This article seeks to present the foundations in Foucault’s thought that led him to elaborate the concept of archeology and, in addition, try to recognize its limits. To achieve this, we present his main theoretical dialogues at the beginning of his investigations and the reasons that made necessary to reframe that concept later. Among the conclusions of this study, we suggest that the allegorical conception of language, that was sustained over the period, is formally similar to the structure of metaphysical (...) thought and, as such, is abandoned by Foucault as an attempt to create an original philosophical reflection. (shrink)

Every statement about language is also a statement by and about psyche. Guided by this primary assumption, and inspired by the works of Carl Jung, in _Symptom, Symbol, and the Other of Language_, Bret Alderman delves deep into the symbolic and symptomatic dimensions of a deconstructive postmodernism infatuated with semiotics and the workings of linguistic signs. This book offers an important exploration of linguistic reference and representation through a Jungian understanding of symptom and symbol, using techniques including amplification, dream interpretation, (...) and symbolic attitude. Focusing on Ferdinand de Saussure, Jacques Derrida, Michel Foucault, and Richard Rorty, Alderman examines the common belief that words and their meaning are grounded purely in language, instead envisioning a symptomatic expression of alienation and collective dissociation. Drawing upon the nascent field of ecopsychology, the modern disciplines of phenomenology and depth psychology, and the ancient knowledge of myth and animistic cosmologies, Alderman dares us to re-imagine some of the more sacrosanct concepts of the contemporary intellectual milieu informed by semiotics and the linguistic turn. Symptom, Symbol, and the Other of Language is essential reading for academics and students engaged in the study of depth psychology. However, the interdisciplinary approach of the work ensures that it will also be of great interest to those researching and studying in the areas of ethology, ecopsychology, philosophy, linguistics and mythology. (shrink)

When one defines "order" as a sorting of priorities, it becomes beautifully clear as to what Foucault is doing here. With virtuoso showmanship, he weaves an intensely complex history of thought. He dips into literature, art, economics and even biology in The Order of Things, possibly one of the most significant, yet most overlooked, works of the twentieth century. Eclipsed by his later work on power and discourse, nonetheless it was The Order of Things that established Foucault's reputation as an (...) intellectual giant. Pirouetting around the outer edge of language, Foucault unsettles the surface of literary writing. In describing the limitations of our usual taxonomies, he opens the door onto a whole new system of thought, one ripe with what he calls "exotic charm". Intellectual pyrotechnics from the master of critical thinking, this book is crucial reading for those who wish to gain insight into that odd beast called Postmodernism, and a must for any fan of Foucault. (shrink)

I would like to suggest another way to go further toward a new economy of power relations, a way which is more empirical, more directly related to our present situation, and which implies more relations between theory and practice. It consists of taking the forms of resistance against different forms of power as a starting point. To use another metaphor, t consists of using this resistance as a chemical catalyst so as to bring to light power relations, locate their position, (...) and find out their point of application and the methods used. Rather than analyzing power from the point of view of its internal rationality, it consists of analyzing power relations through the antagonism of strategies.[…]Let us come back to the definition of the exercise of power as a way in which certain actions may structure the field of other possible actions. What, therefore, would be proper to a relationship of power is that it be a mode of action upon actions. That is to say, power relations are rooted deep in the social nexus, not reconstituted "above" society as a supplementary structure whose radical effacement one could perhaps dream of. In any case, to live in a society is to live in such a way that action upon other actions is possible-- and in fact ongoing. A society without power relations can only be an abstraction. Which, be it said in passing, makes all the more politically necessary the analysis of power relations in a given society, their historical formation, the source of their strength or fragility, the conditions which are necessary to transform some or to abolish others. For to say that there cannot be a society without power relations is not to say either that those which are established are necessary or, in any case, that power constitutes a fatality at the heart of societies, such that it cannot be undermined. Instead, I would say that the analysis, elaboration, and bringing into question of power relations and the "agonism" between power relations and the instransitivity of freedom is a permanent political task inherent in all social existence.[…]In effect, between a relationship of power and a strategy of struggle there is a reciprocal appeal, a perpetual linking and a perpetual reversal. At every moment the relationship of power may become a confrontation between two adversaries. Equally, the relationship between adversaries in society may, at every moment, give place to the putting into operation of mechanisms of power. The consequence of this instability is the ability to decipher the same events and the same transformations either from inside the history of struggle or from the standpoint of the power relationships. The interpretations which result will not consist of the same elements of meaning or the same links or the same types of intelligibility, although they refer to the same historical fabric, and each of the two analyses must have reference to the other. In fact, it is precisely the disparities between the two readings which make visible those fundamental phenomena of "domination" which are present in a large number of human societies.Michel Foucault has been teaching at the Collège de France since 1970. His works include Madness and Civilization , The Birth of the Clinic , Discipline and Punish , and History of Sexuality , the first volume of a projected five-volume study. (shrink)

This chapter contains sections titled: The Misperception Davidson on Interpretation The Proposal References.

Foucault's previously unpublished doctoral dissertation on Kant offers the definitive statement of his relationship to Kant and to the critical tradition of philosophy. This introduction and commentary to Kant's least discussed work, Anthropology from a Pragmatic Point of View, is the dissertation that Michel Foucault presented in 1961 as his doctoral thesis. It has remained unpublished, in any language, until now. In his exegesis and critical interpretation of Kant's Anthropology, Foucault raises the question of the relation between psychology and anthropology, (...) and how they are affected by time. Though a Kantian “critique of the anthropological slumber,” Foucault warns against the dangers of treating psychology as a new metaphysics, explores the possibilities of studying man empirically, and reflects on the nature of time, art and technique, self-perception, and language. Extending Kant's suggestion that any empirical knowledge of man is inextricably tied up with language, Foucault asserts that man is a world citizen insofar as he speaks. For both Kant and Foucault, anthropology concerns not the human animal or self-consciousness but, rather, involves the questioning of the limits of human knowledge and concrete existence. This long-unknown text is a valuable contribution not only to a scholarly appreciation of Kant's work but as the first outline of what would later become Foucault's own frame of reference within the history of philosophy. It is thus a definitive statement of Foucault's relation to Kant as well as Foucault's relation to the critical tradition of philosophy. By going to the heart of the debate on structuralist anthropology and the status of the human sciences in relation to finitude, Foucault also creates something of a prologue to his foundational The Order of Things. Michel Foucault is widely considered to be one of the most important academic voices of the twentieth century and has proven influential across disciplines. (shrink)

