The Women’s Court is an umbrella term, a common denominator, for a series of initiatives which differ from the mainstream judicial procedures and have been taking place since the early 1990s. These initiatives are not an alternative to the official judiciary systems but aim to supplement, and are therefore complementary to these official systems, especially with a view to transitional justice mechanisms. This text, while focusing on one of those initiatives – established following the violent break-up of Yugoslavia – will (...) contextualize the Women’s Court not only within the recent, short, albeit very significant, history of alternative justice systems, but – importantly for the argument of this text – will also situate this initiative within relevant theoretical concepts of justice. A description of the Women’s Court and its history is followed by locating it within the mainstream concept of justice as well as within feminist and the transitional justice concepts. Finally, returning to this initiative, some key issues are highlighted and assessed, despite the fact that this initiative is still an ongoing process and is therefore understandably difficult to evaluate. (shrink)

My first attempt to gather material for East European feminist philosophy through systematic library research was discouraging: the computer had no matching titles for my search. However, the concept of East European feminist philosophy is not totally nonexistent. Any statement about Eastern European feminist philosophy, therefore, should be preceded by a definition of the terminology in question. For example, even feminism and philosophy construct a phrase: feminist philosophy. This phrase, this neologism, can even be regarded as self‐contradictory. On the one (...) hand it seems to adhere to the traditional classification of knowledge, which maintains a privileged position of philosophy and, on the other hand, feminism stands for the disruption of traditional, especially hierarchical, paradigms and classifications. (shrink)

In the present political and socio-cultural situation in Slovakia, it is natural and necessary even to ask “what position do the arts occupy in this country?” and “what role do they play within the complex global atmosphere?” Art and culture should mirror the nation. Are we aware of that? Do we realize that art has the ability and the power to move? Not many of us realize this. This is a consequence of the permanent scepticism, apathy and resentment caused by (...) the fact that this voice has never been heard. And this is not just the case in Slovakia. Yet even today there are certain groups of artists who still believe in the arts and their power. I think that giving up on this faith is the easiest thing to do. The decision whether to fight, rebel or actively participate is extremely complex and in many cases doing so may even threaten the freedom of the person. In this article I address the issue of whether art has the power and ability to change things. I draw attention to those socially engaging activities that could be described as performance art, which occur beyond enclosed areas and in public spaces; and in order to achieve change, they openly and nakedly attack individual consciousness and the subconscious. (shrink)

Confirmation bias is often used as an umbrella term for many related phenomena. Information searches, evidence interpretation, and memory recall are the three main components of the thinking proces...

Verse work on quintessence of Dvaita Vedanta and philosophy of Vishnu faith.

Sanskrit poeticians make the visionary faculty of pratibhā a necessary part of the professional poet’s make-up. The term has a pre-history in Bhartṛhari’s linguistic metaphysics, where it is used to explain the unitary perception of meaning. This essay examines the relation between pratibhā and possible theories of the imagination, with a focus on three unusual theoreticians—Rājaśekhara, Kuntaka, and Jagannātha Paṇḍita. Rājaśekhara offers an analysis of pratibhā that is heavily interactive, requiring the discerning presence of the bhāvaka listener or critic; he (...) also positions pratibhā in relation to Bildung (vyutpatti) and practice. For Kuntaka, pratibhā, never an ex nihilo creation by a poet, serves as the basis for the peculiar forms of intensified insight and experience that constitute poetry; these may also involve the creative scrambling and re-articulation of the object in terms of its systemic composition. At times, Kuntaka’s pratibhā comes close to a strong notion of imaginative process. But the full-fledged thematization of the imagination, and of pratibhā as its support and mechanism, is best seen in the seventeenth-century debates preserved for us by Jagannātha. A link is suggested between the discourse of poetic imagination in Jagannātha and similar themes that turn up in Indo-Persian poets such as Bedil. (shrink)

Research papers on fundamentals of Dvaita Vedanta philosophy.

