This article seeks to conceptualize global counterterror actor types by examining the designated terrorist organizations lists of six countries; the United States, the United Kingdom, Australia, Canada, Russia, and China. It is argued that these countries should be placed into one of three distinct categories: Trendsetters, Trend Followers, and Individual Players. Being able to classify countries according to these categories is important for global policymakers. It raises awareness of the differences between countries, and emphasizes that “one-fits-all” policies are inappropriate and (...) have little chance of achieving global endorsement. (shrink)

Halk inançları muhteva olarak oldukça geniş bir alanı içine alır. Dinî alana dönük halk inançları olduğu gibi, hava durumu, sosyal, ekonomik, askerî veya sivil hayat, eğlence, üzüntü gibi akla gelebilecek her alanla ilgili olmak üzere halk inançlarına rastlamak olağandır. Makalede daha çok üzerinde durulacak husus, insanlar arasında canlı bir şekilde varlığını sürdüren ve İslâm akāidiyle ilgisi olan halk inançlarıdır. Üzerinde duracağımız halk inançlarının önemli bir kısmı sadece dinî açıdan yanlış olmakla kalmamakta aynı zamanda İslâm akāidinin doğru bir şekilde öğrenilmesinin önüne (...) geçmektedir. Bu yönüyle konu kelâm ilminin alanına girmektedir. Zira kelâm ilminin konusu inanç esaslarıdır. Dolayısıyla kelâm açısından halkın sahip olduğu inançların yapısının ve gündelik hayata yansımalarının bilinmesi önemlidir. Her ne kadar bu tür çalışmalar bazı sosyal disiplinler tarafından yapılsa da kelâm açısından bir boşluğun olduğu ortadadır. Zira bu bilimler dinî hususları bir vaka olarak inceler. Değer yargısında bulunmaz. Halbuki kelâm sadece tespit ile yetinmez. Ait olduğu dinin bakış açısıyla değerlendirmelerde bulunur. Bu onun görevidir. Bilgilerimize göre kelâm ilmi alanında modern araştırma yöntemlerini kullanarak insanların inanç ve davranışlarını inceleyen çalışmaların sayısı azdır. Makalede, temel dinî esasların bir kısmını ve bazı halk inançlarını içeren sorularla, halkın dinî kabul ve yaşayışları tespit edilmeye çalışılmıştır. (shrink)

Doğuş evresini Muhammed Huseyn Heykel’in kırsal yaşam temalı Zeyneb adındaki romanıyla tamamlayan Arap romanı, tarih temalı Necib Mahfûz’un romanlarıyla önemli bir merhale katetmiştir. Birçok farklı temayla kaleme alındığı görülen Arap romanının önemli bir temayı eksik bıraktığı görülmüştür. Eksik bırakılan söz konusu tema ise çöl izleği olmuştur. Bu eksiği çok iyi fark eden İbrahim el-Kûnî ise kollarını sıvayıp bu manada onlarca roman kaleme almıştır. Çöl temalı birçok romanında çölün zannedildiği gibi ıssız, çorak ve izole edilmiş verimsiz bir coğrafya olmadığını aksine çölün (...) temiz havasıyla, vefalı insanıyla ve sakin ortamıyla müthiş bir coğrafya olduğunu anlatmıştır. Okurları çöl temalı romanlarla tanıştıran Kûnî, söz konusu romanlarında insanın çöl ve doğa ile ilişkisinde hayatın anlamına ve varlığın özüne inmeye çalışmıştır. Çöl temalı yazdığı onlarca romanı sebebiyle çöl romancısı olarak isimlendirilen Kûnî, on iki yaşında Arapçayı öğrenmesine rağmen Arapça yazdığı romanlarında müthiş mitolojik ve felsefi bir dil kullanmıştır. Söz konusu dili hikâye, edebiyat araştırmaları, eleştiri, dil, tarih ve siyaset ile ilgili eserlerinde de kullanan Kûnî, bu anlamda önemli bir kültürel mirası geride bırakmıştır. (shrink)

The word "meâl" in Arabic means "the destination or aim of something" however in terminology it means approximate translation of the Qur'an from the original text to the target language. For someone who doesn't know Arabic, the meaning of the Qur'an is the most significant and unique way to reach God's final revelation. Therefore, great responsibility has been placed on the shoulders of the translator of the Qur'an, plus the aim and duty of these translators must be to deliver God's (...) will correctly. A translator willing to take upon this much responsibility, in a subject of this importance and sensitivity, first must evaluate their competency within their inner world, and only if they decide that they are qualified