In this article, I examine the relation between phenomenology and anthropology by placing Foucault's first published piece, “Introduction to Binswanger's Dream and Existence“ in dialectical tension with The Order of Things. I argue that the early work, which so far hasn't received much critical attention, is of particular interest because, whereas OT is notoriously critical of anthropological confusions in general, and of “Man” as an empirico‐transcendental double in particular, IB views “existential anthropology” as a unique opportunity to establish a new (...) and fruitful relation between transcendental forms and empirical contents. This is because IB focuses on a specific object, “Menschsein”, which is neither the transcendental subject nor an empirical being. Thus for the young Foucault, existential anthropology occupies a fertile methodological middle ground between transcendental approaches and empirical forms of analysis. I first interpret anthropology in the light of phenomenology and defend the view that Menschsein is neither a transcendental structure nor a concrete particular, but the instantiation of the first in the second. I argue that for anthropology to yield the full theoretical benefits Foucault claims for it, the particular cases of Menschsein examined in existential analysis have to be regarded as exemplary. I then read phenomenology back in the light of anthropology and examine how, for Foucault, the analysis of Menschsein in dreams benefits fundamental ontology by affording us a clearer view of some of the main existentiale than the focus on everyday waking experience in Being and Time. Finally, I turn to the limits and difficulties of this early position and my reading of it, and to their consequences for Foucault's later view. (shrink)

In this paper, I examine the relation between phenomenology and anthropology by placing Foucault?s first published piece, Introduction to Binswanger?s?Dream and Existence? in dialectical tension with The Order of Things. I argue that the early work, which so far hasn?t received much critical attention, is of particular interest because while OT is notoriously critical of anthropological confusions in general, and of?Man? as an empirico-transcendental double in particular, IB views?existential anthropology? as a unique opportunity to establish a new and fruitful relation (...) between transcendental forms and empirical contents. This is because IB focuses on a specific object,?Menschsein?, which is neither the transcendental subject nor an empirical being. Thus for the young Foucault existential anthropology occupies a fertile methodological middle ground between transcendental approaches and empirical forms of analysis. I first interpret anthropology in the light of phenomenology and defend the view that Menschsein is neither a transcendental structure nor a concrete particular, but as the instantiation of the first in the second. I argue that for anthropology to yield the full theoretical benefits Foucault claims for it, the particular cases of Menschsein examined in existential analysis have to be regarded as exemplary. I then read phenomenology back in the light of anthropology and examine how, for Foucault, the analysis of Menschsein in dreams benefits fundamental ontology by affording us a clearer view of some of the main existentiale than the focus on everyday waking experience in Being and Time. Finally, I turn to the limits and difficulties of this early position and my reading of it, and to their consequences for Foucault?s later view. (shrink)

The present paper is divided into two parts. Part one is an attempt to reconstruct the semiotic models of Freudian-Lacanian psychoanalysis, in which conceptsfrom De Saussure, C. S. Peirce, Jakobson, Lotman, Eco are drawn for mutual illumination and synthesis. Psychoanalytic semiotics is considered a particular areaand discipline in semiotics, aiming at the unconscious dimension of the subject. Lacan could be considered a post-structuralist revision and extension of Freud. Part two is an application of psychoanalytic semiotics to the interpretation of dream (...) painting, focusing on the Dali example. Essential issues in psychoanalytic semiotics of dream painting are explored in the Dali example, such as dream indexes, dream mechanisms, self-portraits as imago and icon, and psychoanalytic Nirvana as a recovery and memory of a non-alienated subject. My reading of Dali demonstrates the possibility of a convergence of semiotics, psychoanalysis, and art criticism. (shrink)

Freud's account of dreams can be understood via interpretive patterns that span language and action, enabling an extension of common sense psychology that is potentially cogent, cumulative, and radical.

In the final years of his life, the Belgian phenomenologist Marc Richir started to question if philosophical writing would become pointless when artists, great poets for example, have already achieved so well what philosophers have always aspired to achieve. There is no doubt that Richir considers himself in alliance with artists, since he basically believes that “phenomenology is trying to say the same thing as poets or musicians, or even possibly painters, but with philosophical language”. He seems thereby to imply (...) that phenomenology is destined to become self-aware as a sort of art. There is no surprise in this regard if we notice how frequently, throughout his entire career of philosophical production, he employs the Kantian term of the sublime to express what constitutes the phenomenon as nothing but phenomenon. This article goes through his phenomenological interpretation of Kantian aesthetics, his elaboration of the affinity between phenomenology and art, and then his genealogical conception of art, in order to introduce an original thought on what he calls “the moment of the sublime”. (shrink)

Available from UMI in association with The British Library. Requires signed TDF. ;This thesis proposes that the death of the author is neither a desirable, nor properly attainable goal of criticism, and that the concept of the author remained profoundly active even--and especially--as its disappearance was being articulated. ;As the phrase implies, the death of the author is seen to repeat the Nietzschean deicide. In Barthes, the idea of the author is explicitly connected to that of God, for Foucault and (...) Derrida, to that of the transcendental subject of knowledge. Nowhere, however, is any demonstration forwarded as to why we must conceive author, transcendental subject, and divinity as specifications of the same subject, and therefore implicated in a common closure. Always and everywhere, the death of the author proceeds on the basis of an idealized conception of authorship. ;In practical terms, such are the pressures exerted upon critical discourse by the death of the author that the author is implied from the outset. Barthes will insist that the authorial subject is constituted in and through language, whilst also recommending that we should regard certain authors as "founders of languages". With Foucault, the requisite transindividuality of archaeology is subverted by the absolutely privileged, metahistorical status it bestows upon Nietzsche. Derrida's history of logocentrism denies the author precisely because of the exorbitant recourse it must make to Rousseau as the single systematized instance of an age of logocentric metaphysics. ;The placement of the author reflects the experience of these critics in writing their texts. In Barthes, the return of the author is inseparable from his own autobiographical project; with Foucault, it relates to the rejection of the transcendental detachment of the archaelogist in favour of the engaged subjectivity of the genealogist; in Derrida, authorial reinscription coincides with his attempt to move beyond critical reading toward autobiographical literature. With hindsight, it appears that it is the becoming-author of the critic that is actually at issue. ;However, this revisionary phase has been largely neglected, and Barthes, Foucault and Derrida are continually invoked to underwrite critical resistance to the author. From the Russian Formalists onward, literary theory has shown itself incapable of accommodating authorial subjectivity. As such, the question of the author increasingly presents itself as the question of theory, of its adequacy as a descriptive science of literature and discourse in general. (shrink)

