Results for 'Canan Baydemİr'

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  1.  19
    Perception of care quality and ethical sensitivity in surgical nurses.Selda Mert Boğa, Aylin Aydin Sayilan, Özlem Kersu & Canan Baydemİr - 2020 - Nursing Ethics 27 (3):673-685.
    Background: It is stated that high ethical sensitivity positively affects the quality of nursing care. However, the relationship between nursing care quality and ethical sensitivity has not been clearly demonstrated in researches. Aim: This study was carried out to determine the relationship between surgical nurses’ care behaviors and their ethical sensitivity. Method: The sample of this cross-sectional, descriptive-correlational study consists of 308 nurses who worked at the surgical departments in four Turkish hospitals. The data were collected using the “Nurse Description (...)
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  2.  1
    The effect of Covid-19 on ethical sensitivity.Selda Mert, Aylin Aydin Sayilan, Ayfer Peker Karatoprak & Canan Baydemir - 2021 - Nursing Ethics 28 (7-8):1124-1136.
    Background: In the midst of the Covid-19 pandemic, healthcare workers increasingly encounter serious ethical issues that negatively affect their professionalism. Purpose: The study aims to examine the ethical sensitivity levels of physicians and nurses working in surgical units during the Covid-19 pandemic and the associating factors. Method: The sample of this cross-sectional online questionnaire–based study consists of 161 healthcare workers working at the surgical units in Turkish hospitals. The data were collected using the “Nurse Descriptive Information Form” developed by the (...)
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  3.  17
    La creación de imaginarios y la disolución de la trama mediante la tipificación que anula las catálisis.Alberto J. Carrillo Canán, Marleni Reyes Monreal & María Beatriz Bernábe Loranca - forthcoming - Prometeica - Revista De Filosofía Y Ciencias.
    En este texto partiremos de la conocida tensión cinematográfica entre la imagen y la narración, refiriendo a un caso concreto de cine mexicano tipológico costumbrista. Es un género que se distingue por una trama débil constituida por secuencias con un importante peso mostrativo o “descriptivo”, más que narrativo y el espectador se entretiene en el reconocimiento de los estereotipos, obteniendo un goce mimético de reconocimiento. Para abordar tal reconocimiento mimético distinguiremos entre los imaginarios literarios y los imaginarios fílmicos. Los imaginarios (...)
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  4.  57
    Ethics and the Third Party in Iris Murdoch’s The Green Knight.Canan Şavkay - 2012 - Philosophy and Literature 36 (2):347-362.
    Arguing that he wants to achieve a better understanding of the philosophy of Emmanuel Levinas, C. Fred Alford in his article “Emmanuel Levinas and Iris Murdoch: Ethics as Exit?” compares Levinas’s ideas with those of Iris Murdoch and concludes that the major difference between the two philosophers consists in their attitude toward everyday reality. Alford claims that although both philosophers are concerned with one’s relation with the other person, Levinas is “never interested in the concrete reality of the other person, (...)
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  5.  44
    Islam, Consciousness and Early Cinema: Said Nursî and the Cinema of God.Canan Balan - 2016 - Film-Philosophy 20 (1):47-62.
    The early 20thcentury works of Kurdish Islamic thinker Said Nursî explore how cinema can provide access to the divine. Yet, considering the periods of Nursî’s life that were spent in prison, or in exile in remote locations, it is likely that the cinema he was discussing was, very specifically, the early silent cinema of attractions. Thus the distinctive format of this cinema can be uncovered in, and seen to structure, Nursî’s formulation of ‘God's cinema’. With this proposition in mind, this (...)
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  6. El engaño y la" magia" de las" imágenes técnicas" según Flusser.Alberto Jl Carrillo Canán & Gabriela Méndez - 2006 - A Parte Rei 48:9.
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  7. El ocio y el autoengaño doméstico: Una aproximación mcluhaniana.Alberto Jl Carrillo Canán - 2005 - A Parte Rei 42:10.
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  8.  14
    La concepción arcaizante del texto en Gadamer (II).Alberto Jl Carrillo Canán - 2005 - A Parte Rei 39:5.
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  9. La forma de mosaico del cine digital. Hollywood digital y la poética del entretenimiento. Segunda parte.Alberto Jl Carrillo Canán & May Zindel - 2008 - A Parte Rei 59:14.
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  10. La fotografía y la libertad: La crítica cultural de Flusser.Alberto Jl Carrillo Canán - 2007 - A Parte Rei 51:4.
     
