Both an ideal entrée for beginning readers and a solid text for scholars, the second edition of Peter Kalkavage's acclaimed translation of Plato's _Timaeus_ brings enhanced accessibility to a rendering well known for its faithfulness to the original text. An extensive essay offers insights into the reading of the work, the nature of Platonic dialogue, and the cultural background of the _Timaeus_. Appendices on music, astronomy, and geometry provide additional guidance. A brief outline of the themes of the work, (...) a detailed glossary, and a selected bibliography are also included. (shrink)

Ion -- Meno (Menon) -- Symposium (The banquet) -- The republic -- The apology (The defence of Socrates) -- Crito (Criton) -- Phaedo (Phaidon) -- The Greek alphabet -- Pronouncing index.

Plato is a much more experimental philosopher, this book argues, than most commentators acknowledge. Supporting this position, Henry Teloh combines exegesis of particular passages with a synoptic view of Plato's philosophical development through his early, middle, and late dialogues. The result is a study of Plato's ideas with a more ambitious scope than any since W. D. Ross's in 1951,The book chronicles Plato's changing interests through a focus on his ontological commitments—that is, on the types (...) of entities he addresses. It also traces many of the assumptions in Plato's thought back to their sources in pre-Socratic philosophy. By depicting the changes in Plato's thought from one period of dialogue composition to another, and by seeking to explain these changes from textual evidence, this book offers an appealing introduction to Plato for all humanists. (shrink)

Plato provocatively characterizes truth $$ in terms of harmony $$ at various points throughout his dialogues. While limited attention has been directed toward the role of musical concepts in Plato's general cosmology, not any attention has been directed toward how musical concepts function in relation to Plato's characterization of truth. In fact, this issue has had little occasion for consideration. Almost every contemporary translator empties terms such as $\grave\alpha\rho\mu o\nu\acute\iota\alpha,$ when co-incidental with $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha,$ of their musical content. (...) As a consequence, I argue, Plato's characterization of truth is made readily amenable to contemporary conceptions of truth-not necessarily a good thing since it robs us of the original richness of Plato's thought. The dissertation explores how retaining the aural meaning latent within $\grave\alpha\rho\mu o\nu\acute\iota\alpha$ and other terms of musical import serves to elucidate the rich complexion of Plato's notion of $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha.$ Ultimately, I show how Plato's use of musical terminology to characterize truth informs other features of his philosophical outlook, illustrate the cohesiveness and consistency of key texts believed problematic by other commentators, and underscore significant differences between Plato's $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha$ and ideas of truth prevalent today. ;For Plato, I argue $\acute\alpha\lambda\acute\eta\theta\varepsilon\iota\alpha$ bears a meaning different from its primitive sense of oracular unconcealment and its later sense of correctness $,$ and a meaning also different from other terminological alternatives $.$ Truth, accordingly, turns out for Plato to be neither mysterious and groundless nor a matter of simple correspondence to an objective reality. The value of Plato's conception of truth as harmony consists in its ability to avoid the polarity of contemporary conceptions of truth as either objectively determinate or subjectively determinate . Truth is neither arbitrarily imposed upon the world by us, nor artificially imposed upon us by an antecedently structured and independent reality. The dissertation concludes by articulating reasons for favoring Plato's theory of truth, while noting a few underlying assumptions likely problematic for some contemporary philosophers. (shrink)

