Results for 'Denis O'Callaghan'

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  1. What is mortal sin?Denis O'Callaghan - 2009 - In Enda McDonagh & Vincent MacNamara (eds.), An Irish reader in moral theology: the legacy of the last fifty years. Dublin: Columba Press.
     
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  2.  13
    Are There Failed Persons?John O'Callaghan - 2023 - Nova et Vetera 21 (4):1123-1147.
    In lieu of an abstract, here is a brief excerpt of the content:Are There Failed Persons?John O'CallaghanIntroductionAre there failed persons? Yes. However, before explaining what a failed person is, it will be good to consider closely a very significant part of our society to get a sense of what it thinks a failed person is, since my account of what a failed person is is markedly different. It is important to think about the question of failed persons because there are (...)
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  3.  90
    Sounds.Casey O'Callaghan - 2009 - In Patrick Wilken, Timothy J. Bayne & Axel Cleeremans (eds.), The Oxford Companion to Consciousness. New York: Oxford University Press.
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  4. Seeing what you hear: Cross-modal illusions and perception.Casey O'Callaghan - 2008 - Philosophical Issues 18 (1):316-338.
    Cross-modal perceptual illusions occur when a stimulus to one modality impacts perceptual experience associated with another modality. Unlike synaesthesia, cross-modal illusions are intelligible as results of perceptual strategies for dealing with sensory stimulation to multiple modalities, rather than as mere quirks. I argue that understanding cross-modal illusions reveals an important flaw in a widespread conception of the senses, and of their role in perceptual experience, according to which understanding perception and perceptual experience is a matter of assembling independently viable stories (...)
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  5. Perception and Multimodality.Casey O'Callaghan - 2012 - In Eric Margolis, Richard Samuels & Stephen P. Stich (eds.), The Oxford Handbook of Philosophy of Cognitive Science. Oxford University Press.
    Philosophers and cognitive scientists of perception by custom have investigated individual sense modalities in relative isolation from each other. However, perceiving is, in a number of respects, multimodal. The traditional sense modalities should not be treated as explanatorily independent. Attention to the multimodal aspects of perception challenges common assumptions about the content and phenomenology of perception, and about the individuation and psychological nature of sense modalities. Multimodal perception thus presents a valuable opportunity for a case study in mature interdisciplinary cognitive (...)
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  6.  24
    (1 other version)Thomist Realism and the Linguistic Turn.John P. O'callaghan - 2005 - Philosophical Quarterly 55 (218):122-124.
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  7. Objects for multisensory perception.Casey O’Callaghan - 2016 - Philosophical Studies 173 (5):1269-1289.
    Object perception deploys a suite of perceptual capacities that constrains attention, guides reidentification, subserves recognition, and anchors demonstrative thought. Objects for perception—perceptual objects—are the targets of such capacities. Characterizing perceptual objects for multisensory perception faces two puzzles. First is the diversity of objects across sensory modalities. Second is the unity of multisensory perceptual objects. This paper resolves the puzzles. Objects for perception are structured mereologically complex individuals. Perceptual objects are items that bear perceptible features and have perceptible parts arranged to (...)
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  8.  64
    Alfonso X and the Castilian Church.Joseph F. O'Callaghan - 1985 - Thought: Fordham University Quarterly 60 (4):417-429.
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  9.  72
    Beyond Vision: Philosophical Essays.Casey O'Callaghan - 2017 - Oxford: Oxford University Press.
    Beyond Vision brings together eight essays by Casey O'Callaghan which draw theoretical and philosophical lessons about perception, the nature of its objects, and sensory awareness. O'Callaghan focuses on auditory perception, perception of spoken language, and multisensory perception.
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  10. Perceptual Expertise, Universality, and Objectivity.Casey O'Callaghan - 2023 - Philosophical Studies.
    Perceptual malleability and diversity can stem from perceptual learning, expertise, genetics, disease, or accident. Perceptual malleability and diversity force us to reject the claim that perceptual capacities, perceptual experience, and perceptual content are universal across subjects and times. And it casts doubt on the presumption of a universal human perceptual nature. However, it does not directly challenge perceptual objectivity, understood as the claim that one can perceive a world of things and features that are independent from oneself and one's experiences (...)