The debate that contrasts Marxism and the work of Michel Foucault often overlooks that both projects share a political and ethical commitment. Both have moreover engaged that commitment by challenging what Marx called ‘traditional ideas’, viewing them as historically compilcit with the exercise of power. This ‘radical rupture’ with traditional ideas has been the hallmark of the critical theory project since The Communist Manifesto. By challenging traditional notions of power and language, however, Michel Foucault went further than the Marxist tradition (...) in carrying out the critical theory project. Foucault's alternative ideas of discourse/practice and of power as ‘positive’ are moreover intricately linked in a way that has not been sufficiently appreciated. This is evident in a genealogy of Foucault's early work, where neither notion is able to take hold in the absence of the other. It only after The Archaeology of Knowledge, where Foucault rethought the relationship of language to reality, that he was able to formulate the notion of power as positive in works to come. This link should cause us to rethink our relationship to Foucault's work, of it to Marxism, and of the critical theory project to the power. (shrink)

The article advances the notion that contemporary philosophy exists not as an ontology, but rather as an anthropology. The author posits that our understanding of being is contingent upon our comprehension of the human condition. Through an examination of the intellectual debate between M. Foucault and A. Badiou, the author demonstrates that I. Kant was the pioneer in European philosophy to interrogate the essence of humanity, thereby inaugurating an anthropological mode of philosophical thought. Building upon Kant’s proposition, the author presents (...) the intriguing hypothesis that the essence of humanity, or humanitas, is encapsulated within its capacity for hallucination, or hallucinatas. This perspective leads the author to introduce the novel philosophical concepts of “hallucenosis” and “explosion of hallucinations.” Here, “hallucenosis” refers to a collective of individuals engaged in a shared dream state, while “explosion of hallucinations” denotes the primal self-representation of humans as depicted in the rock art of the late Paleolithic era. The author gives particular emphasis to the concept of “double inversion” in human nature, a notion originally proposed in Russian philosophy by B.F. Porshnev and Yu.M. Borodai. Double inversion is interpreted as the emergence of self-consciousness, on one hand, and a speech event, on the other. The author further develops the idea that in contemporary human behavior, consciousness and intelligence are fundamentally disconnected. The conclusion drawn is that while intelligence facilitates animal existence in space, consciousness enables human life in time. In the author’s view, to hallucinate is essentially to live in time. The article substantiates the claim that organic intelligence and human intelligence operate within distinct sensoriums. Meanwhile, artificial intelligence, lacking its own sensorium, is argued to be non-existent in this context. (shrink)

In this remarkable book Michel Foucault, one of the most influential thinkers of recent times, calls us to look critically at specific historical events in order to uncover new layers of significance.

This paper suggests that The Interpretation of Dreams contains some of Freud's most provocative, far-reaching, and powerful psychoanalytic insights regarding futurity, intersubjective communication, and the relationship between the dream, the dreamer, and the world. By focusing on the specific status and function of the dream (as opposed to all other psychic actions), this paper explores how and why the singular language of dreams—and the very possibility of dream interpretation—provide a specifically psychoanalytic model of translation. The essay examines the specific status (...) of the dream by appealing to a selection of important and influential philosophical readings of Freud's text by Slavoj Žižek, Jacques Lacan, Jacques Derrida, Jean Laplanche, and Jean-François Lyotard. Building upon the differences in their respective approaches to the question of dream, the essay argues that because the language of every dream is radically singular, and because dreams trouble all temporal boundaries so that they cannot be located in a particular space or time, they open up the pathway to the future. Furthermore, by showing that dreams produce effects over time and that they leave material traces, the essay also argues that dreams produce real events in the real world. Close attention to Freud's The Interpretation of Dreams reveals that Freud's “dreambook” combines elements of an ethics, a politics, and a poetics. This paper concludes by suggesting that the dream is the fragile bridge that joins the subject to the social world through a form of language that has no presence, and that belongs to no one. (shrink)

Michel Foucault and Gilles Deleuze are regarded as French “Nietzscheans” par excellence. By drawing attention to the articulation of “difference” in contemporary thought, this paper attempts to go beyond the label ‘Nietzschean’ in an effort to discern two distinct philosophical trajectories inspired by Nietzsche. I suggest that Deleuze reads Nietzsche as an empiricist whose philosophy of nature critically undermines representational modes of thought from Plato to Hegel and beyond. Difference is therefore given in itself. Foucault, on the other hand, reads (...) Nietzsche primarily as a historian of culture, whose radical reflection on language pushes philosophy into new interpretative forms of analysis that seriously confronts the role of political power in the production of truth. Difference is thus invented and only known within the contours of these fabrications. While no judgement is made about the accuracy or otherwise of their respective interpretations of Nietzsche, this paper implicitly asks whether a Nietzschean genealogical ethos can inform those political struggles today for which the meaning of difference is contested. (shrink)

"... no other book undertakes to relate all these French philosophers to each other the way that [Lawlor] does, brilliantly." —François Raffoul For many, Jacques Derrida, Michel Foucault, and Gilles Deleuze represent one of the greatest movements in French philosophy. But these philosophers and their works did not materialize without a philosophical heritage. In Thinking through French Philosophy, Leonard Lawlor shows how the work of Maurice Merleau-Ponty formed an important current in sustaining the development of structuralism and post-structuralism. Seeking the (...) "point of diffraction," or the specific ideas and concepts that link Derrida, Foucault, and Deleuze, Lawlor discovers differences and convergences in these thinkers who worked the same terrain. Major themes include metaphysics, archaeology, language and documentation, expression and interrogation, and the very experience of thinking. Lawlor’s focus on the experience of the question brings out critical differences in immanence and transcendence. This illuminating and provocative book brings new vitality to debates on contemporary French philosophy. (shrink)

Putnam’s semantic argument against the BIV hypothesis and Sosa’s argument against dream skepticism based on the imagination model of dreaming share some important structural features. In both cases the skeptical option is supposed to be excluded because preconditions of its intelligibility are not fulfilled (affirmation and belief in the dream scenario, thought and reference in the BIV scenario). Putnam’s reasoning is usually interpreted differently, as a classic case of deception, but this feature is not essential. I propose to interpret BIV’s (...) utterances as cases of reference failure best captured by truth-value gaps. Both anti-skeptical strategies are then vulnerable to the same type of objections (how do we know what state we are in or how do we know what kind of language do we speak). (shrink)