Origins of language. It is asserted that the work reveals an issue crucial to his philosophy, namely his ambiguous response to language. Plato's most basic assertion is that words are mere imitations of reality and cannot be trusted to be an accurate mode of transmitting knowledge. Plato refuses to take a systematic position towards language by mingling the divine with the human and the conventional with the natural. The easily proven ambiguity of plato's theory of language is (...) shown to be the basis of many of the problems in his metaphysics, epistemology, and aesthetics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Measurement, Pleasure, and Practical Science in Plato's Protagoras HENRY S. RICHARDSON 1. INTRODUCTION TOWARDS THE END OF THE PROTAGORAS Socrates suggests that the "salvation of our life" depends upon applying to pleasures and pains a science of measurement (metr$tik~techn~).Whether Plato intended to portray Socrates as putting forward sincerely the form of hedonism that makes these pleasures and pains relevant has been the subject of a detailed (...) and probably interminable debate, to which this paper will not directly contribute. By contrast, it seems to be supposed by almost all who have written on the topic that this hedonism, whoever is espousing it, puts forward pleasure as a single, homogeneous yardstick of value to serve as the basis of a supremely simple standard of choice. This standard simply directs one to seek the maximal amount of pleasure. The underlying supposition is that the hedonism put forward in the Protagorasallows one to define a maximum because all goods are commensurable. But, as I shall emphasize in the sequel, hedonism does not imply commensurability, nor does commensurability imply hedonism. The interpretive thesis of this essay is that the common presumption that the dialogue's hedonism carries commensurability with it has impeded our ability to understand the Protagor~'s relation to the other dialogues, and has distorted the fundamental purpose of Socrates's practical science. These matters are of more than textual interest. My reasons for trying to remain neutral as to the longstanding debate about attributing the dialogue's hedonism are not limited to wanting to avoid quagmires and remove confusions that have resulted from unwarranted interpretive assumptions. To many, the Protagorasis of tremendous importance as an early articulation of a calculative ideal for ethical or practical decisionmaking, whether or not Plato or Socrates was committed to that ideal. Looking [7] 8 JOURNAL OF THE HISTORY OF PHILOSOPHY 28:1 JANUARY x99 o back at the Protagorasfrom our twentieth-century perspective encourages the expectation that we might find there some argument for the crucial features of such a calculative ideal, as we have come to understand it. One such feature, prominent especially in the classical utilitarians, is that of the commensurability of goods, which in turn allows the precise definition of a maximizing rule. If the Protagoraspresented a calculative conception involving commensurability, then we might expect to find in the dialogue some argumentfor the rational necessity of commensurability. My claim will be that since there is no compelling evidence that the idea of commensurability is found in the dialogue, there is'hardly likely to be an argument for it there. In fact, it is of philosophical interest to see how far the arguments against weakness of will and for the unity of virtue (whoever is making them) can proceed without relying upon commensurability; This way of putting the philosophical points at issue here underlines the relative modesty of what I am claiming about commensurability. I argue that there is nothing in the dialogue that requires us to see commensurability as part of its hedonism, that the arguments proceed without relying upon commensurability, and that in some respects the problem of understanding the relationship of the Protagorasto Plato's other dialogues is eased if we refrain from attributing any commensurability here. I will show that a clearer picture of what is doing the argumentative work in the last secdon of the dialogue will result if we thus separate commensurability from hedonism, and that an illuminatingly different way of understanding the role of the science of measurement is thereby suggested. None of this amounts to a compelling argument that the idea of commensurability is not to be found in the dialogue. Rather, my case simply undermines the positive reasons for finding the idea there. Apart from the greater clarity which separating hedonism and commensurability allows, this modest negative case links up with the deeper philosophical moti,~ation I have mentioned by casting cold water on any hopes that the Protagorascould be made to yield an argument specifically linking commensurability to rationality. In one respect, my interpretive strategy is akin to that of commentators who have attempted to ease the tension between the Protagorasand the Gorgias by arguing that the form of hedonism... (shrink)

Once we realize that the indivisible and infinitely repeatable One of the arithmetic lesson in Republic7 is generated by διάνοια at Parmenides 143a6-9, it becomes possible to revisit the Divided Line’s Second Part and see that Aristotle’s error was not to claim that Plato placed Intermediates between the Ideas and sensible things but to restrict that class to the mathematical objects Socrates used to explain it. All of the One-Over-Many Forms of Republic10 that Aristotle, following Plato, attacked with (...) the Third Man, are equally dependent on Images and above all on the Hypothesis of the One. (shrink)

This paper focuses on two methodological questions that arise from Plato’s account of collection and division. First, what place does the method of collection and division occupy in Plato’s account of philosophical inquiry? Second, do collection and division in fact constitute a formal “method” (as most scholars assume) or are they simply informal techniques that the philosopher has in her toolkit for accomplishing different philosophical tasks? I argue that Plato sees collection and division as useful tools for (...) achieving two distinct goals – generating real definitions and discovering the basic natural kinds of a given domain of knowledge – both of which occupy a preliminary stage in his account of philosophical inquiry. As to the second question, I claim that the evidence for seeing collection and division as a formal method is weak. Although Plato calls the procedure a technê and a methodos, he makes no real attempt to formalize it in any way. For Plato, collection and division do not constitute an algorithmic process that can be learned from a rule book. Instead the ability to collect and divide properly are skills that good dialecticians must acquire through the kind of hands-on training illustrated by the Sophist and Statesman. Whereas Aristotle insists on formal rules for making proper divisions, Plato seems to emphasize the need to recognize where the natural joints of the world are. In this sense, Plato’s Sophist and Statesman and Aristotle’s Topics and Analytics present two very different pictures of collection and division. (shrink)

