"If we are to understand not only the direct impact of Marx on the development of German thought but also his sometimes extremely indirect influence, an exact knowledge of Hegel, of both his greatness and his limitation, is absolutely indispensable."- from the preface. It is well known that Hegel exerted a major influence on the development of Marx's thought. This circumstance led Lukacs, one of the chief Marxist theoreticians of this century, to embark on his exploration of Hegelian antecedents in (...) the German intellectual tradition, their concrete expression in the work of Hegel himself, and later syntheses of seemingly contradictory modes of though. Four phases of Hegel's intellectual development are examined: "Hegel's early republican phase," "the crisis in Hegel's views on society and the earliest beginnings of his dialectical method," "rationale and defense of objective idealism," and "the breach with Schelling and " The Phenomenology of Mind."" Lukacs completed this study in 1938, but because of the imminent outbreak of war, it was not published until the late 1940s. A revised German edition appeared in 1954, and it is this text that is the basis of this first English translation of the work.". (shrink)

T. 1. Die Eigenart des Ästhetischen. 2 v.--.

Zur Ästhetik Schillers.--Hegels Ästhetik.--Einführung in die Ästhetik Tschernyschewskijs.--Einführung in die ästhetischen Schriften von Marx und Engels.--Karl Marx und Friedrich Theodor Vischer.--Nietzsche als Vorläufer der faschistischen Ästhetik.--Franz Mehring (1846-1919)--Literatur und Kunst als Überbau.

Using the technique of prepared questions, Conversations with Lukacs is a brilliant gathering of thoughts and insights covering topics as ontology, the techniques of manipulative societies, the pitfalls of combating Stalinism with Stalinist methods, and the problems of intellectuals in advanced capitalist societies. Above all, there is the restatement of Lukacs unshaken conviction that the working class, with all the changes that have occurred in its way of life and composition, is still the historical carrier of social transformation. Lukacs's interlocutors (...) in these four conversations are Hans Heinz Holz, Leo Kofler, and Wolfgang Abendroth. Each of them engages Lukacs in separate dialogues, on being and consciousness (Holz), on society and the individual (Kofler), and on the elements of scientific politics (Abendroth). Lukacs, Abendroth, and Holz work toward a "Provisional Summary" in the last conversation. The interlocutors and the editor write that "These conversations show very clearly the basis of abstraction in the experiences of everyday life.... This gives these conversations with Lukacs a more than anecdotal value; for the unmediated way in which thought is produced in conversation corresponds exactly to that primary level of experience, the data of everyday reality, whose theoretical value Lukacs emphasizes.... They aspire to bear witness to the living thought of one of the great men of our century, and to provide the opportunity to approach this thought by the simplest possible route.". (shrink)

1. Heidelberger Philosophie der Kunst (1912-1914).--2. Heidelberger Ästhetik (1916-1918).

Vorrede, von T. Pinkus.--Sein und Bewusstsein, von G. Lukács und H.H.Holz.--Gesellschaft und Individuum, von G. Lukács und L. Kofler.--Grundlegendes zu einer wissenschaftlichen Politik, von G. Lukács und W. Abendroth.--Vorläufige Bilanz, von G. Lukács, W. Abendroth und H. H. Holz.--Bibliographie (p. 125-[128]).

1. Művészet és társadalom; válogatott esztétikai tanulmányok.--2. Világirodalom; válogatott világirodalom tanulmányok 2 v.

v. 1. Filosofia dell'arte (1912-1914).--v. 2. Estetica di Heidelberg (1916-1918).

How is it possible that works of art exist? How do we become receptive aesthetic subjects? The Specificity of the Aesthetic extends these fundamental ontological and phenomenological questions around which Georg Lukács's theory of art was organised. This late work of aesthetics seeks to solve a puzzle that neither philosophy nor socialist politics was able to: the fundamental ethical question of what individuals and humanity as a whole ought to do. Art offers Lukács the already-existing means through which the damaged (...) edifice of Marxism might be reconstructed on a durable basis on which to rest the philosophy, politics, and ethics of a non-Soviet-style Marxism. Erik M. Bachman, Ph.D. (2011), University of California at Santa Cruz, is a Lecturer at that university. Author of Literary Obscenities: U.S. Case Law and Naturalism after Modernism (2018), he has also published numerous essays on modernism, film, and Lukács. Tyrus Miller, Ph.D. (1994), Stanford University, is the Dean of the School of Humanities at the University of California at Irvine. He has published and edited many notable monographs and essays on modernism, critical theory, and the avant-garde. (shrink)