This essay explores the relation between Living-Together and Living-Alone by analysing the overlap between two figures sketched out in Comment vivre ensemble: Autarky and Enclosure. Barthes's ambivalence towards enclosure and self-sufficiency — ideologically negative, existentially and neurotically positive — is traced backwards through a number of 1950s essays to his 1947 proto-mythology Esquisse d’une société sanatoriale. On the basis of Barthes's analysis there of the excessive socialization that serves to repress the reality of illness and death, I move forward again (...) to his own autobiographical return to the sanatorium in Roland Barthes by Roland Barthes, in interviews and — via Thomas Mann's The Magic Mountain — in Comment vivre ensemble. Finally, some passages of The Magic Mountain are read through Barthes's figures Enclosure and Cause. (shrink)

Interdisciplinary Barthes addresses the enduring stimulus that Barthes offers to intellectually adventurous work across the human sciences. It contextualises his creative engagements with ethnology, historiography, philosophy, ethics, music, photography, and literature, and traces the distinctive ways which he unsettled disciplinary boundaries.