enough in this profession they must try to do everything within their capability to provide everything that this responsibility requires, without growing tired of it. Regrettably expressed, that many translators of the Qur'an are not even aware of this responsibility. It is easy to understand that they are duplicates of each other. However, we must exclude some translators of the Qur'an such as Salih Akdemir. One of the most valuable works of Akdemir in his academic life is the meaning of the Qur'an in Turkish, "Son Çağrı Kur'an". His study is not well recognized in our country. Akdemir used the possibilities of the Turkish quite well in the meaning of the Qur'an. In this article, we will examine Salih Akdemir's translation of the Qur'an named "Son Çağrı Kur'an". (shrink)

Many mawlids (mawlid al-nabī) have been written as a reflection of the love for the prophet Muhammad. Süleymān Çelebi’s (d. 825/1422) Wasila al-nacāt, has been seen as the founding work in Turkish literature in this category. The effect of Wasila al-nacāt has continued for centuries, and inspired many other mawlids. One of them is Enverī Erzincānī’s work named Mawlūd al-sharīf (Sumbul al-gulzār al-kalām al-kadīm). In literature tradition, mawlids are written in masnawī in ​​verse form, Mawlūd al-sharīf was written in style. (...) ode. In this respect, the work can be seen as an exception between the other ones. Another remarkable aspect of the work is the similarity between the two stories in Nasibī al-mawlid which is estimated to be written in XV. or XVI. century. Until now, no academic work has been done about Mawlūd al-sharīf. The sources that provide information about Mawlūd al-sharīf report about, two copies, one in Çorum Hasanpasha Manuscript Library (Çorum Hasanpaşa Yazma Eserler Kütüphanesi) and the other in Kastamonu Manuscript Library (Kastamonu Yazma Eserler Kütüphanesi). Research showed that the copy in Kastamonu was in fact another copy of Wasila al-nacāt another copy of Mawlūd al-sharīf was also found in the Çorum Hasanpasha Manuscript Library (Çorum Hasanpaşa Yazma Eserler Kütüphanesi). The number of couplets of Mawlūd al-sharīf has increased to 202 with the finding of the second copy. About the author of the work that is approximatly written in the XVII. or XVIII. century no information could be found. This study, introduces the Mawlūd al-sharīf and its authors, compares it with Wasila al-nacāt and presents an critical analysis of the text.Summary: The term mawlid means birth, birth time and place of birth. It was used to describe works such as the birth of the Prophet, miracles and the death of the Prophet. Next to these there also many mawlids about the lifes of Fatīma the daughter of the Prophet and her husband Alī, and few about the lifes of a spiritual guide. The first examples of this type seen in Arabic literature are Ibn Dihya al-Kalbī (d. 633/1235), Muhammad al-Azafī (d. 633/1236) and Cafar b. Hasan al-Barzancī (d. 1177/1764); Muhammad b. Masūd el-Kāzarūnī (d. 758/1356) and Sūzanī (d. 569/1173). The celebrations related to mawlid have turned into ceremonial form in the era of the Fatimies. The Fatimies held, Mawlid-al-Alī, Mawlid al-Hasan, Mawlid al-Husayin and Mawlid al-Fatīma ceremonies next to the Prophet’s. The first mawlid ceremony in the form of today was seen in the time of Muzaffar al-Dīn Gokboru (d. 630/1233).Different ideas have been put forward about the first mawlid text in Turkish literature, but Süleymān Çelebi’s Wasila al-nacat has been accepted as a pioneer work in the recognition and love of this kind. Many mawlids were written with the influence of Wasila al-nacat. The likeness of the content and the motifs of the majority of mawlids to Wasila al-nacat is interpreted as a strong sign indicating its importance in this genre. The translation of Wasila al-nacat into Arabic, Circassian, Greek, Kurdish, Tatar, Sawamish, English, German, Albanian, Bosnian... languages ​​should be considered as a factor that exposes its breadth.It is estimated that around 200 Turkish mawlids have been written, but this number is increasing