Eustache Deschamps writes in 1392 his Art de Dictier, an art of writing and, according to its added title, an art of “making songs, balads, virelais and rondeaux.” He introduces it, therefore, as a versification treatise that is exemplary for his generation of nonmusician poets, unlike Machaut, his most probable initiator into metrics. In so doing he introduces the concept of natural music, a genre proper to inspire poets for whom lyrical musicality is entirely produced by poetic language alone. Without (...) perceiving, perhaps, the novelty of this poetic aesthetics, he thus opens the avenue for a new poetry, freed from Rhetorics and from added music, more precisely for a poetic art. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:382 HISTORY OF PHILOSOPHY the spiritual effort of all mankind. Many so-called historic events, he was convinced, will in the end be "as written in water," but the work of the human "spirit," however limited at any given time, is accumulative and helps prepare a better future. It seems fitting to close this review with the concluding words of high commendation addressed to him by the Argentinian Society of (...) Writers on the occasion of the appearance of the Theory of Man: "Se premia a un hombre, a una obra, a una conducta." (We are paying homage to a man, a work, a noble conduct.) COR~ELI~:S KRUS~ Wesleyan University The Knowledge o] Man. Selected Essays. By Martin Buber. Edited with an Introduction by Maurice Friedman. Translated by Maurice Friedman and Ronald Gregor Smith. (New York: Harper Torchbooks, The Cloister Library, TB 135H. Pp. 186. $1.45.) The present volume contains the English translations, previously published, of six anthropological essays of Martin Buber, which had appeared originally in German. They are: Distance and Relation (1950), Elements of the Interhuman (1954), What is Common to All (1956), The Word that is Spoken (1960), Guilt and Guilt Feelings (1957), Man and his Image-Work (1955). As an Appendix has been added the unpublished text of a discussion between the late Martin Buber and the psychologist Carl R. Rogers, in April 1957. An introductory Essay by Maurice S. Friedman intends to set these essays in the context of Buber's philosophy of dialogue and "to show their interrelations and their significance for other fields of thought" (p. 7). Both the Introductory Essay and the translated texts had been seen by Buber before going to the press. Broadly speaking, these essays concern the distinctive features of man, and the reality of the dazwischen (p. 12), translated as "there in-between," "the between" or "betweenness" (p. 107): between man and reality (art), and between man and man (the interhuman in dialogue, word and language, guilt and psychotherapy). No specific texts on religion and knowledge have been included in this collection, its purpose being to present Buber's "philosophical anthropology" (p. 7). One may speak of a synthesis of Buber's view of man, as it comes out in this volume. Man is constituting "a special category of being" (60), by being capable of entering into living relations; this happens in the sphere of "the between," in particular the interhuman, the unfolding of which is "the dialogicaI" (p. 75). Here the "spokenness" of the word has its place (p. 112), here are found the different forms of encounter from which the human "selves" emerge after "a bold swinging...into the life of the other" (p. 81) and making each other "present" through "imagining" the real in each other (p. 70). There is the permanent "temptation to... take refuge in the pseudo security of the world of It, the world of ordered objectivity and private subjectivity" (Friedman, p. 23). But there is also the "common world" (cosmos) as built by "common speech-with-meaning" (logos) (Friedman, p. 40); this is the world of the We (pp. 107-108). Buber dismisses the annihilation of the human person in the dream and sleep of the East (pp. 91-96), the "situationless" and "uncommunal" chemical holidays of Aldous Huxley (p. 100), the solipsism and panpsychism of C. G. Jung (p. 124-125) : by all of these "the pure duty and responsibility of waking togetherness" (p. 91) has been forsaken. Of particular interest are Friedman's pages concerning Buber's view of the unconscious (pp. 32-38): they replace an essay which Buber had intended to write on the subject. In this connection the essay on existential guilt to oneself and to others is illuminating ; this guilt is "as something of an ontic character" (p. 123), and only a--"for the man of our age" (p. 138)--difficult self-illumination can hereby give insight and open the door into "the identity of the human person as such with himself" (p. 147). Also, the discussion on psychotherapy should be mentioned, where Buber puts his finger on "this dialogue bounded by tragedy" (p. 174) in which "You are not equals and cannot... (shrink)

