Que pourrait apporter la réflexion philosophique à la compréhension de la créativité? L'auteur élabore d'abord une histoire idéalisée de la philosophie qui montre comment la créativité a été perçue à travers les tournants décisifs de l'histoire de la philosophie. Il s'emploie ensuite à dégager les principales implications de l'activité créatrice pour aboutir à s'interroger sur les exigences de l'évaluation de la création.

This book expounds and analyses notions of transcendence, creation and incarnation reflectively and personally, combining both philosophical and religious insights. Preferring tender-minded approaches to reductively materialistic ones, it shows some ways in which reductive approaches to human affairs can distort the appreication of our lives and activities. In the book's first half it examines a number of aspects of human life and experience in the thought of Darwin, Ruskin, and Scruton with a view to exploring the extent to which (...) there could be intimations of transcendence. The second half is then devoted to outlining an account of divine creation and incarnation, deriving initially, though not uncritically, from the thought of Simone Weil. The text concludes by examining the extent to which grace is needed to engage in religious practice and belief. Taking in art, literature, music and classical Greek writings, this is a multifaceted thesis on transcendence. It will, therefore, will be of keen interest to any scholar of Philosophy of Religion, Theology, Aesthetics and Metaphysics. (shrink)

This chapter on creation and eternity in medieval philosophy focuses on arguments for the world's age drawn from the nature of time. To this end, there are four main sections. The first covers proofs for the eternity of the world taken from the nature of time, with an emphasis on Aristotle's original argument for that thesis and then Avicenna's modal version of the proof. The second deals with rejoinders, based upon non‐Aristotelian conceptions of time, to proofs for the eternity (...) of the world with a focus on Augustine's idealist conception of time. The third section takes up positive arguments for the temporal finitude of the cosmos and the difficulties surrounding the idea of infinite past time. The final section canvasses the “agnostic position” of Ibn Tufayl, Moses Maimonides, and Thomas Aquinas concerning the question of the cosmos's age. (shrink)

Debates about evolution and creation inevitably raise philosophical issues about the nature of scientific knowledge. What is a theory? What is an explanation? How is science different from non- science? How should theories be evaluated? Does science achieve truth? The aim of this chapter is to give a concise and accessible introduction to the philosophy of science, focusing on questions relevant to understanding evolution by natural selection, creation, and intelligent design. For the questions just listed, I state what (...) I think is the best available answer and show how it applies to debates about evolution and creationism. I also indicate alternative answers that are preferred by other philosophers. I hope that the result will be useful for science educators and anyone else involved in controversies about evolution and creation. (shrink)

An examination of the philosophy of Anne Conway (1631-1679) and the main aspects of her fascinating work, Principles of the Most Ancient and Modern Philosophy.

From its origins, the philosophy of liberation has had both a critical and a creative aspect. The first seeks to critically examine domination, dependency, and the permanent effects of colonization. The second aims to create and re-create the liberation of peoples, developing and reconstituting ways of existing, imagining, thinking, and philosophizing that surpass colonial ways of existing, imagining, thinking, and philosophizing. Thus, for the philosophy of liberation, the liberation of peoples is distinguished from the notions of emancipation and freedom that (...) hide reality under processes of ideologization. An example of the latter is modernity’s notion of emancipation. In this paper, I propose to approach the critical and creative function of the philosophy of liberation from a childist lens in which not only the voices of children are considered, but also the adultist and modern vision of emancipation is overcome. This will be particularly important to continue the legacy of the philosophy of liberation, and its mission to criticize and create from the political and philosophical participation of the victims in the processes of ideologization. From this legacy the children are participants, who, by engaging in pedagogical practices of liberation, act as un pueblo, a collective political actor without age. of the latter is modernity’s notion of emancipation. In this paper, I propose to approach the critical and creative function of the philosophy of liberation from a childist lens in which not only the voices of children are considered, but also the adultist and modern vision of emancipation is overcome. This will be particularly important to continue the legacy of the philosophy of liberation, and its mission to criticize and create from the political and philosophical participation of the victims of the processes of ideologization. Of this legacy, the children are participants, who, by engaging in pedagogical practices of liberation, act as un pueblo, a collective political actor without age. (shrink)

