Results for 'Imaginability'

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  1. Franck dalmas.Imagined Existences & A. Phenomenology of Image Creation - 2009 - In Anna-Teresa Tymieniecka, Existence, historical fabulation, destiny. Springer Verlag. pp. 93.
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  2. Imaginability, conceivability, possibility and the mind-body problem.Christopher S. Hill - 1997 - Philosophical Studies 87 (1):61-85.
  3.  52
    Wittgenstein on "Imaginability" as a Criterion for Logical Possibility.Jasmin Trächtler - 2020 - Nordic Wittgenstein Review 9.
    Throughout his whole work, Wittgenstein seizes on a distinction between logical and physical possibility, and impossibility. Despite this continuity and although, Wittgenstein brings in this distinction in various contexts and from different vantage points, he often solely brushes over it without elaborating in detail. In the so-called Big Typescript, however, he dedicates himself not only to the distinction between logical and physical possibility but also to the distinction between logical possibility and impossibility in particular investigations. In the course of these (...)
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  4.  44
    A note on imaginability arguments: Building a bridge to the hard solution.Ralph Ellis - 1999 - Behavioral and Brain Sciences 22 (1):155-155.
    According to “imaginability arguments,” given any explanation of the physiological correlates of consciousness, it remains imaginable that all elements of that explanation could occur without consciousness, which thus remains unexplained. The O'Brien & Opie connectionist approach effectively shows that perspicuous explanations can bridge this explanatory gap, but bringing in other issues – for example, involving biology and emotion – would facilitate going much further in this direction. A major problem is the ambiguity of the term “representation.” Bridging the gap (...)
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  5. Imaginability as a guide to possibility.Peter Kung - 2005
  6. Imaginability as a guide to possibility, part II.Peter Kung - 2005
  7.  64
    Advaita Vedanta. Edited by R. Balasubramanian. Volume II, Part 2 of History of Science, Philosophy and Culture in Indian Civilization, edited by DP Chatto-padhyaya. New Delhi: Centre for Studies in Civilizations, 2000. Pp. xxiii+ 417. Price not given. Aesthetics & Chaos: Investigating a Creative Complicity. Edited by Grazia March. [REVIEW]Karl-Heinz Pohl, Anselm W. Müller Leiden, Numbers From Han, Kwok Siu Tong, Chan Sin, Joshua W. C. Cutler & Imagining Karma - 2003 - Philosophy East and West 53 (4):618-619.
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  8. Intentionalism and the imaginability of the inverted spectrum.Eric Marcus - 2006 - Philosophical Quarterly 56 (224):321-339.
    There has been much written in recent years about whether a pair of subjects could have visual experiences that represented the colors of objects in their environment in precisely the same way, despite differing significantly in what it was like to undergo them, differing that is, in their qualitative character. The possibility of spectrum inversion has been so much debated1 in large part because of the threat that it would pose to the more general doctrine of Intentionalism, according to which (...)
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  9. Hume and Maimonides on imaginability and possibility.Mark Steiner - 2019 - In Samuel Lebens, Dani Rabinowitz & Aaron Segal, Jewish Philosophy in an Analytic Age. Oxford: Oxford University Press, Usa.
  10. (1 other version)Imagination, delusion and hallucinations.Gregory Currie - 1991 - In Max Coltheart & Martin Davies, Pathologies of Belief. Blackwell. pp. 168-183.
    Chris Frith has argued that a loss of the sense of agency is central to schizophrenia. This suggests a connection between hallucinations and delusions on the one hand, and the misidentification of the subject’s imaginings as perceptions and beliefs on the other. In particular, understanding the mechanisms that underlie imagination may help us to explain the puzzling phenomena of thought insertion and withdrawal. Frith sometimes states his argument in terms of a loss of metarepresentational capacity in schizophrenia. I argue that (...)
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  11.  29
    The idea of the will implies agency and choice between possible actions. It also implies a kind of determination to carry out an action once it has been chosen; a posi-tive drive or desire to accomplish an action. The saying “Where there'sa will there'sa way” expresses this notion as a piece of folk wisdom. These are pragmatically and experientially informed dimensions of the idea. But in ad-dition, the concept of the will as it appears in a number of cross-cultural and historical contexts implies a further framework, the framework of cosmol. [REVIEW]How Can Will Be & Imagination Play - 2010 - In Keith M. Murphy & C. Jason Throop, Toward an Anthropology of the Will. Stanford University Press.