This study is an archeological investigation into the historically changing relationship between words and images. The result is an encyclopedia of interpretative techniques in which language functions as a model of thought. Three periods come to the fore. In the classical one, grammatical structures are responsible for the dominance of describing and identifying activities. Thought about art departs from the idea, that classificatory systems represent images. _Art criticism_ is the form of interpretation in this period. In the modern period time (...) moves to the foreground. Now attention is focused on changes in grammatical forms instead of changes in constant structures. A hermeneutic form of interpretation comes into being: _Art History_. In the postmodern period one realizes that words fail to establish a consistent relationship with visuality. New, semiological theories of interpretation now explain what images can signify. This volume is of interest for philosophers of art and art theoreticians, as well as for students and professionals in both fields. (shrink)

In this paper, we discuss Foucault’s formulation of the notions of biopolitics and biopower against the background of the COVID-19 pandemic and the public reaction to it. For this purpose, we first identify his body of work relevant to the issue of biopolitics, since this issue – unlike the subject areas represented in Foucault’s earlier work – has not been the subject of a separate study. We narrow the focus to the period between 1974 and 1976, when he wrote five (...) crucial texts for understanding biopolitics. The final one – “Right of Death and Power over Life”, the only one with biopolitics as the sole subject – provides what could be understood as Foucault’s definitive interpretation of the genesis and position of biopolitics in modern technologies of power. In the second part of the paper, we analyze the conceptual structure of biopower and the position of discipline and biopolitics within this structure. We then turn to Foucault’s final determination of biopolitics as thanatopolitics to raise the question of whether this whole perspective is dystopian. We find that it is not, because this perspective depends on Foucault’s understanding of power relations, according to which resistance is primary and power is derived. Finally, we argue that his conceptualization of biopolitics cannot be used to justify any of today’s antibiopolitical tendencies. (shrink)

The Byzantine dreambook known in the tradition as The Oneirocriticon of Achmet has had a long and influential history both in its field and in scholarship. It is the longest of the eight surviving Byzantine books on dream interpretation, and most likely also the oldest. It was compiled during the Macedonian renaissance—specifically, the two termini of 843 and 1075 can be established—possibly in the reign of Leo VI (r. 886–912), to whom it may have been dedicated, and possibly through the (...) influence of his Arab minister Samonas. It was translated early into Latin, in 1176 (by contrast, the famous ancient dreambook of Artemidorus was not translated until 1539), and “through this translation found its way into several European and vernacular languages from the late thirteenth century onward” (p. 4). The scholarly study of the work began in 1577, with the preface Johann Loewenklau wrote for his Latin translation of the Greek text, and continued apace to this day. The book by Maria Mavroudi under review here, from which this information is taken (chapter 1), is the latest in a long series of studies. It is also the most exhaustive and meticulous in its research and the first fully to take into account, in a professional and exemplary manner, the Arabic sources of the work. Exhaustive, but perhaps also exhausting—one may object that 471 pages of text (exclusive of prefatory material and bibliographies and indices) for a study of a mere dreambook may be too many, though apparently necessary, for Mavroudi's book contends against the weight of previous scholarship and offers much needed correctives. (shrink)

"Next to Sartre's Search for a Method and in direct opposition to it, Foucault's work is the most noteworthy effort at a theory of history in the last 50 years." -- Library Journal.

In this autobiographical essay, I reflect on my practice as an anthropologist through the medium of a dream experience. This dream occurred shortly before I was due to attend a ritual among the Booran Oromo in northern Kenya. In my discussion, I draw on analytical materialfrom anthropology, psychology, literature and philosophy. Using these different, but complementary approaches, I give three interpretations of the dream. The first two were provided to me by members of the culture, and are based on the (...) indigenous Oromo knowledge system. The third proposes a self‐analysis of the dream in terms of its structure and function. The entire exegesis is underpinned by an essay on dreams and dreaming by Foucault (1984). The analysis of the dream serves to situate my work in both theoretical and existential terms. The classic in this genre of writing is, of course, Lévi‐Strauss's (1973) Tristes Tropiques. (shrink)

This book is a collection of articles by one of the leading scholars in Japanese thought dealing with three areas of Japanese philosophy and religion: Dôgen's Zen view of liberation, including the key doctrines of casting off body-mind, being-time, and spontaneous manifestation of the kôan; the relation between Buddhism, literary aesthetics, and folk religion; and a comparison of Japanese and Western thought, particularly Heidegger, on science, language, and death. The central theme throughout these essays is the meaning of time and (...) impermanence in Japanese religion and culture based on Buddhist contemplation. The book's title refers to a phrase used by Dôgen, the dramatist Chikamatsu, and others that plays on the twofold image of «dream» representing either the fleeting world of illusion or the nonsubstantial realm of ultimate reality. One of the articles is a new annotated translation of Dôgen's Shôbôgenzô «Muchû setsumu» («Disclosing a Dream Within a Dream») fascicle. Other essays offer novel interpretations of Chikamatsu and Kyoto-school thinkers Kuki Shûzô and Nishitani Keiji in addition to Japanese folk religion. (shrink)

Normal 0 21 false false false ES X-NONE X-NONE MicrosoftInternetExplorer4 /* Style Definitions */ table.MsoNormalTable {mso-style-name:"Tabla normal"; mso-tstyle-rowband-size:0; mso-tstyle-colband-size:0; mso-style-noshow:yes; mso-style-priority:99; mso-style-qformat:yes; mso-style-parent:""; mso-padding-alt:0cm 5.4pt 0cm 5.4pt; mso-para-margin:0cm; mso-para-margin-bottom:.0001pt; mso-pagination:widow-orphan; font-size:11.0pt; font-family:"Calibri","sans-serif"; mso-ascii-font-family:Calibri; mso-ascii-theme-font:minor-latin; mso-fareast-font-family:"Times New Roman"; mso-fareast-theme-font:minor-fareast; mso-hansi-font-family:Calibri; mso-hansi-theme-font:minor-latin; mso-bidi-font-family:"Times New Roman"; mso-bidi-theme-font:minor-bidi;} This article is a didactic attempt to make comprehensible the methodological stance of Michel Foucault whereby philosophy is said to be made in a similar way that archeologists work. According to these terms, interpretation is replaced by (...) description, trading the eagerness to compensate the poverty of enunciations by the description of the law of that poverty. The exposition of Foucault’s archeological method seeks to show its advantages in comparison to more traditional forms of analysis. This way, contradictions are no longer that which needs to be superceded, but are objects that need to be described in order to determine the extent and the form of its being out of joint. (shrink)