Il ne suffit pas d'écarter la confusion entre création et nouveauté du monde pour donner droit de cité en philosophie à la thèse de la création. Le dogme de la création est-il un corps étranger jadis imposé aux philosophes dans l'exercice de leurs fonctions? Tel est le préjugé schopenhauerien dont on voudrait d'abord faire justice. La création n'est-elle pas alors, à tout le moins, une marotte ethnocentrique, tributaire de la seule révélation biblique? On décrira et discutera alors la prétendue inassimilabilité (...) de la thèse de la création par la philosophie selon de nombreux historiens de la philosophie qui relancent un débat ancien mais peut-être pas périmé: la thèse de la création est-elle soluble dans la philosophie? It is not enough to dispel the confusion that might exist between the idea of creation and that of the novelty of the world to provide the creationist thesis with a legitimate place in philosophy. Is the dogma of creation a foreign body that used to be imposed on philosophers as part of their professional duties? Such is the Schopenhauerian prejudice we would like to dispose of. Yet, cannot one argue that creation is an ethnocentric fad, depending on biblical revelation alone? We will describe and discuss the claim of the alleged non-assimilability of the creationist thesis by philosophy, which is advocated by many historians of philosophy who have reopened an old but maybe not outdated debate: is the creationist thesis soluble in philosophy? (shrink)

Philosophy is the soul of art, and art is great because of philosophy. All kinds of philosophical thoughts seep into artists' minds like water flooding the beach, affecting their world outlook and outlook on life, and providing theoretical guidance for their artistic creation from aesthetic thoughts to creative methods. Beethoven used musical language to express the deepest worries in the hearts of the advanced people of his time. This paper attempts to explore the internal development law of art philosophy (...) from the perspectives of the orientation of art philosophy, the aesthetic construction of "meaningful form" and "poetic dwelling" of art philosophy, the thinking of the final conclusion of art philosophy, the development destination of art philosophy, and the integration and development. In the long history of art development, the form and function of art are constantly changing. Philosophy provides a continuous source of creative ideas for art and works of art often show profound philosophical views. Kant's lofty aesthetic concept affects the infinite emotional capacity in Beethoven's music. However, the expression of the ubiquitous contradictions and conflicts in Beethoven's music is also deeply influenced by Kant's view of nature. In Beethoven's view, the development of the universe is similar to a person's mental journey, and its essence is also a large symphony or sonata. (shrink)

In What Is Philosophy? we find philosophy devised as that power of thinking and creating which, in a division of labour with science and art, creates the concept. This division of labour points to the free interplay of Reason, Understanding and Imagination in Kant's Critique of Judgement and enables us to affirm, without obliterating the differences in kind, the non-hierarchical relationship between the three forms of thought that is asserted by Deleuze and Guattari. However, as powers of thinking and creating, (...) philosophy, science and art do not inscribe themselves in a transcendental subject. Rather, Deleuze and Guattari conceive of them, following Spinoza's ‘creating nature’, as powers that express themselves in an attribute in which every thinking subject participates. (shrink)

Traces the development of the concepts of time, cosmology, and creation in medieval Jewish philosophy.

Of the many philosophical perplexities facing medieval Jewish thinkers, perhaps none has been as challenging or as divisive as determining whether the universe is created or eternal. Not unlike contemporary cosmologists who worry about the first instant of creation of the universe, or Christian scholastics who attempted to define the nature of an instant, so too medieval Jewish thinkers were aware of the philosophical complexities surrounding the issues of creation and time. Jews were immensely affected by Scripture and (...) in particular by the creation account found in Genesis I-II. In the context of this tension, perhaps the most important word of Scripture is b’reishit, “in the beginning.” The very term b’reishit designates the fact that there was a beginning, i.e., temporality has been introduced if only in the weakest sense that this creative act occupies a period of time. In this paper I shall focus my study upon Jewish philosophical attempts to clarify what is entailed by postulating a first instant of creation. I shall begin with early Rabbinical commentaries upon Genesis, and then turn to three paradigmatic medieval Jewish thinkers who, influenced by these Rabbinical texts, represent the range of positions taken with respect to this issue. (shrink)

