Examines the philosophy of Henri Bergson, explains his concepts of duration, memory, and elan vital, and discusses the influence of science on Bergson.

Provides a short introduction to Kant, emphasizing Kant's own view of his philosophy. Deleuze offers an overview of the whole of Kant's critical philosophy.

Praised for its rare combination of scholarly rigor and imaginative interpretation, _Nietzsche and Philosophy_ has long been recognized as one of the most important analyses of Nietzsche. It is also one of the best introductions to Deleuze's thought, establishing many of his central philosophical positions. In _Nietzsche and Philosophy_, Deleuze identifies and explores three crucial concepts in Nietzschean thought-multiplicity, becoming, and affirmation-and clarifies Nietzsche's views regarding the will to power, eternal return, nihilism, and difference. For Deleuze, Nietzsche challenged conventional philosophical (...) ideas and provided a means of escape from Hegel's dialectical thinking, which had come to dominate French philosophy. He also offered a path toward a politics of difference. In this new edition, Michael Hardt's foreword examines the profound influence of Deleuze's provocative interpretations on the study of Nietzsche, which opened a whole new avenue in postwar thought. (shrink)

Deleuze and Guattari differentiate between philosophy, science, and the arts - seeing each as a means of confronting chaos - and challenge the common view that philosophy is an extension of logic. The authors also discuss the similarities and distinctions between creative and philosophical writing. Fresh anecdotes from the history of philosophy illuminate this book, along with engaging discussions of composers, painters, writers, and architects.

The final work of the late philosopher Gilles Deleuze includes essays on such diverse literary figures as Herman Melville, Walt Whitman, D.H. Lawrence, Lewis Carroll, and others, along with philosophers Plato, Spinoza, Kant, and others. Taken together, these 18 essays--all newly revised or published here for the first time--present a profoundly new approach to literature.

Translated and with an Introduction by Daniel W. Smith Afterword by Tom Conley Gilles Deleuze had several paintings by Francis Bacon hanging in his Paris apartment, and the painter’s method and style as well as his motifs of seriality, difference, and repetition influenced Deleuze’s work. This first English translation shows us one of the most original and important French philosophers of the twentieth century in intimate confrontation with one of that century’s most original and important painters. In considering Bacon, (...) Deleuze offers implicit and explicit insights into the origins and development of his own philosophical and aesthetic ideas, ideas that represent a turning point in his intellectual trajectory. First published in French in 1981, _Francis Bacon_ has come to be recognized as one of Deleuze’s most significant texts in aesthetics. Anticipating his work on cinema, the baroque, and literary criticism, the book can be read not only as a study of Bacon’s paintings but also as a crucial text within Deleuze’s broader philosophy of art. In it, Deleuze creates a series of philosophical concepts, each of which relates to a particular aspect of Bacon’s paintings but at the same time finds a place in the “general logic of sensation.” Illuminating Bacon’s paintings, the nonrational logic of sensation, and the act of painting itself, this work—presented in lucid and nuanced translation—also points beyond painting toward connections with other arts such as music, cinema, and literature. _Francis Bacon_ is an indispensable entry point into the conceptual proliferation of Deleuze’s philosophy as a whole. Gilles Deleuze was professor of philosophy at the University of Paris, Vincennes–St. Denis. He coauthored _Anti-Oedipus_ and _A Thousand Plateaus_ with Félix Guattari. These works, as well as _Cinema 1, Cinema 2, The Fold, Proust and Signs_, and others, are published in English by Minnesota. Daniel W. Smith teaches in the Department of Philosophy at Purdue University. (shrink)

