_The Politics of Imagination_ offers a multidisciplinary perspective on the contemporary relationship between politics and the imagination. What role does our capacity to form images play in politics? And can we define politics as a struggle for people’s imagination? As a result of the increasingly central place of the media in our lives, the political role of imagination has undergone a massive quantitative and a qualitative change. As such, there has been a revival of interest in the concept of imagination, (...) as the intimate connections between our capacity to form images and politics becomes more and more evident. Bringing together scholars from different disciplines and theoretical outlooks, _The Politics of Imagination_ examines how the power of imagination reverberates in the various ambits of social and political life: in law, history, art, gender, economy, religion and the natural sciences. And it will be of considerable interest to those with contemporary interests in philosophy, political philosophy, political science, legal theory, gender studies, sociology, nationalism, identity studies, cultural studies, and media studies. (shrink)

This article argues for the need to recover the concept of political myth in order to understand the crucial phenomena of our epoch. By drawing on Blumenberg’s philosophical reflections on myth, it proposes to understand political myth as the continual process of work on a common narrative by which the members of a social group can provide significance to their political conditions and experience. In order to show how this understanding of political myth can throw light on important aspects of (...) contemporary politics, the article analyses the work on one of the most conspicuous political myths of our time: the clash of civilizations. By reconstructing the mechanisms through which this myth works, the article shows how a paradigm that has been strongly criticized as too simplistic and scientifically inadequate could have turned into a successful political myth, i.e. into a self-fulfilling prophecy. (shrink)

In Imagining Europe, Chiara Bottici and Benoît Challand explore the formation of modern European identity. Europe has not always been there, although we have been imagining it for quite some time. Even after the birth of a polity called the European Union, the meaning of Europe remained a very much contested topic. What is Europe? What are its boundaries? Is there a specific European identity or is the EU just the name for a group of institutions? This book answers these (...) questions, showing that in Europe's formation, myth and memory, although distinct, are often merged in a common attempt to construct an identity for its present and its future. In a time when Europe is facing an existential crisis, when its meaning is being questioned, Imagining Europe explores a vital and often unacknowledged aspect of the European project. (shrink)

While globalization unifies the world, divisions re-emerge within it in the form of a spectacular separation between Islam and the West. How can it be that Huntingtonâes contested idea of a clash of civilizations became such a powerful political myth through which so many people look at the world? Bottici and Challand disentangle such a process of myth-making both in the West and in Muslim majority countries, and call for a renewed critical attitude towards it. By analysing a process of (...) elaboration of this myth that took place in academic books, arts and media, comics and Hollywood films, they show that the clash of civilizations has become a cognitive scheme through which people look at the world, a practical image on the basis of which they act on it, as well as a drama which mobilizes passions and emotions. Written in a concise and accessible way, this book is a timely and valuable contribution to the academic literature, and more generally, to the public debate. As such, it will be an important reference for scholars and students of political science, sociology, philosophy, cultural studies, Middle Eastern politics and Islam. (shrink)

Addressing attempts to define a common European memory on the theme of the Holocaust, and transformations of the Cold War discourses on totalitarianism and democracy. The article conceptualizes the persistent forms and new constellations of alterity that reproduce an East—West divide. The article shows that cognitive debates about Europe hint at constantly shifting relations between various parts of Europe and between Europe and its neighbors. A relational conceptual vocabulary is proposed to describe the debates on Europe following 1989. Cleavages and (...) social distancing can be expressed in terms of different temporal locations (allochronism) which, when merged with a normative stance, can lead to a situation of heterochrony. (shrink)

This article analyzes the links between state and society in the Arab world, before and after the 2011 uprisings. It sheds light on the impacts that these revolts have had both at the individual and collective levels, generating a renewed sense of citizenship. Two concepts, presentism and intersectionality, are used to stress and explain new constellations that were present in all initial revolts of 2011 and which generated new horizontal links among usually segmented portions of the population and vertical linkages (...) between citizens and the state. The article concludes with an inscription of these revolutionary practices in a longer perspective: By pointing to references made in 2011 to literary and political innovations of the Nahda period (Arab Renaissance in the early 20th century), the article suggests a re-reading of contemporary Arab history that breaks with the view of distinct cultural areas, reconnecting the “West” with the Middle East. (shrink)