Complete works of a Bengali Marxist philosopher and author.

Sanskrit text with Hindi translation on Jaina monasticism and ethics.

Study on Life divine, work on metaphysics and spiritual life by Aurobindo Ghose, 1872-1950.

Two works, with commentaries, on Jaina ethics.

_Five Faces of Modernity_ is a series of semantic and cultural biographies of words that have taken on special significance in the last century and a half or so: _modernity_, _avant-garde_, _decadence_, _kitsch_, and _postmodernism_. The concept of modernity—the notion that we, the living, are different and somehow superior to our predecessors and that our civilization is likely to be succeeded by one even superior to ours—is a relatively recent Western invention and one whose time may already have passed, if (...) we believe its postmodern challengers. Calinescu documents the rise of cultural modernity and, in tracing the shifting senses of the five terms under scrutiny, illustrates the intricate value judgments, conflicting orientations, and intellectual paradoxes to which it has given rise. _Five Faces of Modernity_ attempts to do for the foundations of the modernist critical lexicon what earlier terminological studies have done for such complex categories as _classicism_, _baroque_, _romanticism_, _realism_, or _symbolism_ and thereby fill a gap in literary scholarship. On another, more ambitious level, Calinescu deals at length with the larger issues, dilemmas, ideological tensions, and perplexities brought about by the assertion of modernity. (shrink)

Complete works of Śaṅkarācārya, Hindu philosopher; with commentary and Bengali translation.

V. 1, Catuḥsūtryantapūrṇānandīyavyākhyāsaṃhitayā Śrīgovindānandapraṇītayā Ratnaprabhayā samanvitam; v. 2, Śrīgovindānandapraṇītayā Ratnaprabhayā samanvitam.

Classical Nyaya treatise on the concept of self (ātman) refuting the Buddhist exposition of the subject.

Supercommentary on Dīdhiti of Raghunātha Śiromaṇi, commentary on Vyādhikaraṇa section of Tattvacintāmaṇī by Gaṅgeśa, 13th cent. basic work on Navya-Nyaya philosophy.

Over the last century and a half, manners and formalities in the West have become less status-ridden, stiff and rigid. Debates around Norbert Elias' theory of civilising processes gave rise to questions of a change in direction of these patterns. The concept of informalisation, which describes these transformations, was first used to analyse the tumultuous changes of the 1960s and 1970s. This increasing informality, leniency and flexibility, comes hand-in-hand with a growing demand on individuals to self-regulate their emotions. This book (...) will stimulate debate around the changes in the standards of manners and emotion regulation, and will generate new avenues of enquiry that focus on issues involving informalisation. The chapters shed light on a variety of such moral and political issues over the last 150 years, offering a new and broader scope on the present social condition of humanity. Civilisation and Informalisation will be an important addition for students and scholars of figurational process sociology, and of broader interest to academics across sociology, social psychology and social history. (shrink)

Supercommentary on the inference (anumāna) part of Raghunātha Śiromaṇi's Tattvacintāmaṇidīdhiti, 16th century commentary on Gaṅgésa's Tattvacintāmaṇi, 13th century basic work of the neo-Nyaya school in Hindu philosophy.

Two Sanskrit texts focus new light on Prabhakara and Kumarila thoughts on Purva Mimamsa philosophy.

Collection of articles and poems on the Ramanuja Sampradaya representing the qualified non-dualistic (Viśiṣṭadvaita) approach in Hindu Vedanta philosophy.

Treatise on the basic tenets of Viśiṣṭādvaita school in Hindu philosophy as propounded by Ramanuja, 1017-1137, founder of sect.

Study on Tattvopaplavasiṃha of Jayarāśibhaṭṭa, active 8th century, work on Cārvāka school of philosophy, with refutation of other schools in Hinduism, Buddhism, and Jainism.

Work on Nyaya philosophy; includes Siddhāntamuktāvalī autocommentary and Dinakarī of Dinakarabhaṭṭa, 18th cent.

O ponto de partida do presente ensaio é o entendimento de que a arte constitui um dos motivos catalisadores, se não mesmo um dos temas maiores da reflexão de Maurice Merleau-Ponty. Na interpretação do autor, o filósofo da percepção, aquele que, de todos os pensadores contemporâneos, conferiu ao corpo po um estatuto que a reflexão do século XX ainda não lhe concedera, chegou à arte por necessidade intrínseca do seu próprio caminho especulativo, vindo a reflexão sobre a expressão artística a (...) dar um contributo essencial para a constituição do seu próprio pensamento, contributo esse que se vai adensando, desde a Fenomenologia da Percepção até O Visível e o Invisível e O Olho e o Espírito, a ponto de poder dizer-se que na arte, particularmente na arte moderna, encontrou Merleau-Ponty uma filosofia à l'oeuvre, apesar da ausência do conceito, a que é, de facto, alheia a expressão artística. José Bettencourt da Câmara é professor no Departamento de Artes da Universidade de Évora.. In Editorial. (shrink)

On Dvaita Vedanta philosophy and doctrines of Nimbarka, sect in Vaishnavism; with Hindi interpretation.

Commentary on Praśastapādācārya's Praśastapādabhāṣya, compendium of the Vaiśeṣika philosophy; includes text.

Works on the refutation of some fundamentals of Advaita philosophy.

Contributed articles on Śaṅkarācārya, Hindu philosophy, and religious life.

Study of Dīdhitiprakāśikā of Gadhādharabhaṭṭācārya, 17th/18th cent., commentary on Pramāṇyavāda, portion of Tattvacintāmaṇi of Gaṅgeśa, dealing with the concept of authenticity of proofs).

Tamil translation with original Sanskrit text on Śaktiviśiṣṭādvaitavedānta.