Anadolu’nun her bölgesinde halk tarafından veli, ermiş, dede, pir gibi adlar verilen şahıslara ait türbelere rastlanmaktadır. Dinî-tasavvufi bağlamda halk tarafından Allah dostu olarak kabul edilen bu kişiler, anlatılan kerametleri ile ölümlerinin ardından inandırıcılık özelliklerini daha da arttırmışlardır. Bunun sonucu olarak kutsallaştırılan bu türbelere yapılan ziyaretlerin birey ve toplum üzerinde birtakım yansımaları olduğu görülmektedir. Buna bağlı olarak, Elvan Çelebi türbesine yapılan ziyaretlerin birey ve toplum üzerindeki etkileri araştırılmıştır. Bu araştırmada, kutsal, kutsal mekân ve türbe ziyaretinin kavramsal çerçevesi ortaya konduktan (...) sonra, Elvan Çelebi’nin kim olduğu ve sosyo-kültürel hayattaki yeri üzerinde durulmuş, türbe ve bulunduğu bölge hakkında bilgiler verilmiştir. Bu bağlamda, Elvan Çelebi Türbesini ziyaret edenler ile mülakat yapılarak elde edilen veriler yorumlanmıştır. Araştırma sonucunda, yapılan türbe ziyaretlerinin bireyin dini düşünce, duygu, tutum ve inançları üzerinde etkilerinin olduğu tespit edilmiştir. Gerek geçmişte gerekse günümüzde, stresli olanların, hastalıklarına şifa arayanların, çocuğu olmayanların, adak adayanların, dua ve ziyaret ile huzurlu bir yaşam isteyenlerin ziyaret ettikleri Elvan Çelebi Türbesinin Çorum’un dini ve sosyo-kültürel hayatına canlılık katmaya devam ettiği söylenebilir. (shrink)

Cet article propose d’élargir le débat sur la transition énergétique au-delà du contexte occidental. Partant d’études de cas situées dans deux métropoles des Suds, la réflexion invite à nuancer les scénarios normatifs et supposés universels de transformation des systèmes énergétiques pour confronter les transitions aux singularités des sociétés et des territoires dans lesquels elles prennent forme. Ainsi s’aperçoit-on que les discours sur le changement climatique global ont bien moins d’effets d’entraînement sur les trajectoires énergétiques d’Istanbul et du Cap que l’impact (...) de crises écologiques plus locales ou que l’évolution de compromis socio-politiques, toujours fragiles et dépendants d’héritages historiques nationaux. (shrink)

1. cilt. Giriş, inceleme, tıpkıbasım -- 2. cilt. Tenkitli metin.

À la fin des années 1960, de nouvelles formes d’expression artistique émergent dans un contexte troublé où revendications politiques, sociales, économiques et culturelles contribuent à transformer radicalement les rapports entre artistes et institutions muséales. Alors que ces dernières, fortement attaquées pour leur conservatisme et leur posture autoritaire, tentent de trouver un compromis avec leurs détracteurs, les artistes eux s’engagent dans des processus créatifs qui contournent l’hégémonie tant culturelle qu’économique du musée en s’en emparant comme d’un outil expérimental. Marcel Broodthaers et (...) Fred Wilson, chacun à leur manière, analysent avec acuité le rôle idéologique du musée dans leurs expositions. (shrink)

Marcel Duchamp, plus qu’aucun autre artiste du XX e siècle, a marqué de façon irréversible l’histoire de l’art contemporain, provoquant avec Fontaine (1917) un point de non-retour ouvrant la voie à des pratiques artistiques libérées du joug académique. Alors que la question de l’érotisme est souvent convoquée par l’artiste d’une façon explicite ou allégorique, la réception de cet érotisme par les artistes femmes, engagées dans une représentation critique du sexe féminin et du genre au début des années 1970, produit une (...) interprétation inédite et féministe de l’œuvre de Duchamp. (shrink)

