Se examina la defensa que de la filosofía en cuanto episteme, elaboró el aristotélico renacentista Cesare Cremonini (1550-1 631), al introducir el curso de lecciones sobre la Física de Aristóteles, según la redacci6n todavía inédita del Ms.200-2 de la Biblioteca Universitaria de Padua. Mediante un topos ya clásico, y actual, los temas en discusión son además de la falta de certitudo y la inconsistencia veritativa que afectan las conclusiones de la filosofía de la naturaleza, la inutilidad e incluso la (...) peligrosidad que, desde el punto de vista ético- político, parecen descalificar la labor del filósofo ociosamente levantar sospechas y alarma. La interpretación de la réplica cremoniniana intenta establecer conexiones entre el perfil conceptual de los argumentos esgrimidos, y algunos episodios de la biografía intelectual y académica de Crernonini sin dejar de tomar en cuenca las implicaciones políticas que pueden derivarse, en perspectiva histórica, del amplio debate que caracterizó la vida académica y cultural del estudio de Padua y de la república veneciana, durante la segunda mitad del siglo XVI.The defence of philosophy as episteme is examined, as elaborated by Renaissance Aristotelian philosopher Cesare Cremonini (1550 - 1 631) in his as yet unpublished manuscript numbered 200-2 by t he University of Padua. Which purported to be an introduction for a course on Aristotle's Physics. Following a topos both classic and contemporary, the issues arc, in addition to the lack of certitudet and the inconsistency of truth concerning the philosophy of nature. The uselessness and even the ethical-political danger arising from the work of the idle philosopher devoted to the contemplation of truth, whose presence in society may stir suspicion and unrest. The analysis of Cremonini’s arguments intends to establish the connections between the philosopher's views and his own academic and intellectual circumstances. Also the political implications are taken into account that resulted from the wide-range debate typical of academic and cultural life in the Studio of Padua and the Republic of Venice during the second half of the 16th Century. (shrink)

El artículo examina un episodio curioso, ocurrido en las relaciones de Galileo Galilei y de su amigo Giovanfrancesco Sagredo -el destacado personaje del Diálogo sobre los dos máximos sistemas del mundo- con el filósofo aristotélico Cesare Cremonini. Estando todavía de profesor en Padua, Galilei entrega al colega y amigo Cremonini, en forma de préstamo, la cuantiosa suma de cuatrocientos ducados. Al trasladarse de Padua a Florencia, el científico confía a Sagredo la tarea de recuperar el dinero prestado. Las cartas (...) numerosas que Sagredo dirigiera a Galilei a tal propósito, nos informan que la cancelación total del préstamo tardó nueve años (1619), gracias a las reiteradas intromisiones del patricio veneciano. Es opinión común de los historiadores, que la tardanza fue causada simplemente por la morosidad y la mala conducta seguida por Cremonini. El autor, en cambio, sugiere una interpretación diferente de los hechos; al tomar en cuenta, de un lado, la presencia de factores financieros que hicieron subir el costo de la deuda; del otro, la forma agresiva con que Sagredo llevó adelante el cuidado de los intereses de Galilei, hasta el extremo de levantar en Cremonini la sospecha de ser objeto de maniobras usureras. (shrink)

