Eşrefoğlu Rumi and Ümmî Kemal are prominent practitioners of Ottoman Sufi poetry—literature that emerged from the environment of Anatolian Sufi orders. The parallel histories of the transmission of their two divans help clarify details of the poets’ lives. Conversely, biographical facts may help explain details and oddities of those transmission histories, which themselves may also illuminate features of the late fifteenth- and sixteenth-century Ottoman religious and political landscape of increasing theological rigidity in the face of Safavid pressure and probable persecution (...) of those deemed beyond the pale, features that are still poorly understood. In light of a recent essay by Walter Andrews on prevailing editing practices in Ottoman literature, I offer a critique of the recent handling of both divans. After noting previously unrecognized copies of each, I also make suggestions for further study of their poems. (shrink)

Eşrefoğlu Rumi was a Sufi master and poet from the time of the Ottoman sul- tan Mehmed II. His principal writings, a small collection of poems and a treatise Müzekki’n-nüfûs, are both still popular today. Numerous manuscripts of both works survive from the late sixteenth century onward. But there is a substantial gap in the transmission his- tory—no manuscript copy of either work survives from the century following his death, which should be considered anomalous in comparison to other writers of (...) his time. A curious sentence found in some old copies of his Müzekki’n-nüfûs offers an unexpected look into the politics of the day—and, quite probably, an explana- tion for that gap. (shrink)

Name der Zeitschrift: Der Islam Jahrgang: 93 Heft: 1 Seiten: 170-181.