The intention and the guiding thought is to highlight the phenomenon of love because it unjustly became marginalised in the contemporary scientific discourse, including philosophy, especially from today’s perspective of the ultimate and complete commodification of human relations. The crucial part of the paper is the emphasis on the creative potential and revolutionary strength – and the emerging freedom as a vital moment – of the love as a permanent corrective and the possibility of changing and revolutionising existing relationships and (...) individuals. The fundamental theses of the paper regarding the radicalism of love, the love that lasts and is not exhausted in one encounter, and the love that permanently triumphs before the challenges posed by space, time, and the world in which it finds itself ‘in a bind’, surrounded and endangered by the contemporary condition. That being said, the primary contribution of this paper is directed at defending love and restarting the philosophical debate regarding the essence of love. Exposing love to risk and adventure, and with it opposing the security and comfort of the prevailing culture of the commodification of everything becomes both its defence as an uncompromising philosophical task par excellence. (shrink)

The proposed book presents an overview of select theories in the classical Vaiśeṣika system of Indian philosophy, such as the concept of categories, creation and existence, atomic theory, consciousness and cognition. It also expounds in detail the concept of dharma, the idea of the highest good and expert testimony as a valid means of knowing in Vaiśeṣika thought. Some of the major themes discussed are the religious inclination of Vaiśeṣika thought towards Pasupata Saivism, the affiliation of the Vaiśeṣika System (...) to the basic foundations of Indian philosophical thought, namely Veda and Yoga, and their insights into science, hermeneutics and metaphysics. In addition, this book includes recent Sanskrit commentaries on key Vaiśeṣika texts and provides a glimpse of Vaiśeṣika studies across the world. Overall, this book enunciates the Vaiśeṣika view from original sources and is an important work for Vaiśeṣika studies in current times for serious students as well as researchers.. (shrink)

The central debate of natural theology among medieval Muslims and Jews concerned whether or not the world was eternal. Opinions divided sharply on this issue because the outcome bore directly on God's relationship with the world: eternity implies a deity bereft of will, while a world with a beginning leads to the contrasting picture of a deity possessed of will. In this exhaustive study of medieval Islamic and Jewish arguments for eternity, creation, and the existence of God, Herbert Davidson (...) provides a systematic classification of the proofs, analyzes and explains them, and traces their sources in Greek philosophy. Throughout the study, Davidson tries to take into account every argument of a philosophical character, disregarding only those arguments that rest entirely on religious faith or which fall below a minimal level of plausibility. (shrink)

Michael Polanyi names Augustine as inaugurates of his “postcritical”philosophy. To understand what this means by exploring creation in the Confessions will clarify complex problems in Augustine and articulate theological implications in Polanyi. Specifically, it will show why an autobiographical account of conversion ends speaking of creation; how creation can thus be understood as “personal” language; how creation can be recovered in a time preoccupied with conversion; how conversion and creation are linked with incarnation, hermeneutics, and (...) confessional rhetoric; and it will suggest a contemporary use of creation language that connects the scientific and the religious. (shrink)

How is a philosophical tradition created? What role does literary biography play in the formation of intellectual reception history? Through a detailed analysis of the lives and works of post-Avicennan philosophers, this monograph traces the intellectual history and development of the Avicennan tradition from the fifth/eleventh to the eighth/fourteenth century. Section 1 investigates the genres of Arabo-Islamic biobibliographical and prosopographical writings as a source for the history of Arabic philosophy, delineating their literary topoi, the construction of philosophical authority, and the (...) relationship of Sunnī and Twelver-Šīī Islam to Aristotelian logic and philosophy. Section 2 presents fourteen discrete biobibliographical studies with a critical inventory of the works, including those written in the neglected exegetical genres of commentary, supercommentary, gloss, and supergloss, of Avicenna's immediate disciples and the following generations of philosophers who created the Avicennan philosophical heritage in the Islamicate world.--Provided by Publisher. (shrink)

The conditions of creation -- Actual creatures, virtual creatings -- Creatural confinement -- Creative subtraction -- Creation mediated : art and literature -- Creation unmediated : philosophy.