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  11. Los medios y el engaño.Alberto Jl Carrillo Canán - 2008 - A Parte Rei 56:15.
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  12. The Gardens of Versailles and the sublime.Alberto Jl Carrillo Canan - 2003 - Analecta Husserliana 78:47-58.
     
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  13.  15
    Çatışma Çözümü ve Dinler.Canan Durmaz & Ejder Okumuş - 2020 - Tasavvur - Tekirdag Theology Journal 6 (1):65-106.
    Din, hem toplumsal değişim hem de toplumsal çatışma ve uyum ile etki-leşimi açısından önemli bir toplumsal olgudur. Bu bağlamda tarihi süreçte din olgusunun çatışma olgusuyla da çatışma çözümü olgusuyla da sürekli etkileşim halinde olduğu görülmektedir. Birbirinden farklı niteliklerdeki toplumsal çatışmaların var olduğu günümüzde de bazı çatışma örneklerinde ve çatışma çözüm çabalarında din merkezi konumda yer almaktadır. Ayrıca 20. yüzyılda başlayan birden fazla toplumu ve toplumsal çevreyi olumsuz yönde etkileyen bazı önemli dirençli çatışmalar hala varlığını sürdürmektedir. Birden fazla faktörün etkili olduğu (...)
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  14.  40
    A comprehensive and developmental theory of ADHD is tantalizing, but premature.Canan Karatekin - 2005 - Behavioral and Brain Sciences 28 (3):430-431.
    In this commentary, I argue that the theory presented by Sagvolden et al. can be much stronger if its scope is limited, if its developmental aspects are refined, if it can be made to generate testable predictions, and if it can be supported with more data from humans.
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  15.  23
    Provocation defence for femicide in Turkey: The interplay of legal argumentation and societal norms.Canan Muftuler & Meltem Muftuler-Bac - 2021 - European Journal of Women's Studies 28 (2):159-174.
    Increasing numbers of women in Turkey are murdered by their relatives, spouses or significant others. The perpetrators plead provocation for their crimes, claiming their actions are provoked by women’s initial acts which they deem to violate societal norms. Pleading provocation enables more lenient sentences. This article investigates the interplay of the legal rules and societal norms on ‘proper’ female behaviour in femicide, based on data drawn from the Journal of Legal Proceedings, which publishes select rulings of the Court of Cassation (...)
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  16.  29
    Diyarbakır Artuklu Dönemi Urfa Kapısı'nın Figürlü Kabartmalarına İkonografik Yaklaşım.Canan Parla - 2015 - Journal of Turkish Studies 10 (Volume 10 Issue 6):763-763.
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  17.  1
    Alev Alatlı, Batı’ya Yön Veren Metinler.Canan Tercan - 2024 - Beytulhikme An International Journal of Philosophy 14 (14:4):1299-1302.
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  18. El carácter tecnológico de la percepción espacial.Alberto Jl Carrillo Canán - 2005 - A Parte Rei 41:10.
     
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  19. El Nietzsche de Heidegger.Alberto Jl Carrillo Canán - 2000 - A Parte Rei 8:3.
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  20. Kierkegaard s amphibolous conjunction of joy and sorrow and his literary theory.Alberto Jl Carrillo Canán - 2000 - A Parte Rei 9:4.
     
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  21. La estética fotográfica en el paso a la digitalización. Cuarta parte: la estética de la imagen fija en general.Alberto Jl Carrillo Canán & María de Lourdes Gómez Mendoza - 2011 - A Parte Rei 74:14.
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  22. La identidad nacional y el cine.Alberto Jl Carrillo Canán - 2010 - A Parte Rei 70:12.
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  23. La narratología y el problema poetológico en general: Hollywood digital y la poética del entretenimiento: Tercera parte.Alberto Jl Carrillo Canán & May Zindel - 2008 - A Parte Rei 60:17.
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  24.  22
    Büyük Selçuklu Sultanı Melik Şah'ın Diyarbakır'da Yaptırdığı Zafer Anıtı İki Burca İkonografik Yakla.Canan Parla - 2014 - Journal of Turkish Studies 9 (Volume 9 Issue 10):865-865.
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  25.  10
    Heidegger'in kulübesi'nden Fikret'in Aşiyan'ına varoluşun otantik imkânı olarak ev: fikri hür, irfanı hür, vicdanı hür, bir şairin Dasein olarak portresi.Canan Sevinç - 2019 - Fatih, İstanbul: Kriter.
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  26.  37
    The legacy of a European‐oriented transformation: Gender relations in contemporary Turkey.Canan Aslan - 1996 - The European Legacy 1 (3):981-987.
  27. Cultura:¿ Sacralización de lo banal? Flusser y la izquierda conservadora.Alberto Jl Carrillo Canán - 2002 - A Parte Rei 19:8.
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  28. Interpretación y verdad: acerca de la ontología general de Heidegger.Alberto Carrillo Canán - 1999 - Analogía Filosófica 13 (4).
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  29. La estructura apriorística del suceso en Gadamer.Alberto Jl Carrillo Canán - 2003 - A Parte Rei 28:9.
     
