discussion approfondie sur les articulations du psychique et du spirituel. Cette tension entre les différents discours sur l'intériorité joue à l'intérieur d'une nouvelle donne anthropologique où le sujet coupable des temps freudiens, hanté par la faute, laisse progressivement la place au sujet blessé, peinant à porter sa destinée. Plus largement qu'une approche de la sphère religieuse, cette étude donne donc des éléments de compréhension sur le sujet contemporain en recherche de sens et en quête de soi. Un ouvrage du même auteur, à paraître prochainement aux Editions du Cerf, explorera plus précisément le positionnement du sujet croyant affronté au "trauma" d'une culture commune remettant en cause les racines de sa foi. (shrink)

L'auteure montre d'abord que la responsabilité des magistrats ne peut être dissociée de leur indépendance et de leur protection. Elle expose ensuite les différentes mesures de renforcement de la déontologie mises en place par le Conseil supérieur de la magistrature et la Cour de cassation. Elle conclut en rappelant que la responsabilité du juge est intérieure et prend sa source dans un travail du juge sur lui-même.

Marie de la Trinité est une mystique contemporaine dont Jacques Lacan fut l’analyste. Cette trajectoire est paradigmatique de la manière dont une mystique rencontre la souffrance psychique dans le paysage culturel du milieu du xxe siècle. La pensée de Jacques Lacan concernant la mystique, ainsi que des considérations psychanalytiques plus générales à propos de la paternité, sont mises en relation avec la logique apophatique de cette spirituelle. Cette mystique « antinaturelle » se déploie en une sécheresse vertigineuse, à la lisière (...) du Symbolique, et dans une fascination vis-à-vis de l’attraction du Père, impérieuse et contrariée. L’article analyse en particulier, à travers la figure de Marie de la Trinité, la manière dont la mystique contemporaine se confronte, dans le champ chrétien, à la question de la mort de Dieu, et du déclin du Père. Marie de la Trinité was a contemporary mystic who was analyzed by Jacques Lacan. The trajectory of her life is a paradigmatic example of the way in which a mystic encountered psychic suffering in the cultural landscape of the mid-20th century. Jacques Lacan’s thinking about mysticism, as well as broader psychoanalytical considerations about fatherhood, are associated here with the apophatic path of Marie. As her counter-natural mysticism unfolds she draws ever closer to the symbolic, fascinated by the dual nature of the attraction, at once imperious and impeded, exerted by the Father. This article uses the figure of Marie de la Trinité as the specific vantage point to examine how contemporary Christian mysticism is faced with the question of the death of God and the decline of the Father. (shrink)

