Naszym dążeniem nie jest osiągnięcie ostatecznych rozwiązań w kwestii Cóż jest prawda? , obraliśmy skromniejszy cel. Podtytuł O prawdzie nie sugeruje, iż praca stanowi kompendium wiedzy o problemie prawdy w całej filozofii współczesnej. Rezygnujemy bowiem z ujęć syntetycznych i systematycznych, w zamian chcemy skupić się na obiektywnych i rzetelnych prezentacjach i interpretacjach wybranych koncepcji prawdy w poglądach Martina Heideggera, Johna Graya, Xaviera Zubiriego, Jacques'a Derridy, Johna Rawlsa i Stefana Swieżawskiego. Zdaniem autorów tekstów, poglądy tych właśnie filozofów wskazały nowe drogi (...) myślenia o prawdzie bądź twórczo nawiązywały do ujęć tradycyjnych. My ufamy, iż pozwolą one dostrzec panoramę filozoficznych dyscyplin debatujących o prawdzie (ontologia, epistemologia, filozofia polityki, historiozofia) oraz dylematy związane z prawdą, które są ważne dla innych dziedzin wiedzy i życia codziennego, w różnych jego aspektach (prywatnym, społecznym, politycznym). (shrink)

New York, été 1942. Peu après la déclaration de la guerre, les Maritain ont quitté la France et se sont réfugiés aux Etats - Unis. Tout en poursuivant son oeuvre littéraire, Jacques donne des cours et des conférences à travers le pays. Raïssa publie Les grandes amitiés et achève la rédaction de ses souvenirs, souvent interrompue par la maladie et les souffrances qui l'accablent. L'arrachement à leur pays, le désastre en Europe et le sort des Juifs ne cessent de (...) peser sur le coeur et les pensées du couple. C'est dans ce contexte troublé que, le 22 août 1942, les Maritain reçoivent la lettre d'une inconnue. Celle qui leur écrit pour la première fois vient de lire Les grandes amitiés. C'est une Américaine de quarante-trois ans, écrivain, poète, dont la vie sera désormais liée à la leur. (shrink)

Fruit de l'initiative des Facultés universitaires Saint-Louis, le présent ouvrage rend hommage, à l'occasion de son admission à l'éméritat, à Jacques Dabin qui fut titulaire des cours de philosophie morale et de droit naturel depuis 1968 et assura la fonction de Recteur des Facultés de 1973 à 1993. Reflétant à la fois ses préoccupations majeures, ainsi que la diversité des approches correspondant aux différentes composantes des Facultés, cet ouvrage réunit les actes du colloque que les Facultés ont consacré à (...) ce thème du 20 au 22 avril 1994 ainsi que d'autres contributions émanant de membres ou amis des Facultés qui ont accepté de se joindre à cet hommage. (shrink)

Responding to questions put to him at a Roundtable held at Villanova University in 1994, Jacques Derrida leads the reader through an illuminating discussion of the central themes of deconstruction. Speaking in English and extemporaneously, Derrida takes up with unusual clarity and great eloquence such topics as the task of philosophy, the Greeks, justice, responsibility, the gift, the community, the distinction between the messianic and the concrete messianisms, and his interpretation of James Joyce. Derrida convincingly refutes the charges of (...) relativism and nihilism that are often leveled at deconstruction by its critics and sets forth the profoundly affirmative and ethico-political thrust of his work. The “Roundtable” is marked by the unusual clarity of Derrida’s presentation and by the deep respect for the great works of the philosophical and literary tradition with which he characterizes his philosophical work. The Roundtable is annotated by John D. Caputo, the David R. Cook Professor of Philosophy at Villanova University, who has supplied cross references to Derrida’s writings where the reader may find further discussion on these topics. Professor Caputo has also supplied a commentary which elaborates the principal issues raised in the Roundtable. In all, this volume represents one of the most lucid, compact and reliable introductions to Derrida and deconstruction available in any language. An ideal volume for students approaching Derrida for the first time, Deconstruction in a Nutshell will prove instructive and illuminating as well for those already familiar with Derrida’s work. (shrink)