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  30. La estética fotográfica en el paso a la digitalización. Segunda parte: La ontología y la estética de la imagen tecnológica fija.Alberto Jl Carrillo Canán & María de Lourdes Gómez Mendoza - 2010 - A Parte Rei 72:14.
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  31. La teoría mcluhaniana de la percepción.Alberto Jl Carrillo Canán - 2005 - A Parte Rei 37:11.
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  32. Mundo y predicados ontológicos en Heidegger.Alberto Jl Carrillo Canán - 2000 - A Parte Rei 11:5.
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  33. Los griegos homéricos y el problema de la conciencia.Alberto Jl Carrillo Canán, Marco Calderón Zacaula & Lluviana Rodríguez Vidal - 2006 - A Parte Rei 44:8.
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  34. Las oposiciones de Gadamer y la experiencia estética.Alberto Jl Carrillo Canán - 2002 - A Parte Rei 22:2.
     
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  35. Poesía, lenguaje e interpretación en Heidegger.Alberto Jl Carrillo Canán - 1999 - A Parte Rei 6:7.
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  36. The Paradoxical Transformation of Existence: On Kierkegaard's Concept of Individuation.A. C. Canan - 2000 - Analecta Husserliana 67:153-166.
     
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  37. Tecnoimágenes y estética.Alberto Jl Carrillo Canán - 2007 - In César Moreno, Rafael Lorenzo & Alicia Ma de Mingo (eds.), Filosofía y realidad virtual. Zaragoza: Prensas Universitarias de Zaragoza.
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  38.  26
    Öğretmenlik Uygulamasının Sınıf Öğretmeni Adaylarının Öz Yeterlik Kaynaklarına Etkisi.Canan KOÇ - 2015 - Journal of Turkish Studies 10 (Volume 10 Issue 11):1037-1037.
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  39. El guerrero en Hegel y el cristiano en Lutero.Alberto Jl Carrillo Canán - 2003 - A Parte Rei 30:3.
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  40. La escritura y la estructura de la percepción.Alberto Jl Carrillo Canán - 2004 - A Parte Rei 33:5.
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  41. Anisotropy and visual structures.Alberto Jl Carrillo Canán - 2001 - A Parte Rei 18:7.
     
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  42. La tensión entre Los nuevos medios Y la narratología.: El Caso Del cine.Alberto Carrillo Canán, May Zindel, Marco Zacaula & Francisco González - 2012 - Límite 7 (25):73-96.
    En este texto discutiremos la tensión entre los nuevos medios y la narratología ocupándonos especialmente del caso del cine. Nuestra tesis será que los nuevos medios tienen que ver básicamente con la ilusión y solo derivadamente con la imaginación; por el contrario, el campo de la literatura tiene que ver solo con la imaginación y no con la ilusión. Si esto es así, algo debe estar mal con la pretensión de la narratología de ser el esquema teórico adecuado para entender (...)
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  43. Percepción y" construcción" estética del mundo.Alberto Jl Carrillo Canán - 2001 - A Parte Rei 13:1.
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  44. Jose Gaos.A. C. Canan - 2002 - Analecta Husserliana 80:474-477.
     
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  45. The concept of earth by Heidegger history and the oblivion of Being.Alberto Jl Carrillo Canán - 2000 - A Parte Rei 7:7.
     
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  46. La obra de arte y la presencia de la divinidad.Alberto Jl Carrillo Canán - 2001 - A Parte Rei 16:8.
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  47. La teoría mediática de la circularidad de la experiencia arcaica. Acerca del presupuesto de la narratividad cinematográfica. Parte II.Alberto Jl Carrillo Canán - 2009 - A Parte Rei 64:15.
     
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  48.  20
    Book Review: Infidel Feminism: Secularism, Religion and Women's Emancipation, England 1830–1914. [REVIEW]Canan Tanir - 2017 - Feminist Review 115 (1):183-185.
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  49. El concepto de interpretación en Goodman: La interpretación de la representación.Alberto Jl Carrillo Canán - 2003 - A Parte Rei 27:9.
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  50. Globalización, cultura y comunidad.Alberto Jl Carrillo Canán - 2002 - A Parte Rei 21:13.
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