Volume 10, Issue 3, September 2019, Page 444-451.

Le livre de Loredana Mancini est le deuxième volume de la collection “Antropologia del Mondo Antico. Collana del Centro di Antropologia del Mondo Antico dell’Università di Siena”, dirigée par Maurizio Bettini. L’auteur est chercheuse spécialisée en iconographie de l’art ancien et en histoire de l’archéologie, ce qui explique l’inclusion à la fin du livre d’un catalogue de 152 monuments qui offrent des images, fragmentaires ou entières, de sirènes antiques et médiévales, accompagnées ou non de...

L’articolo si propone di analizzare, alla luce di un esteso scandaglio documentario e di un accurato spoglio delle testate locali, i rapporti fra Pier Paolo Pasolini e il Cineguf bolognese, negli anni in cui lo scrittore fu studente del Liceo Galvani e poi fra gli iscritti alla Facoltà di Lettere, sotto alla guida di docenti come Carlo Calcaterra e Goffredo Coppola. Questa ricerca ha permesso non solo di approfondire la conoscenza della cultura spettatoriale del giovane Pasolini, ma ha anche consentito (...) di ricondurre all’avvio del 1940 la sua prima prova da scrittore per il cinema, e cioè il soggetto Il giovine della primavera, rimasto inedito fino all’uscita dei Meridiani a cura di Walter Siti e Franco Zabagli nel 2001. Proprio uno sguardo inedito alle attività del Cineguf consente infatti di comprendere quanto la vita del circolo poté pesare sulla passione del poeta per il grande schermo, spingendolo a provarsi nelle vesti di sceneggiatore. (shrink)

This paper reviews the recent writing of Sergio Bologna and Carlo Formenti. These authors are proposed as post-workerist dissenters with respect to Hardt and Negri’s conceptualisation of contemporary capitalism. Therefore, while the latter has risen to prominence within Anglo-American academia astheradical account of the political economy of the knowledge economy, the work of Bologna and Formenti is here presented as providing alternative accounts of contemporary capitalism and its dynamics. In doing so, this work challenges the Anglo-American reception of (...) post-operaismo. However, these analyses are also assessed by showing the many similarities they share with Hardt and Negri’s account. These similarities are argued to pose immanent limits, impeding this post-workerist dissent’s ability to carryoperaismobeyond Hardt and Negri. (shrink)

This review discusses Andrea Staiti’s book Etica naturalistica e fenomenologia. In this concise, excellent book, Andrea Staiti develops an original phenomenological approach to meta-ethical questions, such as whether or not there are moral facts; if so, how do they relate to natural facts; and how we gain knowledge of them. Staiti’s claim is that Husserlian phenomenology has key insights to offer to the current debate about moral facts mostly taking place in the analytic tradition. Staiti also argues that Husserlian phenomenology (...) can provide middle ground between ethical naturalism and non-naturalism, and that Husserl’s phenomenology offers a solution to G. E. Moore’s open question argument about the notion of “good.” The book presents some of Husserl’s key concept in a clear and jargon-free way, and it offers original solutions to meta-ethical problems. It has the potential for attracting attention to Husserl’s phenomenology outside the small circle of its supporters. (shrink)