Is it possible to compose a history of images? It is obvious that history can be composed only from that which is intrinsically historical; history has an order of its own because it interprets and clarifies an order which already exists in the facts. But is there an order in the birth, multiplication, combination, dissolution and re-synthesis of images? Mannerism had discredited or demystified form with its pretense of reproducing an order which does not exist in reality. But is the (...) world of existence, like the world of images, chaos or cosmos? Erwin Panofsky's1 great merit consists in having understood that, in spite of its confused appearance, the world of images is an ordered world and that it is possible to do the history of art as the history of images. In order to do this, he had to begin, as indeed he did, with the demonstration that classical art, in spite of the deep-rooted theoretical certitude, is also an art of the image; its forms are nothing if not images to which one tries to attribute the consistency of concepts, with the sole result of the demonstrating that even concepts are images and that the intellect is still another sector or segment of the image. · 1. See, e.g., Erwin Panofsky, Meaning in the Visual Art: Papers in and on Art History ; Studies in Iconology: Humanistic Themes in the Art of the Renaissance ; Problems in Titian, Mostly Iconographic ; Idea: Ein Beitrag zur Begriffsgeshicte der älteren Kunsttheorie [Idea: a concept in art theory, trans. Joseph J. S. Peake ]. Giulio Carlo Argan, who has seriously influenced the course of art history and criticism in postwar Italy, is professor of modern art at the University of Rome. He has written on Fra Angelico, Botticelli, Borromini, Brunelleschi, and Gropius and three volumes of critical essays on modern art. His Skira volume on Baroque art, Europe of the Capitals, is his only major work published in English. "Ideology and Iconology" originally appeared in Italian in the journal Storia dell'arte, which he edits, and in Psicon. Rebecca West, translator of this article and assistant professor of Romance Languages and Literatures at the University of Chicago, presently is collaborating on a translation of Dario Fo's theater. She has translated "Narrative Structures and Literary History" by Cesare Segre, for the Winter 1976 issue of Critical Inquiry. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:BOOK REVIEWS 249 Girolamo Balduino: Ricerche sulla logica della Scuola di Padova nel Rinascimento. By Giovanni Papuli. (Bark Lacerta, Universith di Bari, Pubblicazioni dell'lstituto di filosofia, 12, 1967. Pp. 313. no price.) The philosophers at the University of Padua during the late Middle Ages and Renaissance arc attracting much renewed interest. This study makes accessible again the logical philosophy of Girolamo Balduino, professor at Padua during the second quarter (...) of the sixteenth century. Like other thinkers of his period, 13alduino follows the logic of Aristotle, and looks for progress within the ancient and mediaeval tradition, not for radically new doctrines. He continues the traditional interpretation of Aristotle by Averroes, for whom logic is only an instrumental habitus, a tool or method of demonstration. About the final contribution of the school of Padua to the improvement of Aristotelian logic was the doctrine of regressive demonstration, where demonstration terminates in or discloses the definition. Zabarella's well-known teaching on this point seems to be derived entirely from Balduino. Contrary to the interpretation of Cassirer, followed by Randall, this regressive demonstration is not a universal method of inquiry and is not at all like, and not the historical source of, the new method of Galileo. Papuli's book is solidly based on the original Latin texts, in notes, which are of great value in view of the fact that Balduino's works have been out of print since 1573. Not all of Papuli's interpretations are beyond criticism (e.g., p. 296), but he has done a service in enabling us to reestablish contact with one of the last significant commentators on Aristotle's logic. PAUL J. W. MILLER University of Colorado Documents sur la vie de Jules-Cdsar Vanini de Taurisano. By Emile Namer. (Bari: Adriatica Editrice, n.d.=Univcrsith degli Studi di Bari, Pubblicazioni delFIstituto di Filosofia, II serie, Testi e Documenti, I. Pp. 196+22 facsimile illustrations) Giulio Cesare Vanini (1585-1619) ranks with Giordano Bruno as a modern hero of freedom of philosophical expression. He was tortured and then burned at the stake in Toulouse at the age of thirty-four, because of the unorthodoxy of his views. For this reason, he has drawn more attention than is perhaps deserved on the basis of his rather mediocre writings, which are little more than a tissue of plagiarisms culled from Pomponazzi, Cardano, J. C. Scaliger, and others. In this volume, Emile Namer has collected the scattered documents dealing with Vanini's life and activities. This is a valuable service, for it should enable scholars to disentangle fact from fiction and reality from myth. There has been so much heated discussion regarding Vanini that it is now time that someone should attempt to establish the precise facts and to reevaluate Vanini's place in intellectual history. In the past, writings about him have been governed more often by emotion than by reason. Namer prints documents from Naples, London, Paris, Simancas, and Toulouse. Some of these have been printed before in various journal articles, but it is valuable to have them all together in a single volume. In addition, he prints relevant excerpts concerning--as one of them put it--le douzi~me apostre de Satan, including material from Mersenne, Garasse, and others. He also includes a series of facsimiles of sample pages from the documents which he prints. All in all Namer's work is competently 250 HISTORY OF PHILOSOPHY done, though perhaps a bit more annotation to put the documents in historical perspective would have been desirable. In any case this little volume must be one of the bases for any future serious biographical or interpretative studies dealing with Vanini. Moreover, it shouM also be useful for scholars dealing with more general questions of seventeenth-century intellectual, religious, and social history. Unfortunately, there is no index, nor bibliography of earlier literature on Vanini, and the Introduction is perhaps too brief to orient the reader who has little previous knowledge of Vanini. CHARLES B. SCHMITT University oJ Leeds Tommaso Campanella: Renaissance Pioneer o[ Modern Thought. By Bernardino M. Bonansea. (Washington: Catholic University of America Press, 1969. Pp. xi 421. $14.50) This excellent critical study of the life and... (shrink)

