Thought-provoking essays on science as an integral part of the culture of our age from a leader in the scientific humanism movement. "A profoundly moving, brilliantly perceptive essay by a truly civilized man."--Scientific American.

Surveys the scientific and intellectual history of man and his ideas and inventions.

"A gem of enlightenment.... One rejoices in Bronowski's dedication to the identity of acts of creativity and of imagination, whether in Blake or Yeats or Einstein or Heisenberg."--Kirkus Reviews "According to Bronowski, our account of the world is dictated by our biology: how we perceive, imagine, symbolize, etc. He proposes to explain how we receive and translate our experience of the world so that we achieve knowledge. He examines the mechanisms of our perception; the origin and nature of natural language; (...) formal systems and scientific discourse; and how science, as a systematic attempt to establish closed systems one after another, progresses by exploring its own errors and new but unforeseen connections.... A delightful look at the inquiring mind."--Library Journal "Eminently enjoyable to read, with a good story or 'bon mot' on every page."--Nature "A well-written and brilliantly presented defense of the scientific enterprise which could be especially valuable to scientists and to teachers of science at all levels."--AAAS Science Books & Films Contents 1. The Mind as an Instrument for Understanding 2. The Evolution and Power of Symbolic Language 3. Knowledge as Algorithm and as Metaphor 4. The Laws of Nature and the Nature of Laws 5. Error, Progress, and the Concept of Time 6. Law and Individual Responsibility. (shrink)

The essential nature of science is revealed in an amplification of the relation between the arts and science.

Traces the development of thought through historical movements and periods from 1500 to 1830.

Essays defending the human claim to have a mind.

Traces the development of thought through historical movements and periods from 1500 to 1830.

"Jacob Bronowski truly educated an enormous number of members of that diffuse population usually referred to, with a hint of condescension, as "educated laymen" through his widely shared television series on the concepts of science and through such... books as The Identity of Man and The Ascent of Man. This volume extends the process to a further level of insight, and it may be more than suggestive that its final essay is entitled "The Fulfillment of Man." Bronowski... felt that if (...) human beings are taken seriously, they can be led to respond to serious and difficult subjects that relate to the deepest aspects of nature, both beyond and within themselves. A Sense of the Future... is a collection of essays that can be read independently as self-contained, delimited presentations;... the book is more than the sum of these individual essays--it is a unified whole in which Bronowski's most abiding concerns are interrelated, juxtaposed, and tested for consistency in various intellectual contexts. The major unifying theme of the work is the intensely creative and human nature of the scientific enterprise--its kinship, at the highest levels of individual achievement, with comparable manifestations of the artistic imagination, and its ethical imperatives, evolved within the community of scientists over the centuries, which both embody and forge the values of civilized life at large. Still, the book's diversity of topics is as striking as the unity of its aim. Among the subjects within the realm of Bronowski's mind that are presented here are the limitations of formal logic and experimental methods, the epistemology of science, the distinctive nature of human language and the human mind, and the bases of biological and cultural evolution. Bronowski also contrasts the findings of science as the "here and now" of man's understanding with the ongoing activity of science as the open-ended search for truth, and he undertakes to demonstrate that the factual, individual 'is' and the ethical, societal 'ought' can be derived each from the other"--From jacket. (shrink)

Mathematician, poet, philosopher, life scientist, playwright, teacher, Jacob Bronowski could readily be referred to as a Renaissance Man. But in the historical context that would do him a disservice: he is, par excellence, a Twentieth Century Man, who has traced the arts and sciences of earlier centuries and especially those of his own time to their common root in the uniquely human imagination.Bronowski is the author of such widely read books as The Ascent of Man and Science and Human Values. (...) In 1977, The MIT Press published A Sense of the Future: Essays in Natural Philosophy. In those essays, the emphasis is on scientific questions, but in a number of them the notion of "art as a mode of knowledge" is invoked to make the science clearer and its human dimension more vivid. The Visionary Eye serves as a companion volume: here the emphasis is on the arts and humanities, but "science as a mode of imagination" comes into play to extend the reach of the visionary eye.The Visionary Eye contains eleven essays: "The Nature of Art," "The Imaginative Mind in Art," "The Imaginative Mind in Science," "The Shape of Things," "Architecture as a Science and Architecture as an Art," and Art as a Mode of Knowledge, Bronowski's A. W. Mellon Lectures given at the National Gallery of Art in Washington. The essays discuss examples taken from across the spectrum of the arts, past and present -- music, poetry, painting and sculpture, architecture, industrial design, and engineering artifacts -- in the coherent context of Bronowski's view of the human creative process. (shrink)

All the way back to the cave paintings and the invention of the first stone tools, what moved men to create was an everyday impulse. But it was an impulse in the everyday of men, not of animals. Whether we search for the beginnings of creativity either in art or in science, we have to go to those faculties which are human and not animal faculties. Something happens on the tree of evolution between the big apes and ourselves which is (...) bound up with the development of personality; and once our branch has sprung out, a painter like Santi Raphael and a chemist like Humphry Davy both lie furled in the human beginning like the leaves in the bud. What the painter and the inventor were doing, right back in the cave, was unfolding the gift of intelligent action. (shrink)