In this paper I will present three arguments (based on the notions of constitution, metaphysical reality, and truth, respectively) with the aim of shedding some new light on the structure of Fine’s (2005, 2006) ‘McTaggartian’ arguments against the reality of tense. Along the way, I will also (i) draw a novel map of the main realist positions about tense, (ii) unearth a previously unnoticed but potentially interesting form of external relativism (which I will label ‘hyper-presentism’) and (iii) sketch a novel (...) interpretation of Fine’s fragmentalism (which I contrast with Lipman’s 2015, 2016b, forthcoming). (shrink)

ABSTRACT Kit Fine recently described and defended a novel position in the philosophy of time, fragmentalism. It is not often that a new option appears in this old field, and for that reason alone these two essays merit serious attention. I will try to present briefly but fairly some of the considerations that Fine thinks favour fragmentalism. I will also weigh the merits of fragmentalism against the view that Fine presents as its chief rival, relativism, as well as the merits (...) of both against the view that he calls anti-realism. Along the way, we should pick up a clearer picture of fragmentalism itself. (shrink)

Fine’s discussion of McTaggart’s paradox and tense realism may be the most significant progress in the philosophy of time in recent years. Fine reformulates McTaggart’s paradox and develops a novel realist theory called fragmentalism. According to Fine, one major advantage of fragmentalism is its ability to account for the connection between reality and tensed truths. I will argue that fragmentalism cannot give an adequate account of this connection. The reason is that while external relations between fragments are required (...) by this kind of account, these relations are not allowed in fragmentalism. (shrink)

I offer an interpretation and a partial defense of Kit Fine's ‘Argument from Passage’, which is situated within his reconstruction of McTaggart's paradox. Fine argues that existing A-theoretic approaches to passage are no more dynamic, i.e. capture passage no better, than the B-theory. I argue that this comparative claim is correct. Our intuitive picture of passage, which inclines us towards A-theories, suggests more than coherent A-theories can deliver. In Finean terms, the picture requires not only Realism about tensed facts, (...) but also Neutrality, i.e. the tensed facts not being ‘oriented towards’ one privileged time. However unlike Fine, and unlike others who advance McTaggartian arguments, I take McTaggart's paradox to indicate neither the need for a more dynamic theory of passage nor that time does not pass. A more dynamic theory is not to be had: Fine's ‘non-standard realism’ amounts to no more than a conceptual gesture. But instead of concluding that time does not pass, we should conclude that theories of passage cannot deliver the dynamicity of our intuitive picture. For this reason, a B-theoretic account of passage that simply identifies passage with the succession of times is a serious contender. (shrink)

This paper proposes a view of time that takes passage to be the most basic temporal notion, instead of the usual A-theoretic and B-theoretic notions, and explores how we should think of a world that exhibits such a genuine temporal passage. It will be argued that an objective passage of time can only be made sense of from an atemporal point of view and only when it is able to constitute a genuine change of objects across time. This requires that (...) passage can flip one fact into a contrary fact, even though neither side of the temporal passage is privileged over the other. We can make sense of this if the world is inherently perspectival. Such an inherently perspectival world is characterized by fragmentalism, a view that has been introduced by Fine in his ‘Tense and Reality’ (2005). Unlike Fine's tense-theoretic fragmentalism though, the proposed view will be a fragmentalist view based in a primitive notion of passage. (shrink)

Fragmentalism is the view that reality is not a metaphysically unified place, but fragmented in a certain sense, and constituted by incompatible facts across such fragments. It was introduced by Kit Fine in a discussion of tense realist theories of time. Here I discuss the conceptual foundations of fragmentalism, identify several open questions in Fine’s characterization of the view, and propose an understanding of fragmentalism that addresses these open questions.

This paper develops and defends a new account of B-theoretic endurantism and a new account of the metaphysics of the quantum state, and highlights the parallels between the considerations that motivate them. These new accounts are both fragmentalist, in the sense that they follow Fine (2005) in invoking a symmetric coordination relation between facts, such that facts that are pairwise incompatible (like Hugh's being happy and Hugh's being sad) can both obtain provided that they are not related by this relation. (...) However, while Fine allows that fragments can be logically incoherent— P can obtain in one fragment while not-P obtains in another—the fragmentalist accounts defended here are motivated even if we insist on logical coherence between fragments. (shrink)

Fine (2005, 2006) has presented a ‘trilemma’ concerning the tense-realist idea that reality is constituted by tensed facts. According to Fine, there are only three ways out of the trilemma, consisting in what he takes to be the three main families of tense-realism: ‘presentism’, ‘(external) relativism’, and ‘fragmentalism’. Importantly, although Fine characterises tense-realism as the thesis that reality is constituted (at least in part) by tensed facts, he explicitly claims that tense realists are not committed to their fundamental existence. Recently, (...) Correia and Rosenkranz (2011, 2012) have claimed that Fine’s tripartite map of tense realism is incomplete as it misses a fourth position they call ‘dynamic absolutism’. In this paper, I will argue that dynamic absolutists are committed to the irreducible existence of tensed facts and that, for this reason, they face a similar trilemma concerning the notion of fact-content. I will thus conclude that a generalised version of Fine’s trilemma, concerning both fact-constitution and fact-content, is indeed inescapable. (shrink)

In “Tense and Reality”, Kit Fine () proposed a novel way to think about realism about tense in the metaphysics of time. In particular, he explored two non-standard forms of realism about tense, arguing that they are to be preferred over standard forms of realism. In the process of defending his own preferred view, fragmentalism, he proposed a fragmentalist interpretation of the special theory of relativity, which will be our focus in this paper. After presenting Fine's position, we will raise (...) a problem for his fragmentalist interpretation of STR. We will argue that Fine's view is in tension with the proper explanation of why various facts obtain. We will then consider whether similar considerations also speak against fragmentalism in domains other than STR, notably fragmentalism about tense. (shrink)

In this paper, we articulate a version of non-standard A-theory—which we call Flow Fragmentalism—in relation to its take on the issue of supervenience of truth on being. According to the Truth Supervenes on Being (TSB) Principle, the truth of past- and future-tensed propositions supervenes, respectively, on past and future facts. Since the standard presentist denies the existence of past and future entities and facts concerning them that do not obtain in the present, she seems to lack the resources to accept (...) both past and future-tensed truths and the TSB Principle. Contrariwise, positions in philosophy of time that accept an eternalist ontology (e.g., B-theory, moving spotlight, and Fine’s and Lipman’s versions of fragmentalism) allow for a “direct” supervenience base for past- and future-tensed truths. We argue that Flow Fragmentalism constitutes a middle ground, which retains most of the advantages of both views, and allows us to articulate a novel account of the passage of time. (shrink)

In this paper, I will argue that there is a version of possibilism—inspired by the modal analogue of Kit Fine’s fragmentalism—that can be combined with a weakening of actualism. The reasons for analysing this view, which I call Modal Fragmentalism, are twofold. Firstly, it can enrich our understanding of the actualism/possibilism divide, by showing that, at least in principle, the adoption of possibilia does not correspond to an outright rejection of the actualist intuitions. Secondly, and more specifically, it can enrich (...) our understanding of concretism, by proving that, at least in principle, the idea that objects have properties in an absolute manner is compatible with transworld identity. (shrink)