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  11. Internal Coherence and the Possibility of Judicial Integrity.Patrick O'Callaghan - 2020 - In Richard Mullender, Matteo Nicolini, Thomas D. C. Bennett & Emilia Mickiewicz (eds.), Law and imagination in troubled times: a legal and literary discourse. New York: Routledge, Taylor & Francis Group.
     
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  12. The Rationality of Perception.Casey O'Callaghan - 2019 - Philosophical Review 128 (1):126-130.
  13. Lessons from beyond vision (sounds and audition).Casey O’Callaghan - 2011 - Philosophical Studies 153 (1):143-160.
    Recent work on non-visual modalities aims to translate, extend, revise, or unify claims about perception beyond vision. This paper presents central lessons drawn from attention to hearing, sounds, and multimodality. It focuses on auditory awareness and its objects, and it advances more general lessons for perceptual theorizing that emerge from thinking about sounds and audition. The paper argues that sounds and audition no better support the privacy of perception’s objects than does vision; that perceptual objects are more diverse than an (...)
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  14.  6
    The Holiness of the Church in Lumen Gentium.Paul O'Callaghan - 1988 - The Thomist 52 (4):673-701.
    In lieu of an abstract, here is a brief excerpt of the content:THE HOLINESS OF THE CHURCH IN LUMEN GENTIUM HE NOTION OF the Church as a smner, not often spoken of in Catholic theology of other times, has become quite common in recent years.1 Among the questions of a pastoral and theological nature that have given rise to it, the following may be noted: a) The ecumenical question. Many would wish the Church as such to accuse herself of sin, (...)
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  15. Perceiving the locations of sounds.Casey O’Callaghan - 2010 - Review of Philosophy and Psychology 1 (1):123-140.
    Frequently, we learn of the locations of things and events in our environment by means of hearing. Hearing, I argue, is a locational mode of perceiving with a robustly spatial phenomenology. I defend three proposals. First, audition furnishes one with information about the locations of things and happenings in one’s environment because auditory experience itself has spatial content—auditory experience involves awareness of space. Second, we hear the locations of things and events by or in hearing the locations of their sounds. (...)
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  16. XIII—Hearing Properties, Effects or Parts?Casey O'callaghan - 2011 - Proceedings of the Aristotelian Society 111 (3pt3):375-405.
    Sounds are audible, and sound sources are audible. What is the audible relation between audible sounds and audible sources? Common talk and philosophy suggest three candidates. The first is that sounds audibly are properties instantiated by their sources. I argue that sounds are audible individuals and thus are not audibly instantiated by audible sources. The second is that sounds audibly are effects of their sources. I argue that auditory experience presents no compelling evidence that sounds audibly are causally related to (...)
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  17. Intermodal binding awareness.Casey O'Callaghan - 2014 - In David Bennett, David J. Bennett & Christopher Hill (eds.), Sensory Integration and the Unity of Consciousness. Cambridge, Massachusetts: MIT Press. pp. 73-103.
    It is tempting to hold that perceptual experience amounts to a co-conscious collection of visual, auditory, tactual, gustatory, and olfactory episodes. If so, each aspect of perceptual experience on each occasion is associated with a specific modality. This paper, however, concerns a core variety of multimodal perceptual experience. It argues that there is perceptually apparent intermodal feature binding. I present the case for this claim, explain its consequences for theorizing about perceptual experience, and defend it against objections. I maintain that (...)
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  18. Grades of Multisensory Awareness.Casey O'Callaghan - 2017 - Mind and Language 32 (2):155-181.
    Psychophysics and neuroscience demonstrate that different sensory systems interact and influence each other. Perceiving involves extensive cooperation and coordination among systems associated with sight, hearing, touch, smell, and taste. Nonetheless, it remains unclear in what respects conscious perceptual awareness is multisensory. This paper distinguishes six differing varieties of multisensory awareness, explicates their consequences, and thereby elucidates the multisensory nature of perception. It argues on these grounds that perceptual awareness need not be exhausted by that which is associated with each of (...)