with new studies. One of these mawlids is the work of Enverî Erzincānī called Mawlūd al-sharīf Ethem Erkoç and Mehmet Fatih Köksal are the researchers who have been aware of the existence of this work for the first time. Both researchers mention that the work has 142 couplets and the only copy is that in the Çorum Hasanpasha Writing Works Library (Çorum Hasanpaşa Yazma Eserler Kütüphanesi). In his work called Mawlid-nāma Köksal states that there is a second copy of the work, but the copy of Kastamonu, which is known as the second copy, is actually a copy of Wasila al-nacat. In the present study, another more bulky version of Mawlūd al-sharīf was recorded in Çorum Hasanpasha Manuscript Library (Çorum Hasanpaşa Yazma Eserler Kütüphanesi). In the catalogs of the National Library (Milli Kütüphane) and Çorum Hasanpasha Manuscript Library (Çorum Hasanpaşa Yazma Eserler Kütüphanesi), the mawlid is indicated as Persian; the reason fort his mistake might be, the fact that the first twelve of the text is Persian.Although there were many poets who used the pseudonym Enverī there is no poet in Turkish literature, who was from Erzincan and wrote a mawlid with the same pseudonym. It was understood that the poet was a sayyid.In five places the author’s name or pseudonym is mentioned. His work shows that he is from Erzincān and that he has a mawlid. As a mawlid poet Enverī, adopted a quite ambitious style. He praises himself for writing in Persian, being the best Persian speaker in this area, and boasted his pure character and wise poetry.In the headlines of the copies the work is called Mawlūd al-sharīf / Sunbul al-gulzār al-kalām al-kadīm. Therefore, it would be more appropriate to consider the work as a double name sage. The copies do not include a record of the copyright date of the work. According to the second copy, which is shorter and which has the impression that it is incomplete, the work was copied in 1249/1833. It can be said that the Mawlid was written in the XVII. or XVIII. century because of its language and style.In the mawlid tradition of writing mawlid, generally masnawī form was preferred. Rarely some mawlids were conposed in verse styles. One of these works, which are two for now, is the one in which Çizmeci-zāde Vehbī wrote the couplets of Wasila al-nacat in sixth verse form. The other one is the Mawlūd al-sharīf of Enverī Erzincān. Mawlūd al-sharīf was written entirely in the form of an ode, except of two stories with 48 couplets must have been added later. The work with 202 couplet was separated from Wasila al-nacat and other mawlids in terms of starting with a Persian tawhid and using the style of an ode. Because of the small number of citations, the subjects described in Wasila al-nacat have not been contacted or have been summarized. Mawlūd al-sharīf is one of the shortest ones. Because of the small number of couplets of Mawlūd al-sharīf, the subjects described in detail in Wasila al-nacat are either not mentioned or only summarized. The work, consists of two major sections: The birth of the Prophet and the miracle of miraj. The remarkable feature of Mawlūd al-sharīf is that the two stories told are identical to the stories in Nasībī Mawlid (XV. or XVI. century). The first story tells how, a Jewish couple living in Baghdad became Muslims because of their respect for the mawlid ceremony. The second story tells about, a young named Alī who organized a mawlid ceremony with little money left from his mother and therefore died with faith. Surprisingly, this similarity is seen in the content and narrative forms of the stories in both texts. The fact that the comparative stories are almost the same makes on think of the possibilities of imitating, quoting or saving rather than an impression of the author by the previous text. Taking into account the chronological time, it seems more likely to accept the quotations in the Mavlūd al-sharīf as duplicating. Writing the stories in Mawlūd al-sharīf after the main chapters and the line differences in the rulers reinforce the impression that the stories are added later. (shrink)