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  12. Imagining as a Skillful Mental Action.Seth Goldwasser - 2024 - Synthese 204 (38):1-33.
    I provide a novel, non-reductive, action-first skill-based account of active imagining. I call it the Skillful Action Account of Imagining (the skillful action account for short). According to this account, to actively imagine something is to form a representation of that thing, where the agent’s forming that representation and selecting its content together constitute a means to the completion of some imaginative project. Completing imaginative projects stands to the active formation of the relevant representations as an end. The account thus (...)
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  13. Explaining Imagination.Peter Langland-Hassan - 2020 - Oxford: Oxford University Press.
    ​Imagination will remain a mystery—we will not be able to explain imagination—until we can break it into parts we already understand. Explaining Imagination is a guidebook for doing just that, where the parts are other ordinary mental states like beliefs, desires, judgments, and decisions. In different combinations and contexts, these states constitute cases of imagining. This reductive approach to imagination is at direct odds with the current orthodoxy, according to which imagination is a sui generis mental state or process—one with (...)
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  14.  1
    The imagination muscle: where good ideas come from (and how to have more of them).Albert Read - 2023 - London: Constable.
    For some, the imagination is a luxury in the modern age; something which is by turns elusive, difficult to employ and better left to others. But what is it to imagine exactly? How do we go about it, and why is it so important that we imagine for ourselves?
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  15.  83
    Imagination, imaginaries, and emancipation.Brendan Hogan - 2015 - Pragmatism Today 6 (2):48-61.
    This reflection on the topic of emancipation stems from an ongoing project in tune with a wider development in pragmatic philosophy. Specifically, the project aims to piece together some of the consequences of pragmatism’s reconstruction of the tradition of philosophical inquiry, from the angle of human imagination. More recently this project has taken a different direction, in light of our critical situation under intensifying anti-democratic forces in the US, but also in many parliamentary democracies. Emancipation from forces that undermine democratic (...)
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  16. (1 other version)Imagining minds.Nigel J. T. Thomas - 2003 - Journal of Consciousness Studies 10 (11):79-84.
    The concepts of imagination and consciousness have, very arguably, been inextricably intertwined at least since Aristotle initiated the systematic study of human cognition (Thomas, 1998). To imagine something is ipso facto to be conscious of it (even if the wellsprings of imaginative creativity are in the unconscious), and many have held that our conscious thinking consists largely or entirely in a succession of mental images, the products of imagination (see, e.g., Damasio, 1994 -- or, come to that, see Aristotle, or (...)
     
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  17. Imagination Through Knowledge.Shannon Spaulding - 2016 - In Amy Kind & Peter Kung, Knowledge Through Imagination. Oxford, United Kingdom: Oxford University Press UK. pp. 207-226.
    Imagination seems to play an epistemic role in philosophical and scientific thought experiments, mindreading, and ordinary practical deliberations insofar as it generates new knowledge of contingent facts about the world. However, it also seems that imagination is limited to creative generation of ideas. Sometimes we imagine fanciful ideas that depart freely from reality. The conjunction of these claims is what I call the puzzle of knowledge through imagination. This chapter aims to resolve this puzzle. I argue that imagination has an (...)
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  18. Imaginative Hopes and Other Desires.Kyle Blumberg & Margot Strohminger - forthcoming - Analysis.
    Reflecting on our engagement with fiction has compelled some theorists to expand the domain of the mental. They have posited a novel conative state, so-called “i-desire”. The central thesis of this approach is that i-desire relates to imagination in the same way as desire relates to belief. We formulate principles which are plausible consequences of this thesis. We then put pressure on these principles by focusing on desire concepts such as hoping, and show that the imaginative analogues of these concepts—if (...)
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  19. The Imaginative Agent.Neil Van Leeuwen - 2016 - In Amy Kind & Peter Kung, Knowledge Through Imagination. Oxford, United Kingdom: Oxford University Press UK. pp. 85-109.
    Imagination contributes to human agency in ways that haven't been well understood. I argue here that pathways from imagistic imagining to emotional engagement support three important agential capacities: 1. bodily preparedness for potential events in one's nearby environment; 2. evaluation of potential future action; and 3. empathy-based moral appraisal. Importantly, however, the kind of pathway in question (I-C-E-C: imagining-categorization-emotion-conceptualization) also enables engagement with fiction. So human enchantment with fiction is a consequence of imaginative pathways that make us the kind of (...)