Frege's Grundgesetze was one of the 19th century forerunners to contemporary set theory which was plagued by the Russell paradox. In recent years, it has been shown that subsystems of the Grundgesetze formed by restricting the comprehension schema are consistent. One aim of this paper is to ascertain how much set theory can be developed within these consistent fragments of the Grundgesetze, and our main theorem shows that there is a model of a fragment of the Grundgesetze which defines a (...) model of all the axioms of Zermelo-Fraenkel set theory with the exception of the power set axiom. The proof of this result appeals to G\"odel's constructible universe of sets, which G\"odel famously used to show the relative consistency of the continuum hypothesis. More specifically, our proofs appeal to Kripke and Platek's idea of the projectum within the constructible universe as well as to a weak version of uniformization (which does not involve knowledge of Jensen's fine structure theory). The axioms of the Grundgesetze are examples of abstraction principles, and the other primary aim of this paper is to articulate a sufficient condition for the consistency of abstraction principles with limited amounts of comprehension. As an application, we resolve an analogue of the joint consistency problem in the predicative setting. (shrink)

This paper explores taste fragmentalism, a novel approach to matters of taste and faultless disagreement. The view is inspired by Kit Fine’s fragmentalism about time, according to which the temporal dimension can be constituted—in an absolute manner—by states that are pairwise incompatible, provided that they do not obtain together. In the present paper, we will apply this metaphysical framework to taste states. In our proposal, two incompatible taste states (such as the state of rhubarb’s being tasty and the state of (...) rhubarb’s being distasteful) can both constitute reality in an absolute manner, although no agent can have joint access to both states. We will then develop a formalised version of our view by means of an exact truthmaker semantics for taste assertions. Within this framework—we argue—our linguistic and inferential practices concerning cases of faultless disagreement are elegantly vindicated, thus suggesting that taste fragmentalism is worth of further consideration. (shrink)

The idea of fragmentalism has been proposed by Kit Fine as a non-standard view of tense realism. This paper examines a modal version of the view, called modal fragmentalism, which combines genuine realism and realism of modality. Modal fragmentalism has been recently discussed by Iaquinto. But unlike Iaquinto, who primarily focused on possibilities de re, in this paper, we focus on expressions of possibilities de dicto. We argue that the chief idea of modal realism should be that different worlds are (...) distinguished not just in terms of how things are differently with respect to each world, but also in terms of how things could have been differently with respect to each world. This demands a realism-oriented semantics for suppositional contents, and more specifically, for conditionals. By deploying a multidimensional semantics for conditionals, we show that there are good reasons to consider modal fragmentalism as a serious approach in metaphysics, which shares many similarities with the fragmentalism of tense. (shrink)

Giovanni Merlo has argued that a currently popular way to interpret Kit Fine's fragmentalism about tensed facts (which he calls ‘unstructured fragmentalism’) is threatened by the problem of ‘tensed belief explosion’. I argue that such an explosion of belief poses no problem to unstructured fragmentalists.

Introduction -- Evidence for the work: the excerpts preserved in Stobaeus -- Title and nature of the work -- Format and style of the work -- Fragments of the Pythagorean precepts preserved in Iamblichus' On the Pythagorean way of life -- A comparison of Stobaeus' and Iamblichus' evidence for the Pythagorean precepts -- Relationship of the Pythagorean precepts to Aristoxenus' other works on the Pythagoreans -- The influence of the Pythagorean precepts on the later Pythagorean tradition -- History of scholarship (...) on the Pythagorean precepts -- The standard view of the Pythagorean precepts -- The ethical system of the Pythagorean precepts -- Fragments with translation and commentary -- The Pythagorean precepts: a reconstructed text in English -- Fragment 1: obedience to parents and the laws (fr. 34 Wehrli = Stobaeus 4.25.45) -- Fragment 2: the importance of order and supervision for every age of life (fr. 35 Wehrli = Stobaeus, 4.1.49) -- Fragment 3: desire (fr. 37 Wehrli = Stobaeus, 3.10.66) -- Fragment 4: the generation of children (fr. 39 Wehrli = Stobaeus, 4.37.4) -- Fragment 5: the love of what is beautiful and fine (fr. 40 Wehrli = Stobaeus 3.1.101) -- Fragment 6: learning must be willing (fr. 36 Wehrli = Stobaeus, 2.31.119) -- Fragment 7: luck (fr. 41 Wehrli = Stobaeus, 1.6.18) -- Fragment 8: human nature is prone to excess and needs the supervision of the gods, parents and laws (fr. 33 Wehrli, Iamblichus, vp 174-6) -- Fragment 9: opinion, the training of children and young people, pleasure, desire, diet, and the generation of children (fr. 38 Wehrli, Iamblichus, vp 200-13) -- Fragment 10: the appropriate and the inappropriate in human interaction on starting points and rulers (Iamblichus, vp 180-3) -- Fragment 11: friendship (Iamblichus, vp 101-2, 230-3) -- Appendices -- Subsidiary precepts 1: avoid crowds in the morning, and 2: avoid hunting (Iamblichus, vp 96-100) -- Subsidiary precept 3: memory (Iamblichus, vp 164) -- Subsidiary precept 4: all sex is harmful (Diodorus Siculus, library of history 10.9.3), Stobaeus, Eclogae 3.1.71: divination, medicine, and music -- Concordance with the fragment numbers in Wehrli's edition. (shrink)

Volume 4 of _The Complete Works of Friedrich Nietzsche_ contains two works, _Mixed Opinions and Maxims_ and _The Wanderer and His Shadow_, originally published separately, then republished together in the 1886 edition of Nietzsche's works. They mingle aphorisms drawn from notebooks of 1875-79, years when worsening health forced Nietzsche toward an increasingly solitary existence. Like its predecessor, _Human, All Too Human II_ is above all an act of resistance not only to the intellectual influences that Nietzsche felt called upon to (...) critique, but to the basic physical facts of his daily life. It turns an increasingly sharply formulated genealogical method of analysis toward Nietzsche's persistent concerns—metaphysics, morality, religion, art, style, society, politics and culture. The notebook entries included here offer a window into the intellectual sources behind Nietzsche's evolution as a philosopher, the reading and self-reflection that nourished his lines of thought. The linking of notebook entries to specific published aphorisms, included in the notes, allows readers of Nietzsche in English to trace for the first time the intensive process of revision through which he transformed raw notebook material into the finely crafted sequences of aphoristic reflection that signal his distinctiveness as a philosophical stylist. (shrink)

The article proposes to inquire the heritage studies according to an alternative view. Elements as agency, materiality and ontology are fundamental, insofar as that notion is accompanied by factors as the destruction or the wear, the conservation or the restauration. In this sense, this paper deconstructs the movable heritage, which is feasible the move of fragments in diverse areas, as exponent of the modern objetivation. Also, it sets out at what extent these practices and the materiality influence the construction of (...) epistemological discourses and disciplinarian categories relative to museums. Finally, it exposes a specific case: the introduction of material rests from the Jesuitical-Guaraní Missions to La Plata Museum, at the end of the 19th century. (shrink)

Fragmentalism was first introduced by Kit Fine in his ‘Tense and Reality’. According to fragmentalism, reality is an inherently perspectival place that exhibits a fragmented structure. The current paper defends the fragmentalist interpretation of the special theory of relativity, which Fine briefly considers in his paper. The fragmentalist interpretation makes room for genuine facts regarding absolute simultaneity, duration and length. One might worry that positing such variant properties is a turn for the worse in terms of theoretical virtues because such (...) properties are not involved in physical explanations and hence theoretically redundant. It will be argued that this is not right: if variant properties are indeed instantiated, they will also be involved in straightforward physical explanations and hence not explanatorily redundant. Hofweber and Lange, in their ‘Fine’s Fragmentalist Interpretation of Special Relativity’, object that the fragmentalist interpretation is in tension with the right explanation of the Lorentz transformations. It will be argued that their objection targets an inessential aspect of the fragmentalist framework and fails to raise any serious problem for the fragmentalist interpretation of special relativity. (shrink)

We consider second-order propositional modal logic (SOPML), an extension of the basic modal language with propositional quantifiers introduced by Kit Fine in 1970. We determine the precise expressive power of SOPML by giving analogues of the Van Benthem–Rosen theorem and the Goldblatt Thomason theorem. Furthermore, we show that the basic modal language is the bisimulation invariant fragment of SOPML, and we characterize the bounded fragment of first-order logic as being the intersection of first-order logic and SOPML.