Product differentiation has emerged as a central dynamic in contemporary agrofood systems. Departure from the mode of standardization emblematic of agrofood modernization raises questions about future technical trajectories and the ways in which learning will be sustained. This article examines two innovation trajectories: the rapid coupling of biotechnologies and information technologies to yield products differentiated by constituent components—a model based on a cognitive logic of decomposition/ recomposition—and the proliferation of product networks that mobilize distinctive, localized resources to create complete identities—a (...) model based on a cognitive logic of identity. The article analyzes the information structures—institutional mechanisms that support information exchange and learning—in each of these opposed development paradigms. We find that knowledge creation under each of the logics occurs through mechanisms not recognized within the respective paradigms. On this basis, we derive institutional hybridity as a fundamental resource in systems of innovation. (shrink)

Texts and interviews from the period that saw the publication of Deleuze's major works. People tend to confuse winning freedom with conversion to capitalism. It is doubtful that the joys of capitalism are enough to free peoples.... The American “revolution” failed long ago, long before the Soviet one. Revolutionary situations and attempts are born of capitalism itself and will not soon disappear, alas. Philosophy remains tied to a revolutionary becoming that is not to be confused with the history of revolutions.—from (...) Two Regimes of Madness Covering the last twenty years of Gilles Deleuze's life, the texts and interviews gathered in this volume complete those collected in Desert Islands and Other Texts. This period saw the publication of his major works: A Thousand Plateaus, Cinema I: Image-Movement, Cinema II: Image-Time, all leading through language, concept and art to What is Philosophy?. Two Regimes of Madness also documents Deleuze's increasing involvement with politics. Both volumes were conceived by the author himself and will be his last. Michel Foucault famously wrote: “One day, perhaps, this century will be Deleuzian.” This book provides a prodigious entry into the work of the most important philosopher of our time. Unlike Foucault, Deleuze never stopped digging further into the same furrow. Concepts for him came from life. He was a vitalist and remained one to the last. This volume restores the full text of the original French edition. (shrink)

Peut-on formuler des conditions non empiriques pour qu'un objet ou un fait soit reconnu comme ayant fonction de symbole ? Si oui, il conviendrait de les nommer conditions proto-logiques, car elles concernent des formes, comme la logique, mais sont plus primitives que les déterminations logiques mêmes. L'objet de cet article est de discuter cinq notions qui peuvent être présentées comme candidates à cette fonction d'universels proto- logiques pour les langues naturelles : la pluralité des niveaux d'« articu- lation», l'énoncé complet, (...) la notion d'« ancrage» de l'énoncé à renonciation, le nom propre, la corrélation rhème-thème. De tels universaux ne sont pas présentés comme des classes de symboles, mais des types de fonctions diversement réalisées dans des structures grammaticales. Les mettre en évidence - ou en découvrir d'autres - devrait être l'une des tâches de la philosophie du langage dans sa relation à la science linguistique.Is it possible to state non-empirical requisites for an object, fact or artefact, to obtain symbolical functioning ? If so, their status could be named proto-logical, in so far as they bear upon forms, like logic, but ought to be more primitive than logical determinations. The purpose of this paper is to discuss five notions which may be considered candidates for the functional role of proto-logical universals of natural languages : plurality of the levels of " articulations ", the concept of full-fledged sentence, " anchorage " of enunciated sentences to enunciation, proper names, the correlation rheme-theme. Such universals are not meant to correspond to classes of symbols, but to typical functions, diversely embodied in grammatical structures. To trace them - or others - should be one of the tasks of philosophy of language, in its relationship with linguistic investigations. (shrink)

Here, I lay the foundations of a high-level ontology of particulars whose structuring principles differ radically from the 'continuant' vs. 'occurrent' distinction traditionally adopted in applied ontology. These principles are derived from a new analysis of the ontology of “occurring” or “happening” entities. Firstly, my analysis integrates recent work on the ontology of processes, which brings them closer to objects in their mode of existence and persistence by assimilating them to continuant particulars. Secondly, my analysis distinguishes clearly between processes and (...) events, in order to make the latter abstract objects of thought (alongside propositions). Lastly, I open my ontological inventory to properties and facts, the existence of which is commonly admitted. By giving specific roles to these primitives, the framework allows one to account for static and dynamic aspects of the physical world and for the way that subjects conceive its history: facts account for the life of substances (physical objects and processes), whereas events enable cognitive subjects to account for the life story of substances. (shrink)

