In his paper ‘Scmantic Theory and Tacit Knowlcdgc’, Gareth Evans uscs a familiar kind of cxamplc in ordcr to render vivid his account of tacit knowledge. We arc to consider a finite language, with just one hundrcd scntcnccs. Each scntcncc is made up of a subjcct (a name) and a prcdicatc. The names are ‘a’, ‘b’, . . ., T. The prcdicatcs arc ‘F’, ‘G’, . . ., ‘O’. Thc scntcnccs have meanings which dcpcnd in a systematic way upon their (...) construction. Thus, all scntcnccs containing ‘a’ mean something about john; all scntcnccs containing ‘b’ mean something about Harry; all scntcnccs containing ‘F’ mean something about being bald; all scntcnccs containing ‘G’ mean something about being happy; and so 011. For this vcry simple language L, wc arc to consider various semantic theories. We could consider thcorics whosc dclivcranccs about wholc scntcnccs are of.. (shrink)

In this richly argued and provocative book, David Davies elaborates and defends a broad conceptual framework for thinking about the arts that reveals important continuities and discontinuities between traditional and modern art, and between different artistic disciplines. Elaborates and defends a broad conceptual framework for thinking about the arts. Offers a provocative view about the kinds of things that artworks are and how they are to be understood. Reveals important continuities and discontinuities between traditional and modern art. Highlights core (...) topics in aesthetics and art theory, including traditional theories about the nature of art, aesthetic appreciation, artistic intentions, performance, and artistic meaning. (shrink)

There is more than enough evidence to show that cock-fighting, quail-fighting, and even partridge-fighting were favourite sports among the Greeks , no matter what part of the mediterranean world they inhabited. Whether Romans ever shared these passions is another question altogether. When Saglio contributed his article on cock-fighting to the Dictionnaire des antiquitis grecques et romaines, he limited himself to the transports it caused the Greeks. For this he was reprimanded, obliquely, by Schneider, asserting—but neglecting to support the assertion in (...) detail—that Romans also took a keen interest in Hahnenkämpfe. Subsequently, Magaldi set out to prove the existence of formal ludi gallinarii at Pompeii, while Jennison mustered such evidence as could be found for all three forms of avian combat in Rome. Hence, apparently, it has become the communis opinio that Romans shared the Greeks' taste for these ‘raffish’ amusements. (shrink)

THE book which Eudoxus of Cnidos was stated by some to have translated from the Egyptian is entitled in the manuscripts of Diog. Laert. 8. 89, a reading which R. D. Hicks retains in his Loeb edition. It was retained also in the edition of C. Gabr. Cobet and in the Tauchnitz edition ; so also H. S. Long in O.C.T.. Egyptian religion was richly theriolatrous. But does it proffer a suggestion of ‘Dialogues of Dogs’? The contrary belief is suggested (...) by the proposal of various emendations. (shrink)

The word dona is an embarrassment here. If Agricola was appointed to ‘check the gifts of the temples’, that is, gifts which temples had received, it seems an odd restriction in a phrase which one would expect to refer to temple possessions in general. What the context, especially in the word sacrilegium, makes clear, as commentators have duly noted, is that the temples suffered losses through the plunder of their works of art by Nero and also by others, although the (...) result tended to obliterate the guilt of others. This was after the fire at Rome in A.D. 64. See H. Furneaux rev. J. G. C. Anderson , pp.55 f.; R. Till , p.62; I. Forni , p.108; R. M. Ogilvie and Ian Richmond , p.152. (shrink)

The Hellenistic poet Lycophron, who wrote tragedies and assembled the texts of comedy under Ptolemy Philadelphus for the Library at Alexandria, was probably also the author of the long poem Alexandra, which deals mainly with the theme of Troy. Recent studies by Stephanie West have appreciably advanced our understanding of this rather difficult poet. For the passages where Lycophron surprisingly presents phases of Roman history she cogently adduces a later poet, a ‘Deutero-Lycophron, …to be sought among the artists of Dionysus (...) in southern Italy’. A theme in Graeco-Egyptian mythology is the subject of the present paper; and one of my main points is that recent Egyptological research has a clear bearing on one of the problems. (shrink)

The world of the early Christian centuries in which the Trinity was developed as a tenet of belief included several religious and philosophical systems with similar beliefs. Triads and Trinity examines three possible areas of impact: Judaism, the religion of Egypt, and various Greek traditions. Whereas a pluralistic concept of God was inherited by Judaism, it eventually accepted a firm monotheism.

The theme of divine judgement has often been treated, but usually with a concentration on one it its two main aspects: either that which is seen in the present ...

Eastern Orthodox theology affirms the liturgy as an anticipatory icon of God's reign that establishes a pattern of relationships by which Christians are called to live in and for the world. Taking at face value an Orthodox theological claim that the liturgy is the sole source for deriving ethical actions, Orthodox theologians typically address the question of female priesthood within the existing visual parameters of the liturgy in which men exercise authority. Given patterns addressed by both aspects of ritual theory (...) and contemporary anthropology, the articulation of anthropologies that likewise limit the authority and capability of women is to be expected. However, these defenses of the exclusion of women from full participation in the liturgy, including sacramental ordination, are the result of a reductionistic view of the priesthood, the liturgy, and human persons. Neither Orthodox personalism, nor its ethical implications, nor a few rarely glimpsed snippets of the Orthodox tradition support such reductionism. Rather, recognition of the unique capabilities of women by the community and their welcome participation within the community encourages the joy that underlies the transformation of a people who live for the life of the world. (shrink)

Late-ancient theologies of the priesthood frame its tasks, virtues and metaphorical relationships around its chief task: encouraging a common life of theosis as embodied virtue. Metaphorical relationships are used to evoke the manner in which, and the virtue with which, priestly tasks are to be practiced. In the priest, we hope to see an icon of the deified humanity to which all are called. This theological structuring allows the participation of women in the sacramental priesthood. Modern Orthodox arguments, in their (...) efforts to defend an exclusively male priesthood, subvert this structure. The language of relationship and virtue is used to define the priesthood according to specifically gendered tasks. This theology results in, and derives from, a reduced view of the full personhood of women and the breadth of the priestly task, undermining the priest’s role of embodying and encouraging all the virtues of the deified life. (shrink)

Histories 1.40 is designed to set the scene for Galba's assassination. It begins by bringing the emperor into the crowded Forum, but then it switches to Otho and his followers, dwelling on the horror, not of the act they plan, but of their readiness to commit it. The text is not problematical, but since the point behind the first two sentences is not entirely clear, this has prompted occasional emendation, repeated discussion, and continuing perplexity. The difficulty arises, in good measure, (...) from the assumption that Tacitus is saying much the same as Plutarch. As has been remarked more than once, the two authors no doubt drew their material from the common source, but they have in mind different time-frames and different viewpoints. Nor does this end the matter. A skewed perspective on these sentences has also led one scholar to dissect the chapter in a manner purporting to show that Galba's fate, not the Othonians' willingness to bring it about, is Tacitus' main concern. (shrink)