Through the analysis of modes, man and the concept of intellectus in Spinoza's philosophy, the author shows that creation is reduced to the concept of cognitive activity of intellectus. The essence of intellectus is to bridge the gap between the modality and substance of reality, and a specific, given modal possibility, expressed in desire, which signals the gap, manifested through affects. For Spinoza, creation shifts from the sphere of the will to the sphere of the action of intellectus. (...) Thus, creation is a creative act that combines what should be and what is in reality. Therefore, every action of the intellect is presented as a modusof God. The author concludes that in Spinoza's philosophy, God is an eternal creation of himself, an eternal self-modification through his modal states. (shrink)

Using the work of Lacan but with reference to a number of other philosophers, this article argues eight main theses: first of all, that non-Platonic philosophical construction follows after a foundational destruction; second, that philosophy generally has a nothing outside its text, one that allows for the formation of that text—for example, Kant forms the text of phenomena only by way of the noumena; third, that this transcendental nothing renders all identities ideal, however that is conceived—an example being Badiou’s notion (...) of “belonging,” one derived from the work of Georg Cantor and Paul Cohen; fourth, that a consequence of this ideality is mereological nihilism; fifth, due to this mereological nihilism any existent is only ever an aggregate, that is, an aggregate of some base element, or “stuff ”—a position that returns such philosophy to that of the ancients; sixth, this collapses idealism and materialism into each other, a collapse marked by what is referred to throughout as an impossible monism. Moreover, this impossible monism is a result of philosophy’s constant production of a bastard trinity—a dual monism, as it were. Seventh, that there are two models of difference evident in non-Platonic philosophy: the first is that of a block, with difference cut into it—like Swiss cheese, as it were—while the second is a flux which we seek to arrest with local regimes of stability. Eighth, and finally, that theology, in line with Plato, suggests the possibility of another difference, namely, a peaceable one. (shrink)

Goethe's philosophy of creativity revolves around what he called das Dämonische. This essay is not meant as a definition or an explanation of demonic creation, but instead presents a demonic work par excellence, as the term "demonic" is defined by Goethe in the Elegy from Marienbad. The process of the creation of this work, as it is described by Goethe, also represents a strange exorcism, as the entire daemonic creative force of the author is transposed in this lyrical (...) masterpiece of German and universal literature. After writing the Elegy Goethe, it is no longer demonic. (shrink)

이 글은 새로운 의사소통의 장을 마련하면서 화두로 떠오르는 공공성, 공공철학에 대한 논의를 심화하는데 목표가 있다. 공공성에 대한 관심이 증가하는 것은 그 사상의 독특함이 동·서양을 함께 아우르면서 기존의 논의를 넘어서고 있기 때문이다. 철학사적으로 역사가 깊지 않은 공공성에 대한 철학을 개념적으로 그리스 철학, 칸트, 아렌트, 일본철학을 중심으로 살펴보고 공공성과 관련된 여러 국가정책 수립과 관련해 문화공공성의 개념을 중심으로 국가의 지원정책이 사회 철학적으로 어떻게 정당화될 수 있는지 살펴보며, 그 가능성과 한계도 짚어보고자 한다.

Michael Oakeshott shared the general concerns of British idealists and leaned heavily upon their conclusions. As with any mode of understanding, historv creates its own object of inquiry. History is an activity built upon postulates and capable of generating conclusions appropriate to itself. The past in history is different from any other past. It can only be evoked by means of subscription to the historical present in which each artifact is recognized as the vestige of a performance which is transformed (...) into circumstantial evidence of a past which has not survived. A great deal of what Oakeshott has to say, especially about coherence, continuity, and identity in difference, stands in sharp contrast to Collingwood's ideas on the reenactment of the past. A living past, relevant to the present or evocative of a future state of affairs, is modally irrelevant to history. (shrink)

Journal Name: Apeiron Issue: Ahead of print.

La philosophie contemporaine est tiraillée entre deux pôles apparemment inconciliables, que sont la littérature et les sciences dures. Une possibilité de réconciliation et de fusion est pourtant envisageable en remontant à Descartes, qui ne voit pas, dans son traité du Monde, de discontinuité entre philosophie et science et qui utilise la fable et la fiction pour exposer une vérité scientifique universelle. Or, cette vérité est exposée par des moyens (la déréalisation expérimentale du monde, la géométrisation de l’espace, la force d’un (...) esprit qui s’exprime par un « je », l’analogie, qui permet d’expliquer l’homme) qui sont aussi ceux qu’emploient des artistes modernes comme Marcel Proust et Stanley Kubrick. En confrontant le Monde de Descartes à À la recherche du temps perdu de Proust et à 2001 : l’Odyssée de l’espace de Kubrick et de Clarke, il est possible de montrer la fraternité des œuvres malgré leurs différences d’époques, de styles et de buts et de souligner l’unité de leur prétention à la vérité, qu’elle soit scientifique, artistique ou philosophique. Les différences entre les disciplines fusionnent dans les œuvres, qui ont toujours pour finalité de refaire le réel à l’image de l’entendement humain, pour mieux pouvoir l’expliquer. (shrink)

