Minds Without Fear is an intellectual and cultural history of India during the period of British occupation. It demonstrates that this was a period of renaissance in India in which philosophy--both in the public sphere and in the Indian universities--played a central role in the emergence of a distinctively Indian modernity. The book is also a history of Indian philosophy. It demonstrates how the development of a secular philosophical voice facilitated the construction of modern Indian society and the consolidation (...) of the nationalist movement. (shrink)

A prevailing view among specialists is that Indian philosophy "proper" can only be philosophy written in Sanskrit and a few other Prakrits (any of the several Middle Indo-Aryan vernaculars formerly spoken in India), in a doxographical style, and along more or less clearly drawn scholastic lines. As such, it encompasses the entirety of speculative and systematic thought in India up to the advent of British colonial rule in the 19th Century. Minds Without Fear challenges this dominant view of the (...) history of Indian philosophy, arguing that Indian philosophy produced in English during the Raj does not mark a radical departure from its indigenous cultural forms so much as their appropriation in the service of intercultural philosophy. While necessarily politically fraught (given the status of English as the language of colonial power), the new vernacular becomes a vehicle for Enlightenment ideas of rationality and scientific progress, and serves as a new "scholarly metalanguage" in the formation of a modern Indian philosophical canon. (shrink)

Does R. G. Collingwood’s theory that concepts in philosophy are organized as “scales of forms” apply to his own work on the nature of history? Or is there some inconsistency between Collingwood’s work as a philosopher of history and as a theorist of philosophical method? This article surveys existing views among Collingwood specialists concerning the applicability of Collingwood’s “scale of forms” thesis to his own philosophy of history – especially the accounts of Leon Goldstein and Lionel Rubinoff – and outlines (...) the obvious objections to such an application. These objections however are found to be answerable. It is shown that Collingwood did indeed think that the scale of forms thesis should apply to the philosophy of history, and even that he identified the “highest” form in history as a kind of scientific research or inquiry. But it is not claimed that Collingwood identified the “lower” forms explicitly. An account is provided of the three distinct forms that can be identified in Collingwood’s philosophy of history, and of the “critical points” by which lower forms are negated and incorporated by higher forms. But it is also explained that these forms are not neatly coterminous with the stages in Western philosophical thinking about history as Collingwood narrates them in The Idea of History. (shrink)

The author, with over three decades of focused research on fear and fearlessness and 45 years as an emancipatory educator, argues that philosophy and philosophy of education have missed several great opportunities to help bring about theoretical and meta-perspectival clarity, wisdom and compassion, and practical ways to the sphere of fear management/education (FME) throughout history. FME is not simple, nor a luxury, it is complex. It's foundational to good curriculum but it requires careful philosophical critique. This book embarks (...) on a unique transdisciplinary understanding of The Fear Problematique and how it can be integrated as a pivotal contextual reference for assessing the 'best' way to go in Education today and tomorrow. Educational philosophy is examined and shown to have largely 'missed the boat' in terms of responding critically and ethically to the insidious demand of having to truly educate ourselves when we are so scared stiff. Such a state of growing chronic fear, of morphing types of fear, and a culture of fear, ought to be central in shaping a philosophy of fear(ism) for education. The book challenges all leaders, but especially philosophers and educators, to upgrade their own fear imaginary and fear education for the 21st century, a century of terror likely to grow in the cascading global crises. (shrink)

This paper explores and expands upon Jorge Gracia's reasons for the apparent lack of Hispanics in US philosophy. The point is to explain the underrepresentation of Hispanics in philosophy, with a focus on a specific subgroup of Hispanics, namely, "homegrown" US Hispanics. This group wasentirely missing from the "established" ranks in Gracia's census. I propose a phenomenological explanation for this lack, rooted in my experience as ahomegrown US Hispanic. This experience gives rise to a sense of identity described as "post-immigrant." (...) Those of us in the American philosophical establishment who share this identity, or who feel its pull, desire but hesitate to fully and authentically engage philosophy and the philosophical life, where thisrequires an uncompromising insertion of our cultural and historical identity into what we write and teach. The reason for the absence of homegrown Hispanicphilosophers who are willing to engage issues related to their circumstance as Hispanics is what I call, "the post-immigrant fear.". (shrink)