Realists about tense, or A-theorists of time, believe that some of the facts that fundamentally constitute reality are tensed, and most of them seem to think that those tensed facts are to be understood as fixing the way things are, absolutely speaking, or simpliciter. But there is a simple yet powerful argument, the argument from atemporality, to the effect that realists should reject the absolutist conception of reality’s constitution by facts because, despite appearances to the contrary, that conception is in (...) fact inconsistent with realism about tense. After presenting the argument, I investigate why the relevant inconsistency has not been recognised so far and point to one possible explanation. (shrink)

Perdurantists think of continuants as mereological sums of stages from different times. This view of persistence would force us to drop the idea that there is genuine change in the world. By exploiting a presentist metaphysics, Brogaard proposed a theory, called presentist four-dimensionalism, that aims to reconcile perdurantism with the idea that things undergo real change. However, her proposal commits us to reject the idea that stages must exist in their entirety. Giving up the tenet that all the stages are (...) equally real could be a price that perdurantists are unwilling to pay. I argue that Kit Fine ’s fragmentalism provides us with the tools to combine a presentist metaphysics with a perdurantist theory of persistence without giving up the idea that reality is constituted by more than purely present stages. (shrink)

Peirce trod a fine line between the extremes of nominalism and realism, tough-minded pragmatism and metaphysical speculation. As Peter Skagestad makes clear, Peirce's system of thought was fragmented, incomplete, and sometimes inconsistent.

In 1916 Bertrand Russell was prosecuted and fined for publishing (in defence of a conscientious objector) 'statements likely to prejudice the recruiting and discipline of His Majesty's forces.' He was almost immediately afterwards dismissed from his Lectureship at Trinity College, Cambridge, by the College Council. This expulsion provoked a storm of protest and the true facts of the case became obscured by misconceptions, prejudices and uninformed gossip, to the discredit of the College. In 1942, therefore G. H. Hardy the mathematician (...) printed for private circulation to another generation of Fellows at Trinity a full account of the incident in an attempt to explain what really happened. This is now made public. Besides provoking an authoritative record of a celebrated but misinterpreted episode in Russell's eventful academic career, this document contains interesting evidence about attitudes to pacifism in the First World War and in particular about the sympathies of such distinguished colleagues and contemporaries of Russell as Cornford, Housman, McTaggart and Whitehead. (shrink)

In recent publications, Kit Fine devises a classification of A-theories of time and defends a non-standard A-theory he calls fragmentalism, according to which reality as a whole is incoherent but fragments into classes of mutually coherent tensed facts. We argue that Fine's classification in not exhaustive, as it ignores another non-standard A-theory we dub dynamic absolutism, according to which there are tensed facts that stay numerically the same and yet undergo qualitative changes as time goes by. We expound this theory (...) in some detail and argue that it is a serious alternative to the positions identified by Fine. (shrink)

In this paper, I try to make sense of the growing block view using Kit Fine’s three-fold classification of A-theoretic views of time. I begin by motivating the endeavor of making sense of the growing block view by examining John Earman’s project in ‘Reassessing the prospects for a growing block model of the universe’. Next, I review Fine’s reconstruction of McTaggart’s argument and its accompanying three-fold classification of A-theoretic views. I then consider three interpretations of Earman’s growing block model: (...) the hybrid growing block, the purely tensed growing block, and Michael Tooley’s growing block. I argue for three claims. First, Finean ‘standard’ versions of these views are less congenial to the growing blocker than ‘non-standard’ ones. Second, the hybrid view is problematic on either version. And third, ‘non-standard’ versions are not fully intelligible. I provide further support for the first and third of these claims and explain why I take them to support a minimal account of passage as succession, which undercuts some of the motivation for Earman’s project. Lastly, I answer three objections. (shrink)

This essay revisits the drafting of the first UNESCO Statement on Race in order to reorient historical understandings of mid-twentieth-century anti-racism and science. Historians of science have primarily interpreted the UNESCO statements as an oppositional project led by anti-racist scientists from the North Atlantic and concerned with dismantling racial typologies, replacing them with population-based conceptions of human variation. Instead of focusing on what anti-racist scientists opposed, this article highlights the futures they imagined and the applied social-science projects that anti-racist science (...) drew from and facilitated. The scientific experts who participated in drafting the first UNESCO Statement on Race played important roles in late colonial, post-colonial and international projects designed to modernize, assimilate and improve so-called backward communities – typically indigenous or Afro-descendent groups in the global South. Such connections between anti-racist science and the developmental imaginaries of the late colonial period indicate that the transition from fixed racial typologies to sociocultural and psychological conceptualizations of human diversity legitimated the flourishing of modernization discourses in the Cold War era. In this transition to an economic-development paradigm, ‘race’ did not vanish so much as fragment into a series of finely tuned and ostensibly anti-racist conceptions that offered a moral incentive for scientific elites to intervene in the ways of life of those deemed primitive. (shrink)

Scientist, mathematician, thinker, the father of pragmatism, the inspiration for William James and John Dewey, Charles Peirce has remained until recently a philosopher's philosopher. Peirce trod a fine line between the extremes of nominalism and realism, tough-minded pragmatism and metaphysical speculation. As Peter Skagestad makes clear, Peirce's system of thought was fragmented, incomplete, and sometimes inconsistent. But one overriding concern gives unity to the whole: the road of inquiry must never be blocked.