In this study, Kripke's claim, that within the framework of the possible worlds argument, the identification of mental processes by being reduced to physical events doesn't have an imperative base is addressed. Theories of physicalism and identity aims to explain the mental processes in a thoroughly physical way, thus trying to reduce it to the physical one, through brain events. According to Kripke, there must be an imperativeness for the identification of mental states with physical states. According to him, however, (...) it is not possible to show that physical events necessarily reveal mental processes. According to Kripke, in order to be imperatively correct for one statement, it must be correct in all possible worlds. Kripke uses the concept of "rigid designator" to describe this situation. According to Kripke, the thesis of identity between rigid designators must be metaphysically imperative correct. This situation does not apply to mental events. So then, the aim of this article is to reveal why the thesis of identity proposed in the explanation of physical and mental situations in terms of Kripke is not valid. (shrink)

Judith Butler postyapısalcı feministler arasında nevi şahsına münhasır bir düşünür olarak kabul edilebilir. Bu kabulün temel gerekçelerinden birisi onun temel hak ve özgürlükleri savunma konusundaki queer perspektifidir. Bu çalışmanın temel amacı, Butler’ın queer teorisini inşa ederken yaslandığı felsefi zeminin analiz edilmesidir. Bu bağlamda çalışmanın temel iddiası, Butler’ın yapısöküm stratejisini uygulamaktan ziyade, toplumsal cinsiyet ve queer teorisinin kendisini bizatihi bir yapısöküm stratejisine dönüştürmeye çalıştığı ve bunda başarılı olmadığıdır. Bu iddia, Derrida’nın différance analizi ve performatiflik kavramı üzerinden temellendirilmeye çalışılmıştır.

BackgroundThe coronavirus disease (COVID-19) treatment must be based on scientific methods such as clinical trials. Trials involving human subjects and those requiring a risk-benefit analysis may occasionally face challenges owing to the time limitations in the pandemic. MethodologyThis study analyses the WHO's International Clinical Trials Registry Platform and clinicaltrials.gov, where most COVID-19 clinical trials are registered, according to ethical criteria including study design, conflicts of interest, enrollment of healthcare workers, study locations, site-, design-, and participant-related issues. The discussion is based (...) on three aspects: the quality of the information to be produced, the relevance to significant health problems, and the creation or evaluation of interventions, policies, or practices that promote individual or public health. ResultsThere were significant differences between the two platforms regarding the investigational medicinal product (IMP), the comparator, ethics committee/institutional review board approval, plan to share individual participant data, study phase, site, IMP, and design-related issues. Conflict of interest, sponsor information, and management of vulnerable groups were the main areas wherein both platforms lacked sufficient information. ConclusionWith this analysis, we aimed to define a minimum set of ethical criteria for clinical trial platforms to obtain standardization between these two platforms. (shrink)

This study sought to determine cardiologists’ degrees of ethical awareness and preferred courses of action for ethical dilemmas frequently encountered in clinical settings. For this evaluation, an online survey was created and sent to cardiologists affiliated with various academic posts in Ankara, Turkey. The survey included ten cases with various ethical considerations selected from our book, “Clinic Ethics with Cases from Cardiology.” Four possible action choices were defined for each case. Participants were asked to choose one or more of these (...) preferences. In addition, a fictional change was made in each case’s context without changing the original ethical issue, and participants were asked whether an attitude different from the first chosen one was preferred. The participation ratio was 49/185 (26%), consent ratio 47/185 (25,4%), and completion ratio 44/185 (23,7%). Nine of the ten scenario changes did not change participants’ preferred action. For most questions, action preferences were concentrated between the two options. Although legal regulations did not reduce ethical dilemmas, they clarified physicians’ action preferences. Similarly, as an obscure moral issue gained prominence, physicians were forced to draw clearer lines in their actions. External factors such as healthcare emergencies can change physicians’ ethical dilemma-solving attitudes. (shrink)