Fear, which has always been one of the most powerful of human passions, has grown in importance during modernity. First with Machiavelli and later especially with Hobbes, fear has become one of the foundational ideas of modern political philosophy. If fear, especially fear of death, does indeed occupy a central place in the foundation of modern politics, then it is necessary to study carefully the implications and consequences of the transhumanist attempt to overcome death. Among the (...) main aspirations of transhumanism is the search for almost infinite longevity and, eventually, the total abolition of aging. Therefore, it is necessary to understand the specific role that fear of death has played in modern political philosophy to understand the possible effects that an eventual overcoming of death would have, albeit partial, as wanted by transhumanists. While the possibility of achieving immortality seems unlikely, this doesn’t mean that we shouldn’t study what’s behind this transhumanist aspiration. In this way, transhumanism seems the final consequence of modern development, since it’s in continuity with the modern attempt to respond to the fear of death, but it does so by trying an ultimate solution to it through the elimination of death, at least by sickness and old age. In this paper, we will review the role of fear of death in the founding of modern political philosophy by Machiavelli and Hobbes, and then we will analyse the transhumanist attempt to overcome death as a consequence of this fear and its possible political effects. (shrink)

Surveillance cameras. Airport security lines. Barred store windows. We see manifestations of societal fears everyday, and daily news reports on the latest household danger or raised terror threat level continually stoke our sense of impending doom. In _A Philosophy of Fear_, Lars Svendsen now explores the underlying ideas and issues behind this powerful emotion, as he investigates how and why fear has insinuated itself into every aspect of modern life. Svendsen delves into science, politics, sociology, and literature to explore (...) the nature of fear. He examines the biology behind the emotion, from the neuroscience underlying our “fight or flight” instinct to how fear induces us to take irrational actions in our attempts to minimize risk. The book then turns to the political and social realms, investigating the role of fear in the philosophies of Machiavelli and Hobbes, the rise of the modern “risk society,” and how fear has eroded social trust. Entertainment such as the television show “Fear Factor,” competition in extreme sports, and the political use of fear in the ongoing “War on Terror” all come under Svendsen’s probing gaze, as he investigates whether we can ever disentangle ourselves from the continual state of alarm that defines our age. Svendsen ultimately argues for the possibility of a brighter, less fearful future that is marked by a triumph of humanist optimism. An incisive and thought-provoking meditation, _A Philosophy of Fear _pulls back the curtain that shrouds dangers imagined and real, forcing us to confront our fears and why we hold to them. (shrink)

Social philosophy as a discipline has a number of standard research topics at its disposal, such as the search for the best form of government, the elucidation of the laws of the development of society, the problem of free will and will to power, etc., while the study of the phenomenon of fear is knocked out of this series and is not prerogative of social philosophy. However, upon closer examination, the problem of fear is extremely urgent for social (...) philosophy, and some of its aspects can be correctly interpreted only when using optics and the methodology of this field of scientific knowledge. In this article, we are talking about the peculiarities of the phenomenon of fear, which has an impact on a specific individual in particular and on society as a whole. The author strives to isolate those features that distinguish fear from the total number of problems of modern societies and to present fear as a phenomenon that can not be analyzed only with the help of the means of the natural sciences. Having these features determined, we will understand the need to examine the phenomenon of fear in studying the state of modern societies as well as social philosophy will possess the necessary tools for this analysis. (shrink)

Dr. R. Michael Fisher shares thoughts on how we can all, in our own ways, more or less, make aware and educated choices to follow the philia of knowledge--that is, knowledge about fear and thy fearful self as part of the path of Fearlessness. He outlines the various forms of the spirit of Fearlessness: bravery, courageousness, fear-less, fearlessness and fearless. Errata: I should have said re: quote "Norman Vincent Peale" I should have said Philosophy is "love of wisdom" (...) but I wanted to say it more broadly and add the "love of knowledge" dimension; could have also said "love of truth". (shrink)

Machine generated contents note: Introduction; Part I. Theoretical Views about Pity and Fear as Aesthetic Emotions: 1. Drama and the emotions: an Indo-European connection? 2. Gorgias: a strange trio, the poetic emotions; 3. Plato: from reality to tragedy and back; 4. Aristotle: the first 'theorist' of the aesthetic emotions; Part II. Pity and Fear within Tragedies: 5. An introduction; 6. Aeschylus: Persians; 7. Prometheus Bound; 8. Sophocles: Ajax; 9. Euripides: Orestes; Appendix: catharsis and the emotions in the definition (...) of tragedy in the Poetics. (shrink)