In lieu of an abstract, here is a brief excerpt of the content:Aristotle's Review of the Presocratics:Is Aristotle Finally a Historian of Philosophy?1Catherine Collobert (bio)"Just as inexperienced soldiers in fights, rushing forward from all sides, often strike fine blows, but without knowledge, so they do not seem to understand what they say" (Met. 985a13-16). This negative judgment of Aristotle about his predecessors has been the object of numerous controversies, which could be summarized by the following question: was Aristotle writing philosophy (...) or history of philosophy when he set out the doctrines of his predecessors?This controversy was reopened2 by H. Cherniss,3 according to whom the Aristotelian review of the Presocratics rests upon, on the one hand, the firm belief of Aristotle that each Presocratic groped around the truth and, on the other hand, the fact that Aristotle judged their mistakes and successes in the light of his own system, understood as the final realization of previous doctrines.4 W. K. C. Guthrie [End Page 281] has replied—renewing Jaeger's arguments5—to Cherniss's thesis, by arguing that Metaphysics, books 1 and 2 show that Aristotle respected the first thinkers and had "a stronger historical sense than most original philosophers possess."6 More recently, H.-G. Gadamer has stated that Aristotle and Plato as well provide "the sole philosophical access to an interpretation of the Presocratics."7To answer the question if Aristotle is a historian of philosophy requires, as a preliminary, a definition of 'history of philosophy.' Now, neither Cherniss nor Guthrie raises the question of the nature of this history—their discussion dealing mainly with the reliability of Aristotle's testimony. Cherniss refuses to bestow on Aristotle the status of historian because he constantly misinterpreted, even betrayed, the Presocratics by a willful lack of exactness. The betrayal is a consequence of a freedom taken by Aristotle toward the texts, which is a corollary of a philosophical but not a historical goal. On the contrary, if one supposes with Guthrie that Aristotle is a historian of philosophy, one has nevertheless to admit that he is one in a very special sense. Indeed he does not respect any of the rules accepted nowadays. It has been a long time, as J. Brunschwig points out without any irony, since "Aristotle summarized Empedocles in eight lines, ending his summary by adding that 'one can realize that in reading his poem.'"8The discussion concerning Aristotle's historical method results from his systematic review of the forerunners' doctrines, of which Aristotle is not really the father. Indeed, as J. Mansfeld reminds us, "the rudimentary beginnings of the historiography of Greek philosophy may be dated to the period of the Sophists."9 In order to understand the nature of Aristotle's discussion of the Presocratics, one has first to understand the methodological role of his review of the Presocratics' doctrines. In other words, one must determine whether this review is to be considered as an act of history of philosophy, consisting in a report and an explanation, i.e., an interpretation of these doctrines, or as being an opportunity to philosophize. Many points are at stake. First, this issue is interesting for historians of Presocratic philosophy (who are compelled to question the authenticity of the fragments quoted by Aristotle), and second, for those who think about methods used in the history of philosophy, and finally, for those who raise questions about the relationship between philosophy and its history.In order to clarify the notion of history of philosophy, one could borrow a definition from M. Gueroult:It is a fact that a historical succession of doctrines exists. If one considers it from a strictly historical point of view, this succession has to appear as a succession of events that are [End Page 282] subject to the laws of a historical determinism, explainable by the play of contingent and individual causes, where the past is evoked only as an explanatory factor for the present. The succession of doctrines will thus constitute historical data.10Gueroult deduces elsewhere11 the existence de facto of history of philosophy from the existence of studies and researches on past philosophies. History of philosophy implies first that philosophy has a past to examine... (shrink)

We investigate the modal logic of stepwise removal of objects, both for its intrinsic interest as a logic of quantification without replacement, and as a pilot study to better understand the complexity jumps between dynamic epistemic logics of model transformations and logics of freely chosen graph changes that get registered in a growing memory. After introducing this logic (MLSR) and its corresponding removal modality, we analyze its expressive power and prove a bisimulation characterization theorem. We then provide a complete Hillbert-style (...) axiomatization for the logic of stepwise removal in a hybrid language enriched with nominals and public announcement operators. Next, we show that model-checking for MLSR is PSPACE-complete, while its satisfiability problem is undecidable. Lastly, we consider an issue of fine-structure: the expressive power gained by adding the stepwise removal modality to fragments of first-order logic. (shrink)

One model for creating artificial consciousness is replicating every fine detail of the brain on computers and setting the model in motion. Consciousness has been experimentally demonstrated to be a much more fragmented experience than we think it to be, perhaps we only need snippets of ourselves to feel conscious. Perhaps consciousness is nothing less and nothing more than story, and all we need do to continue to feel conscious is maintain identity through computer‐based narrative. Applied nanotechnology has generated uncountable (...) applications in electronics, pharmacology, and materials engineering. The best approach to life extension and consciousness expansion might lie in our own marvelously complex and entire bodies, meshed with and augmented by tiny bionan machines that become a part of us, rather than the opposite vision of humans migrating into a machine substrate. (shrink)

We consider second-order propositional modal logic (SOPML), an extension of the basic modal language with propositional quantifiers introduced by Kit Fine in 1970. We determine the precise expressive power of SOPML by giving analogues of the Van Benthem–Rosen theorem and the Goldblatt Thomason theorem. Furthermore, we show that the basic modal language is the bisimulation invariant fragment of SOPML, and we characterize the bounded fragment of first-order logic as being the intersection of first-order logic and SOPML.

This paper explores a new language of neighbourhood structures where existential information can be given about what kind of worlds occur in a neighbourhood of a current world. The resulting system of ‘instantial neighbourhood logic’ INL has a nontrivial mix of features from relational semantics and from neighbourhood semantics. We explore some basic model-theoretic behavior, including a matching notion of bisimulation, and give a complete axiom system for which we prove completeness by a new normal form technique. In addition, we (...) relate INL to other modal logics by means of translations, and determine its precise SAT complexity. Finally, we discuss proof-theoretic fine-structure of INL in terms of semantic tableaux and some expressive fine-structure in terms of fragments, while discussing concrete illustrations of the instantial neighborhood language in topological spaces, in games with powers for players construed in a new way, as well as in dynamic logics of acquiring or deleting evidence. We conclude with some coalgebraic perspectives on what is achieved in this paper. Many of these final themes suggest follow-up work of independent interest. (shrink)

According to Fine’s famous take on the infamous McTaggartian paradox, realism about tensed facts is incompatible with the joint acceptence of three very general and seemingly plausible theses about reality. However, Correia and Rosenkranz have recently objected that Fine’s argument depends on a crucial assumption about the nature of tensed facts; once that assumption is given up, they claim, realists can endorse the theses in question without further ado. They also argue that their novel version of tense realism, called dynamic (...) absolutism, is to be preferred over its rivals. I argue in this paper that dynamic absolutism does not constitute a genuine alternative for realists about tense. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Philosophy of Music Education Review 11.2 (2003) 170-184 [Access article in PDF] Music Education and LawRegulation as an Instrument Marja Heimonen Sibelius Academy, Helsinki, Finland Introduction Of all the fine arts, music has the greatest influence on passions; it is that which the law-giver must encourage most: a piece of music written by a master inevitably touches the feelings and has more influence on morality than a good book, (...) which convinces reason without affecting our habits. (Napoleon 1797) 1This essay examines the relationship between music education and law and focuses on extra-curricular music education for children and adolescents. 2 The tension between the general (law) and the particular (individual needs of each pupil) is described. However, achieving harmony is important both in law and in music. A composer may create a composite piece of music (order) out of fragments (disorder) 3 just as a judge creates order when he or she decides a legal case, or a law-giver enacts a statute that takes account of different kinds of interests of people usually represented by political parties or associations.The concept of freedom is also important both in music and in law. It has been stated that there is no freedom without boundaries. Legal norms that usually restrict the freedom of human behavior have an important role in creating [End Page 170] freedom: they can guarantee opportunities and circumstances for musical activities.In this paper certain legal aspects related to music education are approached in the light of two principles: the right to education and freedom in education. One of the aims is to discover what kind of regulative model would be suitable and would actually promote music education. The right to education refers to the right to music education and to the duty of the state to secure the relevant conditions and circumstances, whereas freedom in education refers to individual needs and choice regarding the content. The intention is to describe the educational and legal issues as they presently are particularly in Sweden, England, Germany, and Finland, and in the process of doing this to raise additional questions. Law as an Instrument The subtitle of this essay, "Regulation as an Instrument," refers to Aristotle's ideas about the law as a means of moral education. 4 In his view, the state has to educate its individual citizens in the exercise of virtue, since living according to virtue means living in harmony with one's own nature, this being the proper end of the individual. 5 Aristotle referred to virtue as a disposition that demands long and careful exercise. Thus, for him and his followers, the law becomes an instrument in moral education. 6Aristotle argued that moral education is one of the functions of music 7 because music has the power of forming character. 8 He was of the opinion that virtues manifest themselves in forms of activity. For instance, in order to acquire correct musical taste and judgment, free men should learn to play musical instruments; music education should include participation in actual playing. In general, Aristotle stressed the importance of education: "It is clear then that there should be laws laid down about education, and that education itself must be made a public concern." 9Aristotle's ideas on the good life have become the basis for many thinkers, especially communitarians. Liberal concepts, such as those presented by Ronald Dworkin, can be compared with communitarian conceptions of "the good" and the role of the state in promoting it. Liberal and communitarian approaches may be integrated as they are in "moral individualism" where the aim is to find a way to promote the moral development of an individual in a pluralistic, multicultural society. 10 The integration of communitarian and liberal views should help in finding a way to justify a positive role for the state in producing conditions and circumstances for the good, flourishing life. The content of a good life should not be directed by the state, although in practice the state cannot be completely neutral. Music is a part of the good life... (shrink)