Première traduction européenne des Principles of Psychology, celle du psychologue et psychiatre Giulio Cesare Ferrari est aussi la première traduction presque intégrale des deux volumes de l’ouvrage. Elle marque le début d’un travail intense de traduction des œuvres de James en italien, qui ne sera égalé que plusieurs années après en France et en Allemagne. Elle se situait dans un moment culturel très dynamique où le rôle scientifique et culturel de la psychologie et de la philosophie faisait l’objet (...) de grands débats en Italie. Le cadre théorique et la mentalité « antiscolastique » de la psychologie de James reflétaient une nouvelle perspective naturaliste et une attitude de rupture profonde avec la tradition philosophique et psychologique précédente. (shrink)

Giulio Cesare Vanini, called by 17th-century theologians the „eagle of atheists”, criticized vehemently the fundamental assumption of Christian anthropology according to which virtues in their nature are something alien to the human being, and only vices and vicious inclinations should be peculiar to it. Vanini discards the theological alienation and restores the dignity of man as an individual of a reasonable and moral nature. According to Vanini, the existence of God as a giver of soul would deprive man (...) of his dignity. Thus, if man received his soul from God, nobody could in fact be father to his children, as he would not be able to transfer his essence to his offspring. An interesting item in Vanini’s considerations is his materialistic idea that men’s nature and conduct are determined by external factors, e.g., by food. As food is transformed into the „substance” of the consumer, „we consist of what we consume”. Vanini observes that rich people feed themselves differently than the poor and concludes that differences in habits may be attributed to different nutrition. Heroic deeds are explained by Vanini by that certain patterns of behaviour of people we adore or esteem are distinctly inculcated on our imagination. In certain situations these patterns „incite us to similar deeds”. To Vanini, the aim of his life was discarding lies and acting „for the enriching of the world of culture”. (shrink)

Pietro Pomponazzi.--Simnoe Porzio.--Maria d'Aragona marchesa del Vasto.--Andrea Cesalpino.--Giovan Battista de la Porta.--Giordano Bruno.--Tommaso Campanella.--Giulio Cesare Vanini.--Trajano Boccalini.

When does Renaissance philosophy end, and Early Modern philosophy begin? Do Renaissance philosophers have something in common, which distinguishes them from Early Modern philosophers? And ultimately, what defines the modernity of the Early Modern period, and what role did the Renaissance play in shaping it? The answers to these questions are not just chronological. This book challenges traditional constructions of these periods, which partly reflect the prejudice that the Renaissance was a literary and artistic phenomenon, rather than a philosophical phase. (...) The essays in this book investigate how the legacy of Renaissance philosophers persisted in the following centuries through the direct encounters of subsequent generations with Renaissance philosophical texts. This volume treats Early Modern philosophers as joining their predecessors as ‘conversation partners’: the ‘conversations’ in this book feature, among others, Girolamo Cardano and Henry More, Thomas Hobbes and Lorenzo Valla, Bernardino Telesio and Francis Bacon, René Descartes and Tommaso Campanella, Giulio Cesare Vanini and the anonymous Theophrastus redivivus. (shrink)

Giordano Bruno (1548-1600), who died at the stake, is one of the best-known symbols of anti-establishment thought. The theme of this volume, which is offered as a collection of essays to honor the distinguished Bruno scholar Hilary Gatti, reflects her constant concern for the principles of cultural freedom and independent thinking. Several essays deal with Bruno himself, including an analysis of the Eroici furori, a study of his reception in relation to the group known as the Novatores, and discussions of (...) several important aspects of his stay in England. The authors and texts discussed here are linked by a relentless interest in the question of authority and originality, and they range from literary figures such as Alberti (1404-72), Vasari (1511-74) and the proponents of quantitative verse in sixteenth-century England to controversial philosophers who, like Bruno, were condemned by the Church, such as Tommaso Campanella (1568-1639) and Giulio Cesare Vanini (1585-1619). Taken together, these chapters show how much that was new and revolutionary in early modern culture came from its confrontation with the past. Martin McLaughlin is Agnelli-Serena Professor of Italian at Oxford. Elisabetta Tarantino is a Teaching Fellow in the Department of Italian at the University of Warwick. (shrink)

