Results for 'Elze Ufkes'

48 found
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  1.  45
    Interviewing Suspects with Avatars: Avatars Are More Effective When Perceived as Human.Sabine Ströfer, Elze G. Ufkes, Merijn Bruijnes, Ellen Giebels & Matthijs L. Noordzij - 2016 - Frontiers in Psychology 7.
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  2.  19
    “Psyosphere”: A GPS Data-Analysing Tool for the Behavioural Sciences.Benjamin Ziepert, Peter W. de Vries & Elze Ufkes - 2021 - Frontiers in Psychology 12.
    Positioning technologies, such as GPS are widespread in society but are used only sparingly in behavioural science research, e.g., because processing positioning technology data can be cumbersome. The current work attempts to unlock positioning technology potential for behavioural science studies by developing and testing a research tool to analyse GPS tracks. This tool—psyosphere—is published as open-source software, and aims to extract behaviours from GPSs data that are more germane to behavioural research. Two field experiments were conducted to test application of (...)
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  3. The Role of Teleological Thinking in Judgments of Persistence of Musical Works.Elzė Sigutė Mikalonytė & Vilius Dranseika - 2022 - Journal of Aesthetics and Art Criticism 80 (1):42-57.
    In his article “The Ontology of Musical Versions: Introducing the Hypothesis of Nested Types,” Nemesio Puy raises a hypothesis that continuity of the purpose is both a necessary and a sufficient condition for musical work’s identity. Puy’s hypothesis is relevant to two topics in cognitive psychology and experimental philosophy. The first topic is the prevalence of teleological reasoning about various objects and its influence on persistence and categorization judgments. The second one is the importance of an artist’s intention in the (...)
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  4. Intuitions in the Ontology of Musical Works.Elzė Sigutė Mikalonytė - 2022 - Review of Philosophy and Psychology 13 (2):455-474.
    An impressive variety of theories of ontology of musical works has been offered in the last fifty years. Recently, the ontologists have been paying more attention to methodological issues, in particular, the problem of determining criteria of a good theory. Although different methodological approaches involve different views on the importance and exact role of intuitiveness of a theory, most philosophers writing on the ontology of music agree that intuitiveness and compliance with musical practice play an important part when judging theories. (...)
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  5. Experimental Ontology of Music.Elzė Sigutė Mikalonytė - manuscript
    This chapter focuses on the methodological challenges and practical implications of the experimental ontology of music. It offers an overview of the existing research, primarily focusing on how people judge whether two musical performances are of one and the same or two distinct musical works, followed by a discussion of the current methodological debates in this field and, finally, an exploration of its potential legal implications.
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  6. Intuitions on the Individuation of Musical Works. An Empirical Study.Elzė Sigutė Mikalonytė & Vilius Dranseika - 2020 - British Journal of Aesthetics 60 (3):253-282.
    Philosophers often consider better compliance with prevalent pre-theoretical intuitions to be an advantage of a theory of ontology of musical works. However, despite many predictions of what these intuitions on relevant questions might be, so far there is only one experimental philosophy study on the repeatability of musical works by Christopher Bartel. We decided to examine the intuitions concerning the individuation of musical works by creating scenarios reflecting the differences in the positions of musical ontologists: pure and timbral sonicism, instrumentalism, (...)
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  7. (1 other version)Can Artificial Intelligence Make Art?Elzė Sigutė Mikalonytė & Markus Kneer - 2022 - ACM Transactions on Human-Robot Interactions.
    In two experiments (total N=693) we explored whether people are willing to consider paintings made by AI-driven robots as art, and robots as artists. Across the two experiments, we manipulated three factors: (i) agent type (AI-driven robot v. human agent), (ii) behavior type (intentional creation of a painting v. accidental creation), and (iii) object type (abstract v. representational painting). We found that people judge robot paintings and human painting as art to roughly the same extent. However, people are much less (...)