The following interview took place between Jacques Bouveresse and Hilary Putnam on May 11, 2001 in Paris at the Collège de France. Sandra Laugier was present, preserved the transcription, and proposed that we publish the text here. It was translated into English by Marie Kerguelen Feldblyum LeBlevennec and lightly edited by Jacques Bouveresse, Juliet Floyd, and Sandra Laugier. Themes covered in the interview include the question of Wittgenstein’s importance in contemporary philosophy, Putnam’s development with respect to realism, especially (...) in philosophy of mathematics, and the differences and motivations for realism in mathematics, physics, and ethics. The editors thank Marie Kerguelen Feldblyum LeBlevennec for her translation, and Jacques Bouveresse, Mario De Caro, and Sandra Laugier for permission to publish this transcription. (shrink)

"One of the major works in the development of contemporary criticism and philosophy." -- J. Hillis Miller, Yale University Jacques Derrida's revolutionary theories about deconstruction, phenomenology, psychoanalysis, and structuralism, first voiced in the 1960s, forever changed the face of European and American criticism. The ideas in De la grammatologie sparked lively debates in intellectual circles that included students of literature, philosophy, and the humanities, inspiring these students to ask questions of their disciplines that had previously been considered improper. Thirty (...) years later, the immense influence of Derrida's work is still igniting controversy, thanks in part to Gayatri Spivak's translation, which captures the richness and complexity of the original. This corrected edition adds a new index of the critics and philosophers cited in the text and makes one of contemporary criticism's most indispensable works even more accessible and usable. (shrink)

The essays collected here provide English-speaking readers with a lucid and accessible introduction to the world of France's leading contemporary philosopher. A classic student textbook.

Chora L Works documents the unprecedented collaboration, initiated in 1985, between philosopher Jacques Derrida and architect Peter Eisenman on a project for the Parc de la Villette in Paris. Woven into the volume are discussion transcripts, candid correspondence, and essays, as well as sketches, presentation drawings, and models. Derrida and Eisenman's design process was guided by Plato's chora text from the Timeaus; their unique reciprocal relationship was an interchange - and transformation - of voices.

'No writer has probed the riddle of the Other with more patience and insight than Jacques Derrida.

Ces Entretiens sont à la fois l'autobiographie intellectuelle d'un des philosophes les plus au fait de quelques-uns des grands débats contemporains et un plaidoyer pour un style de pensée modeste, rigoureux et ironique. Jacques Bouveresse appartient à cette génération des jeunes assistants qui, dans les années 1960 montèrent à l'assaut d'une Sorbonne un peu poussiéreuse et à dominante spiritualiste. La véritable nouveauté pour lui ne fut cependant ni la linguistique, ni le marxisme, ni la psychanalyse, mais la logique " (...) moderne " qu'on tenait alors pour exotique et marginale. Adversaire-né de tous les conformismes, introducteur en France des philosophes logiciens Frege, Russell, Carnap contenté de plaider pour la philosophie analytique ; il a tracé d'emblée la voie d'une certaine résistance intellectuelle, qui s'alimente autant à l'ironie viennoise d'un Kraus ou d'un Musil, qu'à une relecture très personnelle de Nietzsche. (shrink)

Far more telling than mere biography, this collection of the extant letters exchanged between philosopher Jacques Maritain and social activist Saul Alinsky reveals a deep and intimate friendship, however unexpected and unlikely. Indeed, to all who knew or knew of them the dignified, prominent philosopher and the earthy, truculent genius of social reform seemed antithetical to one another in almost every way. The Maritain-Alinsky correspondence began in 1945, shortly after they met, and continued until Alinsky's death in 1972. The (...) tone and content of the letters vary widely, ranging from expressions of mutual admiration and friendship, to details of the triumphs and tragedies of their personal lives, to anguished considerations of death and immortality. In their letters Maritain and Alinsky offer each other personal expressions of strong mutual support - as well as judicious warnings and slightly apprehensive distancing - for the different works each had undertaken at various times in his respective careers. They also discuss the Catholic church, taking ironic jibes at clerical pomposity and exchanging praise of the socially aware. Though it is difficult to tell whether either man had a significant influence on the thought and work of the other, their correspondence attests that the philosopher and the provocateur, so different in personality, educational backgrounds, demeanor, and intellectual affinities, enjoyed a surprisingly intimate and extraordinary friendship. With context and interpretation of the letters provided by the editor, this intriguing collection of lively, moving letters not only reveals the depths of a most improbable friendship, it also goes far in exposing thehumanity behind the personas. (shrink)