In this second volume of the unparalleled exposition of Rousseau's life and works, Cranston completes and corrects the story told in Rousseau's Confessions, and offers a vivid, entirely new history of his most eventful and productive years. "Luckily for us, Maurice Cranston's The Noble Savage: Jean-Jacques Rousseau, 1754-1762 has managed to craft a highly detailed account of eight key years of Rousseau's life in such a way that we can both understand and even, on occasion, sympathize."—Olivier Bernier, Wall (...) Street Journal Maurice Cranston (1920-1993), a distinguished scholar and recipient of the James Tait Black Memorial Prize for his biography of John Locke, was professor of political science at the London School of Economics. His numerous books include The Romantic Movement and Philosophers and Pamphleteers, and translations of Rousseau's The Social Contract and Discourse on the Origins of Inequality. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Guibert of Tournai's Letter to Lady Isabelle:An Introduction and English TranslationLarry F. Field, Jacques Dalarun, Sean L. Field, and Guibert of TournaiIntroductionGuibert, from the noble family of As-Piès, was born near Tournai around 1200. From his hometown he traveled to Paris for his art degree, and completed the curriculum in theology there before entering the Franciscan Order around 1240. He may have participated in Louis IX's crusade (...) of 1248, but, if so, was surely back in Paris by 1254 at the latest, since he preached a cycle of sermons de dominicis et de sanctis to the university community before summer 1255.1 His regency as Franciscan master of theology at Paris was probably around 1259–1261,2 about the time he [End Page 31] completed his Eruditio regum et principum for Louis IX,3 and began his most substantial work, the Erudimentum doctrinae.4 Other significant treatises include his De pace et animi tranquillitate (ca. 1275)5 written for Marie de Dampierre, and the Collectio de scandalis ecclesiae, prepared for the Second Council of Lyon.6 Guibert died in Tournai on 7 October 1284.7Sometime around 1254, Guibert wrote a long letter of spiritual advice to Isabelle (1225–70), the sister of King Louis IX.8 Isabelle was herself a remarkable figure. She had rejected several proposals of marriage, including that with Conrad, the heir to Emperor Frederick II, in 1243, in spite of pressure from her family and Pope Innocent IV. But following a bout of serious illness at about that time,9 her family accepted her [End Page 32] decision to remain unwed. There is no evidence, however, that Isabelle ever pronounced a formal vow of virginity. Through the 1250s she simply remained at the Capetian court as a virgin princess with an increasing reputation for piety and indeed holiness, praised in lavish terms by Innocent IV in 1253 and Alexander IV in 1256.10 This piety took a distinctly Franciscan turn by 1254, when Pope Innocent IV granted her request for Franciscan confessors,11 which would ultimately result in her foundation of Longchamp, a house of Sorores minores just west of Paris, by 1260.12 Guibert's letter shows no awareness of such a project, indicating that it must have been written before spring 1255, by which time the land for Longchamp was being purchased on Isabelle's behalf.13 Guibert thus wrote at the moment when Isabelle was forming her first ties to the Franciscans, but well before her move to Longchamp, where she lived out the 1260s as resident lay patron (but never a nun).Guibert's Letter is really a short treatise of spiritual and moral advice, tailored to a celibate princess. It is organized around Psalm 44:14–15, All the glory of the king's daughter is within in golden fringes, clothed around with varieties. In a five-part structure, the king's daughter stands for a heavenly inheritance; glory within represents internal purity; gold indicates virginity; the fringes are a sign of humility; and clothed around with varieties points to honest comportment. The resulting "royal garment," however, is rather unequally woven together, with section one on the "heavenly inheritance" and the intertwined sections three and four on virginity and humility receiving by far the most space. In fact, section one forms a sort of treatise-within-a-treatise, organized as a ten-step ascent to the heavenly inheritance awaiting the daughter of the king. [End Page 33]The Letter to Lady Isabelle was first edited by Alphonse de Poorter in 1931, from a manuscript which contained only part of the text.14 The full text was brought into print by Sean Field in 2003,15 and translated into French by Jacques Dalarun in 2014.16 Yet in spite of these advances, the Letter has remained little noticed by scholars. Anne-Hélène Allirot offered several perceptive pages in 2010, stressing the way Guibert's treatment of hereditas implies that female members of the royal family might be particularly able to embody Capetian claims to holiness.17 That same year, in the only recent article dedicated specifically to this Letter, Rina Lahav... (shrink)

A reprint of Maritain's classic reflection on social and political issues.