The fortress of Kelefa on the western side of the Mani peninsula in southern Greece is one of a series of fortifications constructed or refurbished to defend the Ottomans' maritime frontier against Venice in the late seventeenth century. This chapter addresses whether the castle is indeed of Ottoman construction, or whether it is in fact an earlier, Frankish, structure that was merely restored by the Ottomans. It outlines what The Chronicle of the Morea says and how it can be interpreted. (...) It looks at what light later literary and other sources can throw on the problem, discussing Evliya Çelebi in the process. It identifies Grand Magne with a fortress which others have claimed is of Ottoman construction and dates from the seventeenth rather than the thirteenth century. The chapter also provides a sketch of the Mani as part of the Ottoman frontier zone in the Mediterranean region. (shrink)

Chelebi (Çelebi) Sulṭān is a Ṣūfī poet. Due to poor and limited sources, there is a hardness in finding accurate and sufficient information about him. Abdülbaki Gölpınarlı claimed that this anonymous poet could be Oğlan Sheikh İsmāʿil-i Maʿşūḳī (d. 1539) from Bayramī-Melāmī by relying on the unanimous ghazal recorded in Ḥālet Efendi 800 in Suleymaniye Library. However, the fact that the aforementioned ghazal with simple copy variations published in Eşrefoğlu Rūmī Diwan weakens the credibility of his argument that Chelebi (...) Sulṭān could be Oğlan Sheikh İsmāʿil-i Maʿşūḳī. Though the acknowledgment of this data, Gölpınarlı still insisted on the credibility of his claim that the ghazal belongs to Oğlan Sheikh. Moreover he argued that the claims suggesting that the ghazal belongs to Eşrefoğlu Rūmī (d. 1469) should be questioned. Other than this ghazal, there is one more qasida (ḳasīde) with having gizlidir word after the rhyme associate to Chelebi Sulṭān, and an annotation to this qasida by Āyīne-zāde Meḥmed Şemseddīn-i Sirozī (d. 1688/89). However, neither the qasida and ghazal attributed Chelebi Sulṭān nor the Āyīne-zāde’s annotation provide satisfying information to identify the identity of the poet. Therefore, it can be claimed that Chelebi Sulṭān’s identification is based on weak arguments. No more evidence can develop these estimations into evidence-based arguments. This article tries to provide a virtual framework for the identity of Chelebi Sulṭān. In this context, the article firstly discusses Chelebi Sulṭān’s disposition and popularity on Ṣūfī groups by considering the contents of the manuscripts mentioning him. Then, it analyzes whether Chelebi Sulṭān is associated with Ḥurūfīs or not by focusing on the ism-musemmā subject in the two first couplets of the qasida attributed to the Ṣūfī poet. Finally, the article speculates whether the poet called Chelebi Sulṭān in literature could be Misālī (d. 1577), or not, who is one of the Ḥurūfī poets. The subject of Chelebi Sulṭān's connection with Ḥurūfīsm is examined under two titles in the article. The possibility of Chelebi Sulṭān to be Misālī, one of the Ḥurūfī poets, was discussed based on the qasida with nedür rhyme. In this regard, there are two assumptions. The first one is that the pseudonym Misālī is mentioned in the qasida, and the second evidence is that there is a qasida with nedür word after rhyme belonging to Chelebi Sulṭān in the two copies of the Misālī Diwan. However, although the mentioned qasida exists in the recent copies, this qasida is not found in the oldest copies of the diwan. Therefore it is possible to conclude that this lack weakens the possibility that Chelebi Sulṭān could be Misālī, one of the Ḥurūfī poets. The second title is related to the issue of the ism-musemmā in the first two couplets of the qasida with nedür word after rhyme. Through this analysis, it was discussed whether Chelebi Sulṭān could be Ḥurūfī or not. At this point, it is revealed that there is a similarity between the two couplets of Chelebi Sulṭān in the qasida with nedür word after rhyme on the issue of ism-musemmā and some other couplets of Ḥurūfī poets (Nesīmī / Ḫalîlî, Misālī, et al.) on the same issue. Besides, the views of a few groups, apart from the Ḥurūfī Poets, that discussed ism-musemmā issue in their poetry, were evaluated. The article refers to the Ṣūfī poet's qasida with nedür word after rhyme while discussing the issue of which groups favored Chelebi Sulṭān more and it also tried to determine which groups read this qasida at that period. To discuss the general content of the manuscript, the manuscript registered in Suleymaniye Library Mihrisah Sultan number 185, the corpus cataloged in Suleymaniye Library, Galata Mevlevihanesi 233, and the manuscript cataloged in Millet Library Ali Emiri Collection (AEArb) 4341, were examined. Thus it can be claimed both Chelebi Sulṭān and his qasida were popular among heterodox groups, as it was observed that the qasida also exists in the works of Ḥurūfī, Alevi-Bektashi, and Bayramī-Melāmī groups. Despite all this, there is no clear conclusion regarding the identity of Chelebi Sulṭān. Nevertheless, it is possible to say that Chelebi Sulṭān was popular among heterodox Ṣūfī groups and that some Ḥurūfī views influenced him. (shrink)