This brilliant exposition of the critique of identity is a classic in contemporary philosophy and one of Deleuze's most important works. Of fundamental importance to literary critics and philosophers,Difference and Repetition develops two central concepts—pure difference and complex repetition&mdasha;and shows how the two concepts are related. While difference implies divergence and decentering, repetition is associated with displacement and disguising. Central in initiating the shift in French thought away from Hegel and Marx toward Nietzsche and Freud, _Difference and Repetition_ moves deftly (...) to establish a fundamental critique of Western metaphysics. (shrink)

"Durée, mémoire, élan vital marquent les grandes étapes de la philosophie bergsonienne. L'objet de ce livre est la détermination du rapport entre ces trois notions et du progrès qu'elles impliquent. L'intuition est la méthode du bergsonisme et l'intuition telle qu'il l'entend méthodiquement suppose la durée". Analysant le travail philosophique de Bergson, Gilles Deleuze s'interroge sur la possibilité d'établir une méthode philosophique rigoureuse et précise, fondée sur l'intuition et sur la manière dont Bergson en a élaboré les règles pour construire (...) sa philosophie. Il s'attache à étudier les relations établies tout au long de l'oeuvre, entre les trois concepts majeurs de la philosophie bergsonienne : la durée comme donnée immédiate, la mémoire comme existence virtuelle et l'élan vital comme mouvement de la différenciation. (shrink)

In this essay, we aim to help clarify the nature of so-called 'occurrences' by attributing distinct modes of existence and persistence to processes and events. In doing so, we break with the perdurantism claimed by DOLCE’s authors and we distance ourselves from mereological analyzes like those recently conducted by Guarino to distinguish between 'processes' and 'episodes'. In line with the works of Stout and Galton, we first bring closer (physical) processes and objects in their way of enduring by proposing for (...) processes a notion of dynamic presence (contrasting with a static presence for objects). Then, on the events side, we attribute to them the status of abstract entities by identifying them with objects of thought (by individual and collective subjects), and this allows us to distinguish for themselves between existence and occurrence. We therefore identify them with psychological (or even social) endurants, which may contingently occur. (shrink)

Conceptual integration—“blending”—is a general cognitive operation on a par with analogy, recursion, mental modeling, conceptual categorization, and framing. It serves a variety of cognitive purposes. It is dynamic, supple, and active in the moment of thinking. It yields products that frequently become entrenched in conceptual structure and grammar, and it often performs new work on its previously entrenched products as inputs. Blending is easy to detect in spectacular cases but it is for the most part a routine, workaday process that (...) escapes detection except on technical analysis. It is not reserved for special purposes, and is not costly.In blending, structure from input mental spaces is projected to a separate, “blended” mental space. The projection is selective. Through completion and elaboration, the blend develops structure not provided by the inputs. Inferences, arguments, and ideas developed in the blend can have effect in cognition, leading us to modify the initial inputs and to change our view of the corresponding situations.Blending operates according to a set of uniform structural and dynamic principles. It additionally observes a set of optimality principles. (shrink)