Dreams are used figuratively throughout Greek literature to refer to something fleeting and/or unreal. In Plato, this metaphorical language is specifically used to describe an epistemological distinction: the one who has false knowledge or opinion is said to be dreaming while the one who has true knowledge is said to be awake. These figures are also central to Philo of Alexandria's philosophical language in De somniis 1-2 and De Iosepho. Although scholars have documented these epistemological metaphors in Plato and related (...) treatments of the concept of sleep in Heraclitus, it has not been discussed in any detail in relation to Philo's treatment of Joseph in these two treatises. In De somniis 1-2, Philo primarily emphasizes his role as a dreamer and thus one incapable of true knowledge. In De Iosepho, Joseph is a dream interpreter who is not only awake but also capable of interpreting the figurative dream of life to which most people are subject. Although some scholars have considered these treatises contradictory in terms of their treatments of Joseph, an analysis of Philo's figurative use of sleep and dreaming reveals that they are a part of a coherent exegetical framework. (shrink)

The Hellenistic Far East: Archaeology, Language, and Identity in Greek Central Asia. By Rachel Mairs. Berkeley and Los Angeles: University of California Press, 2014. Pp. xvi + 231, illus. $85.

RESUMEN: La muerte del hombre anunciada por Foucault está en estrecha relación con la muerte de Dios anunciada por Nietzsche. El retorno del lenguaje conlleva la desaparición del hombre como figura cardinal del saber moderno. La historia es discontinua. Foucault dudó de las verdades de cada época y de las verdades intemporales. En este artículo trazo el recorrido del hombre en Les mots et les choses, mostrando la tensión entre el lenguaje y la desaparición del hombre, hablo de la discontinuidad (...) de la historia y los “jeux de vérité”, y muestro que Foucault se consideraba, por encima de todo, un pensador escéptico. / ABSTRACT: The death of man proclaimed by Foucault is in close relationship with the death of God proclaimed by Nietzsche. The return of language is linked with the disappearance of man. History is discontinuos. Foucault doubted the truths of each era as well as the timeless truths. In this article I present man’s journey in Foucault’s Les mots et les choses, showing the tension between language and the disappearance of man, I talk about historical discontinuity and the “jeux de vérité”, and I argue that Foucault considered himself, above all, a skeptical thinker. (shrink)

In her wonderful book, Approaches to the Theory of Freedom in Sor Juana Inés de la Cruz, Virginia Aspe produces a groundbreaking presentation of Sor Juana’s theory of freedom with productive scholarship on the Coimbran Jesuit tradition and Renaissance Humanism in Latin America. In this paper, I center on Aspe’s interpretation of two of Sor Juana’s major works, First Dream, in which a disembodied dreaming soul rises into the nighttime sky in an attempt to take in and understand the universe, (...) and Critique of a Sermon, in which Sor Juana lays out counter-arguments to the Jesuit preacher Antonio Vieira’s designation of the greatest demonstration of Christ’s love and its implications for human freedom and God’s grace. My goal is to supplement and sometimes critique the interpretations endorsed by Aspe so as to ultimately enrich Aspe’s key insights into Sor Juana’s philosophical views. Ultimately, I first argue that Aspe’s Aristotelian interpretation of First Dream is necessary but not sufficient for understanding Sor Juana’s poem, which requires the inclusion 15th and 16th century Neoplatonism. Secondly, I argue that in her interpretation of Critique of a Sermon Aspe misattributes a view to Sor Juana that belongs to Antonio Vieira, which requires a small tweak to her theory of Sor Juana’s views on freedom and human moral psychology. (shrink)

De-anthropocentrism is the leitmotif of philosophy in the twenty-first century, encouraging diverse and competing thoughts as to how this goal may be achieved. This article argues that the method by which we may achieve de-anthropocentrism is ethical rather than metaphysical – it must involve a creation of the self, rather than an interpretation of the given human conditions. Through engagements with the thought of Nietzsche, Levinas, and Foucault, and a close reading of Baudelaire’s poem “La Beauté,” I will illustrate three (...) ethical commitments essential to de-anthropocentrism: to abandon the claim to knowledge associated with human reason, to remain in perpetual quest of an object, and to transgress the given perceptual structure through aesthetic experience. In contrast to Kantian philosophy built upon universal human reason, art is the ethical arena where each artist creates their own way to relate to the object, while de-anthropocentrism occurs – this article argues – when the artist includes the self as the field of creation. Object-Oriented Ontology in my assessment is the only branch of philosophy that truly achieves de-anthropocentrism. (shrink)

In this paper I chart the seismic shift that has occurred over the past three decades in attitudes towards the interpretation of visual images. My strategy implies the argument that the reading of visual images would appear to be an inevitability given the accelerating change of attitudes towards pictures as containers of determinate knowledge. French critical theorists (Foucault, Barthes, Derrida et. al.) dominated debate on interpretation of text and image in the 1980s, where my survey begins. Michel Foucault dismissed the (...) image (in Madness and Civilization 1959/1988) as a fascinating site for the madness of dreams but one standing outside of reasoned interpretation because of an inherent excess of meaning and deeply hidden attributes and allusions. Generally, however, when images were discussed using identifiable interpretive strategies in the 1980s the framework was a variant of semiotic analysis (Marin, Eco and Barthes – who famously, diverges from this mode in Camera Lucida). I use W. J. T. Mitchell’s Iconology: Image, Text, Ideology 1986 as a focal text from the 1980s and follow this with two of his publications on images, one from 1995 and another from 2005 to demonstrate the dramatic shift in the approach to pictures across almost three decades. Around these focal texts by Mitchell I reference other texts and trends that culminate in the more recent proliferation of texts related to visual studies and the re-emergence of aesthetics. (shrink)

Franz Kafka and Michel Foucault: Power, Resistance, and the Art of Self-Creation is applicable to undergraduates, graduate students, and academic researchers interested in modern and postmodern political theory, politics, and literary criticism. Specifically, this book engages important themes such as power, language, subjectivity and the possibility of fully developed postmodern account of the subject, resistance to power, and an aesthetic interpretation of life.