t. 1. Les années françaises, 1927-1940 -- t. 2. Les années américaines, 1941-1961.

These two lectures by Jacques Derrida, 'Foreigner Question: Come from Abroad' and 'Step of Hospitality/No Hospitality', derive from a series of seminars on 'hospitality' conducted by Derrida in Paris, January 1996. The book consists of two texts on facing pages. 'Invitation' by Anne Dufourmantelle appears on the left clarifying and inflecting Derrida's 'response' on the right. The interaction between them not only enacts the 'hospitality' under discussion, but preserves something of the rhythms of teaching. The book also characteristically combines (...) careful readings of canonical texts and philosophical topics with attention to the most salient events in the contemporary world, using 'hospitality' as a means of rethinking a range of political and ethical situations. For example, Antigone is revisited in light of the question of impossible mourning; the trial of Socrates is brought into conjunction with the televised funeral of François Mitterrand. (shrink)

One of the most influential and controversial thinkers of the twentieth-century, Jacques Derrida’s ideas on deconstruction have had a lasting impact on philosophy, literature and cultural studies. Jacques Derrida: Basic Writings is the first anthology to present his most important philosophical writings and is an indispensable resource for all students and readers of his work. Barry Stocker’s clear and helpful introductions set each reading in context, making the volume an ideal companion for those coming to Derrida’s writings for (...) the first time. The selections themselves range from his most infamous works including Speech and Phenomena and Writing and Difference to lesser known discussion on aesthetics, ethics and politics. (shrink)

First published in 1980. Routledge is an imprint of Taylor & Francis, an informa company.

In Archive Fever , Jacques Derrida deftly guides us through an extended meditation on remembrance, religion, time, and technology--fruitfully occasioned by a deconstructive analysis of the notion of archiving. Intrigued by the evocative relationship between technologies of inscription and psychic processes, Derrida offers for the first time a major statement on the pervasive impact of electronic media, particularly e-mail, which threaten to transform the entire public and private space of humanity. Plying this rich material with characteristic virtuosity, Derrida constructs (...) a synergistic reading of archives and archiving, both provocative and compelling. "Judaic mythos, Freudian psychoanalysis, and e-mail all get fused into another staggeringly dense, brilliant slab of scholarship and suggestion."-- The Guardian "[Derrida] convincingly argues that, although the archive is a public entity, it nevertheless is the repository of the private and personal, including even intimate details."-- Choice "Beautifully written and clear."--Jeremy Barris, Philosophy in Review "Translator Prenowitz has managed valiantly to bring into English a difficult but inspiring text that relies on Greek, German, and their translations into French."-- Library Journal. (shrink)

Is there, today," asks Jacques Derrida, "another 'question of religion'?" Derrida's writings on religion situate and raise anew questions of tradition, faith, and sacredness and their relation to philosophy and political culture. He has amply testified to his growing up in an Algerian Jewish, French-speaking family, to the complex impact of a certain Christianity on his surroundings and himself, and to his being deeply affected by religious persecution. Religion has made demands on Derrida, and, in turn, the study of (...) religion has benefited greatly from his extensive philosophical contributions to the field. Acts of Religion brings together for the first time Derrida's key writings on religion, along with two new essays translated by Gil Anidjar that appear here for the first time in any language. These texts are organized around the secret holding of links between the personal, the political, and the theological. In these texts, Derrida's reflections on religion span from negative theologyto the limits of reason and to hospitality. Acts of Religion will serve as an excellent introduction to Derrida's remarkable contribution to religious studies. (shrink)