Critics have claimed that Jean-Jacques Rousseau was a primitivist who was uncritically preoccupied with "noble savages" and that he remained oblivious to the African slave trade. Fugitive Rousseau demonstrates why these charges are wrong and argues that a fresh, "fugitive" perspective on political freedom is bound up with the themes of primitivism and slavery in Rousseau's political theory. Rather than trace Rousseau's arguments primarily to the social contract tradition of Hobbes and Locke, Fugitive Rousseau places Rousseau squarely in (...) two imperial contexts: European empire in his contemporary Atlantic world and Roman imperial philosophy. Anyone who aims to understand the implications of Rousseau's famous sentence "Man is born free, and everywhere he is in chains" or wants to know how Rousseauian arguments can support a radical democratic politics of diversity, discontinuity, and exodus will find Fugitive Rousseau indispensable. (shrink)

This article reevaluates the Iranian polymath Ali Shariati’s most controversial lectures. Scholarly consensus reads 1969’s Ummat va Imāmat as derivative, comprising an imitation of Sukarno’s guided democracy and hence an apology for postcolonial authoritarian rule. Shariati’s rhetorical performance suggests otherwise. The lectures address a postcolonial iteration of Jean-Jacques Rousseau’s paradox of founding—a call for self-determination alongside the external intervention needed to prepare for it in the wake of moral dispositions accrued during colonization. Shariati proposes to resolve the problem of (...) enduring colonial domination by citing a fabricated French professor, a foreigner, as an authoritative source. He practices a noble lie, believable because it draws from colonized sensibilities but laden with hints encouraging audiences to see past it. If audiences develop the requisite ability to decipher the lie, Shariati wagers, they at once develop the autonomy implied by self-determination. On these grounds, Shariati theorizes the paradox of politics as decolonization. (shrink)

"L'ouvrage que nous propose aujourd'hui Mme Delphine Espagno est peut-être la plus belle des invitations qui ait été écrite afin d'inciter le lecteur, citoyen et/ou juriste, à comprendre la pensée du doyen de Bordeaux. Léon Duguit méritait effectivement le présent ouvrage et hommage car le doyen, comme Jean-Jacques Rousseau avant lui, a longtemps été et est encore souvent présenté soit comme un marginal de la pensée juridique, soit est même dédaigné de façon méprisante comme si sa qualité de juriste (...) lui était déniée. Hauriou, nous rappelle l'auteure, ira même ainsi jusqu'à affubler Duguit d'être un "anarchiste de la chaire" ce qui n'avait manifestement pas totalement déplu à ce dernier! Car, ce que rappelle Mme Espagno dès son introduction, c'est bien une nouvelle manière de penser et de réinventer le Droit dans son ensemble que nous invite à accomplir Léon Duguit. Il n'est pas qu'un faiseur de théorie(s) (comme celles du service public, des agents publics ou encore de l'Etat), il est - pour reprendre l'expression de Chenot désormais consacrée - un véritable "faiseur de système dans son sens le plus noble et mélioratif. Duguit assume en effet son rôle de guide et nous a donné à voir une nouvelle façon d'appréhender le Droit non pas tel qu'il est mais tel qu'il devrait être. Un Droit qu'il a comme réinventé en chaussant de nouvelles lunettes tel le spectateur qui verrait en deux dimensions et désormais en découvrirait - grâce à lui - une troisième. Après Léon Duguit, les juristes n'ont ainsi pu feindre de ne concevoir le Droit qu'à l'instar d'un artifice fictif, technique et juridique : le Droit est devenu indissociable de la sociologie. Ce "droit duguiste" nous offre alors grâce à la lumière qu'y dépose avec délicatesse Mme Delphine Espagno la vision renouvelée des relations existantes entre Droit, individu et collégialité ou société. En outre, ce que va construire le doyen de Bordeaux n'est pas - comme on le lit encore souvent - une "simple" théorie du service public mais une théorie réaliste de l'Etat par le service public", Mathieu Touzeil-Divina. (shrink)

The people's theatre : a long drawn-out affair -- The cultural historic compromise -- The philosopher's tale : intellectuals and the trajectory of Gauchisme -- Joan of Arc in the Gulag -- The inconceivable revolution -- Factory nostalgia (notes on an article and various books) -- The ethics of sociology.