Dervish lodges and cults were among the important elements of the Ottoman social life and in those times, they had spread to nearly all city centers, towns and villages. Dervish lodges served as non-formal educational institutions for people from all ages and all segments of the society. In addition to education, these structures also played important roles in political, economic, social and military life of the Ottoman Empire. In general, wise people and scholars contributed to the development and dissemination of (...) Islamic sciences in general, and specifically, mystic thought. As a matter of fact, it was determined that there were a great number of Dervish lodges that were founded or supported by shaykh al-Islam (the chief justice), kādī (judge), scholars and mudarrisīn (teachers) in the history of sufism. One of them was Mullah Çelebi Dervish Lodge, which was founded in the 16th Century by Mehmed Vusuli Efendi, who belonged to the Ilmiya class (d. 998/1590). Until today no detailed studies have been conducted on lodges, which continued their existence until 1925. For this reason, this article will be the first study that deals with the dervish lodges in the light of archive sources. In this article, which was written to shed light on the course of our sufi cultural history, the prominent names, shaykhs and physical status of the Dervish lodges, especially Mehmed Vusuli Efendi, who was the founder of these lodges, will be dealt with.Summary: Our country, which hosts scientific moral centers like dervish lodges, school, madrasa and masjids, has a rich historical cultural treasure. As it is already known, the above-mentioned institutions had an important place in the life of Ottoman social life. Dervish lodges and madrassas were considered as science and wisdom centers because there is no distinction between zāhir (exterior) and bātin (interior) in our tradition. Under then-present conditions, the institutions that were needed most were supported. In this sense, the sultans and scholars cared about the dervish lodges, which were the places where sciences were studied contributing to the construction of these structures. One of these was Mullah Çelebi Dervish Lodge, which was founded in the center of Eyupsultan by the Ottoman man of letter, poet and scholar, Mehmed Vusuli Efendi (d. 998/1590).Mullah Çelebi Dervish Lodge is located in the Debbaghane/Tabakhane (Tannery) district in the center of Eyupsultan. As Suleyman Çelebi stated, “the valiant ones worked in the Tannery”. For this reason, it is possible to say that there were tanners among the disciples and followers of Mullah Çelebi Dervish Lodge.Mullah Çelebi Dervish Lodge was built by Mehmed Vusuli Efendi, who belonged to the scholar class in the Ottoman Empire. Mehmed Vusuli Efendi, who served as a professor in various madrasahs, served as a kādī in cities like Konya, Kutahya and Istanbul. Mehmed Vusuli Efendi was called “Mullah” because of his madrasah origin and “Çelebi” because of being a member of the scholar class. For this reason, dervish lodge in question was known as Mullah Çelebi Dervish Lodge in his honor. Sources mention the religious, knowledgeable and modest personality of Mehmed Vusuli Efendi. In this sense, the establishment of a dervish lodge by someone from the scholar class is important in terms of being a sign of the togetherness of dervish lodges and madrasahs in the Ottoman Empire. In addition to his scientific personality, Mehmed Vusuli Efendi was also an important figure who wrote works both as prose and as poetry, and made some translations into Turkish. In addition to the Dervish Lodges mentioned here, Mehmed Vusuli Efendi also established mosques and public baths in various places in Istanbul and was interested in charity works. Cemaleddin Server Revnakoglu stated that he was given the nickname “FındıklıÇelebi” because he had established a mosque in Fındıklı District.Mehmed