Jeffery Aubin ,Marie Chantal ,Dianne Cole ,Julio Chaves ,Cathelyne Duchesne ,Christel Freu ,Steve Johnston ,Brice Jones ,Amaury Levillayer ,Stéphanie Machabée ,Paul-Hubert Poirier ,Philippe Therrien ,Jonathan von Kodar ,Martin Voyer ,Jennifer Wees ,Eric Crégheur.

The predicate-argument approach, focused on perception, is compared with the ease-of-predication (or predicability) approach, focused on encyclopedic knowledge. The latter offers functional prediction and implementation in connectionist models. However, the two approaches characterise predicates in different ways. They thus resemble predicational cantilevers built out from opposite sides of cognition, with a gap that is yet to be bridged.

Not at all self-evident, the so-called isomorphisms between the phenomenology and physiology of dreams have been interpreted by Hobson et al. in an arbitrary manner to state that dreams are stimulated by chaotic brainstem stimulation (an assumption also adopted by Vertes & Eastman). I argue that this stimulation is not chaotic at all; nor does it occur in the absence of control from the cerebral cortex, which contributes complexity to brainstem activity as well as meaningful information worth consolidating in the (...) brain during sleep. [Hobson et al.; Vertes & Eastman]. (shrink)

Jebb renders the last clause as follows: ‘The warrior of the white shield, who came from Argos in his panoply, hath been stirred by thee to headlong flight, in swifter career.’ ‘In swifter career’ is a discreet rendering of ., Jebb says, ‘does not mean “in flight swifter than their former approach“ nor “the reins are shaken ever faster on the horses' necks”.’ ‘The Argives’, he writes, ‘began their retreat in the darkness : when the sun rises, the flashing steel (...) of their bridles shows them in headlong flight’. Cf. P. Mazon, R.E.G. xxv , 13. This view is shared by all modern scholars, except that Dain and Mazon put commas after and translate accordingly; which I do not think is an improvement. How to Cite This Article. (shrink)

Utilitarian and deontological moral theories are often accused of failing to develop a convincing account of an agent's moral psychology, and so failing to provide an adequate theory of moral motivation that sustains their conception of morality as involving generally overriding moral duties. As a result of this apparent conflict between an agent's psychology and the demands of morality, many suggest making dramatic revisions to our conception of morality. I argue here that a more promising response is to examine where (...) it is that morality fits into human psychology, and then build a theory of moral motivation that sustains ordinary conceptions of morality from this foundation. To do this, I start by looking at Hume's account of moral motivation, which is grounded in a rich and full moral psychology. In an attempt to show that his theory provides a promising foundation for a contemporary theory of moral motivation, I explore his account of acting from duty and develop a new interpretation of his theory of moral motivation that fits most consistently with both his criticism of other accounts and his more general claims about the virtue of justice. I argue that Hume offers an account of justice as being always valuable in virtue of being a necessary condition to the enjoyment of one's good character. I go on to suggest that pride in one's character, what we might now call personal integrity, commits each agent to acting with a sense of duty, and enables her to attain a level of social interaction that is necessary for her psychological development, yet not possible without a commitment to justice. After defending this interpretation of Hume, I extend this basic notion of personal integrity and demonstrate how this idea, combined with the workings of empathy and the psychological need for positive social interaction, generates a viable theory of moral motivation that maintains the common conception of morality as involving generally overriding moral duties while avoiding threats of alienation. (shrink)

IN the first part of this paper we discussed R and the y family, which divides into the two groups v and Φ. Before leaving the y family, however, we may consider some of the recentiores, nearly all of which belong within it. They seem to contain no genuine tradition unknown to their elders and betters; so it is not proposed to inflict on the reader a detailed account of them all, but rather to study a representative selection. These manuscripts (...) consist of an uninterpolated and an interpolated group: the latter group includes also the Aldine edition. (shrink)

Beliefs and desires are linked with one another by an obvious kind of duality. Everyone assumes that a person's beliefs may be, to some extent, ascertained by seeing how he acts: for we suppose that he will do the things which he believes will fulfil his wishes, and avoid doing what he thinks will frustrate them. Similarly, his desires may, to some extent, be ascertained by seeing how he acts; for if we know what he thinks about the results of (...) his actions, we suppose that the expected results are desired or not disliked and those believed unlikely are disliked or undesired. We have three variables, conduct, desire, and belief; and we suppose that there is some equation by which the first in conjunction with one of the others implies a determinate value of the third. In principle, it should be equally possible to deduce conduct from belief and desire. But that seems of less metaphysical interest, because we think of actions as open to observation in a straightforward way, whereas we are more dubious about beliefs and desires. (shrink)