This article gives an overview of the influence of the work of Michel Foucault on the philosophy of Agamben. Discussed are Foucault’s influence on the Homo Sacer cycle, on (the development) of Agamben’s notion of power (and on his closely related notion of freedom and art of life), as well as on Agamben’s philosophy of language and methodology. While most commentaries focus on Agamben’s interpretation of Foucault’s concept of biopower, his work also contains many interesting references to Foucault on freedom (...) and possibilities—and I think that it is here that Foucault’s influence on Agamben is most deeply felt. This article focuses on the shifts Agamben takes while looking for the Entwicklungsfähigkeit in the work of Foucault. (shrink)

In this paper I focus on the emergence of the concept of the “historical a priori” at the origin of Foucault’s archeology. I emphasize the methodological function of this concept within Foucault’s archaeology, and I maintain that despite the different thesis it entails as compared to its philosophical sources, it pertains to one of the main issues of phenomenology, that is, the problematization of the relation between reality as it appears in its historicity, and transcendentality. I start from the interest (...) of the young Foucault in existential psychiatry, and I focus on the French philosophical context in which Foucault’s Introduction to Ludwig Binswanger’s “Dream and Existence” (1954) was conceived. My aim is to show that the first “phenomenological” phase of Foucault’s work is coherent, from a methodological point of view, with the development of archaeology intended as “historical epistemology.” I conclude by arguing that Foucault’s archaeology is methodologically linked to Canguilhem’s epistemology, in that the latter presents itself as an important attempt at linking together historicity and transcendentality. (shrink)

Working within the tradition of continental philosophy, this article argues in favour of a phenomenological understanding of language as a crucial component of bioethical inquiry. The authors challenge the ‘commonsense’ view of language, in which thinking appears as prior to speaking, and speech the straightforward vehicle of pre-existing thoughts. Drawing on Maurice Merleau-Ponty's (1908–1961) phenomenology of language, the authors claim that thinking takes place in and through the spoken word, in and through embodied language. This view resituates bioethics as a (...) matter of bodies that speak. It also refigures the meaning of ethical self-reflexion, and in so doing offers an alternative view on reflexivity and critique. Referring to the Kantian critical tradition and its reception by Hannah Arendt and Michel Foucault, we advance a position we call ‘critical ethical reflexivity’. We contend that Merleau-Ponty's phenomenology of language offers valuable insight into ethical reflexivity and subject formation. Moreover, his understanding of language may foster new qualitative empirical research in bioethics, lead to more nuanced methods for interpreting personal narratives, and promote critical self-reflexion as necessary for bioethical inquiry. (shrink)

Resumo: A atuação do tradutor e intérprete de língua de sinais no contexto educacional inclusivo é tema de constantes embates teóricos acerca da concepção de seu ‘papel’. Desse modo, verificam-se prescrições que delimitam suas práticas e atribuições pela caracterização de uma pretensa ‘identidade’ profissional. Na contramão disso, esse estudo tenciona um adensamento analítico acerca daquilo que é produzido na atividade interpretativo-pedagógica do intérprete educacional, fora do âmbito da ‘identidade profissional’, mas no âmbito das efetivas ações produzidas pela posição e contextos (...) de ensino, assumidos na prática cotidiana. Assim, entende-se que essa função interpretativa se constitui na lógica da ‘diferença’, pela ativação relacional e pedagógica com o sujeito surdo no contexto escolar. A tese empreendida é a de que a função pedagógica do intérprete educacional é estabelecida como efeito do ato educativo. Nosso foco se dará na análise do aprender surdo e sua co-construção de conhecimento, produzidos com e pelos signos emitidos pelo intérprete educacional como efeito do acontecimento educativo. Portanto, cabe neste artigo, analisar o movimento conceitual da posição-mestre a partir dos estudos da hermenêutica do sujeito, em Michel Foucault, sendo ela articuladora da função interpretativo-pedagógica do intérprete educacional que se materializa no e pelo contexto de ensino. Palavras-chave: Intérprete educacional; Libras; Posição-mestre. The role of the educational interpreter and deaf learning: an analysis of the master position in the educational relationship in an inclusive classroom Abstract: Sign language translators and interpreter’s part within inclusive education constantly rises theoretical debates about the conception of their 'role'. Thus, we commonly see prescriptions that delimit their practices and attributions by characterizing a supposed professional "identity". Nevertheless, this study aims to analyze what is produced in the interpretive-pedagogical activity of the educational interpreter, beyond the scope of 'professional identity', and within the effective actions produced by the position and context assumed on a daily basis. Thus, we understand that this interpretative function is constituted in the logic of 'difference', by relational and pedagogical activation with the deaf subject in the school context. The thesis undertaken is that the pedagogical function of the educational interpreter is established as an effect of the educational act. We focus on the analysis of deaf learning and its co-construction of knowledge, produced with and by the signs emitted by the educational interpreter as an effect of the educational event. Therefore, this article analyzes the conceptual movement of the master position from the studies of the hermeneutics of the subject, in Michel Foucault, assuming it as an articulator of the interpretative-pedagogical function of the educational interpreter that materializes in and through the teaching context. Keywords: Educational interpreter; Libras; Master position. El papel del intérprete educativo y el aprendizaje de los sordos: un análisis de la posición del maestro en la relación educativa en un aula inclusiva Resumen: El papel de los traductores e intérpretes de lengua de señas en la educación inclusiva suscita constantemente debates teóricos sobre la concepción de su "papel". Es habitual ver prescripciones que delimitan sus prácticas y atribuciones caracterizando una supuesta "identidad" profesional. Sin embargo, este estudio pretende analizar lo que se produce en la actividad interpretativa-pedagógica del intérprete educativo, más allá del ámbito de la "identidad profesional", y dentro de las acciones efectivas producidas por la posición y el contexto asumidos cotidianamente. Así, entendemos que esta función interpretativa se constituye en la lógica de la 'diferencia', por la activación relacional y pedagógica con el sujeto sordo en el contexto escolar. La tesis es que la función pedagógica del intérprete educativo se establece como efecto del acto educativo. Nos centramos en el análisis del aprendizaje de los sordos y su co-construcción del conocimiento, producido con y por los signos emitidos por el intérprete educativo como efecto del acto educativo. Para esto, este artículo analiza el movimiento conceptual de la posición de maestro desde los estudios de la hermenéutica del sujeto, en Michel Foucault, asumiéndola como articuladora de la función interpretativa-pedagógica del intérprete educativo que se materializa en y a través del contexto docente. Palabras clave: Intérprete educativo; Libras; Puesto de maestro. Data de registro: 06/07/2022 Data de aceite: 26/10/2022. (shrink)