… Pound’s Imagist economy often mixes metaphors of capitalization with metaphors of expenditure. Words, he writes in an early essay, are like cones filled with energy, laden with the accumulated “power of tradition.” When correctly juxtaposed, these words “radiate” or “discharge” or spend this energy , just as the Image releases “an intellectual and emotional complex in an instant of time” . The precise relation of accumulation to expenditure in Pound’s Imagism is never really elaborated. For clarification one would probably (...) have to look toward his theories of sexuality, which hint at a proportion between spermatic retention and intensity of ejaculation. “The liquid solution [of sperm and/or thought],” he writes in his 1921 “Postscript” to Gourmont’s Natural Philosophy of Love, “must be kept at right consistency; one would say the due proportion of liquid to viscous particles, a good circulation; the actual quality of the sieve or separator, counting perhaps most of all; the balance of ejector and retentive media” .13 Similar physiological metaphors will shape Pound’s later economic writings of the thirties and forties. Money will function as a kind of “sieve” or “separator” , and usury will be described as malevolent form of retention, an “obstruction” to the proper circulation of money and goods. Economic justice will therefore involve the institution of a correct “balance” or “measure” between accumulation and expenditure, between “ejector” and “retentive media.” From Pound’s later Confucian perspective, excess in either direction—whether it take the form of “smeary hoarding” or extravagant squandering—always leads to evil and disorder.14Excess is of course what Pound’s Imagist economy most militantly seeks to eliminate from contemporary poetry. Pound writes in 1912, “As to Twentieth-century poetry … it will be harder and saner … ‘nearer the bone.’ It will be as much like granite as it can be … It will not try to seem forcible by rhetorical din, and luxurious riot. We will have fewer painted adjectives impeding the shock and stroke of it…. I want it austere, direct, free from emotional slither” . The vocabulary of this passage combines a discernibly American, puritanical suspicion of ornament with a functionalist asceticism that we have come to recognize as a characteristic feature of the international style of high modernism.15 From a postmodernist vantage point, however, we might well question just why the category of excess or surplus represented by “rhetorical din,” “luxurious riot,” or “emotional slither” should be so inevitably construed as negative or uneconomic. Georges Bataille, for one, provides a provocative refutation of this ideology in La Part maudite. The economics he there seeks to define would instead be based on the valorization of excess, or of what he terms “la dépense improductive,” nonproductive expenditure. Bataille’s “economy of excess” turns on “la perte du proper,” that is, the loss of the literal to the figurative, the loss of purity to scatological defilement, and the loss of personal identity to a sacred expropriation by the Other. 13. See also Kevin Oderman’s comments on the importance of delay and deferral to Pound’s troubadour “eroticism of dalliance” in “ ‘Cavalcanti’: That the Body Is Not Evil,” Paideuma 11 : 257-79. If, according to Pound, the “classic aesthetic” involves “plastic to coitus, plastic plus immediate satisfaction,” Cavalcanti’s cult of Amor instead privileges mental reterntion, “the fine thing held in the mind,” that is, erotic or mnemonic capitalization. See LE, pp. 150-53.14. Rabaté, Language, Sexuality, and Ideology, pp. 217-23, similarly links Pound’s “Postscript” to Gourmont to his later economics.15. Herbert Schneidau, Ezra Pound: The Image and the Real , pp. 177-78. Richard Sieburth is associate professor of French at New York University. He is the author of Instigations: Ezra Pound and Remy de Gourmont and translator of Friedrich Hölderlin’s Hymns and Fragments . He is currently preparing an edition of Pound’s writings on France. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Eclipsing Art: Method and Metaphysics in Coleridge’s Biographia Literaria *Tim MilnesColeridge’s PredicamentIn his self-addressed “letter” which precipitates the abrupt end to the thirteenth chapter (and with it, the first volume) of the Biographia Literaria, Coleridge likens the current state of his argument to “the fragments of the winding steps of an old ruined tower.” 1 The suggestion of intellectual ascent in this is revealing and is echoed a few (...) years later by his explanation of the pedagogical function of the “Landing-Places” between the essays in The Friend (1818). 2 The underlying idea, as usual with Coleridge, is akin to that of an exercise in intellectual and spiritual mountaineering. The thinker, having established a safe base camp in fixed first principles, gradually ascends to higher truths, which are at the same time taken to be foundational and which form the ground of the whole process. The logical return here is what Coleridge elsewhere explains as the “seeming argumentum in circulo, incident to all spiritual Truths.” 3 In the Biographia, however, this process of simultaneous levitation and descent remains notoriously incomplete, left over for the projected but never completed “great book on the constructive philosophy.” 4 Thus, the procedure initiated in the philosophical [End Page 125] theses of chapter twelve having been arrested, the project of chapter thirteen, “in which the results [of the theses] will be applied to the deduction of the imagination, and with it the principles of production and genial criticism in the fine arts,” 5 is left as a fragmentary exposition in the hugely influential but attenuated and gnomic sequence of distinctions between primary and secondary imagination, and fancy.Consequently, students of Coleridge have been left to puzzle over the “missing” argument for themselves and to explain why Coleridge seems to give up at this point. At least since Thomas McFarland’s Coleridge and the Pantheist Tradition it has been accepted that a significant part of the problem lies with the “counter-pull” 6 exerted upon Coleridge’s thought at this point in time between Kant and Schelling (or, as McFarland sees it, between Kant and Schelling / Spinoza). In other words, it is the pull between a system in which free will is preserved at the price of being declared noumenal and one in which free will is imperilled but set against the goal of a system of total and undivided philosophy at ease with the infinite. The difference between the methodologies of Kant and Schelling, as Gian Orsini noted, is the product of their contrasting first postulates, or philosophical starting-points. While Kant sets out from the epistemological problem of to what extent objects can be said to conform to human knowledge, Schelling asks, “do we deduce Mind from Nature or Nature from Mind?” 7 Each of these presumes a completely different kind of enquiry from the other, and thus a different method; a fact Coleridge appears to have fully appreciated only during the composition of the Biographia.The Biographia’s problems have provoked a diverse range of critical responses over the years. 8 Among these, however, there is a more or less settled [End Page 126] opinion that Coleridge’s failure at this stage to come to terms with the Kant / Fichte / Schelling debate merely added to the difficulty of a work which, having begun its life as a reply to and a rebuttal of Wordsworth’s empirical and associative definition of imagination as set out in the Preface to his Poems (1815), had already far exceeded its initial plan both in scope and size. As the statement of his poetic principles and critique of Wordsworth had turned into a literary life, and this into a broader exploration of his developing views on epistemology, religion, and the history of language, so the “Preface” to the Sibylline Leaves (as it had originally been conceived) now dwarfed that work. Coleridge’s printer’s decision to produce the Biographia in two volumes only served to emphasize the break between its “philosophical” and literary-critical planes and the failure of Coleridge’s declared intention to apply the rules of art, “deduced from philosophical principles, to poetry and criticism.” 9Yet there was always something... (shrink)