" De quoi demain sera-t-il fait? " interroge Victor Hugo. Un philosophe, une historienne répondent au long d'un dialogue serré, exigeant. Pourquoi ont-ils choisi de faire ce livre ensemble? En raison d'une longue amitié, au nom d'une histoire commune, en vertu de la qualité d'un débat qui n'a jamais cessé entre eux depuis qu'à la fin des années soixante la jeune étudiante découvrit l'importance de ce penseur de quinze ans son aîné qui, avec d'autres, réveillait l'esprit critique de toute une (...) génération. Si les points de vue sont différents, l'héritage intellectuel est commun. Et c'est cet héritage qu'ils s'attachent à inventorier avant de circonscrire des enjeux majeurs de notre temps : comment penser la différence dans l'universel? La famille a-t-elle encore un avenir? La liberté se réduira-t-elle demain pour l'homme à l'intelligibilité des contraintes qui pèsent sur lui, ou le désir et l'imprévisible auront-ils encore leur place? Que nous dit la souffrance des animaux que nous massacrons? La page de la révolution est-elle définitivement tournée après l'échec du communisme? Est-il envisageable d'en finir une fois pour toutes avec la peine de mort? Quelles seront demain les formes nouvelles de l'antisémitisme et comment les combattre? L'échange s'achève sur un éloge de la psychanalyse, référence commune tout au long du dialogue. (shrink)

Many years ago Degas said "Il faut décourager les arts." I am far from agreeing, but I am ready to say that critics of a certain kind are in need of active discouragement. Too much is written about matters that should be taken in by the beholder as he hears or scans the work. It is not desirable that his conscious mind should entertain - or be prepared to entertain - clear statements of what he experiences under the spell of (...) a masterpiece. The very reason why art is finer when it shows rather than tells is that comprehension is then immediate, not discursive. Ideally, the spectator must absorb - in order to be absorbed; and this means that the critic should shut up until he is wanted. We have no need of a study of "Punctuality in Thomas Hardy." I am making up the subject, but everybody can think of dozens of comparable works of pseudo-scholarship and pseudo-criticism. Their only excuse is that the authors wrote them under Ph.Duress and cannot be blamed for being coerced. Jacques Barzun is University Professor at Columbia University. Among his numerous books are Classic, Romantic and Modern, Berlioz and the Romantic Century, The Use and Abuse of Art and, most recently, Clio and the Doctors: Psycho-History, Quanto-History, and History. (shrink)

This article postulates a method of determining the date of human settlement in the Canary Islands by establishing when species of mice, which are commensal with human beings and hence in all likelihood migrated with them, arrived in the archipelago. At the same time, the extinction of several species of endemic rodents may also correlate with such arrivals. The study establishes the outer limits for the arrival of the mouse species, between the 5th millennium BCE and the 15th century CE, (...) but, while indicative archaeological evidence indicates human settlement was established by around the middle of the 1st millennium BCE, the absence of conclusive dating of fossil mice remains leaves a definitive conclusion for the start of such settlement still open. (shrink)

Devant un film de Jean Cocteau ou de Pasolini, devant un scénario de Jacques Prévert ; devant les photos de Georges Azenstarck, celles des prêtres-ouvriers par Joël Peyroux, celles des albums de familles en banlieue ; devant les toiles de Patrice Giorda ou d'Ernest Pignon-Ernest mais aussi devant une page des Cantos d'Ezra Pound ou d'un texte d'Antonin Artaud, qui ne s'est posé la question : qu'est-ce qu'on y voit? Et plus interrogateur encore : qu'est-ce qu'on y lit? Les (...) sources d'inspiration, d'enthousiasmes ou de fureur de Gérard Mordillat sont nombreuses. Et c'est bien l'oeil qui toujours a nourri sa littérature. Ce recueil prend les ouvres à bras-le-corps, les dissèque, les malmène, pour en livrer toute la profondeur. Homme de lettres et homme d'images, Gérard Mordillat nous livre ici son regard de critique, au sens le plus noble du terme, avec la force et la fougue que l'on trouve dans ses romans. Au regard de textes écrits séparément mais tous gouvernés par cette même question : le mot et l'image seraient-ils frères de sang de l'écriture? Gérard Mordillat interroge les ouvres picturales, photographiques, littéraires ou cinématographiques qui, depuis toujours, sous-tendent et ses films et ses livres. (shrink)