Vusuli Efendi was the son-in-law of Aise Hubbi Hatun (d. 997/1589), who was one of the lady poets of the 16th century divan literature. Aise Hubbi Hatun was the granddaughter of Kanuni Sultan Suleyman’s foster brother Yahya Efendi from Beşiktaş. Aise Hubbi Hatun was also the wife of Semsi Çelebi, who was one of the grandchildren of Aksemseddin. In this sense, Aise Hubbi Hatun was a person who served in the palace during the reign of Selim II. According to the sources, Mullah Çelebi was appointed to a post that was as high as being the kādī of Istanbul with the help of Aise Hubbi Hatun, who was one of the prominent figures of the palace. For this reason, Mehmed Vusuli Efendi was also known as “Hubba/Hubbi Mullah”.In the present study of ours on Mullah Çelebi Dervish Lodge, one of the most prominent lady poets was Serife Zubeyde Fitnat Hanım (d. 1194/1780). In the sources, some authors discussed whether Fitnat Hanım’s tomb was in Mullah Çelebi Dervish Lodge. Since there is no inscription on it, the tomb of Mehmed Vusuli Efendi was assumed to belong to Fitnat Hanım. Actually, in the past, Istanbul Tombs and Museums Directorate hung a plate saying that the tomb in question belonged to Fitnat Hanim. However, Bilgin Turnalı revealed that the tomb of Fitnat Hanım was not in the Mullah Çelebi Dervish Lodge in his article with the title “The Tomb of the Poet Fitnat Hanım”.The archive sources, which we can examine on Mullah Çelebi Dervish Lodge, generally belong to the 18th century and onwards. For this reason, the information on the establishment years of the Dervish Lodge was not determined fully. However, some of the archive sources reported some revenues of Mullah Çelebi Dervish Lodge. For example, it was recorded in the archives that payments were made to this Dervish Lodge in Muharramiya activities. As it is known, ceremonies were held in the Ottoman Palace in the month of Muharram, which was the initial month of the Hijri calendar, and a number of people and institutions in Istanbul and its surroundings were paid by the Sultan under the name of “Muharramiyya”.In Mullah Çelebi Dervish Lodge, there were some prominent shaykhs like Mahmud Efendi and Nureddin Efendi. For example, since Mahmud Efendi had a lot of influence on the lodge, it was named after him for a period of time. Another prominent shaykh in the above-mentioned dervish lodge was Nureddin Efendi. As a matter of fact, he was closely interested in the maintenance and repair works of the dervish lodge and the activities related to the cults, and applied to Evkāf-i Humāyūn many times for repair works. Mehmed Esref Sabri Efendi, who was the shaykh before the last one in this dervish lodge, contributed to the training of many people of cult, especially Saadeddin Ceylan, who was the shaykh of Haki Baba Lodge. The last shaykh of Mullah Çelebi Dervish Lodge was Hafiz Hussein Kamil Efendi, who was the son-in-law of Mehmed Esref Sabri Efendi.When the physical condition of Mullah Çelebi Dervish Lodge is examined, it is understood that it was ruined in some periods in the history due to erosion; and for this reason, it had renovations. It was determined that Mullah Çelebi Dervish Lodge, which belonged to the Kadiriyye cult, remained until the last period of the Ottoman Empire; however, after the closure of the dervish lodges in 1925, it disappeared rapidly. In our present day, two tombs that belong to Mehmed Vusuli Efendi and Aise Hubbi Hatun and a graveyard where the members of the lodge were buried are left behind from this Dervish Lodge. As it is known, Dervish Lodges had an important place in the religious, scientific, political and economic life of the Ottoman society. In this article, which was planned to examine the Ottoman sufi culture, the historical course of Mullah Çelebi Dervish Lodge, its founder, shaykhs, physical location, etc. were discussed in the light of the archive sources. (shrink)