Given a 4-tuple of Boolean variables (a, b, c, d), logical proportions are modeled by a pair of equivalences relating similarity indicators ( \({a \wedge b}\) and \({\overline{a} \wedge \overline{b}}\) ), or dissimilarity indicators ( \({a \wedge \overline{b}}\) and \({\overline{a} \wedge b}\) ) pertaining to the pair (a, b), to the ones associated with the pair (c, d). There are 120 semantically distinct logical proportions. One of them models the analogical proportion which corresponds to a statement of the form “a (...) is to b as c is to d”. The paper inventories the whole set of logical proportions by dividing it into five subfamilies according to what they express, and then identifies the proportions that satisfy noticeable properties such as full identity (the pair of equivalences defining the proportion hold as true for the 4-tuple (a, a, a, a)), symmetry (if the proportion holds for (a, b, c, d), it also holds for (c, d, a, b)), or code independency (if the proportion holds for (a, b, c, d), it also holds for their negations \({{(\overline{a},\overline{b}, \overline{c}, \overline{d})}}\) ). It appears that only four proportions (including analogical proportion) are homogeneous in the sense that they use only one type of indicator (either similarity or dissimilarity) in their definition. Due to their specific patterns, they have a particular cognitive appeal, and as such are studied in greater details. Finally, the paper provides a discussion of the other existing works on analogical proportions. (shrink)

A criticism of the book "a la recherche du temps perdu".

Considered one of the most important works of one of France's foremost philosophers, and long-awaited in English, The Logic of Sense begins with an extended exegesis of Lewis Carroll's Alice in Wonderland. Considering stoicism, language, games, sexuality, schizophrenia, and literature, Deleuze determines the status of meaning and meaninglessness, and seeks the 'place' where sense and nonsense collide. Written in an innovative form and witty style, The Logic of Sense is an essay in literary and psychoanalytic theory as well as philosophy, (...) and helps to illuminate such works as Anti-Oedipus. (shrink)

RésuméLe problème de l'irrationnel tel qu'il a été abordé au cours du Colloque n'a peut‐ětre pas suffisamment souligné l'idée que la rationalité ne s'applique fondamentalement qu'à une connaissance; si elle s'applique secondairement à une action, c'est en tant que représentée. On tente de déterminer les conditions de rationalité d'une représentation de phénomène ou d'action. On est alors amené à distinguer deux niveaux de rationalité, l'un proprement logique, l'autre topique, réflexif et méta‐critique.Summary There is a feature of rationality that does not (...) seem to have been sufficiently brought out during the Symposium: fundamentally, rationality only applies to knowledge, not to action. It can secondarily refer to actions, but in so far as they are represented actions. The author tries to determine the conditions required for the representation of phenomena or actions to be said rational or irrational. He is led to distinguish two levels of rationality, the one logical, proprio sensu, the other topical, reflexive and meta‐critical.ZusammenfassungDas Problem der Irrationalität, wie es während des Kolloquiums angegangen wurde, berücksichtigt zu wenig den Punkt, dass Rationalität grundlegend nur auf Wissen angewendet wird; wenn der Begriff sich sekundär auf eine Handlung bezieht, so handelt es sich um diese als eine vorgestellte. Man versucht, die Bedingungen der Rationalität für die Vorstellung eines Phänomens oder einer Handlung zu bestimmen. Entsprechend muss man zwei Stufen der Rationalität unterscheiden, nämlich eine eigentlich logische und die topische, reflexive oder metaktritische. (shrink)