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  19. Sensing, the Senses, and Attention.Casey O'Callaghan - 2017 - Philosophy and Phenomenological Research 95 (2):485-491.
  20. Cross-modal illusions and perceptual content: Lessons from cross-modal illusions.Casey O'Callaghan - 2006 - Electroneurobiolog 14 (2):211-224.
    I argue that a class of recently-discovered cross-modal illusions gives reason to posit a dimension of content shared across perceptual modalities and to abandon the traditional view according to which perceptual content is exclusively constituted by discrete modality-specific contents.
     
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  21.  73
    A Multisensory Philosophy of Perception.Casey O'Callaghan - 2019 - Oxford, United Kingdom: Oxford University Press.
    Nearly every theory of perception just focuses on one sense at a time; but most of the time we perceive using multiple senses. Casey O'Callaghan offers a revisionist multisensory philosophy of perception: he explores how our senses work together and influence each other, leading to surprising perceptual illusions and novel forms of experience.
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  22. Constructing a Theory of Sounds.Casey O'Callaghan - 2010 - Oxford Studies in Metaphysics 5:247-270.
    Vision has dominated philosophical thinking about perceptual experience and the nature of its objects. Color has long been the focus of debates about the metaphysics of sensible qualities, and philosophers have struggled to articulate the conditions on the visual experience of mind-independent objects. With few notable exceptions, "visuocentrism" has shaped our understanding of the nature and functions of perception, and of our conception of its objects. The predominant line of thought from the early modern era to the present is that, (...)
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  23.  34
    The Plurality of Forms.John O’Callaghan - 2008 - Review of Metaphysics 62 (1):3-43.
    This paper responds to an argument of Hilary Putnam to the effect that the plurality of modern sciences shows us that any natural kind has a plurality of essences. In the past, he has argued that no system of representations, mental or linguistic, could have an intrinsic relationship to the world. Though he has granted that the Thomistic notion of form and its application to the identity of concepts may avoid these earlier objections, he has maintained that the advance of (...)
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  24. Object Perception: Vision and Audition.Casey O’Callaghan - 2008 - Philosophy Compass 3 (4):803-829.
    Vision has been the primary focus of naturalistic philosophical research concerning perception and perceptual experience. Guided by visual experience and vision science, many philosophers have focused upon theoretical issues dealing with the perception of objects. Recently, however, hearing researchers have discussed auditory objects. I present the case for object perception in vision, and argue that an analog of object perception occurs in auditory perception. I propose a notion of an auditory object that is stronger than just that of an intentional (...)
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  25.  96
    Hearing, Philosophical Perspectives.Casey O'Callaghan - 2009 - In Hal Pashler (ed.), Encyclopedia of the Mind. Sage Publications. pp. 388-390.
    Hearing and auditory perception are rapidly developing topics in the philosophy of perception. Recent work has focused on characterizing what we hear and on similarities and differences between audition and other modalities. Future work should address how theorizing about audition impacts theorizing about perception more generally. This entry concerns questions about the objects and contents of hearing. It includes discussion of the spatial content of audition, of the role of time and pitch in the individuation of auditory objects, and of (...)
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  26. Aquinas, Cognitive Theory, and Analogy.John P. O’Callaghan - 2002 - American Catholic Philosophical Quarterly 76 (3):451-482.
    Is it the case that God, human beings, and air all share the same capacity for cognition, differing only in the degree to which they engage in cognitive acts? Robert Pasnau has recently argued that according to St. Thomas Aquinas they do, a conclusion that for Pasnau follows straightforwardly from Aquinas’s discussion of God’s cognition in the first part of the Summa theologiae. Further, Pasnau holds that Aquinas’s relation to contemporary cognitive theory should be understood in light of the discussion (...)
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  27. Thomism and Analytic Philosophy: A Discussion.John O'callaghan - 2007 - The Thomist 71:269-317.
     
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  28.  42
    (1 other version)Mercy Beyond Justice.John O’Callaghan - unknown - Proceedings of the American Catholic Philosophical Association:31-53.
