This article seeks to examine Ricœur's reflection on metaphor through an intertextual reading. This reading relates The Rule of Metaphor (1975) with lines of thought developed in a series of lectures held at the Centre de recherches phénoménologiques in Paris, from 1973–1974, on the theme From Language to Image, and an essay which appeared in 1978, “The Metaphorical Process as Cognition, Imagination and Feeling”. This work starts with an analysis of Ricœur's interpretation of the Aristotelian theory of metaphor, a theory (...) which the French philosopher principally develops in The Rule of Metaphor. In the other two papers, Ricœur develops his metaphorology through a dialogue with Kant and he reformulates in linguistic terms the doctrine of productive imagination and transcendental schematism, which become the ontological sphere on which metaphorical and narrative activity are founded. Through the long journey of language, Ricœur's hermeneutics builds a bridge between Aristotle and Kant. This article examines this link to understand and explain further, also at the epistemological level, the relationship between metaphor and narrative. (shrink)

This paper explores the «nature» of street art, highlighting its innovative features, the new socio-political status, and the differences between this emerging art form and dominant trends in contemporary visual art. This examination builds on the premise that artistic phenomena can only be considered from a critical perspective that situates questioning within a historical and specific gaze. Therefore, my aim is not to place this art movement within categorial boundaries, identifying the necessary and eternally true characteristics of street art, but (...) to identify the motives and tendencies that constitute it as a movement that runs against the dominant orientations in contemporary art. Building on this comparative analysis, the construens part of this paper explores the salient features of street art more thoroughly and more extensively, through an examination of the works of certain street artists. (shrink)

The question of the mimesis metaphorike in Aristotle is developed, in the interpretative perspective of this work, through an itinerary that defines it in relation to poetical thought, ontology and in its gnoseological and epistemological aspects. The pages that the philosopher has explicitly dedicated to the metaphor might be considered as examples in a sort of reflection-guide to understand the link existing, according to Aristotle, between language, thought and being. At the same time they offer a fundamental theoretical element to (...) proceed in the search for that unity by analogy that has occupied a great part of the Aristotelian interpretative tradition. The hermeneutical perspective of this work represents a critical position in relation to the most common interpretations of the theory of the metaphor in Aristotle (that explain it in linguistic-semiotic terms) and tries to retrieve and bring to light the metaphysical horizon and the “referentialist” vocation that mark the reflection of the Greek philosopher. Yet, notwithstanding this background, Aristotle’s reflection manages to generate a realism that is not quashed in the opposition object-subject, inner world-outside world, but that is able, even today, to offer fundamental parameters to think of the relationship between language, world and thought in terms that are not any longer those of a world defined through a totalising linguistic dimension. In this sense, the Aristotelian doctrine of the metaphor constitutes today a fundamental theoretical paradigm to think deep and critically the kind of relation that might exist between arts and truth and, also, between language and world. (shrink)