Since time immemorial, Lord Jagannātha has been regarded as the principal deity of Odisha. The land of Odisha (former Kaliṅga) was a meeting place of the Hindus, Buddhists and Jainas. The Buddhists, Jainas, Vaiṣṇavas, the worshippers of Gaṇpati and others came to Purī and found the presence of their own lord in Jagannātha. However, of all religious creeds, Buddhism played an important role in the socio-cultural history of Odisha. During the period of emperor Aśoka, the Śabaras (a tribal people) of (...) Odisha were converted to Buddhism. Buddhist pillars were built in Purī, and Buddhist symbols were carved into it. Later on, the Śabaras started worshipping the Triratna as the three principal deities of the Jagannātha temple. In course of time, the three deities of the temple, viz. Jagannātha, Baḷabhadra and Subhadrā, have been accepted by the people of Odisha as the symbols of Buddha, Dharma and Sangha, respectively. As stated by Donaldson (Iconography of the Buddhist sculpture of Orissa, Abhinav Publications, Buldana, 2001), the eighteenth century Buddhist works such as “Jñānasidhi” and “Prajñodaya-Viniścaya-Siddhi,” the Buddha was named as Lord Jagannātha. By the twelfth century A.D., there had already developed a new culture in Odisha with Jagannātha as the center and the Lord came to be conceived as Ādi Buddha and Buddha as the ninth incarnation of Viṣṇu-Jagannātha. The place of Purī has been regarded as a place of Tāntric worship and Jagannātha as the Lord of the Tāntric cult. The Gundichā temple (where the Lord resided for 10 days during the Car festival) has been regarded as a Buddha Vihāra. The Buddhist principle of nonviolence and universal brotherhood found its best expression in the Jagannātha cult. (shrink)

Xenophanes claimed that God is a ball, which means that he is a perfect body. This idea is well developed in Jagannatha worship, who is a central Deity in Orissa, India. It’s a round form of Krishna, who is usually depicted in a human like form. Jagannatha, his brother Baladeva and sister Subhadra are justified as round forms because of their specific manifestation of ecstasy, that, according to aesthetical theory (rasa tattva) happened to them. Yet there are many other explanations (...) of the Jagannatha’s roundness. Round form personifies unity and diversity principle in Jagannatha worship, whose image was dear in Orissa duringlong historical period to different religious groups: Vaishnavas, Shaivaites, Jains, Buddhists and even some Muslims. Orissa also has a blending of different cultures, sub-cultures and traditions. Even now, it has 62 distinct tribal groups, that makes a largest collection of diverse tribes in a single state. As the legend goes, Jagannatha made His first appearance in the tribe of Savaras thousands of years ago. Up until now, there are cooks in the Jagannatha kitchen that are called sauviras. In worship of Jagannatha we find the model of axiological globalism, when the difference in the vision of the reality does not obscure the interior mood of wholeness, unity. (shrink)

Constitutions; constitutional law; philosophical aspects; comparative study.

Contributed seminar papers with special reference to Orissa, India.

Recognizing newness is a difficult task in any intellectual history, and different cultures have gauged and evaluated novelty in different ways. In this paper we ponder the status of innovation in the context of the somewhat unusual history of one Sanskrit knowledge system, that of poetics, and try to define what in the methodology, views, style, and self-awareness of Sanskrit literary theorists in the early modern period was new. The paper focuses primarily on one thinker, Jagannātha Paṇḍitarāja, the most famous (...) and influential author on poetics in the seventeenth century, and his relationship with his important sixteenth-century predecessor, Appayya Dīkṣita. We discuss Jagannātha’s complex system of labeling of ideas as “new” and “old,” the new essay style that he used to chart the evolution of ideas in his tradition, his notion of himself as an independent thinker capable of improving the system created by his predecessors in order to protect its essential assets, and the reasons his critique of Appayya was so harsh. For both scholars what emerges as new is not so much their opinions on particular topics as the new ways in which they position themselves in relation to their system. (shrink)

This study explores the dual role of educational practitioners as leaders and educators in the education sector, focusing on conflict management through mindfulness, ten principles of Buddhist governance, and transformational leadership. The research, involving 116 Buddhist monks and nuns with leadership experience in Indonesian Buddhist education institutions, employed statistical analysis techniques such as descriptive statistics, parametric inferential statistics, and SPSS 27. The findings indicate that transformational leadership directly impacts conflict management, while mindfulness and the ten principles of Buddhist governance have (...) indirect effects mediated by transformational leadership. Additionally, mindfulness has a direct influence on conflict management, as do the ten principles of Buddhist governance. The study underscores the importance of developing mindfulness, incorporating Buddhist principles, and fostering transformational leadership among educational leaders and practitioners to enhance conflict management skills. (shrink)

All Arts In India Owe Their Roots To The Theoretical Structure Developed By Bharatamuni In His Celebrated Work Natyasastra. His Theory Of Beauty Is Known As The Theory Of Rasa. The Present Volume Has Shown How The Insight Of Bharata Was Developed By The Classical Scholars From Abhinavagupta To Jagannatha Who Propounded The Theories With Names Like Rasa, Alamkara, Riti, Vakrokti, Dhvani Etc. To Employ The Theory Of Beauty From Natya (Drama) To Kavya (Poetry).