Since gregory vlastos resurrected "self-predication" there justifiably has been considerable interest in "self-predication," and the interpretation of this notion is crucial for understanding plato's metaphysics. I am in agreement with vlastos in thinking that plato's degrees-of-reality ontology and his conception of forms as paradigms implies "self-predication." Nevertheless, many of plato's "self-predicational" statements (e.g., "the beautiful is beautiful," "justice is just," etc.) Arise, i believe, from a different source. Plato, at times, accepts an anaxagorean account of causation: (...) a cause must have the quality that it produces in something else. I argue that anaxagorean causation lies behind the apparently "self- predicational" statements at "parmenides" 131 c-e, "euthydemus" 301b, "hippias major" 292e, "protagoras" 330 c,e, and "phaedo" 100c. These statements are, i believe, on a par with an ethical motif of the dialogues– that a man (or the demiurge) must have the quality that he produces in another; e.g., Only a just man can make another man just. (shrink)

In a 1985 article entitled “The Art of Glaukos,” Diskin Clay suggested that the enigmatic passage at the beginning of the geological myth in Phaedoreferred toRepublic10, where the soul is likened to the sea-creature Glaucus whose true nature, like the soul’s, is obscured by the distortions imposed by underwater life. Starting with a defense of Clay’s ingenious suggestion, my purpose is to compare Phaedoto Glaucus, with its true nature obscured by traditional assumptions about the order in which Plato composed (...) his dialogues, and thus how they should be read. At least part of the reason that Clay’s thesis has not been embraced is because it clashes with the dogma that Phaedocannot refer back to Republic; I want to challenge that dogma. Borrowing from Catherine Zuckert the notion that, since Phaedocomes at the end of Socrates’ story, it can usefully be read as the culmination of the Platonic dialogues, I will show how a “late” Phaedo—i.e., a reading of the dialogue that is open to the possibility that it refers to more than one dialogue generally considered to be later than it with respect to composition—recovers its true nature, presently encrusted with the oysters and seaweed of an outdated developmentalism that has obscured this culminating masterpiece of Plato’s dramatic and philosophical art. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Parmenides’ Lesson: Translation and Explication of Plato’s ‘Parmenides’ by Kenneth M. SayreHenry TelohKenneth M. Sayre, author and translator. Parmenides’ Lesson: Translation and Explication of Plato’s ‘Parmenides’. Notre Dame: University of Notre Dame Press, 1996. Pp. xx + 383. Cloth, $50.00.Kenneth Sayre has written a masterful translation and commentary on Plato’s Parmenides. The translation is literal but readable, and the commentary is informative, challenging, and close (...) to the text. Sayre’s main concern, and what he takes to be the “main problem of interpretation” (xi) is “what to make of Plato’s treatment of the several hypotheses that constitutes the second portion of the dialogue.” Sayre devotes over half of his book to the second half of the Parmenides, and anyone who knows Plato’s text will infer correctly that this is not a book for novices, but rather one which will yield ample reward to serious students of Plato. The book would have benefited from signposts which would locate Sayre’s intricate analyses of passages within his larger scheme of Plato’s development, an account of Plato’s more mature theory of Forms, and a [End Page 524] discussion of how each section of the Parmenides connects or fails to connect with the later. (Granted that we can obtain Sayre’s views from his other works.)Sayre’s book is not only an analysis of Plato’s text; it is also an engagement with important commentaries on that text. He carefully outlines and criticizes Miller, Meinwald, Allen, and Cornford (being most indebted to Cornford’s statements about the Pythagorean elements in Plato’s mature theory). Sayre maintains that the first part of the Parmenides questions the immature theory of Forms which is found in the Phaedo and Republic (68). Sayre believes that this immature theory is in need of more careful articulation and revision, and that the Parmenides begins the process. (Note that Sayre does not worry about whether there are multiple theories of Forms, or developments and changes in a single theory.) The major tenets of the youthful theory are that Forms are: (1) real in that they are “themselves in themselves,” (2) the causes of determinate characteristics in sensible things, (3) paradigms for the naming of their participants, (4) directly known by mind or reason, and (5) absolute in the sense of being independent of their participants (75).Sayre argues that Parmenides’ arguments in the first part of the Parmenides show that (1)—(5) need more elaboration and interpretation. The sections on the sail, day, and participating in a part of a Form force revisions of (1) and (2); Forms must be free of contrary predicates, they cannot be divisible spatially, and hence Plato must rethink participation. The point of the third man argument is that since “.… Largeness has lost its self-determinate status by virtue of being 'demoted' (in thought) to an object of appearance, it is no longer capable of providing determination to the shared features of this augmented group of individuals” (81). Sayre claims that Largeness is no longer one, and that it is “indefinitely multitudinous” (82), and hence that Largeness lacks definite properties. I am unclear about what Sayre’s point is here. Does he mean that Forms come to have contrary predicates—Largeness is both one and many—and each of these predicates is definite enough, but confused when found in the same entity, or that these predicates are themselves indefinite, whatever that might mean? The first interpretation seems to fit Sayre’s overall theory best, and if this is correct, then the third man argument shows that Plato needs to reinterpret (1) and (2) above. The second third man argument shows, Sayre claims, that both participation and resemblance are unexplained in the immature theory, and thus that (3) needs work. The section on our knowledge of the Forms reveals that (4) and (5) must be rethought. Sayre states that Plato rejects radical separation for the position that forms are distinct from their participants. I concur with this last claim, but Sayre needs a sustained discussion of what this claim means. Sayre concludes that the point of the first part of the Parmenides is that... (shrink)