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  8.  7
    The folk concept of art.Elzė Sigutė Mikalonytė & Markus Kneer - 2024 - Synthese 205 (1):1-27.
    What is the folk concept of art? Does it track any of the major definitions of art philosophers have proposed? In two preregistered experiments (N = 888) focusing on two types of artworks (paintings and musical works), we manipulate three potential features of artworks: intentional creation, the possession of aesthetic value, and institutional recognition. This allows us to investigate whether the folk concept of art fits an essentialist definition drawing on one or more of the manipulated factors or whether it (...)
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  9.  68
    Why Does Pure Music Not Have Semantic Content?Elzė Sigutė Mikalonytė - 2018 - Revista Portuguesa de Filosofia 74 (4):1355-1376.
    The aim of this paper is to analyze the possibility of semantic content in pure music. The paper argues that pure music does not have semantic content. This conclusion relies on the Gricean analysis of meaning in terms of speakers’ intentions and on Peter Kivy’s argument that pure music does not meet the Gricean requirement for the composers’ intention. First, we analyze the results of empirical studies of metaphorical conceptualization of music; they show that the connections between properties of sound (...)
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  10.  22
    Are Quantum Spins but Small Perturbations of Ontological Ising Spins?Hans-Thomas Elze - 2020 - Foundations of Physics 50 (12):1875-1893.
    The dynamics-from-permutations of classical Ising spins is generalized here for an arbitrarily long chain. This serves as an ontological model with discrete dynamics generated by pairwise exchange interactions defining the unitary update operator. The model incorporates a finite signal velocity and resembles in many aspects a discrete free field theory. We deduce the corresponding Hamiltonian operator and show that it generates an exact terminating Baker–Campbell–Hausdorff formula. Motivation for this study is provided by the Cellular Automaton Interpretation of Quantum Mechanics. We (...)
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  11. The Folk Concept of Art.Elzė Sigutė Mikalonytė & Markus Kneer - manuscript
    What is the folk concept of art? Does it track any of the major definitions of art philosophers have proposed? In two preregistered experiments (N=888) focusing on two types of artworks (paintings and musical works), we manipulate three potential features of artworks: intentional creation, the possession of aesthetic value, and institutional recognition. This allows us to investigate whether the folk concept of art fits an essentialist definition drawing on one or more of the manipulated factors, or whether it might be (...)
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  12.  10
    Richard Kilvington on continuity.Elżbieta Jung & Robert Podkoński - 2009 - In Christophe Grellard & Aurâelien Robert, Atomism in late medieval philosophy and theology. Boston: Brill. pp. 9--65.
  13.  9
    Narracja i egzystencja: "Droga okrężna" Paula Ricoeura od hermeneutyki do ontoantropologii.Elżbieta Wolicka - 2010 - Lublin: Wydawn. KUL.
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  14.  5
    Rozważania wokół Kanta: prolegomena do filozofii kultury jako krytyki władz podmiotu.Elżbieta Wolicka - 2002 - Lublin: Tow. Nauk. Katolickiego Uniwersytetu Lubelskiego.
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  15. Does the Phineas Gage Effect Extend to Aesthetic Value?Elzė Sigutė Mikalonytė & Clément Canonne - forthcoming - Philosophical Psychology.
    In the last twenty years, a large number of studies have investigated judgments of the identity of various objects (e.g., persons, material objects, institutions) over time. One influential strand of research has found that identity judgments are shaped by normative considerations. People tend to believe that moral improvement is more compatible with the continuity of identity of a person than moral deterioration, suggesting that persons are taken to be essentially morally good. This asymmetry is often referred to as the “Phineas (...)
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  16. Musical works are mind-independent artifacts.Elzė Sigutė Mikalonytė - 2023 - Synthese 203 (1):1-28.
    Realism about musical works is often tied to some type of Platonism. Nominalism, which posits that musical works exist and that they are concrete objects, goes with ontological realism much less often than Platonism: there is a long tradition which holds human-created objects (artifacts) to be mind-dependent. Musical Platonism leads to the well-known paradox of the impossibility of creating abstract objects, and so it has been suggested that only some form of nominalism becoming dominant in the ontology of art could (...)