This volume delves into the question of how, in an Iberian world apparently far removed from the battlegrounds of modernity and secularisation, doubt and unbelief found fertile soil, stimulated by social and religious developments. Adopting a multidisciplinary perspective, the contributors show how the crisis of identity produced by forced mass conversion touched off inner crises about the nature of Truth. By tracing the path from medieval Spain to the Spanish Inquisition, and from the great literary and artistic works of the (...) Spanish Baroque to Sephardic Marranism, this volume fills a historiographical gap in European social and intellectual history, demonstrating the importance of the Iberian world in the evolution of European scepticism. Mercedes García-Arenal is Research Professor at CSIC, Madrid, and Stefania Pastore is Associate Professor at the Scuola Normale Superiore di Pisa. They work on tolerance and dissent in Early Modern Iberia: on forced conversion, on the violent world of the Inquisition and the debates and protests that it sparked, and on the complex interplay of minorities. They have recently collaborated on After Conversion. Iberia and the Emergence of Modernity (Brill, 2016) and, as editors, Visiones imperiales y profecía. Roma, España, Nuevo Mundo (Abada, 2018). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Commentary on “Lumps and Bumps”Katherine Arens (bio)“Lumps and Bumps” offers a fresh look at nosological classifications in terms of their genesis in eighteenth-century philosophy by acknowledging the proximity of philosophy to the sciences of the mind in the eighteenth and nineteenth centuries, especially in Germany. Today, strict borders are drawn between these fields by mainstream practitioners, but work like Radden’s makes a strong case for acknowledging not only multiculturalism, (...) but also the historicity of science. As such, it is exemplary interdisciplinary work tracing a set of concepts (here, a taxonomy of mental illness) back to its sources. Yet Radden tacitly raises other questions significant for the interrelationships between psychology/psychiatry and philosophy in the nineteenth and twentieth centuries.First, Radden quite rightly points to the fact that taxonomies defining mental illness will differ across cultures (e.g., that Scottish and German “faculty psychologies” differed). Yet her question can be inverted to ask a historical question: how can taxonomies of mental illness be used to interrogate the very construct of “the European Enlightenment” itself (in a sense, offering a variant on Michel Foucault’s Birth of a Clinic). This question is significant, since the “Enlightenment” has an internationalist contour in the history of philosophy that it may well not have had in medicine.In what way, for example, can Hume and Locke be considered more direct references for Kant than his philosophical nemesis, Johann Gottfried Herder, or physiologists La Mettrie (French) and Albrecht von Haller (Swiss)? Today, these two questions seem to lie on opposite sides of acknowledged disciplinary boundaries, across discourses of the various sciences, and they are not generally asked by intellectual historians, since they lie in different cultural traditions. Yet the German Idealist tradition that came out of the Enlightenment in the generation between Wolf and Kant had different boundaries between philosophy and the natural sciences than did its English equivalent. In this sense, then, Radden has made an argument that could be used to indicate how far the British empiricists actually influenced Kant, as an index of how science crosses both disciplinary and national boundaries.Second, Radden’s work raises a methodological issue for interdisciplinary work on the emergence of psychology: how one can trace the rapid mutation of critical terminology within the evolution of a single discipline across time. Even if some differentiation between affect and cognition was in place from the time of Kant all the way through to the DSM, for instance, the historical and cultural behavioral phenomena to which that distinction refers need to be specified in each context in which they occur, in different [End Page 15] times and places. Psychology between Kant and Kraepelin exemplifies this “interdisciplinarity” of an evolving field. Was psychology to be institutionalized as part of philosophy departments, or of physiology, or of education? The research in these three fields was carried out in almost identical terms in the early nineteenth century, but what that research means needs to be further historicized.For example, “reason” and “passion” occur as reference concepts in Goethe’s Sorrows of Young Werther, just as they do in Rousseau’s Nouvelle Heloise and Confessions, and in Richardson’s Pamela. Yet the behaviors that are identified as “passionate” differ across cultures, and so need to be defined today in ways that acknowledge chains of influence as they existed at that time, not as reconstructed for other purposes.The third issue raised by Radden’s study and needing further study is the question of power politics in science. Each use of terms has its own strategic importance, and every act of classification is potentially political. When classification schema are exported, imported, rejected, or upheld, the practitioner/professional not only makes a scientific statement, but a social one as well, by adhering to a set of professional organizations, institutions, and other power configurations in which the schema appear. In the case of Kant’s taxonomy of mind, one might ask what the significance was when he added “will” to the reason/passion dichotomy that pervaded his sources. What has he gained or lost by using these terms in the context of faculty psychology?Similarly, what is the cultural significance of that third... (shrink)

This contribution to a symposium “on the consequence of blur” deals with the case of Agustín de Ribera and his followers in sixteenth-century Castile. Inquisition trial records report the appearance, around 1535 among the Moriscos (Catholic converts of Muslim origin) in Toledo, of a boy who had ecstasies and visions in which he traveled to the Hereafter and received revelations. Though considered by his followers and also by the Inquisition a prophet of Muhammad, Agustin and his visions appear to have (...) arisen in a context held in common with the Christian majority of Castile. This case thus reveals the existence of a hybrid form of Catholic Muslim religiosity, but only to scholars who do what is required to de differentiate — that is, to blur — the categories of identity and orthodoxy that were established by the Inquisition. Scholars have for too long allowed the Inquisition to overclarify for posterity the distinctions that existed between ethno religious groups and to define for us the nature of religious dissidence in early modern Spain. (shrink)