L’auteur a déjà introduit les concepts de “contenu formel” et “dualité” dans des publications antérieures, avec l’intention d’éclairer les problèmes suscités par la fécondité de la pensée formelle. Cet article a pour objectif d’établir leur relation et articulation. Le terme “dualité” est emprunté aux mathématiques. Il désigne une catégorie fondamentale de la pensée objective, dans la mesure où il est défini comme un principe de détermination réciproque pour n’importe quel système d’objets et le système d’opérations auquel il est nécessairement associé. (...) Son caractère fundamental en tant que catégorie tient essentiellement au fait d’être une condition transcendentale pour n’importe quelle espèce de pensée symbolique objective. Par le principe de dualité, on peut établir de façon générale la signification de l’opposition du contenu et de la forme, et celle de la détermination des contenus par de simples formes, indépendemment de leur origine empirique. La forme logique est alors définie comme le “degré zéro” d’une telle opposition. Des exemples de production de contenus formels dans les processus scientifiques sont examinés et considérés comme des preuves d’une dialectique interne des concepts, principalement dans le domaine des mathématiques. Dans la conclusion, nous proposons l’examen de deux questions : 1) Est-il approprié de concevoir un niveau de pensée formelle plus profond que celui de la Logique, et comment pourrions-nous y accéder? 2) Comment des contenus purement formels peuvent-ils produire des connaissances applicables au monde empirique ? Ce problème n’est qu’une nouvelle formulation de la vieille énigme de la déduction transcendentale.The author has introduced the concepts of “formal content” and “duality” in previous papers, with a view to shedding light on the problems posed by the fecundity of formal thought. The present work is an attempt to show their relationship and articulation. The term “duality” has been borrowed from mathematics. It designates a fundamental category of objective thinking, in so far as it is defined as a principle of reciprocal determination for every system of objects and the system of operations to which it is necessarily associated. The fundamental character of duality as a category essentially lies in its being a transcendental condition for every symbolic kind of objective thought. Through the principle of duality, one can give its more general meaning to the opposition of content to form, and to the determination of contents by mere forms, independent of empirical import. Logical form is then defined as the “zero degree” of such an opposition. Examples of the production of formal contents in scientific processes are examined, and considered as evidence of an internal dialectics of concepts, principally in the field of mathematics. In the conclusion, two questions are proposed: 1) Is it appropriate to conceive of a level of formal thought, deeper than the level of Logics, and how could we try to approach it? 2) How do pure formal contents come to generate knowledge applicable to the empirical world? This problem is, under new guise, the old transcendental deduction enigma. (shrink)

Neste artigo, apresentamos o intuicionismo como uma atitude epistêmica geral, caracterizada pelo rigor de suas exigências de verificação não apenas na matemática e na lógica, mas em todo conhecimento cientifico.

Une copie vénitienne d'un bilan financier, dressé par la Secrète du royaume de Chypre pour l'année 1412-1413, vient démontrer les capacités de réaction des derniers Lusignan aux crises du XIVe s. Le compte examiné, en dépit de ses nombreuses lacunes, assure que Janus, suivant l'exemple de Jacques Ier, renforce l'exploitation directe du domaine de la couronne, fiscalise les fiefs, développe les recettes extraordinaires (dîme royale, mète du sel). Ainsi, durant la seconde décennie du XVe s., le royaume franc conserve des (...) revenus importants, comparables à ceux d'autres États de l'Occident médiéval. Le règne de Janus, au moins jusqu'en 1424, ne s'identifie pas à la période de déclin trop souvent décrite. (shrink)

Le corps du coureur de bois, ce personnage nord-américain de la traite des fourrures, dénigré par les élites coloniales, parfois qualifié d’« Indien blanc » par l’historiographie, peut servir de support à l’étude des processus d’acculturation euro-indiens. Au contact des sociétés autochtones, ce corps échappe à certaines des normes de la société coloniale. Épilation de la barbe, séances de tatouage, rituels de guérison chamanique et d’hospitalité sexuelle, intimité avec les femmes autochtones, tout concourt à modifier le rapport au corps des (...) coureurs de bois et à cristalliser un code renouvelé de la virilité. (shrink)

Machine generated contents note: -- Preface to the English edition \ Translators' Introduction \Preface to the French Edition \ 1. Theses on Movement: First Commentary onBergson \ 2. Frame and Short, Framing and Cutting \ 3. Montage \ 4. TheMovement-Image and its Three Varieties: Second Commentary on Bergson \ 5. ThePerception-Image \ 6. The Affection-Image Face and Close-Up \ 7. TheAffection-Image: Qualities, Powers, Any-Space-Whatevers \ 8. From Affect toAction: The Impulse Image \ 9. The Action-Image: The Large Form \ 10. (...) The Action-Image:The Small Form \ 11. Figures, or the Transformation of Forms \ 12. The Crisisof the Action-Image \ Glossary \ Notes \ Index. (shrink)