Evliyâ Çelebi, who wrote accounts of his travels that lasted over forty years, was an enlightened Ottoman saraylı, a courtier as his name çelebi indicates. Seyahatnâme, a ten-volume, first-person narrative, is one of the few accounts of the seventeenth-century Ottoman world and its periphery from the perspective of a Muslim intellectual. Robert Dankoff states, "The Book of Travels is a unique geographical, social, cultural, and linguistic record of the places and peoples the author encountered, and an invaluable source (...) for many aspects of life in his time."1 Therefore, the work has been significant for a... (shrink)

After the death of Mevlana Celaleddin-i Rumi (d.1273), the cult of Mevlevi continued its structuring. Rumi's son Sultan Veled (d.1312) and his grandson Ulu Arif Çelebi (d.1320) contributed greatly to this structuring. Sultan Veled tried to turn the lodge he took over from his father into a systematic sect around Rumi's mystical thought and Mevlevi disciples. Ulu Arif Çelebi, on the other hand, is a very effective name in organizing Mevleviism as a cult. With his systematic studies and (...) travels, he made Mevlevi's spread in lodges and madrasahs, and he made efforts to teach Masnavi, the work of his grandfather Mevlana Celaleddin Rumi, in madrasahs. In addition, Ulu Arif Çelebi asked Ahmet Eflakî to write a book called Ariflerin Menkıbeleri about Rumi’s life, in order to keep his grandfather's memory alive. The entry of Mevlevi into the Ottoman State was through marriage. Mutahhare Hatun, daughter of Sultan Veled, was married to Süleyman Şah, the Germiyanoğulları leader. Süleyman Şah married the daughter of this marriage, Devlet Hatun, to Yıldırım Beyazıt, and left as a dowry Kütahya, Tavsanlı, Simav and Eğrigöz to Ottoman Empire. Yıldırım Bayezıd was appointed as the governor of Kütahya. Mehmet Çelebi was born from this marriage. The title of Çelebi is a title given to the descendants of Rumi, and Mehmet Çelebi, one of the sultans of the Fetret Period (A period of great depression), was one of the grandchildren of Rumi. The children of Mehmet Çelebi are remembered with the title of 'Çelebi'. Through this marriage, Mevlevi began to spread to the Ottoman Empire. Thus, Mevleviism would prevail in the Ottoman Empire, where Ahilik organization and Ahi culture prevailed, and Mevlevihane and Asitane would be established in many parts of the country with the support of the Ottoman State. Mevlana Celaleddin-i Rumi’nin (ö.1273) ölümünden sonra Mevlevilik bir tarikat olarak yapılanmasını sürdürmüştür. Mevlana’nın oğlu Sultan Veled’in (ö.1312) ve torunu Ulu Arif Çelebi’nin (ö.1320) bu yapılanmada katkısı oldukça büyüktür. Sultan Veled babasından devraldığı dergâhı, Mevlana’nın mistik düşüncesi çerçevesinde ve Mevlevi müritler etrafında sistemli bir tarikat haline getirmeye çalışmıştır. Ulu Arif Çelebi ise Mevleviliği bir tarikat olarak örgütlemede oldukça etkili bir isimdir. O sistematik olarak yaptığı çalışmalar ve seyahatlerle Mevleviliğin tekke, zaviye ve medreselerde yayılmasını sağladığı gibi dedesi Mevlana Celaleddin ’in eseri Mesnevi’nin medreselerde okutulması için de çaba sarf etmiştir. Ayrıca Ulu Arif Çelebi, dedesinin hatırasını canlı tutabilmek Ahmet Eflaki adındaki bir yazıcıya Mevlana’nın hayatını yazdırmıştır. (Ariflerin Menkıbeleri kitabı) Mevleviliğin Osmanlı Devleti’ne girişi evlilik yoluyla olmuştur. Sultan Veled’in kızı Mutahhare Hatun, Germiyanoğulları Beyi Süleyman Şah ile evlidir. Süleyman Şah bu evlilikten olan kızı Devlet Hatun’u Osmanlı Devleti’nin o dönem şehzadesi olan Yıldırım Beyazıt ile evlendirmiş ve çeyiz olarak Kütahya, Tavşanlı, Simav ve Eğrigöz dolaylarını Osmanlılara bırakmıştır. Yıldırım Bayezıd ise Kütahya valiliğine getirilmiştir. Bu evlilikten Mehmet Çelebi dünyaya gelmiştir. Çelebi unvanı Mevlana’nın soyundan gelenlere verilen bir unvandır ve Fetret Dönemi padişahlarından olan Mehmet Çelebi, Mevlana’nın torunlarındandır. Mehmet Çelebi’nin çocukları ‘çelebi’ unvanıyla anılmaktadır. Bu evlilik yoluyla Mevlevilik Osmanlı’da yayılmaya başlamıştır. Böylece daha önce Ahilik teşkilatı ve Ahi kültürünün hâkim olduğu Osmanlı Devleti’ne Mevlevilik hâkim olacak ve Osmanlı Devleti’nin desteğiyle ülkenin birçok yerinde Mevlevihane ve Asitane kurulacaktır. (shrink)