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  20. Imagination is where the Action is.Neil Van Leeuwen - 2011 - Journal of Philosophy 108 (2):55-77.
    Imaginative representations are crucial to the generation of action--both pretense and plain action. But well-known theories of imagination on offer in the literature [1] fail to describe how perceptually-formatted imaginings (mental images) and motor imaginings function in the generation of action and [2] fail to recognize the important fact that spatially rich imagining can be integrated into one's perceptual manifold. In this paper, I present a theory of imagining that shows how spatially rich imagining functions in the generation of action. (...)
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  21. The Imagination Box.Shen-yi Liao & Tyler Doggett - 2014 - Journal of Philosophy 111 (5):259-275.
    Imaginative immersion refers to a phenomenon in which one loses oneself in make-believe. Susanna Schellenberg says that the best explanation of imaginative immersion involves a radical revision to cognitive architecture. Instead of there being an attitude of belief and a distinct attitude of imagination, there should only be one attitude that represents a continuum between belief and imagination. -/- We argue otherwise. Although imaginative immersion is a crucial data point for theorizing about the imagination, positing a continuum between belief and (...)
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  22. Imaginative Resistance, Narrative Engagement, Genre.Shen-yi Liao - 2016 - Res Philosophica 93 (2):461-482.
    Imaginative resistance refers to a phenomenon in which people resist engaging in particular prompted imaginative activities. On one influential diagnosis of imaginative resistance, the systematic difficulties are due to these particular propositions’ discordance with real-world norms. This essay argues that this influential diagnosis is too simple. While imagination is indeed by default constrained by real-world norms during narrative engagement, it can be freed with the power of genre conventions and expectations.
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  23. Imagining as a Guide to Possibility.Peter Kung - 2010 - Philosophy and Phenomenological Research 81 (3):620-663.
    I lay out the framework for my theory of sensory imagination in “Imagining as a guide to possibility.” Sensory imagining involves mental imagery , and crucially, in describing the content of imagining, I distinguish between qualitative content and assigned content. Qualitative content derives from the mental image itself; for visual imaginings, it is what is “pictured.” For example, visually imagine the Philadelphia Eagles defeating the Pittsburgh Steelers to win their first Super Bowl. You picture the greenness of the field and (...)
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  24.  23
    Imagination and fantasy in the Middle Ages and Early Modern time: projections, dreams, monsters, and illusions.Albrecht Classen (ed.) - 2020 - Boston: Walter de Gruyter.
    The notions of other peoples, cultures, and natural conditions have always been determined by the epistemology of imagination and fantasy, providing much freedom and creativity, and yet have also created much fear, anxiety, and horror. In this regard, the pre-modern world demonstrates striking parallels with our own insofar as the projections of alterity might be different by degrees, but they are fundamentally the same by content. Dreams, illusions, projections, concepts, hopes, utopias/dystopias, desires, and emotional attachments are as specific and impactful (...)
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  25. Voluntary Imagination: A Fine-Grained Analysis.Ilaria Canavotto, Francesco Berto & Alessandro Giordani - 2020 - Review of Symbolic Logic (2):362-387.
    We study imagination as reality-oriented mental simulation (ROMS): the activity of simulating nonactual scenarios in one’s mind, to investigate what would happen if they were realized. Three connected questions concerning ROMS are: What is the logic, if there is one, of such an activity? How can we gain new knowledge via it? What is voluntary in it and what is not? We address them by building a list of core features of imagination as ROMS, drawing on research in cognitive psychology (...)
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  26. Moral imagination: implications of cognitive science for ethics.Mark Johnson - 1993 - Chicago: University of Chicago Press.
    Using path-breaking discoveries of cognitive science, Mark Johnson argues that humans are fundamentally imaginative moral animals, challenging the view that morality is simply a system of universal laws dictated by reason. According to the Western moral tradition, we make ethical decisions by applying universal laws to concrete situations. But Johnson shows how research in cognitive science undermines this view and reveals that imagination has an essential role in ethical deliberation. Expanding his innovative studies of human reason in Metaphors We Live (...)