Kierkegaard is widely regarded as the 'father of existentialism', although his influence can be observed across the spectrum of twentieth century continental philosophy and philosophy of religion. Fear and Trembling is his most compelling and popular work and is heralded as a benchmark in twentieth century philosophy. The Routledge Philosophy Guidebook to Kierkegaard and Fear and Trembling examines the major themes that arise in this classic work of religious and existential philosophy. It also explores the broader aspects of (...) Kierkegaard's influence on philosophy as a whole. The book assumes no previous knowledge of Kierkegaard's work and will be essential reading for any student studying the ideas of this important thinker. Kierkegaard and Fear and Trembling introduces and assesses: Kierkegaard's life and the background to Fear and Trembling The ideas and text of Fear and Trembling , his most famous work Kierkegaard's continuing importance in philosophy. (shrink)

The two main purposes of this paper are: to document the history of my own philosophical thinking about fear and fearlessness in regards to existential philosophy.... to lay the groundwork for a genealogy of Fear Management System-5.

This paper outlines the Epicurean conception of rationality and then tries to assess the merits of the notorious contention of the Epicurean philosophers that it is irrationalto fear death. At the outset, I talk about the nature of harmful emotions or passions, of which the fear of death is an outstanding example: their dependence on one‘s disposition, their cognitive and non-cognitive components, the ways in which these elements may be related to each other, and the healthy counterparts of (...) the passions, namely the ‚bites‘. Next, I distinguish different kinds of fears involving the thought of death and I examine the Epicurean arguments against each one of them: fears about the state of being dead, others about dying prematurely, yet others concerning the dying process and especially the moment when the soul leaves the body and, finally,the fear that we must die sometime. Much of the discussion focuses on the writings of Philodemus . Philodemus offers the most sustained discussion of the fear of premature death and of the fear of dying that survive in the Epicurean literature. In addition, in the peroration of his treatise On Death, he gives a brilliant example of how we can reconcile ourselves with the fact that we shall die sometime and accept our own mortality. My provisional conclusion is that although the Epicurean philosophers often succeed in appeasing our fears about death, for the most part they fail to prove that these fears are irrational. (shrink)

The authors, each with their own independent history of study of fear and fearlessness have recently been in dialogue and are creating a synthesis of a growing movement called philosophy of fearism. This philosophy, an extension of existential philosophy, is shown in this technical paper....

By looking at a canonical article representing academic philosophy’s orthodox view against cultural relativism, James Rachels’ “The Challenge of Cultural Relativism,” this paper argues that current mainstream western academic philosophy’s fear of cultural relativism is premised on a fear of the racial Other. The examples that Rachels marshals against cultural relativism default to the persistent, ubiquitous, and age-old stereotypes about the savage/barbarian Other that have dominated the history of western engagement with the non-western world. What academic philosophy fears (...) about cultural relativism, it is argued, is the barbarians of the western imagination and not fellow human beings. The same structure that informs fears of cultural relativism, whereby people with different customs are reduced to the barbarian/savage of the western imagination, can be seen in the genesis of international law which arose as a justification for the domination of the Amerindian. It is argued that implicit in arguments against cultural relativism is the preservation of the same right to dominate the Other. Finally, it is argued that the appeal of the fear of cultural relativism is that, in directing moral outrage at others, one can avoid reflecting on the failures of one’s own cultural tradition. (shrink)