    Shakespeare’s Merchant of Venice provides a dramatic setting for thinking about the relationship of mercy to justice, a topic of great concern to contemporary ethical and political thought. Traditionally classified as among Shakespeare’s comedies, the play can also be analyzed as a tragedy in which Shylock is the protagonist. The tragedy is driven by the relatively weak conception of mercy in relationship to justice that informs Portia’s famous soliloquy “the quality of mercy.... ” The mercy she praises is closely related (...)
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  29. Sounds: a philosophical theory.Casey O'Callaghan - 2007 - New York: Oxford University Press.
    ... ISBN0199215928 ... -/- Abstract: Vision dominates philosophical thinking about perception, and theorizing about experience in cognitive science traditionally has focused on a visual model. This book presents a systematic treatment of sounds and auditory experience. It demonstrates how thinking about audition and appreciating the relationships among multiple sense modalities enriches our understanding of perception. It articulates the central questions that comprise the philosophy of sound, and proposes a novel theory of sounds and their perception. Against the widely accepted philosophical (...)
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  30. Experiencing speech.Casey O’Callaghan - 2010 - Philosophical Issues 20 (1):305-332.
  31. Not all perceptual experience is modality specific.Casey O'Callaghan - 2014 - In Dustin Stokes, Mohan Matthen & Stephen Biggs (eds.), Perception and Its Modalities. New York, NY: Oxford University Press. pp. 133-165.
    This paper presents forms of multimodal perceptual experience that undermine the claim that each aspect of perceptual experience is modality specific. In particular, it argues against the thesis that all phenomenal character is modality specific (even making an allowance for co-conscious unity). It concludes that a multimodal perceptual episode may have phenomenal features beyond those that are associated with the specific modalities.
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  32.  64
    Amodal Completion and Presentational Conservatism.Casey O’Callaghan - forthcoming - Analysis.
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  33. Les papyrus de la grotte 7 de Qmr'n.J. O'callaghan - 1973 - Nouvelle Revue Théologique 95 (2):188-195.
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  34. Las tres categorías estéticas de la cultura clásica: armonía, claridad, grandeza.José O'Callaghan - 1960 - Madrid,: Consejo Superior de Investigaciones Científicas, Instituto "Luis Vives" de Filosofía.
     
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  35. Crossmodal identification.Casey O'Callaghan - 2023 - In Aleksandra Mroczko-Wrasowicz & Rick Grush (eds.), Sensory Individuals: Unimodal and Multimodal Perspectives. Oxford, UK: Oxford University Press. pp. 331-354.
    In crossmodal identification, a subject token identifies an item perceived in one sensory modality with an item perceived in another sensory modality. Does crossmodal identification always occur in cognition, or does crossmodal identification sometimes take place in perception? This paper argues that crossmodal identification occurs in cognition, and not in perception. Nevertheless, multisensory perception is not unalive to crossmodal identity. Experimental evidence demonstrates that perception is differentially sensitive to the identity of individuals presented to distinct senses. Such sensitivity enhances recognition (...)
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  36.  95
    Audible Independence and Binding.Casey O'Callaghan - 2013 - In Richard Brown (ed.), Consciousness Inside and Out: Phenomenology, Neuroscience, and the Nature of Experience. Dordrecht: Springer Studies in Brain and Mind.
  37.  21
    Philosophy after Christ.John O'Callaghan - 2024 - Nova et Vetera 22 (1):49-69.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy after ChristJohn O'CallaghanConsider the words of Justin Martyr written in the middle of the second century after the birth of Christ and after Justin's conversion to Christianity:Philosophy is indeed one's greatest possession, and is most precious in the sight of God, to whom it alone leads us and to whom it unites us, and in truth they who have applied themselves to philosophy are holy men.1In addition to (...)
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  38.  99
    Perception, Flux and Learning.Casey O’Callaghan - 2022 - Analysis 82 (3):560-571.
    Paradigms in philosophy and cognitive science until recently have treated perception in typical human beings as relatively fixed and unchanging. Recent research instead supports the claim that perception can be altered over time by training, deliberate practice or mere exposure. If so, we do not all bring to a scene the same stock of perceptual capacities, and our differences are not just deficits or superpowers. This paper describes six questions an account of perceptual learning ought to address, which pose difficult (...)