This paper is a new translation and interpretation of the essay by Leibniz which has come to be known as “Leibniz’s Philosophical Dream.” Leibniz used many different literary styles throughout his career, but “Leibniz’s Philosophical Dream” is unique insofar as it combines apparent autobiography with a dreamscape. The content is also somewhat surprising. The essay is reminiscent of Plato, insofar as Leibniz describes a transition from existence in a cave to a more enlightened mode of being outside of it. But, (...) in contrast with the usual identification of Leibniz as a “rationalist,” the mode of being that is valorised involves cognition that is intuitive and supra-rational. The paper begins with the translation followed by an interpretation of the essay. I conclude by considering the ramifications of my interpretation for our conception of Leibniz’s philosophy. (shrink)

This book argues that the received view of the distinction between freedom and power must be rejected because it rests on an untenable account of the discursive cognition that endows individuals with the capacity for autonomy, that is, self-governed rationality. In liberal and Kantian approaches alike, the autonomous subject is a self-standing starting-point, whose freedom is constrained by relations of power only contingently because they are external to the subject's constitution. Thus, the received view defines the distinction between freedom and (...) power as a dichotomy. Michel Foucault is arguably the most important critic of that dichotomy. However, it is widely agreed that Foucault falls short of justifying the alternative view he develops, where power and freedom are essentially entangled instead. This book fills out the gap by investigating the social preconditions of discursive cognition. Drawing on pragmatist-inferentialist resources from the philosophy of language—Wittgenstein, Sellars, Brandom—it presents a new interpretation of Foucault’s philosophy that is unified by his overlooked idea of “the archaeology of knowledge”. As a result, the book explains why and how power and freedom must be entangled, but also what it means ethically to pursue and gain autonomy with respect to one’s own understanding. "Power and Freedom in the Space of Reasons" will appeal to scholars and advanced students working in social and political philosophy, critical theory, ethics, philosophy of language, and the history of 20th-century philosophy. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Anthony Close CENTERING THE DE-CENTERERS: FOUCAULT AND LAS MENINAS Over the last two decades, French avant-garde critical theory has shaken the pillars of the traditionalist temple with this thought: the interpreter of a literary text should not primarily be concerned with its author's intentional design, but rather with the surreptitious forces which shape it, warp it, and ultimately turn it into a problematic will-ofthe -wisp. The "decoding" of those (...) forces takes many forms (Freudian, anthropological, and so on), of which deconstruction is the most celebrated ; "de-centering"—the banishment of the intentional subject from the focus of interpretation — is common to all. In the first part of this article I wish to set out my philosophical objections to that exclusion, and in the second part, to examine an interesting failure to make it effective in practice: Foucault's analysis of Velazquez's painting Las Meninas, which constitutes the first chapter of Les mots et ks choses. One of my reasons for choosing Foucault's text as an example is that its premises are in some ways comparable to the philosophy of the archdeconstructor, Derrida. My skepticism about them and the analytic method based on them is not meant to suggest that I regard Foucault's historical studies as valueless. On the contrary, I recognize that he, together with some other decoders (particularly Barthes), has important things to say. My attack is a form of defense. I wish to uphold the value of traditional forms of interpretation by showing that though Foucault, like other decoders, casts radical doubts upon them in theory, he tends to negate those doubts by the implications of his practice. 21 22Philosophy and Literature M. H. Abrams has defined the traditionalist historian of culture as one who assumes that (a) authors of the past exploited the norms and possibilities of their language to say something determinate, (b) the properly equipped historian can approximate to their meaning, (c) his interpretation can aspire to a reasonable degree of objectivity. ' Let that serve as a working definition of my traditionalist standpoint. This has a philosophical rationale, basically Wittgensteinian and Austinian, which needs to be explained and set over against some of decoding's typical presuppositions. I choose Derrida's as an example. From my perspective, two objections can be leveled against his thought: its tendency to hypostatize the intentional subject as a metaphysical essence which must be reached through and beyond language, and to see language itself as an unrealistically slippery medium. Both objections were raised against him by Searle in their famous polemic with each other.2 Derrida's thought is inscribed within, even while it reacts against, a traditional conception of language as a name-like substitute for essence. According to this conception, influentially represented in this century by Husserl's phenomenology, bits of language somewhat resemble sterling currency bills which bear on their face the legend: "I promise to pay the bearer on demand the sum of? pound(s)" That is, they are potentially capable ofbeing cashed for lumps of being, which can thus be possessed by mind. Derrida counters that the currency is fraudulent: it continually defers presence and possession, rendering problematic its relation to being and self, and their very existence. In order to foster the illusion that he is master of his words, hence of what they designate, Western Man has historically given status of originality to voice rather than to writing, to a form of expression which is seemingly intimate to consciousness rather than external. The paradoxical thesis ofDe lagrammatologie is that writing came first. One of the routes by which Derrida arrives at this conclusion is Saussure's conception of the discontinuous, articulated nature of language and the negative and differential character of linguistic signifiers, not stably linked to universal referents.3 On this basis he builds his idea of différance (a pun on difference and deferral ), the elusive negative margin which makes language possible, and at the same time, makes impossible consciousness's full presence to itself and to being.4 Hence Derrida's notion of language's anarchic and willful power to detach itself from die intentions or usage of its users and to float... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:W. T. Jones SOMNIO ERGO SUM: DESCARTES'S THREE DREAMS What is remarkable about Descartes's dreams is not that he dreamed (for even philosophers presumably dream), but that he wrote down a description of his dreams and of his interpretation of them and then kept this record for more than thirty years, until his death.* What is remarkable, in a word, is that this thinker, who prided himself on his (...) rationalism and who has come to represent, at least to philosophers, the very spirit of rationalism, should have taken his dreams so seriously. Philosophers—perhaps because the dreams conflict with their view of Descartes, perhaps because they conflict with their view of themselves and their discipline—have tended to play down the dreams or to ignore them altogether. Thus, though Bernard Williams, the author of a recent volume on Descartes, refers to the dreams as "a significant event," he proceeds in a footnote to undercut the adjective by quoting Christiaan Huygens, apparently with approval, to the effect that the dreams show "a great weakness [in Descartes], and I think that it will seem much the same to Catholics who have freed themselves from bigotry." If we try to free ourselves from what seems to be a standing philosophical prejudice against dreams and dreaming, what can Descartes's dreams tell us about his theories? That is the topic of this article. But first a caveat concerning my position on the interpretation of dreams generally. The interpreter of a dream, like the interpreter of other cultural products, has to try to steer a course between the Scylla of overinterpretation (reading into the dream something that is not expressed in it) and the Charybdis of underinterpretation (missing something that is actually expressed in the dream). My own bias leads me to fear overinterpretation more than underinterpretation; I had?Descartes's original Latin record of the dreams no longer survives. A new English translation by my colleague, John F. Benton, of a late seventeenth-century paraphrase of a portion of Descartes's text appears as an appendix to this article. 145 146Philosophy and Literature rather go aground on Charybdis than be shipwrecked on the Scylla of the Freudians and the Jungians.2 I am skeptical of interpretations of Descartes's dreams that are not supported by nondream materials—on the assumption that any dynamic element expressed in the dreams that is not also expressed in nondream materials is unlikely to be of much importance for understanding Descartes's thought. Therefore, instead of beginning with the dreams and then looking here and there in nondream materials for supporting evidence, I shall begin with nondream materials and only later turn to the dreams. In a word, I shall try to read back both from nondream material and from dream material to dynamic elements which may be present in, and shaping, both. My hope is that the uncovering of these elements will result in a better understanding of nondream and dream material alike. I Accordingly, I shall begin with a brief account of some of the themes of two of Descartes's best known philosophical writings, The Discourse on Method (1637) and the Meditations on First Philosophy (1641). The Discourse is particularly relevant to our inquiry because it "covers" the period in which the dreams occur, but in a very different medium from that of the Olympica and at a later date. The Discourse was in fact a discreet, as it were sanitized, version of the whole long voyage of discovery in which the dreams were but one, if nonetheless a critical, episode. Descartes tells us he had been educated "at one of the most celebrated schools in Europe" and had not beenjudged by his instructors "inferior" to his fellow students. Yet, on completing his course of study, he found himself "embarrassed with so many doubts and errors" that the only result of his efforts to instruct himself had been the "increasing discovery" of his own ignorance. Having gone through all the sciences of his time—languages, literature, rhetoric, theology, philosophy—without learning anything of consequence, he had then turned to travel, to seeing courts and armies, hoping thereby to discover the answers he sought "in... (shrink)