The article conceptualizes the term Pedagogy of Fear as the master narrative of educational systems around the world. Pedagogy of Fear stunts the active and vital educational growth of the young person, making him/her passive and dependent upon external disciplinary sources. It is motivated by fear that prevents young students—as well as teachers—from dealing with the great existential questions that relate to the essence of human beings. One of the techniques of the Pedagogy of Fear is (...) the internalization of the view that without evaluation and assessment we cannot know a child’s level or “worth”—and therefore are unable to help him/her if he is “slow in learning.” In contrast, Philosophy for/with Children offers a space for addressing existential questions, some of which deal with urgent social issues. The willingness to make philosophy inquiry an alternative already from an early age seeks to allow the child to challenge him/herself with new and fresh questions. Philosophy for/with Children does not regard children as a “space of lack” (experience, knowledge, values, etc.) The new and fresh philosophical perspective of children demands the presence of a willingness to engage in dialogue and rejection of the fear of the innocent and deep questions of philosophy. Shaking free of the Pedagogy of Fear and restoring honor to children’s questions demands a fundamental conceptual change within education. The replacement of existential certainty as it is depicted by adults in the existing education system with an existential question is a heavy intellectual task that in most cases is viewed as subversive—primarily on the part of the adult. It demands a return to starting points and a willingness to allow children a free and safe educational space in which to ground preliminary and fertile questions about themselves, their lives, their environment, and, most of all, the changing world they discover with the form of originality that is right for them. (shrink)

Through a close re-examination of Eugene O'Neill's oeuvre, from minor plays to his Pulitzer-winning works, this study proposes that O'Neill's vision of tragedy privileges a particular emotional response over a more "rational" one among his audience members. In addition to offering a new paradigm through which to interpret O'Neill's work, this book argues that O'Neill's theory of tragedy is a robust account of the value of difficult theatre as a whole, with more explanatory scope and power than its cognitivist counterparts. (...) This paradigm reshapes our understanding of live theatrical tragedy's impact and significance for our lives. The book enters the discussion of tragic value by way of the plays of Eugene O'Neill, and through this study, Killian makes the case that O'Neill has refused to allow Plato to define the terms of tragedy's merit, as the cognitivists have. He argues that O'Neill's theory of tragedy is non-cognitive and locates the value of a play in its ability to trigger certain emotional responses from the audience. This would be of great interest to students and scholars of performance studies, literature and philosophy. (shrink)

On this episode of The Owl, Lauren Ware sits down with host Ian Olasov to talk about how fear and other emotions shape our understanding of risk, about what fear is and when it's rational, and about why Halloween is a thing.

Why do the United States reserve the right to be called “America” by conferring the “Americas” to the whole continent?, is that a clear sign of discrimination or supremacy or both? Ideologically, America refers to the United States of “America” excluding other regions such as Latin America, central or South America. This leads some scholars to explain convincingly that, beyond this subtle grammatical difference, the Anglo-ethnocentrism in the United States has been drawn to make their citizens believe they are unique, (...) outstanding, and special. Basically, this belief allowed not only to fight against the political enemies in Europe or in any other geographical point, but also to control the incipient worker union leaderships. What merits further attention, anyway, is the sentiment of exemplarity instilled by the founding parents of this nation. Fear was historically a mechanism of control employed by US governments at different stages in several ways. Our intention is not only to review how the fear disciplined by the claims of work-force, but also explain why the sentiment of exemplarity and fear are inextricably intertwined. (shrink)

An engaging account of how Shaftesbury revolutionized Western philosophy At the turn of the eighteenth century, Anthony Ashley Cooper, the third Earl of Shaftesbury, developed the first comprehensive philosophy of beauty to be written in English. It revolutionized Western philosophy. In A Philosophy of Beauty, Michael Gill presents an engaging account of how Shaftesbury’s thought profoundly shaped modern ideas of nature, religion, morality, and art—and why, despite its long neglect, it remains compelling today. Before Shaftesbury’s magnum opus, Charactersticks of Men, (...) Manners, Opinions, Times, it was common to see wilderness as ugly, to associate religion with fear and morality with unpleasant restriction, and to dismiss art as trivial or even corrupting. But Shaftesbury argued that nature, religion, virtue, and art can all be truly beautiful, and that cherishing and cultivating beauty is what makes life worth living. And, as Gill shows, this view had a huge impact on the development of natural religion, moral sense theory, aesthetics, and environmentalism. Combining captivating historical details and flashes of humor, A Philosophy of Beauty not only rediscovers and illuminates a fascinating philosopher but also offers an inspiring reflection about the role beauty can play in our lives. (shrink)