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  39. Dual Evolution Being Outlines in a Theory Which is Thought to Reconcile Idealism and Realism From the Viewpoint of Humanism.J. O'callaghan - 1921 - G. Bell and Sons.
  40.  26
    Epilogue: Reply to Michael S. Sherwin’s Response, “Painted Ladies and the Witch of Endor”.John O’Callaghan - 2016 - Nova et Vetera 14 (2):653-658.
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  41.  22
    Mercy Beyond Justice in advance.John O’Callaghan - forthcoming - Proceedings of the American Catholic Philosophical Association.
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  42. Thomas Aquinas on Human Nature: A Philosophical Study of Summa Theologiae Ia, 75-89 (review).John O'Callaghan - 2004 - Journal of the History of Philosophy 42 (1):99-100.
    Pasnau sets the philosophy in the context of ancient and modern thought, looking at some of the most difficult areas of Aquinas's thought: the relationship of soul to body, workings of sense and intellect, will and passions, and personal identity.
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  43. Against hearing meanings.Casey O'Callaghan - 2011 - Philosophical Quarterly 61 (245):783-807.
    Listening to speech in a language you know differs phenomenologically from listening to speech in an unfamiliar language, a fact often exploited in debates about the phenomenology of thought and cognition. It is plausible that the difference is partly perceptual. Some contend that hearing familiar language involves auditory perceptual awareness of meanings or semantic properties of spoken utterances; but if this were so, there must be something distinctive it is like auditorily to perceptually experience specific meanings of spoken utterances. However, (...)
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  44. Echoes.Casey O’Callaghan - 2007 - The Monist 90 (3):403-414.
    Echo experiences are illusory experiences of ordinary primary sounds. Just as there is no new object that we see at the surface of a mirror, there is no new sound that we hear at a reflecting surface. The sound that we hear as an echo just is the original primary sound, though its perception involves illusions of place, time, and qualities. The case of echoes need not force us to adopt a conception according to which sounds are persisting object-like particulars (...)
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  45. Thomas Aquinas.Ralph McInerny & John O'Callaghan - forthcoming - Stanford Encyclopedia of Philosophy.
     
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  46. The Multisensory Character of Perception.Casey O’Callaghan - 2015 - Journal of Philosophy 112 (10):551-569.
    My thesis is that perceptual awareness is richly multisensory. I argue for this conclusion on the grounds that certain forms of multisensory perceptual experience are incompatible with the claim that each aspect of a perceptual experience is associated with some specific sensory modality or another. First, I explicate what it is for some feature of a conscious perceptual episode to be modality specific. Then, I argue based on philosophical and experimental evidence that some novel intermodal features are perceptible only through (...)
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  47.  93
    The Problem of Language and Mental Representation in Aristotle and St. Thomas.John P. O'Callaghan - 1997 - Review of Metaphysics 50 (3):499 - 545.
    Introduction. In the opening passages of his De interpretatione, Aristotle provides a simple summary of how he thinks language relates to the mind and the mind to reality, a sketch which has often been called his "semantic triangle." He writes.
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  48. Auditory Perception.Casey O'Callaghan - 2014 - Stanford Encyclopedia of Philosophy 2009.
  49. Dual evolution.J. O'Callaghan - 1921 - London,: G. Bell and Sons.
     
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  50. Sounds and events.Casey O'Callaghan - 2009 - In Matthew Nudds & Casey O'Callaghan (eds.), Sounds and Perception: New Philosophical Essays. Oxford, GB: Oxford University Press UK. pp. 26--49.
    I argue that sounds are best conceived not as pressure waves that travel through a medium, nor as physical properties of the objects ordinarily thought to be the sources of sounds, but rather as events of a certain kind. Sounds are particular events in which a surrounding medium is disturbed or set into wavelike motion by the activities of a body or interacting bodies. This Event View of sounds provides for a uni- ?ed perceptual account of several pervasive sound phenomena, (...)
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