  27. Imagination: A Sine Qua Non of Science.Michael T. Stuart - 2017 - Croatian Journal of Philosophy (49):9-32.
    What role does the imagination play in scientific progress? After examining several studies in cognitive science, I argue that one thing the imagination does is help to increase scientific understanding, which is itself indispensable for scientific progress. Then, I sketch a transcendental justification of the role of imagination in this process.
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  28. The Profile of Imagining.Robert Hopkins - 2024 - Oxford: Oxford University Press.
    What is sensory imagining and what role does it play in our lives? How does visualizing a castle, running through a tune in one's head, or imagining the taste of fish ice cream relate to perceiving such things, or to remembering them? What are the connections between imagining and agency, and how does it relate to emotion and other affect? The Profile of Imagining offers a theory that answers these and many other questions. It argues that sensory imagining involves the (...)
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  29.  97
    Imagining under constraints.Amy Kind - 2016 - In Amy Kind & Peter Kung, Knowledge Through Imagination. Oxford, United Kingdom: Oxford University Press UK. pp. 145-159.
    As Hume famously claimed, we are nowhere more free than in our imagination. While this feature of imagination suggests that imagination has a crucial role to play in modal epistemology, it also suggests that imagining cannot provide us with any non-modal knowledge about the world in which we live. This chapter rejects this latter suggestion. Instead it offers an account of “imagining under constraints,” providing a framework for showing when and how an imaginative project can play a justificatory role with (...)
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  30. Imaginative Attitudes.Peter Langland-Hassan - 2015 - Philosophy and Phenomenological Research 90 (3):664-686.
    The point of this paper is to reveal a dogma in the ordinary conception of sensory imagination, and to suggest another way forward. The dogma springs from two main sources: a too close comparison of mental imagery to perceptual experience, and a too strong division between mental imagery and the traditional propositional attitudes (such as belief and desire). The result is an unworkable conception of the correctness conditions of sensory imaginings—one lacking any link between the conditions under which an imagining (...)
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  31. What Imagination Teaches.Amy Kind - 2020 - In John Schwenkler & Enoch Lambert, Becoming Someone New: Essays on Transformative Experience, Choice, and Change. Oxford University Press.
    David Lewis has argued that “having an experience is the best way or perhaps the only way, of coming to know what that experience is like”; when an experience is of a sufficiently new sort, mere science lessons are not enough. Developing this Lewisian line, L.A. Paul has suggested that some experiences are epistemically transformative. Until an individual has such an experience it remains epistemically inaccessible to her. No amount of stories and theories and testimony from others can teach her (...)
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  32.  64
    Imaginings and imaginations of the soul.Contzen Pereira & Jumpal Shashi Kiran Reddy - 2016 - Journal of Metaphysics and Connected Consciousness.
    The soul is agile and transparent; it does not make the body weighty. It streams limitless within the patterns of regimented matter, gratifies the body until it can fill it no more, but remains as a swirling ball of energy with it. We do not see it, but can imagine it; like the wind; an energy, we do not see but can feel and there is no kerb to imagine its likeness. The soul so translucent lies beneath the scabbard of (...)
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  33. Imagination and the Permissive View of Fictional Truth.Hannah H. Kim - forthcoming - Australasian Journal of Philosophy.
    Imagination comes with varying degrees of sensory accompaniment. Sometimes imagining is phenomenologically lean (cognitive imagining); at other times, imagining involves or requires sensory presentation such as mental imagery (sensory imagining). Philosophers debate whether contradictions can obtain in fiction and whether cognitive imagining is robust enough to explain our engagement with fiction. In this paper, I defend the Principle of Poetic License by arguing for the Permissive View of fictional truth: we can have fictions in which a contradiction is true, everything (...)
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  34. Imagination, Creativity, and Artificial Intelligence.Peter Langland-Hassan - 2024 - In Amy Kind & Julia Langkau, Oxford Handbook of Philosophy of Imagination and Creativity. Oxford University Press.
    This chapter considers the potential of artificial intelligence (AI) to exhibit creativity and imagination, in light of recent advances in generative AI and the use of deep neural networks (DNNs). Reasons for doubting that AI exhibits genuine creativity or imagination are considered, including the claim that the creativity of an algorithm lies in its developer, that generative AI merely reproduces patterns in its training data, and that AI is lacking in a necessary feature for creativity or imagination, such as consciousness, (...)