Nel Tesoro del Duomo di Monza si conservano tre celebri dittici eburnei relativi alla dotazione di suppellettili liturgiche di Berengario del Friuli (inizi X secolo): il dittico di Stilicone e quello del Poeta e della Musa, entrambi tardo antichi; il dittico di re Davide e san Gregorio Magno, di datazione e lettura più controverse (VI secolo ed età carolingia). Primo editore dei pezzi è Anton Francesco Gori nel secondo volume del Thesaurus veterum diptychorum consularium et ecclesiasticorum (1759), corredato di tre (...) tavole di Andrea Scacciati. Pur non avendo mai visionato i manufatti, l’erudito fiorentino dedica ad essi un’ampia disamina critica basandosi essenzialmente sugli acquerelli del pittore Girolamo Ferroni, reclutato dal marchese milanese e prezioso intermediario Alessandro Teodoro Trivulzio. Nel 1794 il padre della storiografia monzese, il canonico Anton Francesco Frisi, risolve di rieditare i dittici in apertura del terzo tomo delle sue Memorie storiche di Monza e sua corte. Consigliato da quel don Carlo Trivulzio erudito e proprietario di un ricco nucleo di avori antichi, supportato dalle modeste incisioni di Giulio Cesare Bianchi, offre una rilettura che puntualizza ed emenda in parte quanto scritto dal Gori, condita da una vena polemica contro «chi non ha esaminati personalmente i Monumenti, sui quali ragiona». Sullo sfondo del contesto culturale dell’epoca e delle personalità che vi presero parte, con l’ausilio della documentazione divisa tra la Veneranda Biblioteca Ambrosiana di Milano, l’Archivio della Fondazione Trivulzio e la Biblioteca Marucelliana di Firenze, il contributo intende proporre una ricostruzione degli avvenimenti con attenzione al rapporto tra originale (i dittici monzesi) e copia (disegni e incisioni che ne scaturirono). (shrink)

The book covers scientific and philosophical topics by bringing them closer to literature. Some topics are scientific explanation, the concept of cause, rational argumentation, pseudoscience, language, ethics, philosophy of mind, posthumanism, and democracy. Summary Prefazione di Severino Saccardi. Introduzione. Capitolo 1: Le scrivanie di Eddington. 1.1. Il vecchio Qfwfq (I. Calvino. Le cosmicomiche). 1.2. L’assassino invisibile (L.F. Celine, Il dottor Semmelweis). 1.3. Gli gnommeri di Ingravallo (C.E. Gadda, Quer pasticciaccio brutto de via Merulana). 1.4. I sergenti di Napoleone (L. Tolstoj, (...) Guerra e pace). 1.5. Tex e il Coyote nero (G. Bonelli, Il Coyote nero). 1.6. “Elementare Watson!” (A.C. Doyle, Il segno dei quattro). Capitolo 2. Non saranno mai delusi. 2.1. L’albero di Natale. (V. Perrin, Cambiare l’acqua ai fiori). 2.2. Il dagherrotipo di Buendia. (G.G. Marquez, Cent’anni di solitudine). 2.3. Don Ferrante e la peste. (A. Manzoni, I promessi sposi). Capitolo 3. Capitolo puffo. 3.1. L’Accademia di Lagado. (J. Swift, I viaggi di Gulliver). 3.2. Bruto è uomo d’onore. (W. Shakespeare, Giulio Cesare). 3.3. Le oche mute. (G. Orwell, 1984). Capitolo 4. “Quarantadue!” 4.1. Lo zio N’Ba N’Ga. (I. Calvino, Le cosmicomiche). 4.2. La mosca cocchiera. (J. de La Fontaine, Favole). 4.3. Il fiore del dr. Dek. (E. Salgari, Le meraviglie del Duemila). Capitolo 5. L’ultimo uomo. 5.1. La pernice accusatrice. (Cyrano de Bergerac, Gli stati e gli imperi del Sole). 5.2. Pallino in via Mjasnickaja. (M.A. Bulgakov, Cuore di cane). Capitolo 6. Scenari perturbanti. 6.1. Dissipatio. (G. Morselli, Dissipatio H.G.). 6.2. Un mammifero meccanizzato. (S. Butler, Erewhon). 6.3. Mlle Olimpia. (E.T.A. Hoffmann, Racconti notturni). Capitolo 7. La gente perbene. 7.1. La balena bianca. (H. Melville, Moby Dick). 7.2. Betsabea Everdeene. (T. Hardy, Via dalla pazza folla). 7.3. Un’idea francese. (C. McCarthy, Cavalli selvaggi). 7.4. Le montagne del Montana. (D. Delillo, Rumore bianco). (shrink)