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  17. Redukcjonistyczne wyjaśnianie i sprawdzanie w biologii.Elżbieta Pakszys - 1980 - In Jan Such, O swoistości uzasadniania wiedzy w różnych naukach: praca zbiorowa. Poznań: Wydawn. Nauk. Uniwersytetu im. Adama Mickiewicza w Poznaniu.
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  18.  5
    Mit--symbol rozwinięty: w kręgu platońskiej hermeneutyki mitów.Elżbieta Wolicka - 1989 - Lublin: Red. Wydawnictw Katolickiego Uniwersytetu Lubelskiego.
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  19. What is Art? The Role of Intention, Beauty, and Institutional Recognition.Elzė Sigutė Mikalonytė & Markus Kneer - 2023 - Proceedings of the Annual Meeting of the Cognitive Science Society 45:3039-3047.
    In two experiments (N=888), we explore to what extent the folk concept of art is compatible with the leading philosophical definitions of art, and whether it is an essentialist or a non-essentialist concept. We manipulate three factors: whether an object is created intentionally, whether it has aesthetic value, and whether it is institutionally recognized. In addition, we also manipulate the artistic domain (visual art or music). The results suggest that none of the three properties is seen by the folk as (...)
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  20. Quantum features of natural cellular automata.Hans-Thomas Elze - 2016 - In Ignazio Licata, Beyond peaceful coexistence: the emergence of space, time and quantum. London: Imperial College Press.
     
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  21.  9
    Education and creativity.Elżbieta Osewska (ed.) - 2014 - Warszawa: Wydawnictwo Uniwersytetu Kardynała Stefana Wyszyńskiego.
  22.  6
    Próby filozoficzne: w kręgu wybranych zagadnień "filozofii wieczystej" i współczesnej antropologii.Elżbieta Wolicka - 1997 - Kraków: Znak.
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  23.  43
    Experimental Philosophy of Art and Aesthetics.Elzė Sigutė Mikalonytė, Ryan Doran & Shen-yi Liao - 2024 - Stanford Encyclopedia of Philosophy.
    Experimental philosophy of art and aesthetics is the application of the methods of experimental philosophy to questions about art and aesthetics. By taking a scientific approach to experiences with art and aesthetic phenomena, it is continuous with the longstanding research program in psychology called empirical aesthetics. However, it is also continuous with traditional research in philosophy of art and aesthetics because it is centered on many of the same timeless questions. Like other branches of experimental philosophy, such as experimental moral (...)
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  24.  8
    Emocijų metaforinė egzemplifikacija grynojoje muzikoje.Elzė Sigutė Mikalonytė - 2019 - Problemos 95:117-129.
    [straipsnis ir santrauka lietuvių kalba; santrauka anglų kalba] Šiame straipsnyje ginama tezė, kad grynoji muzika nereprezentuoja emocijų, bet jas metaforiškai egzemplifikuoja. Tezė grindžiama remiantis N. Goodmano metaforinės emocijų egzemplifikacijos samprata, kurią M. Textoras papildo intencijos kriterijumi (egzemplifikuojama tik tai, ką turima intencija egzemplifikuoti). Straipsnis sudarytas iš dviejų dalių: pirmojoje pateikiama emocijų atpažinimo ir sužadinimo klausantis muzikos analizė. Antrojoje dalyje siekiama pagrįsti, kad emocijų metaforinė egzemplifikacija muzikoje laikytina P. Grice’o nenatūralios prasmės rūšimi, o priėmus šią prielaidą galima apginti metaforinės egzemplifikacijos sampratą (...)
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  25.  59
    Struktura teorii psychologicznych: behawioryzm, psychoanaliza, psychologia humanistyczna.Elżbieta Paszkiewicz - 1983 - Warszawa: Państwowe Wydawn. Nauk..