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  35.  18
    Imagination and Fancy in Conservative Discourse: The Issues of Translation.Nikita S. Glazkov - 2020 - Russian Journal of Philosophical Sciences 63 (4):99-114.
    Not uncommon for Russian translations of British philosophical classics is the problem of not conveying the notions of imagination and fancy properly. The purpose of this paper is to serve as a reminder of the fact that concepts of fancy and imagination began to grow apart as early as the first part of 18 th century, and it is necessary to treat them accordingly for the translation to be correct. Very soon, the notion of imagination and the distinction between imagination (...)
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  36. How Imagination Gives Rise to Knowledge.Amy Kind - 2018 - In Fiona Macpherson & Fabian Dorsch, Perceptual Imagination and Perceptual Memory. Oxford: Oxford University Press. pp. 227-246.
    Though philosophers such as Wittgenstein and Sartre have dismissed imagination as epistemically irrelevant, this chapter argues that there are numerous cases in which imagining can help to justify our contingent beliefs about the world. The argument proceeds by the consideration of case studies involving two particularly gifted imaginers, Nikola Tesla and Temple Grandin. Importantly, the lessons that we learn from these case studies are applicable to cases involving less gifted imaginers as well. Though not all imaginings will have justificatory power, (...)
     
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  37. How Imagination Informs.Joshua Myers - 2025 - Philosophical Quarterly 75 (1):167-189.
    An influential objection to the epistemic power of the imagination holds that it is uninformative. You cannot get more out of the imagination than you put into it, and therefore learning from the imagination is impossible. This paper argues, against this view, that the imagination is robustly informative. Moreover, it defends a novel account of how the imagination informs, according to which the imagination is informative in virtue of its analog representational format. The core idea is that analog representations represent (...)
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  38. Remembering, Imagining, and Memory Traces: Toward a Continuist Causal Theory.Peter Langland-Hassan - 2022 - In Andre Sant'Anna, Christopher McCarroll & Kourken Michaelian, Current Controversies in Philosophy of Memory. Current Controversies in Philosophy.
    The (dis)continuism debate in the philosophy and cognitive science of memory concerns whether remembering is continuous with episodic future thought and episodic counterfactual thought in being a form of constructive imagining. I argue that settling that dispute will hinge on whether the memory traces (or “engrams”) that support remembering impose arational, perception-like constraints that are too strong for remembering to constitute a kind of constructive imagining. In exploring that question, I articulate two conceptions of memory traces—the replay theory and the (...)
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  39. Only imagine: fiction, interpretation and imagination.Kathleen Stock - 2017 - Oxford: Oxford University Press.
    In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, ‘fictional truth’.The theory of fictional content I argue for is ‘extreme intentionalism’. The basic idea – very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with (...)
  40. Imagining stories: attitudes and operators.Neil Van Leeuwen - 2021 - Philosophical Studies 178 (2):639-664.
    This essay argues that there are theoretical benefits to keeping distinct—more pervasively than the literature has done so far—the psychological states of imagining that p versus believing that in-the-story p, when it comes to cognition of fiction and other forms of narrative. Positing both in the minds of a story’s audience helps explain the full range of reactions characteristic of story consumption. This distinction also has interesting conceptual and explanatory dimensions that haven’t been carefully observed, and the two mental state (...)
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  41.  2
    Imagination and reason in Leibniz.Christian Leduc - 2025 - Intellectual History Review 35 (1):5-22.
    This paper concerns the distinction between imagination and reason in Leibniz’s epistemology and metaphysics, a major point that remains poorly documented. Rather than opposing the two, as was often the case during the seventeenth century, Leibniz’s theory enables us to explain how both faculties complement each other. This is particularly clear for empirical knowledge, but also in mathematics, a discipline which Leibniz often referred to as the logic of imagination. This paper also demonstrates how important principles of Leibnizian metaphysics require (...)
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  42. Imagining the Actual.Daniel Munro - 2021 - Philosophers' Imprint 21 (17).
    This paper investigates a capacity I call actuality-oriented imagining, by which we use sensory imagination in a way that's directed at representing the actual world. I argue that this kind of imagining is distinct from other, similar mental states in virtue of its distinctive content determination and success conditions. Actuality-oriented imagining is thus a distinctive cognitive capacity in its own right. Thinking about this capacity reveals that we should resist an intuitive tendency to think of the imagination’s primary function or (...)