il verbo latino «desiderare» deriva dal composto latino della particella "de-" con il termine "-sideris", plurale di "sidera", che significa pertanto "stelle". Quindi il desiderio non ha a che fare con una singola stella, ma con un insieme di stelle. Perché? Gli antichi collegavano idealmente nel cielo le stelle fino a formare le costellazioni, e queste erano necessarie non solo per orientarsi (ad es. nel mare), ma anche a livello esistenziale (l’astrologia). Il problema è che finora la parola de-Sidera è (...) stata interpretata come il sentimento di una «mancanza» di costellazioni, cioè di punti di orientamento, magari con stravaganti riferimenti al De bello gallico di Giulio Cesare. In queste pagine del 2017 dimostro che è possibile una interpretazione alternativa partendo dall'interpretazione della particella "de-" in quanto finora essa è stata interpretata unicamente come un prefisso privativo. Eppure "de-" oltre a un significato privativo nel senso di sentire la mancanza di stelle, può indicare anche una negazione. In pratica interpretare de-siderare nel senso di nostalgia delle stelle sarebbe come interpretare de-costruire come "nostalgia delle costruzioni"! In realtà de-Sidera non significa affatto nostalgia delle stelle, bensì, molto più radicalmente «de-Costellare» nel senso di negare la costellazione che imprigiona e abbruttisce la mia esistenza attuale negli affanni della routine quotidiana, per cercare, oltre tale costellazione fatalistica, cioè il DESTINO, quella che corrisponde meglio alla mia vera DESTINAZIONE, nel senso di vocazione. Il de-siderio non è quindi nostalgia delle stelle, ma ricerca della costellazione che corrisponde alla propria vocazione. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 41.3 (2003) 414-415 [Access article in PDF] Gregorio Piaia, editor. La presenza dell'aristotelismo padovano nella filosofia della prima modernità: Atti del Colloquio internazionale in memoria di Charles B. Schmitt (Padova, 4-6 settembre 2000). Rome and Padua: Antenore, 2002. Pp. 488. Paper, € 38.00.Dedicated to the impact of Paduan Aristotelianism on early modern philosophy, this volume, edited by Gregorio Piaia, presents the proceedings of (...) a much-anticipated conference held in memory of Charles B. Schmitt at the University of Padua on September 4-6, 2000, jointly co-sponsored by Padua's Department of Philosophy, the Centro per la Storia dell'Università di Padova, the Seminar für Philosophie und Geistesgeschichte der Renaissance of the University of Munich, the Center for Medieval and Renaissance Natural Philosophy of the Catholic University of Nijmegen, and the Foundation for Intellectual History of London. It was indeed Schmitt's merit (one thinks first and foremost of The Cambridge History of Renaissance Philosophy he edited in 1988) to have revised in the most critical and convincing way the image historians of philosophy had of Renaissance Aristotelianism as a backward-looking movement unable to express any vitality, to say nothing about its influence on later philosophers. Obviously, the Paduan Aristotelians did not achieve the same impact as Descartes and they did not produce the sharp reactions the libertins provoked. Yet, their impact was substantial, as many contributors show, with a concentration in the north of central Europe, i.e., in Germany and in Scandinavia.The volume opens with a paper by Stefano Perfetti on the physician, statesman, and philosopher Giulio Cesare Scaligero, who belongs among the Paduan Aristotelians because he received his education at Padua. The works of the "pure Aristotelian" (following the definition of this movement provided by Wilhelm Risse) Giacomo Zabarella, surely the most celebrated of the group, is the subject of papers by Francesco Bottin, Ian McLean, Sachicko Kusukawa, Daniel A. Di Liscia, Heikki Mikkeli, Merio Scattola, David A. Lines, Antonino Poppi, Paul Richard Blum, Giovanna Varani, Gregorio Piaia, and Giuseppe Micheli. They have looked into the impact of Zabarella's philosophy, logic, and theory of demonstration (the celebrated regressus) in contexts such as Lutheran Germany and Scandinavia, Reformed Germany and Holland, and Catholic Italy and France during the impressive span from the publication of Melanchthon's Dialectic in 1520 to that of Kant's Critique of Judgment in 1790. Less known today, but quite influential until 1648, was the "eclectic Aristotelian" (to use Schmitt's phrase) and colleague (and antagonist) of Zabarella, Francesco Piccolomini, whom Jill Kraye, Heikki Mikkeli, Merio Scattola, and David A. Lines consider in their papers. Piccolomini became famous for his mediation between Aristotelianism and Platonism. He revived "the soul of Aristotle and the spirit of Plato," as a contemporary said. Pierre Bayle and Jakob Brucker highlighted Piccolomini's efforts to combine Aristotelian and Platonic philosophy; and modern scholars have identified many [End Page 414] Platonizing elements in his Aristotelianism. In the hope of producing a more accurate and complete picture of eclectic Aristotelianism within the context of Renaissance moral philosophy, Jill Kraye's paper explores a neglected side of Piccolomini's ethical thought, namely his careful account of Stoicism. Finally, a group of papers with a more general scope needs to be mentioned, namely Heinrich C. Kuhn's survey of works of Paduan Aristotelians in German libraries, Charles H. Lohr's paper on the sources of Calvinist theories of science, and Ekhard Kessler's paper on the relation of logic to hermeneutics. As a last remark, of the seventeen contributions to this important volume, which no research library should be without, eight are in Italian, six in English, and three in German. Riccardo Pozzo Università di Verona... (shrink)