Pretendemos, en este trabajo, mostrar cómo la erudición orientalista de árabes cristianos venidos a España desde Oriente (a través de Italia) se aproximó a la literatura de los moriscos, cómo la entendió y para qué la utilizó. Mostramos que estos eruditos, de entre los que elegimos los casos de Marcos Dobelio y Miguel Casiri, no pudieron realizar su trabajo orientalista, que se basa en una fuerte vinculación con los manuscritos árabes de la Biblioteca de El Escorial, sin evitar el problema (...) morisco en forma de su producción escrita aparecida en diversos fondos requisados por la Inquisición. Sus saberes y su actividad sirven para trazar los contornos amplios de una historia intelectual de la lengua árabe en Europa, en la que el hecho morisco es interpretado en función de sus variables lingüsticas y doctrinales, a partir de la constitución de una disciplina erudita (el orientalismo), en medio de las polémicas religiosas entre Reforma y Contrarreforma, a partir, en fin, de la historia de la disidencia religiosa y del escepticismo en la Europa Moderna. (shrink)

Two studies of women in philosophy, Michéle Le Doeuff's biography of Simone de Beauvoir Hipparchia's Choice (1991) and Fritz Mauthner's historical novel Hypatia (1892), question what kind of power and authority are available to philosophers. Mauthner's philosophy of language expands on Le Doeuff to outline how philosophy acts parallel to other sociohistorical discourses, relying on public consensus and on the negotiation of stereotypes to create a viable speaking subject for the female philosopher.

Summary The historical development of the non-standard analysis is sketched. With the help of this mathematical branch infinite and infinitesimal quantities are placed in an extension of the real numbers and so find their justification. In this way an old mathematical and philosophical problem is solved in the 20th century, but not in such a manner, mathematicians with classical „standard methods thought of.

En este artículo tratamos da reconstruir la vida de Diego de Urrea, uno de los traductores e intérpretes más importantes de finales del s. XVI y principios del XVII en España. Sus actividades como catedrático en Alcalá de Henares, traductor de los Plomos del Sacromonte, catalogador de los manuscritos árabes de El Escorial, negociador intermediario y espía en asuntos marroquíes, hacen de él una figura paradigmática de lo que significó en su época el conocimiento y la utilización del árabe, como (...) instrumento para cuestiones de importancia política y estratégica inmediata y también en su dimensión humanística y académica. (shrink)

Cet ouvrage cherche à cerner les contours du travail de deuil que suscite aujourd'hui ce que Marcel Gauchet a appelé la sortie du religieux. Dans la lignée de son livre précédent, La Quête spirituelle hier e! aujourd'hui, Jacques Arènes analyse le travail psychique qu'impose au sujet croyant une culture remettant en cause les racines de sa foi. Il explore la manière dont le sujet supporte, ou non, ce déficit de sens. Ce traumatisme peut-il néanmoins constituer une chance? Jacques Arènes se (...) penche sur la notion de " trauma ", clans ses risques et ses fruits incertains. Il décrit " l'assèchement " de l'espace psychique du croyant, débarrassé des fioritures du langage religieux et " amaigri " de ses représentations. Au coeur du désert des images, le modèle créatif devient essentiel. Le religieux prend sans cesse le chemin qui borde le gouffre de la " non-foi ". Bien au-delà du seul registre de la foi, cet ouvrage interroge les voies d'une créativité possible dans un contexte de deuil. Existe-t-il un " gain " dans les pertes inéluctables de la vie Si la pensée psychanalytique joue un rôle essentiel dans la " purification " de l'imaginaire religieux, le savoir religieux apporterait alors les ressources d'une pensée de l'émergence, du surgissement de la nouveauté à travers les failles et les épreuves de nos existences, qui sont plus qu'avant complexes et diffuses. (shrink)