Knowledge representation is one way to exploit expertise in a given domain by logical means. But, what kind of knowledge does one acquire from an inference (or inference on a query result over a knowledge base)? Such a question may appear awkward since the answer seems so obvious: from an inference, one simply acquires knowledge. This is undoubtedly the case when only one type of knowledge (for instance, expert knowledge) is involved in an inference. What if several types of knowledge (...) are involved? What type of knowledge can one deduce from a plurality of knowledge types? I claim that reasoning with different knowledge concepts requires a fine-grained representation of knowledge in which every knowledge type finds a singular expression in order to avoid some epistemic equivocity associated with a coarse-grained representation of knowledge. In the first part of the paper, I revisit the Muddy Children Puzzle, which usually serves to illustrate common knowledge in dynamic epistemic logic. I try to show that this problem also shows some sort of epistemic equivocity between concepts of knowledge and, consequently, that the problem calls for some epistemological refinements concerning the representation of the types of knowledge at play in an inference. In the second part, I address this issue from a semantic point of view, and I develop a fragment of epistemic logic capable of providing a solution to the problem of epistemic equivocity. (shrink)

Recent developments in the semantics of natural language seem to lead to a genuine synthesis of ideas from linguistics and logic, producing novel concepts and questions of interest to both parent disciplines. This book is a collection of essays on such new topics, which have arisen over the past few years. Taking a broad view, developments in formal semantics over the past decade can be seen as follows. At the beginning stands Montague's pioneering work, showing how a rigorous semantics can (...) be given for complete fragments of natural language by creating a suitable fit between syntactic categories and semantic types. This very enterprise already dispelled entrenched prejudices concerning the separation of linguistics and logic. Having seen the light, however, there is no reason at all to stick to the letter of Montague's proposals, which are often debatable. Subsequently, then, many improvements have been made upon virtually every aspect of the enterprise. More sophisticated grammars have been inserted (lately, lexical-functional grammar and generalized phrase structure grammar), more sensitive model structures have been developed (lately, 'partial' rather than 'total' in their com position), and even the mechanism of interpretation itself may be fine-tuned more delicately, using various forms of 'representations' mediating between linguistic items and semantic reality. In addition to all these refinements of the semantic format, descriptive coverage has extended considerably. (shrink)

In the opening lines of Aristophanes' Acharnians, Dicaeopolis counts first among his greatest joys ‘the five talents Cleon coughed up’, and he professes his love of the Knights for this service ‘worthy of Hellas’. The ancient scholiast gave what he thought an obvious explanation from Theopompus : he tells us that Cleon was accused of taking bribes to lighten the tribute of the islanders, and he was then fined ‘because of the outrage against the Knights’. Evidently Theopompus connected the charges (...) against Cleon with some earlier proceedings instigated by Cleon against the Cavalry. There is, as often, some difficulty in determining what Theopompus said and what the scholiast inferred, and, aside from that editorial problem, the scholiast's all-too-simple solution faces at least three major objections regarding the legal and political implications of such a trial. On the strength of such objections it was long ago supposed that Dicaeopolis rejoices not at a recent political defeat for the demagogue, but in recalling a theatrical expose in Babylonians of the previous year. This theory of a stage trial, however, encounters obstacles of its own in any reconstruction of the lost play. In recent work there have been many comments but no altogether satisfactory solution on this problem. It is the view of many that Cleon indeed suffered some political defeat in the year preceding Ach.; but, by this approach, ingenious solutions are required to make sense of the scholia. The assumption of a stage-trial, involving the Knights and Cleon in Babylonians, is still found persuasive by others, but if we are to discount the fragment of Theopompus, which has supporting testimony elsewhere in the scholiastic tradition, we would like to have something more than mere inference that Cleon was tried and convicted in Babylonians. The purpose of this paper is to find a more cogent explanation for these lines in Ach. and the equally puzzling scenario in Theopompus. It will be helpful to begin with the broad outlines of the problem , and then proceed to re-examine the prevailing views, the stage-trial theory and historical theories based upon the scholia. (shrink)

