The Starz series Black Sails, while serving as a prequel to Treasure Island and thus providing intriguing backstories for such characters as James Flint, Billy Bones, and (of course) Long John Silver, portrays a realistic account of early eighteenth century pirate life in the Caribbean. In doing so, the show conveys intriguing insights into and applications of social contract theory reasoning, and both explicitly and implicitly asks questions about how those applications, especially as they pertain to the nature of government, (...) democracy, equality, tolerance, and justice, help us understand our own society more fully. (shrink)

To treat The Walking Dead as if it were only a zombie apocalypse story is to miss the deep and fundamental questions about society that the story raises. By looking past the immediacy of the zombie threat that drives the main narrative of the story – survival – it is possible to tease out important questions about community, social organization, leadership, utopian and dystopian world building, and, most importantly, morality. By focusing on the communities that come together in The Walking (...) Dead, this chapter examines how societal questions of utopian and dystopian world building frame important questions about how society functions, how it ought to function, and what it will take to get us beyond the problems plaguing contemporary society. (shrink)

With attention to family relationships, A Genealogy of Social Violence sheds light on the processes by which the traditional nuclear family, through the mimetic behaviour of children, embeds violence into human desires and hence society as whole.Challenging the thought of Girard and of Rawls in order to offer a new understanding of justice, this book suggests that in order to achieve a more peaceful society, what is required is not the self-defeating narrative of equality, developed in order to manage the (...) violence engendered by our social institutions, but a reconceptualisation of the nuclear family structure.A striking critique of modern society, which draws on religion, mythology, literature, history, philosophy and political theory, A Genealogy of Social Violence will be of interest to social and political theorists, as well as philosophers working in the area of contemporary social and European thought. (shrink)

1. Marx's monstrous ecostential imagination -- 2. Stranger: consuming the nature of monstrosity -- 3. Creature: the nature of domination on the margins -- 4. Thing: hauntology as a study of inheritance -- 5. Other: disconnection and a critique of the natural self -- 6. Enchantment and the madness of science -- Final thoughts.

Interdisciplinary in scope and bringing together work from around the world, The Individual and Utopia enquires after the nature of the utopian as citizen, demonstrating the inherent value of making the individual central to utopian theorizing and highlighting the methodologies necessary for examining the utopian individual. The various approaches employed reveal what it is to be an individual yoked by the idea of citizenship and challenge the ways that we have traditionally been taught to think of the individual as citizen. (...) As such, it will appeal to scholars with interests in social theory, philosophy, literature, cultural studies, architecture and feminist thought, whose work intersects with political thought, utopian theorizing, or the study of humanity or human nature. (shrink)

This essay is an investigation of the relationship between homosexual interpretations of Jesus Christ and artistic explorations of the meaning of Christ to the LGBTQ community. I begin with an analysis of the public backlash to Enrique Chagoya’s 2010 lithograph The Misadventures of the Romantic Cannibals which features a depiction of Christ in a homoerotic situation. My analysis focuses both on Chagoya’s place in the historical canon of artists that create religious art that challenges heteronormative interpretations of Jesus and also (...) the resulting destruction of Chagoya’s work. My analysis examines the cultural importance of homosexual interpretations of Christ in the on-going debates about homosexuality as well as the biblical justifications for such interpretations. More, I argue that the public backlash to art that challenges traditionally held beliefs about Christ creates a cultural force for further marginalizing the LGBTQ community. I argue that traditional power structures, especially in contemporary America, rely upon the aesthetic marginalization of those individuals deemed to be engaged in subversive lifestyles in order to maintain their dominance in cultural discourse. Ironically, I argue, the attempts to subdue such artwork generates the necessary conditions for public discourse that will ultimately undermine the traditional cultural beliefs that undergird the protests against artists like Chagoya. (shrink)