By focusing on the thought of Classical American philosophers, this article addresses the existential problem of the fear of death. Drawing on the experiences and philosophies of Ralph Waldo Emerson, William James, and Jane Addams as a theoretical framework, a prescriptive claim regarding how to confront human mortality is advanced. It is suggested that embracing the notion of experience as a prelude to the disaster of death can be – despite appearances to the contrary – a useful approach to (...) navigating exigencies connected with mortality and, in particular, fear of death. The essay contributes to a small but growing body of literature on the topic of death in American philosophy scholarship, while addressing a perennial problem receiving treatment in contemporary popular discourse. (shrink)

The first collection of its kind, The Continental Philosophy of Film Reader is the essential anthology of writings by continental philosophers on cinema, representing the last century of film-making and thinking about film, as well as all of the major schools of Continental thought: phenomenology and existentialism, Marxism and critical theory, semiotics and hermeneutics, psychoanalysis, and postmodernism. Included here are not only the classic texts in continental philosophy of film, from Benjamin's “The Work of Art in the Age of Mechanical (...) Reproduction” to extracts of Deleuze's Cinema and Barthes's Mythologies, but also the earliest works of Continental philosophy of film, from thinkers such as Georg Lukács, and little-read gems by philosophical giants such as Sartre and Beauvoir. The book demonstrates both the philosophical significance of these thinkers' ideas about film, as well their influence on filmmakers in Europe and across the globe. In addition, however, this wide-ranging collection also teaches us how important film is to the last century of European philosophical thought. Almost every major continental European thinker of the twentieth and twenty-first centuries has had something to say-sometimes, quite a lot to say-about cinema: as an art form, as a social or political phenomenon, as a linguistic device and conveyor of information, as a projection of our fears and desires, as a site for oppression and resistance, or as a model on the basis of which some of us, at least, learn how to live. Purpose built for classroom use, with pedagogical features introducing and contextualizing the extracts, this reader is an indispensable tool for students and researchers in philosophy of film, film studies and the history of cinema. (shrink)

This book critically examines Leo Strauss s claim that the philosophers of antiquity, especially Plato, wrote esoterically, hiding the highest truths exclusively between the lines.

Philosophy of science appears caught in what Einstein (1933) called the ‘eternal antithesis between the two inseparable components of our knowledge – the empirical and the rational’ (p. 271). It wants to employ metaphysical speculation, but impressed with the methods of the subject it studies, it fears overreaching. Philosophy of science thus tries to walk a fine line between scientifically grounded metaphysics and its more speculative cousins. Here I try to draft some of the contour of this boundary.

As a growing area of research, the philosophy of time is increasingly relevant to different areas of philosophy and even other disciplines. This book describes and evaluates the most important debates in philosophy of time, under several subject areas: metaphysics, epistemology, physics, philosophy of language, philosophy of mind, cognitive science, rationality, and art. -/- Questions this book investigates include: Can we know what time really is? Is time possible, especially given modern physics? Must there be time because we cannot think (...) without it? What do we experience of time? How might philosophy of time be relevant to understanding the mind-body relationship or evidence in cognitive science? Can the philosophy of time help us understand biases toward the future and the fear of death? How is time relevant to art – and is art relevant to philosophical debates about time? Finally, what exactly could time travel be? And could time travel satisfy emotions such as nostalgia and regret? -/- Through asking such questions, and showing how they might be best answered, the book demonstrates the importance philosophy of time has in contemporary thought. Each of the book’s 10 chapters begins with a helpful introduction and ends with study questions and an annotated list of further readings. This and a comprehensive bibliography at the end of the book prepare the reader to go further in their study of the philosophy of time. (shrink)

The fear of death resists philosophical attempts at reconciliation. Building on theories of emotion, I argue that we can understand our fear as triggered by a de se mode of thinking about death which comes into conflict with our will to live. The discursive mode of philosophy may help us to avoid the de se mode of thinking about death, but it does not satisfactorily address the problem. I focus instead on the voluntary diminishment of one’s will to (...) live. I argue that we can encourage a natural tendency for the will to live to decline as we approach death. I then consider two objections: Is not the will to live too fundamental for us to control? And even if we can control it, would not a declining will to live result in a general despair that it is better to resist? I argue that both of these objections can be overcome. (shrink)