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  43. Imaginative Beliefs.Joshua Myers - forthcoming - Inquiry: An Interdisciplinary Journal of Philosophy.
    I argue for the existence of imaginative beliefs: mental states that are imaginative in format and doxastic in attitude. I advance two arguments for this thesis. First, there are imaginings that play the functional roles of belief. Second, there are imaginings that play the epistemic roles of belief. These arguments supply both descriptive and normative grounds for positing imaginative beliefs. I also argue that this view fares better than alternatives that posit distinct imaginative and doxastic states to account for the (...)
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  44. Can imagination be unconscious?Amy Kind - 2021 - Synthese 199 (5-6):13121-13141.
    Our ordinary conception of imagination takes it to be essentially a conscious phenomenon, and traditionally that’s how it had been treated in the philosophical literature. In fact, this claim had often been taken to be so obvious as not to need any argumentative support. But lately in the philosophical literature on imagination we see increasing support for the view that imagining need not occur consciously. In this paper, I examine the case for unconscious imagination. I’ll consider four different arguments that (...)
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  45. Imagination, Philosophy and the Arts.Matthew Kieran & Dominic McIver Lopes (eds.) - 2003 - New York: Routledge.
    _Imagination, Philosophy and the Arts_ is the first comprehensive collection of papers by philosophers examining the nature of imagination and its role in understanding and making art. Imagination is a central concept in aesthetics with close ties to issues in the philosophy of mind and the philosophy of language, yet it has not received the kind of sustained, critical attention it deserves. This collection of seventeen brand new essays critically examines just how and in what form the notion of imagination (...)
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  46.  88
    Collective Imaginings: Spinoza, Past and Present.Moira Gatens & Genevieve Lloyd - 1999 - New York: Routledge. Edited by Genevieve Lloyd.
    Why would the work of the 17th century philosopher Benedict de Spinoza concern us today? How can Spinoza shed any light on contemporary thought? In this intriguing book, Moira Gatens and Genevieve Lloyd show us that in spite of or rather because of Spinoza's apparent strangeness, his philosophy can be a rich resource for cultural self-understanding in the present. _Collective Imaginings_ draws on recent re-assessments of the philosophy of Spinoza to develop new ways of conceptualising issues of freedom and difference. (...)
  47. Imaginative Transportation.Samuel Kampa - 2018 - Australasian Journal of Philosophy 96 (4):683-696.
    Actors, undercover investigators, and readers of fiction sometimes report “losing themselves” in the characters they imitate or read about. They speak of “taking on” or “assuming” the beliefs, thoughts, and feelings of someone else. I offer an account of this strange but familiar phenomenon—what I call imaginative transportation.
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  48. Imagination, Fiction, and Perspectival Displacement.Justin D'Ambrosio & Daniel Stoljar - 2023 - Oxford Studies in Philosophy of Mind 3.
    The verb 'imagine' admits of perspectival modification: we can imagine things from above, from a distant point of view, or from the point of view of a Russian. But in such cases, there need be no person, either real or imagined, who is above or distant from what is imagined, or who has the point of view of a Russian. We call this the puzzle of perspectival displacement. This paper sets out the puzzle, shows how it does not just concern (...)
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  49. Imagination Cannot Justify Empirical Belief.Jonathan Egeland - 2021 - Episteme (4):1-7.
    A standard view in the epistemology of imagination is that imaginings can either provide justification for modal beliefs about what is possible (and perhaps counterfactual conditionals too), or no justification at all. However, in a couple of recent articles, Kind (2016; Forthcoming) argues that imaginings can justify empirical belief about what the world actually is like. In this article, I respond to her argument, showing that imagination doesn't provide the right sort of information to justify empirical belief. Nevertheless, it can (...)
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  50. Imaginative Vividness.Kind Amy - 2017 - Journal of the American Philosophical Association 3 (1):32-50.
    How are we to understand the phenomenology of imagining? Attempts to answer this question often invoke descriptors concerning the “vivacity” or “vividness” of our imaginative states. Not only are particular imaginings often phenomenologically compared and contrasted with other imaginings on grounds of how vivid they are, but such imaginings are also often compared and contrasted with perceptions and memories on similar grounds. Yet however natural it may be to use “vividness” and cognate terms in discussions of imagination, it does not (...)
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