Ekphrasis, a part of the ancient Greek and Roman rhetorical practices, is, in its most basic sense, the verbal expression of a visual object. Since the description of Achilles’ shield in Homer’s Iliad, ekphrasis has been a literary practice used for the portrayal of visual artworks through fiction and poetry, as well as in prose written in history, art criticism and travelogues. Ekphrasis is a convenient literary tool for analysing the author’s treatment of the object depicted. Ekphrastic studies enable the (...) identification of the author’s relationship with objectivity and subjectivity, and the building blocks of the said subjectivity, through literary elements. What kind of fictional language does ekphrasis, which is essentially the act of making the mute object speak, point to, in Evliya Çelebi’s representation? This article will aim to examine the subjective factors, personal taste and cultural positioning that emerge in Evliyâ Çelebi’s writing practice, mainly in his “ekphrastic” narration of the Western paintings that he saw in the Balkans and Vienna, which he describes in great detail in his Seyahatnâme. It is of the author’s opinion that, although Evliyâ Çelebi’s cultural positioning imposed limitations on his aesthetic perception and ekphrastic narration, he had an admiration for the Western art; and his “actual” cultural position manifests itself in an “in-betweenness” in the East-West spiral, which also reflects his unique literary mode. (shrink)

Zusammenfassung In den letzten Jahren haben Debatten über die Themenbereiche Vegetarismus und Veganismus auch in der Türkei an Bedeutung gewonnen. Von der islamischen Akzeptanz vegetarischer und veganer Lebensstile bis zur Frage nach dem Tierwohl werden ernährungsbezogene Themen häufig in den Medien diskutiert. Weniger bekannt ist, dass schon in der ersten Hälfte des 20. Jahrhunderts führende Intellektuelle und Literat*innen sich mit Vegetarismus aus ethischer, religiöser und ideologischer Perspektive auseinandergesetzt haben. Interesse für indische Religionen, neuheidnische Strömungen und alternative Lebensweisen, rechte Ideologien und (...) islamischer Reformismus sind einige der intellektuellen und politischen Entwicklungen, die zu diesen Auseinandersetzungen geführt haben. Durch die Betrachtung von Hasan Ferit Cansevers und Asaf Halet Çelebis kritischen Ansätzen gegenüber dem Monotheismus und ihres aktiven Vegetarismus wird es möglich, über eine Geschichte der Religionen in der späten osmanischen und frühen republikanischen Türkei nachzudenken, die über die Untersuchung der Vielfalt innerhalb des Islams, des Status der christlichen und jüdischen Minderheiten und des Aufstiegs der säkularen Ideologien hinausgeht. Die Untersuchung der Ernährungsnormativität bietet im Falle der Türkei die Möglichkeit, zu einer anderen Geschichte der Religionen in der Türkei beizutragen. (shrink)