When I agreed to lecture to-night I stipulated that I might be allowed to interpret the subject announced so as to let my treatment relate less to the subject in general than to some particular aspects which happen to have been interesting me lately. Professor Whitehead, Sir Arthur Eddington, and Sir James Jeans have given to the world brilliant accounts of the present position of physics in relation to mathematics and philosophy. What I have to say bears to their writings, (...) the humble relation of an example to a piece of book-work, or of an application of a theorem to the theorem itself. (shrink)

Taking an interdisciplinary approach, this book traces the development of entropic themes, capturing phenomena ranging from chaos, disorder, homogenization, slackening, disspation, and ultimately death.

During the last decade Castoriadis’ questioning has become a reference point in contemporary social theory. In this article I examine some of the key notions in Castoriadis’ work and explore how he strives to develop a theory on the irreducible creativity in the radical imagination of the individual and in the institution of the social-historical sphere. Firstly, I briefly discuss his conception of modern capitalism as bureaucratic capitalism, a view initiated by his criticism of the USSR regime. The following break (...) up with Marxist theory and his psychoanalytic interests empowered him to criticize Lacan and read Freud in an imaginative, though unorthodox, fashion. I argue that this critical enterprise assisted greatly Castoriadis in his conception of the radical imaginary and in his unveiling of the political aspects of psychoanalysis. On the issue of the radical imaginary and its methodological repercussions, I’m focusing mainly on the radical imagination of the subject and its importance in the transition from the ‘‘psychic’’ to the ‘‘subject’’. Taking up the notion of “Being” as a starting point, I examine the notion of autonomy, seeking its roots in the ancient Greek world. By looking at notions such as “praxis”, “doing”, “project” and “elucidation”, I show how Castoriadis sought to redefine revolution as a means for social and individual autonomy. Finally I attempt to clarify the meaning of “democracy” and “democratic society” in the context of the social imaginary and its creations, the social imaginary significations. (shrink)

La philosophie analytique a repris le flambeau de la théologie naturelle que l’on croyait éteint depuis Pascal, Hume, Kant, Kierkegaard, Schleiermacher. Il s’est produit un curieux chassé-croisé : la philosophie analytique a fini par se réconcilier avec l’enquête métaphysique, alors que la théologie continentale a pour une bonne part accompagné voire encouragé la déconstruction de la métaphysique théiste. On présente ici en particulier comment la philosophie analytique permet de renouveler l’approche du concept de création ex nihilo.

Philosophy is not a theory but an activity. My interest in aesthetic philosophy and performance theory has offered me the opportunity to engage with the recent work of political philosopher Charles Taylor and performance theorist Jill Dolan.2 As I read these studies, I see interesting and potentially useful contributions to be drawn from their philosophical investigations toward the beginning moments of a new philosophy of drama education that is rooted in the collective creation of socially imagined performative utopias. It (...) is through this process that I arrive at the understanding that the very nature of the dramatic education process embodies and defines socially committed moral values of active and.. (shrink)

The informative purpose of the research study is to describe the Applications of modern dance and creation in Chinese dance from dialectical materialist philosophy. This research study was conducted in china to measure Chinese and modern dance from materialist philosophy. Research based on primary data analysis for gathering the data developed almost 10 to 12 questions related to the variables. The Chinese dancers, department of Chinese dancers, film industries, etc., are all research study participants. For measuring, the research study (...) used smart PLS software, and run results included composite reliability, segmentations, smart PLS Algorithm, indicator correlations, and signification analysis related to the modern dance creation performance in China and the effect of dialectical materialist philosophy. Overall, the research found a positive and significant application of modern dance and creation from dialectical materialist philosophy. Modern dance and creation have a direct influence on dialectical materialist philosophy. (shrink)