One of the earliest Italian printed references to John Dee’s Monas hieroglyphica is generally considered to be in Giulio Cesare Capaccio’s Delle imprese, published in Naples in 1592. In the same year, however, another work was published, this time in Cosenza, in which the Monas featured prominently. Paolo Antonio Foscarini’s Scientiarum et artium omnium ferme anacephalaeosis theoretica, a previously unknown work, is a booklet containing 344 theses that the Carmelite friar and theologian Foscarini prepared for a disputation in (...) honour of the new head of his order. Foscarini devoted eleven of those theses to hieroglyphs, taking several of them almost verbatim from the Monas. This essay examines each of the eleven theses in turn to explore Foscarini’s use of the Monas and his attempt to integrate Dee’s work with material from other sources, such as Johann Trithemius’s De septem secundeis. It then briefly looks at Foscarini’s interest in hieroglyphs after the Anacephalaeosis. (shrink)

This study presents and develops in detail (a new version of) the argumental conception of meaning. The two basic principles of the argumental conception of meaning are: i) To know (implicitly) the sense of a word is to know (implicitly) all the argumentation rules concerning that word; ii) To know the sense of a sentence is to know the syntactic structure of that sentence and to know the senses of the words occurring in it. The sense of a sentence is (...) called immediate argumental role of that sentence. According to the argumental conception of meaning a theory of meaning for a particular language yields a systematic specification of the understanding of every sentence of the language which consists in a specification of the immediate argumental role of the sentence. The immediate argumental role is a particular aspect of the use of a sentence in arguments. But it is not the whole use in arguments, nor is the whole use in arguments reducible to the immediate argumental role. That is why, by accepting the argumental conception of meaning, we can have epistemological holism without linguistic holism. The argumental conception distinguishes between the understanding and the correctness of a language. Such a distinction makes it possible to account for our understanding of paradoxical languages. Redundancy theory of truth, realistic conceptions of truth or epistemic conceptions of truth are all compatible with an argumental conception of sense. But here it is argued that an epistemic conception of truth is preferrable. Acceptance of the argumental conception of meaning and of an epistemic conception of truth leads to a rejection of the idea of analytic truth. The argumental conception is pluralistic with respect to the understandability of different logics, and neutral with respect to their correctness. (shrink)

"Notwithstanding Francis Bacon’s praise for the philosophical role of the mechanical arts, historians have often downplayed Bacon’s connections with actual artisans and entrepreneurs. Addressing the specific context of mining culture, this study proposes a rather different picture. The analysis of a famous mining metaphor in _The Advancement of Learning_ shows us how Bacon’s project of reform of knowledge could find an apt correspondence in civic and entrepreneurial values of his time. Also, Bacon had interesting and so far unexplored links with (...) the early modern English mining enterprises, like the Company of Mineral and Battery Works, of which he was a shareholder. Moreover, Bacon’s notes in a private notebook, _Commentarius Solutus_, and records of patents of invention, allow us to start grasping Bacon’s connections with the metallurgist and entrepreneur Thomas Russell. Lastly, this paper argues that, to fully understand Bacon’s links with the world of Stuart technicians and entrepreneurs, it is necessary to consider a different and insufficiently studied aspect of Bacon’s interests, namely his work as patents referee while a Commissioner of Suits.". (shrink)