On the concept of human nature. Canguilhem, a third route between Chomsky and Foucault In 1971, Noam Chmosky and Michel Foucault publicly debated the issue of human nature. The latter exists according to Chomsky but does not exist according to Foucault. While the former considers that it coincides with the faculty of language understood as innate and a-historical capacity, the second identifies it with a kind of epistemological indicator whose scientific-philosophical scope varies from age to age. With the help of (...) some 1971 debate comments, this text proposes a third interpretation of the human nature concept with respect to Chomsky's «Unhistoricism» and Foucault's «Scepticism»: from an unpublished text by Canguilhem dating back to 1969 and entitled Science et technique, it turns out that the French philosopher looks at the concept of «technique in the human sense» as a generic, immutable and coextensive component with human history. In our opinion, these characteristics constitute the fundamental principles for an exhaustive definition of «human nature». (shrink)

Artificial intelligence, conceived either as an attempt to provide models of human cognition or as the development of programs able to perform intelligent tasks, is primarily interested in theuses of language. It should be concerned, therefore, withpragmatics. But its concern with pragmatics should not be restricted to the narrow, traditional conception of pragmatics as the theory of communication (or of the social uses of language). In addition to that, AI should take into account also the mental uses of language (in (...) reasoning, for example) and the existential dimensions of language as a determiner of the world we (and our computers) live in. In this paper, the relevance of these three branches of pragmatics-sociopragmatics, psychopragmatics, and ontopragmatics-for AI are explored. (shrink)

Identifying the theme of self and death as central to the “Qiwulun” — or Discussion on Making All Things Equal3 — is at odds with a majority of interpreters: they tend to see issues such as the possibility of knowledge and the nature of language or epistemic perspectives as lying at the core of the concerns for Zhuangzi. Chad Hansen, for instance, ascribes a thoroughgoing version of skepticism and relativism to Zhuangzi, a position stating that nothing can be known and (...) no school of thought enjoys a privileged status over others (Hansen 1983, 1992). Some philosophers are reluctant to ascribe such a radical form of skepticism to Zhuangzi. For example, Paul Kjellberg holds that Zhuangzi offers relevant considerations .. (shrink)

The paper examines some philosophical aspects of translation as a metaphor for education—a metaphor that avoids the closure of final definitions, in favour of an ongoing and tentative process of interpretation and revision. Translation, it is argued, is a complex process involving language, within and among cultures, and in the exercise of power. Drawing on Foucault's analysis of power, Nietzschean contingency, and the inversion of meaning that characterises the work of Heidegger and Derrida, the paper points towards Ricoeur's notion of (...) linguistic hospitality as the ethical dimension to the inevitably inadequate representation of the ‘other’. In this exploration, translation is posited as a creative and interpretive act—involving neither image nor copy, but poetic transposition.The power of language emerges in the close association between power and knowledge, in which the ability to define what is real generates the realm of future possibilities. From a Foucauldian perspective, language functions as a creative strategic relation—a form of power that structures the field of other possible actions. It is through the mediation of translation, the paper argues, that language communicates, leaving us with a world of difference (i.e. ‘lost in translation’), as both our curse and our blessing as part of the human condition and as part of our ethical endeavour as educators. The contingent and arbitrary nature of language problematises what appears natural and necessary, generating the possibility of creative dialogue. (shrink)

Interpretation pervades human thinking. Whether perception or experience, spoken word or written theory, whatever enters our consciousness must be interpreted in order to be understood. Every area of inquiry—art and literature, philosophy and religion, history and the social sciences, even many aspects of the natural sciences—involves countless opportunities to interpret the object of inquiry according to very different paradigms. These paradigms may derive from the language we speak, the nature of our education, or personal preferences. The abundance and diversity of (...) paradigms make interpretation both fascinating in its complexity and often frustrating for the conflicts it generates. In _Dialectical Readings_, Dunning distinguishes three types of interpretation, each defined in terms of a distinctive dialectical way of thinking: theoretical interpretation, which assumes binary oppositions; transactional interpretation, which seeks reciprocal relations; and transformational interpretation, which discerns paradoxical meanings. Dunning offers new and insightful readings of familiar texts by B. F. Skinner, Claude Lévi-Strauss, Lee Benson, Roland Barthes, Friedrich Nietzsche, and Michel Foucault and sheds new light on works by Thomas Kuhn, Joseph Campbell, Reinhold Niebuhr, Søren Kierkegaard, Paul Tillich, and Paul Ricoeur. _Dialectical Readings _enables readers to recognize diverse dialectical approaches to understanding—their own as well as those of others—in a way that provides new and helpful insights into a wide variety of subjects in which conflicting interpretations abound. (shrink)