Stimulation of airway myocytes by contractile agents such as acetylcholine (ACh) activates a Ca2+-activated Cl– current (IClCa) which may play a key role in calcium homeostasis of airway myocytes and hence in airway reactivity. The aim of the present study was to model IClCa in airway smooth muscle cells using a computerised model previously designed for simulation of cardiac myocyte functioning. Modelling was based on a simple resistor-battery permeation model combined with multiple binding site activation by calcium. In order to (...) validate the model, a combination of equations, used to mimic [Ca2+]i response to ACh stimulation, were incorporated into the model. The results indicate that the model developed in this article accounts for experimental recordings and electrophysiological characteristics of this current in airway smooth muscle cells, with parameter values consistent with those calculated from experimental data. Such a model may thus be used to predict IClCa functioning, though additional experimental data from airway myocytes would be useful to more accurately determine some parameter values of the model. (shrink)

Theoretical minimal RNA rings attempt to mimick life’s primitive RNAs. At most 25 22-nucleotide-long RNA rings code once for each biotic amino acid, a start and a stop codon and form a stem-loop hairpin, resembling consensus tRNAs. We calculated, for each RNA ring’s 22 potential splicing positions, similarities of predicted secondary structures with tRNA vs. rRNA secondary structures. Assuming rRNAs partly derived from tRNA accretions, we predict positive associations between relative secondary structure similarities with rRNAs over tRNAs and genetic code (...) integration orders of RNA ring anticodon cognate amino acids. Analyses consider for each secondary structure all nucleotide triplets as potential anticodon. Anticodons for ancient, chemically inert cognate amino acids are most frequent in the 25 RNA rings. For RNA rings with primordial cognate amino acids according to tRNA-homology-derived anticodons, tRNA-homology and coding sequences coincide, these are separate for predicted cognate amino acids that presumably integrated late the genetic code. RNA ring secondary structure similarity with rRNA over tRNA secondary structures associates best with genetic code integration orders of anticodon cognate amino acids when assuming split anticodons (one and two nucleotides at the spliced RNA ring 5′ and 3′ extremities, respectively), and at predicted anticodon location in the spliced RNA ring’s midst. Results confirm RNA ring homologies with tRNAs and CDs, ancestral status of tRNA half genes split at anticodons, the tRNA-rRNA axis of RNA evolution, and that single theoretical minimal RNA rings potentially produce near-complete proto-tRNA sets. Hence genetic code pre-existence determines 25 short circular gene- and tRNA-like RNAs. Accounting for each potential splicing position, each RNA ring potentially translates most amino acids, realistically mimicks evolution of the tRNA-rRNA translation machinery. These RNA rings ‘of creation’ remind the uroboros’ (snake biting its tail) symbolism for creative regeneration. (shrink)

The first section of this article examines Jacques Derrida’s essay ‘Plato’s Pharmacy’, specifically his discussion of the ancient Greek word for drug, pharmakon. It is argued that the rhetorical force of Derrida’s essay has led to the mistaken impression that he and more importantly Plato understood pharmakon to have two possible meanings: remedy or poison. In the second section a number of Platonic and other ancient Greek texts are used to demonstrate that pharmakon signified several additional things, such as (...) painters pigment, magical talisman, cosmetic, and mind-altering substance. The final section builds upon Carl Page’s observation that the Noble Lie of the Republic is itself a pharmakon, situating Plato’s Noble Lie in the context of his vision of the philosopher as a moral physician, and Plato’s on-going opposition to psychological conditions characterized by ecstatic displacement. (shrink)

David Hume's view of virtue as agreeable and useful differs from the views of philosophers such as Immanuel Kant and Jean Jacques Rousseau who see virtue as sublime and noble. Hume does not differentiate between virtues, skills, and talents that, as such, all arouse approbation or pleasing sentiments in others. Hume's view commits him to subjectivism in his theory of ethics.

O problema abordado é o das relações entre o tecnológico e o sagrado no contexto dos discursos filosóficos, historiográficos e sociológicos sobre a técnica e a tecnologia. A ciência e tecnologia normalmente são pensadas e caracterizadas em oposição às crenças religiosas, aos mitos e à mística. Nesse sentido, são consideradas como ápice da racionalidade, do método e da eficiência em oposição à fé. Entretanto, como veremos neste artigo, esse modo de pensar a tecnologia e a ciência é apenas um dos (...) modos possíveis de se pensar a relação entre elas e o sagrado e o religioso. Por isso, neste artigo sistematizam-se, analisam-se e comparam-se três vertentes contemporâneas. A primeira, referente à posição dos autores Jacques Ellul e Martin Heidegger, sustenta que a tecnologia supera e destrói o sagrado, e agora ocupa o seu lugar. A segunda, proposta pelos autores David Noble e Erik Davis, descreve a tecnologia como sendo ela mesma sagrada, na perspectiva de as tecnologias contemporâneas possibilitarem ao ser humano alcançar os próprios ideais de transcendência e de superação da finitude. A terceira, embora reconheça a associação entre a tecnologia e as categorias do sagrado, elabora uma crítica ao discurso de caráter salvífico sobre a tecnologia. (shrink)

Entretiens avec le philosophe Jacques Derrida. Sont abordés entre autres thèmes : l'hospitalité, la religion, la démocratie, la littérature.