En hommage à la longévité universitaire du sociologue et philosophe Jacques Leenhardt - professeur à l'École des hautes études en sciences sociales depuis 1966, fondateur des Archives de la critique d'art, créateur et directeur du Centre d'art contemporain de Crestet -, cet ouvrage réunit des contributions de sociologues, philosophes, artistes et écrivains qui retracent plusieurs débats marquants liés aux sciences humaines, à la littérature et aux arts, en France et aux Amériques à partir des années 1970. Le riche parcours (...) du chercheur français, né à Genève, se dessine à travers autant de rencontres intellectuelles et de sensibilités artistiques en partage--Page 4 of cover. (shrink)

""My death - is it possible?"" "That is the question asked, explored, and analyzed in Jacques Derrida's new book. "Is my death possible?" How is this question to be understood? How and by whom can it be asked, can it be quoted, can it be an appropriate question, and can it be asked in the appropriate moment, the moment of "my death"? One of the aporetic experiences touched upon in this seminal essay is the impossible, yet unavoidable experience that (...) "my death" can never be subject to an experience that would be properly mine, that I can have and account for, yet that there is, at the same time, nothing closer to me and more properly mine than "my death."" "This book bears a special significance because in it Derrida focuses on an issue that has informed the whole of his work up to the present. For the last thirty years, Derrida has repeatedly, in various contexts and various ways, broached the question of aporia. Making it his central concern here Derrida stakes out a new frontier, at which the debate with his work must take place from now on: the debate about the aporia between singularity and generality, about the national, linguistic, and cultural specificity of experience and the trans-national, trans-cultural law that protects this specificity; the aporia of the necessity to continue working in the tradition of critique and of the idea of critique, yet the corresponding necessity to transcend it without compromising it; the apoetical obligation to host the foreigner and the alien and yet to respect him, her, or it as foreign." "The foreign or the foreigner has always been considered a figure of death, and death a figure of the foreign. How this figure has been treated in the analytic of death in Heidegger's Being and Time is explored by Derrida in an analytical tour de force that will not fail to set new standards for the discussion of Heidegger and for dealing with philosophical texts, with their limits and their aporias. The detailed discussion of the theoretical presuppositions of recent cultural histories of death (Aries, for example) and of psychological theorizations of death (including Freud's) broaden the scope of Derrida's investigation and indicate the impact of the aporia of "my death" for any possible theory."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved. (shrink)

We discover geometric properties of certain definable sets over non-Archimedean valued fields with analytic structures. Results include a parameterized smooth stratification theorem and the existence of a bound on the piece number of fibers for these sets. In addition, we develop a dimension theory for these sets and also for the formulas which define them.

In his psycholinguistic exploration of the relationship between the desire for love and the attainment of knowledge, Jacques Lacan leads into an new way of interpreting the two most fundamental human drives.

_Distinguer pour unir, ou Les degrés du savoir_ was first published in 1932 by Jacques Maritain. In this new translation of _The Degrees of Knowledge_, Ralph McInerny attempts a more careful expression of Maritain's original masterpiece than previous translations. Maritain proposes a hierarchy of the forms of knowledge by discussing the degrees of rational and suprarational understanding. Nine appendices, some longer than the chapters of the book, advance Maritain's thought, often by taking on criticism of earlier editions of the (...) work. Rightly called Maritain's cardinal work, _The Degrees of Knowledge_ is a magnificent and sagacious achievement. Jacques Maritain's masterpiece proposes a hierarchy of forms of knowledge that culminate in mystical experience and wisdom, which is a gift of the Holy Ghost. Maritain argues that the intellectual life is meant to be complemented by the spiritual life and should culminate in sanctity. (shrink)

Tu ne sauras jamais, vous non plus, toutes les histoires que j'ai pu encore me raconter en regardant ces images.