This thoughtful, learned, well-written, extensively illustrated, and heavily documented study deserves to be regarded as a landmark in art history. Traditional art history has dealt for the most part with the “fine arts” (chiefly painting, drawing, sculpture, and architecture), whereas other human creations that take physical form (such as furniture, ceramics, textiles, and metal and glass items), whether utilitarian or decorative (or both at once), are considered “craft” or “applied art” and are studied by folklorists, anthropologists, and archaeologists and often (...) displayed in different museums. Cooke wishes to break down this “hierarchical taxonomy,” this “fragmented, hierarchical field,” that emerged from Western Europe's “misunderstanding of art,” which valued “the cerebral over the manual.” His goal, in other words, is to outline “a more inclusive human history of art”— “a connected art history.” This phrase from his subtitle refers not simply to connecting “fine art” with “applied art” but also to crossing temporal and regional boundaries. Still another act of connecting is to examine all parts of an object's life history, and thus the three main divisions of the book deal with the making of objects, their circulation from one person and place to another (and “their ability to transmit ideas” in the process), and their meaning for the persons who possessed or encountered them.Over the years I have repeatedly said that all objects made by human beings are worthy of preservation and study because they bring us into direct contact with the past and, as part of our surroundings, affect our thoughts in the present. Every object, I have argued, including copies of a single printed edition of a book (so-called duplicates), is an independent witness to the past. I am particularly pleased, therefore, to welcome a major book that explores in detail, with a wealth of examples from many centuries and cultures, the place of objects in human history. Cooke's pursuit is “object-driven,” beginning with the nature of the materials and finally coming to “the inherent power of the object itself to influence human thought and action.” (Compare the subtitle of Sherry Turkle's 2007 anthology Evocative Objects: Things We Think With.) Cooke's refusal to separate “materials” from “people,” or “technologies” from “values,” reminds me of John Szarkowski's approach to photographs. In Photography until Now (1989), Szarkowski points out that histories of photography generally treat technical matters separately from artistic ones—a split between the “empirical” and the “intuitive” that he finds indefensible, for “these two ways of knowing meet in the process of making things.” He adds, “The meeting can be cordially symbiotic or aggressively competitive, but its resolution defines the character and meaning of the thing that is made.” This statement has been a favorite of mine as an elegant characterization of the nature of art, and it is one that Cooke would clearly agree with.Cooke does not discuss photography, but he makes clear that he is not attempting a “comprehensive history that charts the complete ebb and flow of objects over time.” Rather, his book is meant to be a “suggestive guide” to the “principles of material literacy,” a “kit of tools for future complex constructions of history.” Even so, I find some of the omissions puzzling. Why, for example, are glass objects not taken up, when he so thoroughly deals with other common materials? More serious, in my opinion, is the exclusion of the fine arts. (Of the 215 illustrations, five are of oil paintings and one is of a Japanese print, but they are present only as the sources for information drawn from their pictorial content; one Hogarth engraving is shown because its image was often reproduced on punch bowls; and there is a very brief passage on the “uneasy relationship” between sculpture and material culture, but no sculptures are illustrated or used as examples for discussion.) Presumably Cooke felt it was unnecessary for his book to encompass the fine arts after demonstrating that functional objects are just as sophisticated artistically and culturally as products of the fine arts are. Yet those products also belong to the universe of “entangled objects” (How could they not?), and it would have been illuminating to see them adduced among the examples Cooke cites. One could argue that by excluding them—and by referring to the makers of the objects he does discuss as “artisans” and “craftspeople”—he comes close to reinforcing the division he wishes to eliminate.Less easy to explain is Cooke's omission of books, for they have been one of the largest and most widely circulated classes of utilitarian objects. Most people never think about books as objects, treating them only as disposable receptacles for transmitting verbal texts in tangible form (which is why so many books are destroyed when their texts supposedly become available in another form). Such people do not realize that texts have connections with their physical embodiments. (For example, books, whether manuscript or printed, often contain clues revealing how their texts were affected by the production process; and readers’ attitudes toward texts can be influenced by their presentation.) Cooke, however, with his deep understanding of the way objects function and his impressive knowledge of the scholarship, cannot be one of these uninformed people. He would obviously be aware of the vast literature devoted to leather and cloth bookbindings and their decoration, as well as to the myriad styles of letters and the varieties of paper and parchment; he would also know how letterforms and binding designs reflect a complex interplay of social, political, and artistic forces. Bibliographers have long studied books as Cooke advocates studying other objects: “working from the inside out,” beginning with the evidence in books themselves for reconstructing the routines that were followed in their creation. And book historians are recognizing the necessity for an international approach like Cooke's, since many of the books circulating in one country originated in other countries. Books would have been a prolific additional source for illustrating Cooke's analyses.My admiration for Cooke's book is not altered by these few disappointments. Even without discussions of paintings, sculptures, and books, it is still exhilarating in its scope and depth. One hopes that art and material-culture historians will pay attention to it. But it ought to have a wider audience, for the daily lives of all of us would be enriched by a greater appreciation of the objects that make up a significant part of our environment. (shrink)

"This book is addressed to the one who lives in a passionate quest for deepened awareness, who hungers to touch and taste human existence more intimately, who delights in the celebration of now." "In the era of the multiversity with its fragments of introverted expertise, it does sound absurdly ambitious to make an integrative attempt at synoptic reflection, seeking to conjoin disparate insights from developmental psychology, psychotherapy, ontology, epistemology, ethics, phenomenology, the fine arts, jurisprudence, linguistics, theology, hermeneutics, liturgics, history, and (...) the philosophy of history...Admittedly it is not because I am an expert in any or all of these fields, but instead a human being--a single, experiencing, time-bound, warm-bodied human being--that emboldens me to speak with any assurance about the human situation. More than most other academic bailiwicks, my own academic discipline (theological ethics) invites and demands such integrative reflection on man, culture, time, being and value, dysfunctional and constructive human behavior." "Our thesis: The structure of human awareness emerges directly out of man's temporal situation and his relation to being." (excerpts from the Introduction, by Thomas C. Oden). (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Hegel and Herder on Art, History, and ReasonKristin GjesdalThe introduction of a historical perspective in aesthetics is usually traced back to Hegel's 1820 lectures on fine art. Given at the University of Berlin, these lectures were amongst Hegel's most successful and best attended.1 By then a recognized intellectual figure, Hegel sets out to salvage art from its subjectivization in Kantian and romantic aesthetics, but ends up declaring that art, (...) considered in its highest vocation, is a thing of the past. This judgment on art—that its greatness is a thing of the past—follows from Hegel's attempt to combine a notion of art's historicity with a conception of its absolute essence. Hegel, however, was not the first to think systematically about the historicity of art. For this aspect of art—and, indeed, of reason too—was explored philosophically a good sixty years before Hegel's Berlin lectures by a young and aspiring student of Kant's, namely Johann Gottfried Herder. In a series of essays and fragments, Herder develops an advanced and elaborate alternative to Hegel's conception, a fundamentally non-essentialist approach to art, history, and reason.Over the past twenty years or so, Hegel's attempt to combine an essentialist and an historicist approach to art has been revitalized, with increasing force and sophistication, by Arthur Danto.2 The attempts to rehabilitate Herder's aesthetics, however, have been few and far between.3 This is the aim of the present essay, which seeks to contrast the young Herder's non-essentialist understanding of the historicity of art with Hegel's essentialist views on the artwork's historicity, pleading for a rehabilitation of the former.4 I approach this task from three different directions. First, I offer a brief account of Herder's and Hegel's views on reason, history, and art. Second, I look closer at their conceptions of classical tragedy and sculpture, which, due to Winckelmann's studies, [End Page 17] were perceived at the time as the gateway to a historically sensitive conception of culture as such. Finally, I round off by looking at some of the hermeneutic implications of Herder's non-essentialist standpoint.IAccording to Hegel, a phenomenologically mature and accountable philosophy is distinguished by its readiness to reflect on its own, historical presuppositions. It must acknowledge the critical commitments of modern thinking, but also take into account how these commitments are the result of spirit's laborious journey through history. Only by combining the perspective of modernity with the resources of tradition may philosophy inhabit a place where systematicity and historicity concur. Reality may now be exhausted in the form of a speculative logic. This, according to Hegel, is the end of history, but as the end of history, it is also the dawn of a new era, that of free and self-determining spirit.Hegel's notion of the end of history testifies to a formidable optimism about the power of critical thought. In modernity, Hegel claims, art and religion no longer emerge as adequate media of self-reflection. It is philosophy that has taken on this task. Considered from the standpoint of modernity, religion and art are no longer appropriate forms of expression; now only the conceptual optics of philosophy adequately reflects our deepest truths and values.5Artistically speaking, this moment may well emerge as a loss. For even though Hegel never claims that art, as such, will no longer be produced,6 he reckons it will not be produced in the same spirit as before. No longer expressive of a shared, ethical and political commitment, art is not brought forth by necessity. Intellectually speaking, however, the end of art triggers a different response. Not only does the end of art represent another step towards the conceptual self-determination of spirit. It also follows that only when a phenomenon such as art has finally fulfilled its historical possibilities can it be brought to philosophical clarity about itself. Only after art can we know conceptually what art is. Aesthetics can only begin at the point when art, considered in its highest vocation, no longer holds a historical future.IIAs a young and... (shrink)