The law of prior entry was one of E.B. Titchener’s seven fundamental laws of attention. According to Titchener : “the object of attention comes to consciousness more quickly than the objects which we are not attending to.” Although researchers have been studying prior entry for more than a century now, progress in understanding the effect has been hindered by the many methodological confounds present in early research. As a consequence, it is unclear whether the behavioral effects reported in the majority (...) of published studies in this area should be attributed to attention, decisional response biases, and/or, in the case of exogenous spatial cuing studies of the prior-entry effect, to sensory facilitation effects instead. In this article, the literature on the prior-entry effect is reviewed, the confounds present in previous research highlighted, current consensus summarized, and some of the key questions for future research outlined. In particular, recent research has now provided compelling psychophysical and electrophysiological evidence to support the claim that attending to a sensory modality, spatial location, or stimulus feature/attribute can all give rise to a relative speeding-up of the time of arrival of attended, as compared to relatively less attended stimuli. Prior-entry effects have now been demonstrated following both the endogenous and exogenous orienting of attention, though prior-entry effects tend to be smaller in magnitude when assessed by means of participants’ performance on SJ tasks than when assessed by means of their performance on TOJ tasks. (shrink)

There are various proposals for a general characterization of holism1. In this paper I propose the following: a variety of holism is the view that every X of an appropriate kind, which is part of a relevant whole W, cannot be legitimately separated or taken in isolation from W. Then, I distinguish two general kinds of holism, depending on two different reasons which can debar us from taking X in isolation from W. One reason can be that separating X from (...) W always amounts to transforming X into something else. Correspondingly, a strong holism is the view that if the whole W is modified anywhere, X ceases to be X and becomes something else. Another reason why it may be illegitimate to consider X in isolation from W can be that if we separate X from W, nothing that we know entitles us to exclude that X might be transformed into something else. Correspondingly, virtual holism is the view that if the whole W is modified anywhere, we can never rule out that X ceases to be X and becomes something else. (shrink)

The concept of “necessity of thought” plays a central role in Dag Prawitz’s essay “Logical Consequence from a Constructivist Point of View” (Prawitz 2005). The theme is later developed in various articles devoted to the notion of valid inference (Prawitz, 2009, forthcoming a, forthcoming b). In section 1 I explain how the notion of necessity of thought emerges from Prawitz’s analysis of logical consequence. I try to expound Prawitz’s views concerning the necessity of thought in sections 2, 3 and 4. (...) In sections 5 and 6 I discuss some problems arising with regard to Prawitz’s views. (shrink)

Niccolò Machiavelli's support for what he calls governo largo, or popular government, is usually contrasted with the diffidence towards it of Francesco Guicciardini, the Florentine aristocrat. The article argues that both these authors grounded their vision on Polybius' theory of “mixed government,” though adapting it in different directions. In examining this difference, the article reaches the conclusion that it concerns far less the degree of popular participation in political decision-making and government than the value that Machiavelli and Guicciardini respectively ascribe (...) to it in comparison with that of safety-liberty. In this respect, their theories may be viewed as anticipating the tensions between democracy and the rule of law, the co-presence of which provides the essential foundation of the structure of present-day constitutional democracies. (shrink)

Alberto Coffa used the phrase "the Copernican turn in semantics" to denote a revolutionary transformation of philosophical views about the connection between the meanings of words and the acceptability of sentences and arguments containing those words. According to the new conception resulting from the Copernican turn, here called "the Copernican view", rules of use are constitutive of the meanings of words. This view has been linked with two doctrines: (A) the instances of meaning-constitutive rules are analytically and a priori true (...) or valid; (B) to grasp a meaning is to accept its rules. The pros and cons of different versions of the Copernican view, ascribable to Wittgenstein, Carnap, Gentzen, Dummett, Prawitz, Boghossian and other authors, will be weighed. A new version will be proposed, which implies neither (A) nor (B). (shrink)

A Nobel Prize-winning scientist and a leading brain researcher show how the brain creates conscious experience.