The old medieval problem of the temporal relationship between an eternal God and an eternal or timed world remains an issue that animates debates about the nature of God in contemporary philosophy of religion. The Islamic debate pitted the philosophers, in particular Ibn Sīnā [Avicenna], who held that an eternal God produced an eternal world that was merely logically posterior to him, against some theologians, such as al-Ghazālī (Alghazel) who insisted on the scriptural doctrine of creatio ex nihilo and refuted (...) the possibility of an eternal world. The conflict continued with each side ceding some aspects and rejecting others until the Safavid period in which one finds the divisions between philosophy and theology irrevocably breaking down. I shall discuss the positions of three key philosophers of early modern Iran who all defended the doctrine of creatio ex nihilo from a philosophical perspective and came up with some novel approaches to the old problem of the temporal relationship between God and creation. /// O presente artigo parte da constatação de que o velho problema dos pensadores medievais acerca do relacionamento temporal entre um Deus que é eterno e um mundo que ora se entende como eterno ora como localizado no tempo permanece ainda hoje um dos assuntos que animam os debates relativos à natureza de Deus na fdosofia da religião contemporânea. Constata-se, antes de mais, que o debate que se verificou no seio do Islão começou por levantar os filósofos, particularmente Ibn Sīnā [Avicenna], o qual defendia que um Deus eterno produziu um mundo eterno que apenas do ponto de vista lógico lhe era posterior, contra os teólogos, tais como al-Ghazātī [Alghazel], o qual insistia na doutrina baseada na Escritura da creatio ex nihilo e refutava a possibilidade de um mundo eterno. O conflito continuou com cada uma das partes cedendo alguns aspectos e rejeitando outros até à emergência do período dos Safavidas durante o qual se verifica o rompimento das divisões entre Filosofia e Teologia. Assim, o autor do artigo propõe-se analisar as posições de três filósofos fundamentais do início da era moderna no Irão, pensadores esses que defendiam a doutrína da creatio ex nihilo numa perspectiva filosófica e, ao mesmo tempo, foram capazes de avançar com algumas abordagens novas ao velho problema da relação temporal entre Deus e a criação. (shrink)

In the 21stcentury, there is a turn of thinking toward its reorientation first of all to the human as an author of thought and not to the nature, existing independently of us and of the process of scientific knowledge obtaining. It is possible to see the difference of these two types of thinking in the context of dialogue between W. Whewell’s philosophy and the scientific investigations after the scientific revolution in the beginning of the 20thcentury. In the philosophy of 21stcentury, (...) man is a social being and this is the basis of social philosophy. The artificial world around us is created by a human, it has its foundation in the laws of thinking but not the laws of nature. The foundations of both systems are quite different. In what way can we achieve mutual understanding between them? From both sides some aspects can be put forward, for instance, the concept of a mediator of a thought. This concept is studied actively by W. Whewell and by philosophers of our time, and this leads in both cases to some unexpected interpretation of the basic question of philosophy: the border between thing and thought is becoming less noticeable. We can come to the same result, going by different ways. Whewell finds common qualities for some group of things. Social philosophers are interested in what makes things different. Not one of these idealizations corresponds completely to the reality. Always something is not taken into consideration. A thinker chooses out of real world some of its characteristics that become a basis of a thought system, which explains everything but in its own way. The paper demonstrates the way of possible creation of a new type of thinking. (shrink)

This book invites readers into Tolkien's world through the lens of a variety of philosophers, all of whom owe a rich debt to the Neoplatonic philosophical tradition. It places Tolkien's mythology against a wider backdrop of Catholic philosophy and asks serious questions about the nature of creation, the nature of God, what it means to be good, and the problem of evil. Halsall sets Tolkien alongside both his contemporaries and ancient authors, revealing his careful use of literary devices inspired (...) by them to craft his own "mythology for England. (shrink)

This book provides a general survey of the life and work of the Spanish philosopher and essayist Ortega y Gasset, author of the widely read The Revolt of the Masses. Dr Dobson divides his study into sections devoted to Ortega's political thinking and to his philosophy, rooting these in the context of contemporary Spain and discussing the wider implications of their influence. He examines Ortega's position with regard to the Civil War, his ambivalent espousal of socialism, his emphasis on the (...) importance of the select individual in the modernisation of society and creation of a nació vital; the appropriation of his ideas by Primo de Rivera in the cause of fascism. This book is intended to be accessible to both Hispanists and general readers with an interest in literature, history, intellectual and political thought and philosophy. (shrink)