‘Torture porn’ films centre on themes of abduction, imprisonment and suffering. Within the subgenre, protagonists are typically placed under relentless surveillance by their captors. CCTV features in more than 45 contemporary torture-themed films. Security cameras signify a bridging point between the captors’ ability to observe and to control their prey. Founded on power-imbalance, torture porn’s prison-spaces are panoptical. Despite failing to encapsulate contemporary surveillance’s complexities, the panopticon remains a dominant paradigm within surveillance studies because it captures essential truths about the (...) psychologies of self-governance and interdependency. This chapter will use torture porn’s panoptical spaces and captor-captive relationships as a springboard into examining those broader philosophical issues regarding selfhood. In the torture-space, cameras signify the control to which captives must submit. Since they are threatened with death, the surveillance dynamic appears to entirely subjugate these prisoners. However, the captive must undertake some agency in the oppression. Much of the captor’s implied threat is enacted by the captives, who brutalise one another to save themselves. The captor’s apparent omniscience is translated into omnipotence only because the captives forsake self-control – opting to engage in violent, contra-social behaviours – out of fear. Thus, it is implied that self-ownership is the bedrock of stable, interdependent sociality. To inspire horror, the opposite is depicted: fractured groups comprised of paranoid, self-invested individuals. By submitting to external pressure, these “weak” individuals empower their tormentor. Captives are not only encouraged to enact their own suppression, but also to internalise culpability for the suffering they undergo. Despite being threatened with erasure, torture porn’s protagonists are spotlighted in these films. Abductees dominate the screen-time, and their suffering drives the narrative forward. Torturers are often motivated solely by their victims’ agony. In many cases, torture is designed specifically for each hyper-individualised captive. These forms of emphasis imply that captives are the stimulus for their own victimisation. The captor’s exaggerated interest in the prisoners is perversely flattering: captives are implied to be worthy of the captor’s maniacal attention, which is reified by the CCTV cameras. In torture porn’s scenarios, it is not immediately clear who has greater control over the individual: the captor or the captive themselves. By dissecting how self-preservation, self-governance, and self-centredness manifest in torture porn, this chapter seeks to examine the dialectical qualities of liberty, interdependency and autonomy. (shrink)

Liberals often view religion chiefly as "a problem" for democratic discourse in modern pluralistic societies and propose an allegedly neutral solution in the form of philosophical distinctions between "the right" and "the good" or populist invocations of a "right to choose." Drawing on cultural theory and ethnographic research among activists in the Oregon debates over the legalization of physician-assisted suicide, I demonstrate that liberal "neutrality" harbors its own cultural bias, flattens the complexity of public debates, and undermines liberalism's own commitments (...) to equality. I conclude that the praiseworthy liberal goal of impartiality in policy decisions would best be met not by the inaccessible norm of neutrality but by a norm of inclusivity, which intentionally solicits multiple cultural perspectives. (shrink)

James Hutton held shares in the company that built the Forth and Clyde canal, and was closely involved in its construction. For seven years he attended meetings on and off the site, helping to decide on the route, the supply of building stone and other problems. As far as we know it is the only occasion on which he used his geological knowledge in a public enterprise.

Of the many questions Cécile Laborde addresses in her magisterial Liberalism’s Religion, several relate to what she describes as ‘the puzzle of exemptions’. I examine some of the issues raised by her efforts to solve that puzzle: whether her ideal of moral integrity squares with the nature of religious belief; whether we should find the case for collective religious exemptions in freedom of association and the ‘coherence interests’ of associations; how much significance we should give to the ‘competence interests’ of (...) organised religions; and by which criteria we should assess individual claims to religious exemption. (shrink)

Réexamen d'une statuette trouvée en 1946 dans le dépôt sacré de l'Artémision. Les statuettes trouvées en Egée datent, semble-t-il, de la dernière époque mycénienne (HR III B-C). C'est de la côte syro-palestinienne que leur type a été introduit dans le monde créto-mycénien, via Chypre. Très nombreuses en Orient,· elles sont exceptionnelles en Egée, où elles sont étrangères à l'iconographie. Dans leurs pays d'origine, ce sont des effigies divines et il est vraisemblable qu'elles ont conservé cette signification en Egée. Le bronze (...) de Délos représente, comme les autres, une divinité et date d'environ 1200 ou du XIIe s. Conclusions : 1) Présence d'une idole (masculine) à l'Artémision ; 2) Cette présence n'est pas incompatible avec celle d'une divinité féminine prééminente ; 3) La notion de continuité des cultes est renforcée ; 4) Les récentes études mettent en valeur la diversité des cultes et des symboles et incitent à distinguer des variantes locales en fonction de chaque sanctuaire à la fin de l'âge du Bronze en Egée. (shrink)

Résumé À partir du catalogue de l’exposition « La peinture photographe », voici l’évocation d’une collaboration qui commence en 1975 au Musée national d’art moderne, se continue au château d’Oiron et croise parfois l’œuvre de Marcel Duchamp. Passant de la « peinture photographe » à l’idée d’une « peinture sculptrice », Jean-Hubert Martin interroge le non-peint et les postures de la peinture.