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Christopher S. Wood [3]Christine V. Wood [2]Christopher Wood [1]Chris Wood [1]
  1.  78
    The Science of Art: Optical Themes in Western Art from Brunelleschi to SeuratPerspective as Symbolic Form.Patrick Maynard, Martin Kemp, Erwin Panofsky & Christopher S. Wood - 1994 - Journal of Aesthetics and Art Criticism 52 (2):243.
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  2.  45
    Dromenon.Christopher S. Wood - 2012 - Common Knowledge 18 (1):106-116.
    “Dromenon” was and is the rubric governing the fourth and final floor of Aby Warburg's Library. The word means “the thing done,” “the action,” and in the context of the Greek Mysteries referred to rites, as opposed to words and images. In the Warburg Library in London, dromenon covers law, social institutions, folklore, and customs, among which Warburg located politics. This essay is in large part a reflection on what Warburg understood by politics and its inherent conflict with libraries. For (...)
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  3. Finding the Father: A Psychoanalytic Study of Rebel without a Cause.Chris Wood - 2000 - Senses of Cinema.
  4.  31
    STS and Social Inequality: Editor's Introduction.Christine V. Wood & Simon N. Williams - 2016 - Spontaneous Generations 8 (1):1-2.
  5. (1 other version)John Rowlands, with the assistance of Giulia Bartrum, The Age of Dürer and Holbein: German Drawings, 1400–1550. Cambridge, Eng.; New York; and New Rochelle, NY: Cambridge University Press, 1988. Pp. 260; 242 black-and-white plates, 40 color plates. $54.50. [REVIEW]Christopher S. Wood - 1991 - Speculum 66 (2):471-474.
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