While few soldiers may have read the works of Epictetus or Marcus Aurelius, it is undoubtedly true that the ancient philosophy known as Stoicism guides the actions of many in the military. Soldiers and seamen learn early in their training “to suck it up,” to endure, to put aside their feelings and to get on with the mission. This book explores what the Stoic philosophy actually is, the role it plays in the character of the military (both ancient and modern), (...) and its powerful value as a philosophy of life. Marshalling anecdotes from military history—ranging from ancient Greek wars to World War II, Vietnam, and Iraq—the book illuminates the military mind and uses it as a window on the virtues of the Stoic philosophy, which are far richer and more interesting than our popularized notions. The book explores the deep, lasting value that Stoicism can yield, in issues of military leadership and character; in the Stoic conception of anger and its control (does a warrior need anger to go to battle?); and in Stoic thinking about fear and resilience, grief and mourning, and the value of camaraderie and brotherhood. The book concludes by recommending a moderate Stoicism, where the task for the individual, both civilian and military, youth and adult, is to temper control with forgiveness, and warrior drive and achievement with humility and humor. (shrink)

This text practices a philosophical voice that deviates from visuo-centric theory and the muteness of its language and instead sings a complex simultaneity of things and thoughts that burn through the walls of the discipline and illuminate the activities at the margins. This philosophical voice sings a refrain of “I,” which brings us back to bring us forward, surprising us in its renewal again and again. It is a body that is, as Samuel Beckett’s Not I, at once not I (...) and I; an idiosyncratic subjectivity that carries its plural name in its mouth. In this way, it further diffracts the sonic possibility of counterfactual slices into simultaneous dimensionalities open to our gaze in the dark, when we have let go of a normative orientation and are able to see the image at its depth. Between text scores, Churten theory, Canto Cardenche, and the breath of a humpback whale, this voice tries not to theorise. It does not want to produce a philosophical message, supporting a “philosophism” which akin to “scientism” treats philosophy as a phenomenon unconnected to cultural values or location, gender or racial specificity. Instead, it aims to practice a philosophy that opens in song to its own anxiety of objectivity, its fear of a reflective centre, and performs a translucent marginality that generates the view of a plural world burning through a permeable skin. (shrink)

What has philosophy become after computation? Critical positions about what counts as intelligence, reason, and thinking have addressed this question by reenvisioning and pushing debates about the modern question of technology towards new radical visions. Artificial intelligence, it is argued, is replacing transcendental metaphysics with aggregates of data resulting in predictive modes of decision-making, replacing conceptual reflection with probabilities. This article discusses two main positions. While on the one hand, it is feared that philosophy has been replaced by cybernetic metaphysics, (...) on the other hand it is claimed that only the coconstitution of philosophy and automation challenges modern transcendental reason and colonial capital. As Donna Haraway pointed out, cybernetic circuits of communication have constructed counterfactual ontologies against the master narrative of the human. This article addresses recent attempts at redeveloping a critique of natural philosophy that explains cybernetic metaphysics beyond the universal master narratives of mechanicism and vitalism. This article suggests that the recursive system of nature and technology also needs to account for the problem of philosophical decision, which will be explored in terms of mediatic thinking, instrumentality, and automation. This article follows insights from the movie Get Out (2017) to argue that the model of philosophical decision relies on a servomechanic understanding of the medium of thought, based on the colonial abstraction of value in the prosthetic extension of the slave-machine. It explores the nonphilosophical envisioning of automation in terms of a counterfactual theorisation of the negative negation of the medium and argues for a nonoptical darkness entering the space of thinking. Philosophy and automation are neither coupled nor set in opposition as if in a ceaseless mirroring. Instead, both philosophy and automation must transform their self-determining axiomatics in order to host the heretic activities of machine propositions. (shrink)

Fearing is a central part of how we relate to each other and the unpredictable world. Fearing badly is a key part of many of our moral failures, and fearing better a central part of our moral repair. We might think that fearing is undesirable and should be avoided whenever possible. In fact, Fearing Together shows that the avoidance of fear causes some of our greatest threats. By understanding fear as a relational practice, we see that our relationships (...) with other fearers shape what we fear, what fear feels like, how we identify and understand our fears, and how we cope with them. Growing as moral agents involves coming to grips with what kinds of fearers we want to be and become, and with what we owe each other when facing what we cannot control. At the heart of this book are the moral quandaries and complexities of relational fearing: the ethics of fearing together. (shrink)