Empedocles, Socrates, Plato, Aristotle, Confucius, Diogenes, Epicurus, St. Paul, Aurelius and Epictetus, Augustine, Maimonides, Machiavelli, More, Francis Bacon, John Locke's, Spinoza, Rousseau, Voltaire, Kant, Goethe, Schopenhauer, Auguste Comte, Thoreau, Nietzsche, Vivekananda, Havelock Ellis, William James, Kropotkin, Croce, John Dewey.

These four dialogues cover time surrounding the execution of Socrates. As he was charged, tried, and condemned to death, the four dialogues stand as final testaments to his credo of virtue. These are texts that have shaped thousands of years of thought on the meaning of life and personal conduct.

Ambitious in scope and innovative in concept, this book offers an overview and critique of the conventions surrounding artistic creativity and intellectual endeavour since the outset of 'the broader modernity', which the author sees as beginning with the decline of feudalism and the Church. As a work of intellectual history, it suggests that art and the conventions associated with the artistic constitute a secular institution that has supplanted pre-Reformation theology. Beginning with Luther, Calvin, and Shakespeare and culminating with the Kantian (...) notion of the artist as an 'original genius,' the author reconstructs the steps by which art and creative activity were installed as the redemptive values of a modernity. In the process, the author reads passages from Plato, Proust, Donne, Locke, Berkeley, Hume, Kleist, Rousseau, Melville, Wittgenstein, Benjamin, as well as the graphic works of Holbein, Dürer, Mondrian, and Rothko. (shrink)

For more than half a century, C. L. R. James (1901–1989)—"the Black Plato," as coined by the London _Times_—has been an internationally renowned revolutionary thinker, writer, and activist. Born in Trinidad, his lifelong work was devoted to understanding and transforming race and class exploitation in his native West Indies, as well as in Britain and the United States. In _C. L. R. James's Caribbean_, noted scholars examine the roots of both James's life and oeuvre in connection with the economic, (...) social, and political environment of the West Indies. Drawing upon James's observations of his own life as revealed to interviewers and close friends, this volume provides an examination of James's childhood and early years as colonial literatteur and his massive contribution to West Indian political-cultural understanding. Moving beyond previous biographical interpretations, the contributors here take up the problem of reading James's texts in light of poststructuralist criticism, the implications of his texts for Marxist discourse, and for problems of Caribbean development. (shrink)

Boethius was a Roman senator who rose to high office under the Gothic king Theoderic the Great. He translated into Latin all he knew of Plato and Aristotle, and was profoundly interested in the issues of theology and philosophy. The Consolations were written while he awaited the execution of a tyrannical death sentence. The Consolations of Philosophy have been translated into English by King Alfred, Geoffrey Chaucer, and Queen Elizabeth I. This scholarly study by Henry Chadwick, the first (...) this century since the War, has stimulated new interest in these remarkable works. (shrink)

With its connotations of superior moral integrity, exceptional leadership qualities and expertise in the science of government, the modern ideal of statesmanship is most commonly traced back to the ancient Greek concept of πολιτικός and the work of Plato and Aristotle in particular. Through an analysis of a large corpus of modern English translations of political works, built as part of the AHRC Genealogies of Knowledge project, this case-study aims to explore patterns that are specific to this translated discourse, (...) with a view to understanding the crucial role played by translators in shaping its development and reception in society. It ultimately seeks to argue that the model of statesmanship presented in translations from ancient Greek is just as much a product of the receiving culture as it is inherited from the classical world. (shrink)

A new ontology that forms the groundwork for ethical practices of resistance What and how should individuals resist in political situations? While these questions recur regularly within Western political philosophy, answers to them have often relied on dogmatically held ideals, such as the distinction between truth and doxa or the privilege of thought over sense. In particular, the strain of idealist political philosophy, inaugurated by Plato and finding contemporary expression in the work of Alain Badiou, employs dualities that reduce (...) the complexities of practices of resistance to concepts of commitment. (shrink)