  26.  7
    Rozważania o ludzkim rozwoju.Elżbieta Sujak - 1987 - Kraków: Znak.
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  27.  7
    W kręgu filozofii nauki, kultury i społeczeństwa.Tadeusz Buksiński, Elżbieta Pakszys & Barbara Kotowa (eds.) - 2009 - Poznań: Wydawn. Naukowe Instytutu Filozofii.
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  28.  8
    The contextuality of language and culture.Elżbieta Chrzanowska-Kluczewska & Agnieszka Gołda-Derejczyk (eds.) - 2009 - Bielsko-Biała: Wydawnictwo WSEH.
  29.  10
    Miejsce rzeczywiste, miejsce wyobrażone: studia nad kategorią miejsca w przestrzeni kultury.Małgorzata Kitowska-Łysiak & Elżbieta Wolicka (eds.) - 1999 - Lublin: Tow. Nauk. Katolickiego Uniwersytetu Lubelskiego.
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  30. European humanism and its challenges: Ljubljana, September 8-9, 2017.David Movrin, Elżbieta M. Olechowska & Brane Senegačnik - 2017 - Ljubljana: Znanstvena založba Filozofske fakultete.
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  31.  1
    Psychika i poznanie: epistemologia Kazimierza Twardowskiego.Elżbieta Paczkowska-Łagowska - 1980 - Warszawa: Państwowe Wydawn. Naukowe.
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  32. Społeczne wartości nauk biologicznych.Elżbieta Pełka-Pelińska - 1981 - In Salomea Kowalewska, Społeczne wartości nauki. Warszawa: Państwowe Wydawn. Nauk..
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  33.  35
    Biographical Handbook for the Prussian Chamber of Deputies 1867–1918. [REVIEW]Wolfgang Elz - 1989 - Philosophy and History 22 (2):193-194.
  34.  22
    Helmuth James von Moltke. Letters to Freya 1939–1945. [REVIEW]Wolfgang Elz - 1990 - Philosophy and History 23 (2):187-188.
  35.  68
    Lord D’Abernon and British Policy towards Germany 1920–1926. [REVIEW]Wolfgang Elz - 1991 - Philosophy and History 24 (1-2):91-92.
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  36.  59
    The Way out of the War. Bismarck’s policy in the war and paving the way for peace 1870–1. [REVIEW]Wolfgang Elz - 1991 - Philosophy and History 24 (1-2):94-96.
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  37.  17
    Language-games, pro and against.Elżbieta Chrzanowska-Kluczewska - 2000 - Kraków: Universitas.
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  38.  7
    Logos życia: filozofia hermeneutyczna w kręgu Wilhelma Diltheya.Elżbieta Paczkowska-Łagowska - 2000 - Gdańsk: Slowo/obraz terytoria.
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  39. Wieczne teraz: materiały z Konferencji Naukowej "Perspektywy Recentywizmu i Eutyfroniki", Szczyrk, maj 2001.Andrzej L. Zachariasz & Elżbieta Struzik (eds.) - 2002 - Katowice: Wydawn. Uniwersytetu Śląskiego.
  40. Relacje między teoriami a rozwój nauki.Władysław Krajewski, Elżbieta Pietruska-Madej & Jan M. Żytkow (eds.) - 1978 - Wrocław: Zakład Narodowy im. Ossolińskich.
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  41.  11
    Intymny portret uczonych: korespondencja Marii i Stanisława Ossowskich.Maria Ossowska, Stanisław Ossowski & Elżbieta Neyman (eds.) - 2002 - Warszawa: Wydawn. Sic!.
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  42.  16
    Neki filozofski aspekti Elze Kučere.Luka Boršić & Ivana Skuhala Karasman - 2022 - Disputatio Philosophica 24 (1):93-106.