This paper explores the significance of Heraclitus’s fragment B45 for Husserl and Merleau-Ponty as it appears in the Crisis of the European Sciences and Merleau-Ponty’s lectures on this text in the late 1950s. I claim that at stake is a revision or mutation of the sense of transcendentality: by naming it psyche, the transcendental is no longer understood as a static set of a priori conditions but what I call, following Jean-Luc Nancy, “outsidedness.” I elaborate this idea in dialogue with (...) Nancy and Derrida in their texts “De l’âme” and On Touching: Jean-Luc Nancy. By identifying the sense of transcendentality with the psyche of Heraclitus, we see a transcendentality in the process of departing, and hence transcendentality is an event for which we always arrive late.Cet article explore la signification du fragment B45 de Héraclite pour Husserl et Merleau-Ponty telle qu’elle apparaît dans la Crise des Sciences Européennes et dans la lecture de ce texte par Merleau-Ponty à la fin des années 1950. Je postule qu’il en va de la révision ou de la mutation du sens de la « transcendantalité » : en l’appelant psyche, le transcendantal n’est plus compris comme un ensemble statique de conditions a priori mais comme ce que je nomme, suivant Jean-Luc Nancy, un « au-delà ». J’élabore cette idée en dialogue avec les textes de Nancy et de Derrida : « De l’âme » et Le Toucher, Jean-Luc Nancy. En identifiant le sens de la « transcendantalité » avec la psyche de Héraclite, nous remarquons une « transcendantalité » sur le départ, et donc la « transcendantalité » est un événement pour lequel nous arrivons toujours en retard. Questo saggio esplora il significato del frammento di Eraclito B45 per Husserl e Merleau-Ponty, per come appare nella Crisi delle scienze europee e nella lettura merleau-pontiana di questo testo verso la fine degli anni Cinquanta. Ci sembra di poter affermare che in gioco vi sia una rivisitazione, una mutazione, del senso del trascendentale: definendolo come psyche, il trascendentale non è più concepito come una serie statica di condizioni a priori, ma come ciò che, con Jean-Luc Nancy, chiamiamo “esteriorità”. Abbiamo elaborato questa idea in dialogo con Nancy e Derrida e i loro testi rispettivi Dell’anima e Toccare, Jean-Luc Nancy. Identificando il senso della trascendentalità con la psyche di Eraclito, possiamo vedere della trascendentalità nel processo del dipartirsi (partance), e quindi, proprio in questo senso, comprendere la trascendentalità come un evento rispetto al quale siamo sempre in ritardo. (shrink)

The aim of this paper is to argue that the adoption of an unrestricted principle of bivalence is compatible with a metaphysics that (i) denies that the future is real, (ii) adopts nomological indeterminism, and (iii) exploits a branching structure to provide a semantics for future contingent claims. To this end, we elaborate what we call Flow Fragmentalism, a view inspired by Kit Fine (2005)’s non-standard tense realism, according to which reality is divided up into maximally coherent collections of tensed (...) facts. In this way, we show how to reconcile a genuinely A-theoretic branching-time model with the idea that there is a branch corresponding to the thin red line, that is, the branch that will turn out to be the actual future history of the world. (shrink)

Perhaps the most obvious and, for us, the most surprising stylistic feature of Xenophanes’ surviving fragments is the fact that they were written in verse. Whilst this general feature has received much comment and explanation, a more fine-grained analysis of his use of metre has been somewhat lacking. There are at least two factors which have contributed to this lack: first, the primarily philosophical focus of most modern scholarship on Xenophanes, which has been more interested in content than form; and (...) second, the dominance of New Historicism in archaic Greek literary scholarship of recent decades, which, with its emphasis on the ideological force and social role of early Greek hexameter and elegy, has also tended to eschew an analysis of precise formal features. When we do find detailed discussion of metre, it tends to be in the service of uncovering the composition-processes of poets, rather than elucidating the effects they aimed to generate. Consequently, the present contribution aims to fill a gap in Xenophanean scholarship by enriching our appreciation of his sometimes-maligned metrical artistry (M.L. West described him and Euenus as ‘the clumsiest versifiers’ out of the elegists and iambicists). It thus joins two trends in recent Greek literary scholarship: the renewed attempt to appreciate archaic texts as literature – rather than merely as documents for social history or historical anthropology; and the exploration of the significance of non-semantic formal features, which can convey as much ideological content as the claims, narratives and imagery of the text. (shrink)

The transition semantics presented in Rumberg (J Log Lang Inf 25(1):77–108, 2016a) constitutes a fine-grained framework for modeling the interrelation of modality and time in branching time structures. In that framework, sentences of the transition language L_t are evaluated on transition structures at pairs consisting of a moment and a set of transitions. In this paper, we provide a class of first-order definable Kripke structures that preserves L_t-validity w.r.t. transition structures. As a consequence, for a certain fragment of L_t, validity (...) w.r.t. transition structures turns out to be axiomatizable. The result is then extended to the entire language L_t by means of a quite natural ‘Henkin move’, i.e. by relaxing the notion of validity to bundled structures. (shrink)

In the present paper I describe a general formal semantic scheme for the interpretation of quantum mechanics (QM), and on the basis of this scheme I examine the modal interpretation of QM — both the Copenhagen and the anti-Copenhagen variants — proposed by van Fraassen [19, 20, 21], This is intended to be a fragment of a larger work [12] which additionally investigates a number of closely related interpretations, including ones proposed by Bub and Demopoulos [1, 2, 3, 4], Fine (...) [5, 6], and Krips [16, 17].Formal semantically speaking (see, e.g., Thomason [18]), a logic L may be characterized as an ordered pair, where SYN is the underlying syntax (language) of L, and SEM is the semantics of L, which consists of a class of semantic assignments on SYN. (shrink)

Progressions of iterated reflection principles can be used as a tool for the ordinal analysis of formal systems. We discuss various notions of proof-theoretic ordinals and compare the information obtained by means of the reflection principles with the results obtained by the more usual proof-theoretic techniques. In some cases we obtain sharper results, e.g., we define proof-theoretic ordinals relevant to logical complexity Π1 0 and, similarly, for any class Π n 0 . We provide a more general version of the (...) fine structure relationships for iterated reflection principles (due to U. Schmerl [25]). This allows us, in a uniform manner, to analyze main fragments of arithmetic axiomatized by restricted forms of induction, including IΣ n , IΣ n − , IΠ n − and their combinations. We also obtain new conservation results relating the hierarchies of uniform and local reflection principles. In particular, we show that (for a sufficiently broad class of theories T) the uniform Σ1-reflection principle for T is Σ2-conservative over the corresponding local reflection principle. This bears some corollaries on the hierarchies of restricted induction schemata in arithmetic and provides a key tool for our generalization of Schmerl's theorem. (shrink)

This paper develops a theory of propositional identity which distinguishes necessarily equivalent propositions that differ in subject-matter. Rather than forming a Boolean lattice as in extensional and intensional semantic theories, the space of propositions forms a non-interlaced bilattice. After motivating a departure from tradition by way of a number of plausible principles for subject-matter, I will provide a Finean state semantics for a novel theory of propositions, presenting arguments against the convexity and nonvacuity constraints which Fine (2016, 2017a,b) introduces. I (...) will then move to compare the resulting logic of propositional identity (PI) with Correia’s (2016) logic of generalised identity (GI), as well as the first degree fragment of Angell’s (1989) logic of analytic containment (AC). The paper concludes by extending PI to include axioms and rules for a subject-matter operator, providing a much broader theory of subject-matter than the principles with which I will begin. (shrink)