Comment passer d’une demande de résolution à une demande de sens? Comment intervenir à l’intérieur des différents contrats thérapeutiques de résolution et d’information? De façon interprétative, non interprétative? De façon active, non directive? Quel type d’abstinence observer à l’intérieur du contrat spécifiquement analytique? En d’autres termes, quelle référence analytique retenir? Les réponses proposées dans cet article ne convaincront pas nécessairement le lecteur. Mais si ces questions posées lui permettent de se repérer dans la jungle des pratiques thérapeutiques, cet article n’aura (...) pas été inutile. (shrink)

Ranging from Alan Turing’s seminal 1936 paper to the latest work on Kolmogorov complexity and linear logic, this comprehensive new work clarifies the relationship between computability on the one hand and constructivity on the other. The authors argue that even though constructivists have largely shed Brouwer’s solipsistic attitude to logic, there remain points of disagreement to this day. Focusing on the growing pains computability experienced as it was forced to address the demands of rapidly expanding applications, the content maps the (...) developments following Turing’s ground-breaking linkage of computation and the machine, the resulting birth of complexity theory, the innovations of Kolmogorov complexity and resolving the dissonances between proof theoretical semantics and canonical proof feasibility. Finally, it explores one of the most fundamental questions concerning the interface between constructivity and computability: whether the theory of recursive functions is needed for a rigorous development of constructive mathematics. This volume contributes to the unity of science by overcoming disunities rather than offering an overarching framework. It posits that computability’s adoption of a classical, ontological point of view kept these imperatives separated. In studying the relationship between the two, it is a vital step forward in overcoming the disagreements and misunderstandings which stand in the way of a unifying view of logic. (shrink)

"The cinema is, as a photographic medium, an art form of light. But the mastery of lightning and the 'dark' side of his rhizomatic, interactive net have led very early to the configuration of shade and shadow and refer, ergo, to something which is perpetually related to all forms of figurative art. To film, 'night' means, however, something different, as it brings the configuration of the skies in a state of darkness with it. This is in disagreement with his usual (...) depiction. It entails embarking on a singular figurative project, which approximates a contradiction in itself. This project demonstrates the autonomy of the configuration process precisely through this contradiction.". (shrink)

Ceci n’a rien d’un texte référencé, documenté par de multiples citations et connaissances littéraires ou mythologiques accumulées : ce n’est que l’expression de relations humaines, pathétiques ou tragiques dérivant au gré du besoin de l’enfant... à tout prix.Fabriquer une vie, transmettre un peu de soi – en duplication de deux unités – dépasse toutes les..

In 1978 and 1979, the concept of governmentality was introduced by Foucault in his lectures at the Collège de France. Foucault finds the genealogical origin of this concept in the Christian figure of the shepherd. From this starting-point, he then embarks on a eulogy of liberalism, in stark contrast to the Marxist critique of political economy. These two grand narratives of modern liberalism differ markedly in their political and philosophical presuppositions. The latter, rooted in the tradition of natural law, is (...) directed towards revolution. The former, rooted in the tradition of English radicalism, is directed towards resistance. Beyond their different reconstructions of liberalism, however, the article concludes by showing how these two narratives, can in fact be combined in a politically fruitful way. (shrink)

Bertrand Russell est convaincu qu’une application stricte, par tout le monde, du principe selon lequel on doit s’efforcer de ne croire, autant que possible, que des choses vraies ou qui du moins ont des chances raisonnables d’être vraies, si elle introduirait assurément des changements importants dans la vie sociale et politique, n’aurait pas le genre de conséquences catastrophiques que l’on prédit généralement. L’illusion et le mensonge ne sont peut-être pas indispensables à la vie en société à un degré aussi élevé (...) qu’on le croit la plupart du temps. Ils ne devraient en tout cas pas l’être dans des sociétés qui ont la prétention d’être réellement démocratiques. (shrink)