    U središtu ovog teksta nalaze se neki filozofski aspekti Elze Kučere (1883. — 1972.). Kučera je 1909. godine doktorirala filozofiju na Sveučilištu u Zürichu i tako postala prva Hrvatica rođena u Hrvatskoj koja je doktorirala filozofiju. No, glavni joj je interes bila psihologija, a kasnije i bibliotekarstvo te su, osim doktorskih disertacija, gotovo svi njezini objavljeni radovi unutar tih disciplina. No, u arhivu Nacionalne i sveučilišne knjižnice u Zagrebu čuvaju se njezina rukopisna i neobjavljena djela, a među njima se (...)
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  43. Sefer Śimḥat Mordekhai: ḳovets maʼamre ṿe-ḥidushe... Mordekhai Gifṭer, z. ts. l., rosh Yeshivat Ṭelz.Mordekhai Gifṭer - 2013 - Lakewood, NJ: Shual Dovid Jacob. Edited by Shual Dovid Jacob.
     
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  44.  22
    Gabrielis Biel Collectorium circa quattuor libros Sententiarum: Prologus et Liber primus. Collaborantibus Martino Elze et Renata Steiger, ediderunt Wilfridus Werbeck et Udo Hofmann. [REVIEW]D. Gutiérrez - 1975 - Augustinianum 15 (3):478-479.
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  45. Dr. Elza Kučera.Luka Boršić & Ivana Skuhala Karasman - 2022 - Zagreb: Institut za filozofiju.
    Život Elze Kučere -- Prva hrvatska knjižničarka -- Kučera kao filozofkinja -- Prva hrvatska eksperimentalna psihologinja -- Dodatak I. Kratak izbor iz proze i poezije Elze Kučere -- Dodatak II. Izbor iz Kučernih knjižničarskih zapisa -- Dodatak III. Kučerin neobjavljen tekst Karakteristika mišljenja i htijenja u vidu eksperimentalnog istraživanja.
     
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  46.  62
    Methodological worries on recent experimental philosophy of music.Nemesio García-Carril Puy - 2022 - Philosophical Psychology 35 (3):410-441.
    This paper discusses methodological issues of two recent experiments conducted by Christopher Bartel, and Elzė S. Mikalonytė and Vilius Dranseika, respectively, about the repeatability and individuation of musical works. I argue, first, that the reliability of their results about people’s intuitions in our everyday musical practices can be questioned due to the use of descriptions instead of musical stimuli of the works and performances involved in the cases tested. This procedure is prone to place participants in an epistemic situation in (...)
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  47.  22
    Rinktiniai gnominiai fragmentai. Pindar - 2015 - Problemos 87:175.
    Graikiškas tekstas parengtas pagal: Pindar, Vol. 1: Olympian Odes, Pythian Odes (Loeb Classical Library 56); Vol. 2: Nemean Odes, Isthmian Odes, Fragments (Loeb Classical Library 485), edited and translated by William H. Race, Cambridge, MA, London: Harvard University Press, 1997. -/- Iš sen. graikų kalbos vertė filosofinio teksto vertimo seminaro dalyviai: Vytautas Ališauskas, Viktoras Bachmetjevas, Paulius Garbačiauskas, Elzė Sigutė Mikalonytė, Jonas Skarulskis, Julita Slipkauskaitė, Gendvilė Svirskaitė ir Gintarė Vaičiulytė Mokslinis redaktorius Paulius Garbačiauskas.
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  48. Perspectives of the Numerical Order of Material Changes in Timeless Approaches in Physics.Davide Fiscaletti & Amrit Sorli - 2015 - Foundations of Physics 45 (2):105-133.
    Wheeler–deWitt equation as well as some relevant current research (Chiou’s timeless path integral approach for relativistic quantum mechanics; Palmer’s view of a fundamental level of physical reality based on an Invariant Set Postulate; Girelli’s, Liberati’s and Sindoni’s toy model of a non-dynamical timeless space as fundamental background of physical events) suggest that at a fundamental level the background space of physics is timeless, that the duration of physical events has not a primary existence. By taking into consideration the two fundamental (...)
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