In lieu of an abstract, here is a brief excerpt of the content:Women Under the Bo TreeLucinda Joy PeachWomen Under the Bo Tree. By Tessa Bartholomeusz. Cambridge, Great Britain: Cambridge University Press, 1994. xx + 284 pp.Tessa Bartholomeusz has made an important contribution to our understanding of Buddhist women with her carefully researched study of the emergence of “pious lay women” or “lay female renunciant” (upasika) as a new category of Buddhists in nineteenth- and twentieth-century Sri Lanka. Bartholomeusz focuses on (...) the period of the nineteenth and twentieth centuries as this period was not only one of a Buddhist revival in Sri Lanka, partially in reaction against European colonialism and its imposition of Christianity on the island, but also the period during which the upasika role developed.Part One of the book traces the historical background of the tradition of female renunciation within Buddhism and its reemergence in the nineteenth century. Part Two describes twentieth-century developments in this tradition up to the date of publication (1994). The author uses a wide variety of documentary sources to describe the various factors that contributed to the emergence of the category of female lay renunciant in Sri Lanka beginning in the nineteenth century: the exclusion of women from full ordination; the rise of Protestant Buddhism, with its belief in the responsibility of the laity for both the welfare of Buddhism and their own salvation (p. 24); the promotion of Buddhism as an anti-Western and anticolonialist [End Page 218] strategy by nationalistic Ceylonese; and the disestablishment of Buddhism, which created a less close-knit relationship between the monastic institution (sangha) and the state.Bartholomeusz does a fine job of describing the relationship between gender stereotypes of women in Sri Lankan society and Buddhist scriptures on the one hand and the actual roles of the lay renunciant women she studies on the other. She describes how the prevailing sexism of Sri Lankan society (and of the Indian society of early Buddhism prior to that) created obstacles for Buddhist women wishing to renounce the world—they are expected to be wives and mothers, and to support the male sangha. Bartholomeusz persuasively describes how the category of upasika developed to fill the gap between householder and full monastic roles for women. The order of fully ordained Buddhist nuns (bhikkunis)—who take ten monastic precepts (dasa sila) in addition to 311 monastic Vinaya rules—established at the time of the Buddha disappeared in Sri Lanka in the eleventh century (and eventually in all Theravada Buddhist countries). Consequently, Buddhist women in these countries are essentially limited to taking lay vows—or taking ordination from nuns in the Mahayana lineage, which, as Bartholomeusz points out, is also quite controversial, especially because it contradicts the view of Sri Lanka as “the bastion of orthodox Buddhism” (p. 14).Lay renunciant women have carefully negotiated their status in relation to both the traditional roles of women in Sri Lankan Buddhism as well as the nineteenth- and twentieth-century efforts by reformers to modernize those roles. Bartholomeusz observes that while maintaining certain elements of women’s traditional social roles as caregivers and nurturers (e.g., p. 152), lay renunciant women have also broken with the traditions of recent centuries by refusing to be satisfied with lives as householders and insisting on their right to renounce lay life—and most in the absence of full monastic vows. It is unfortunate that Bartholomeusz does not address in any depth the implications of the “liminal” status of women lay renunciants (dasa sila mattas) for the status of women in Sri Lanka more generally. Nor does the author provide her own view of whether this intermediate status has provided Sri Lankan women with more or less opportunities and freedoms than held by their Buddhist sisters in other Buddhist countries, especially in Mahayana cultures where full ordination for women exists.Jan Nattier’s analysis of status dissonance and hierarchy in early Indian Buddhism 1 provides a useful framework for considering the various hierarchies of status that Bartholomeusz describes in connection with lay renunciant women. The material that Bartholomeusz presents complexifies this typology. Besides the categories of gender, caste, and seniority that Nattier finds in early Indian Buddhist sutras, Bartholomeusz points to several other status hierarchies, some... (shrink)

The elements of cognitive science present in the Isaavaasya Upanishad will be presented and decoded into cognitive science. The technical terms used to represent human consciousness as aham, atman, Brahman, - padaartha - mind and their functions, the origin of the universe as idam, vivartanam, viswam, prapancham, jagat and their cognitive science meanings will be delineated. The seer and the seen will be differentiated and the conscious states or phases of mind - aatma dasa and various maanisika dasas - will (...) be described. The evolution of science of human cognition and communication through Advaita / dvaita philosophy, nyaaya-vaiseshika, saamkhya-yoga and poorva meemaamsa and uttara meemaamsa and visistaadvaita systems of thought will be examined -/- . (shrink)

This article tells an intellectual history of Mammaṭa Bhaṭṭa’s Kāvyaprakāśa in the Benares-Centered Network of Sanskrit Learning from c. 1600–1750 CE. The core narrative proposed herein is that the discourse on Sanskrit Poetics reaches a bifurcated state by the 1400s and 1500s: the Kāvyaprakāśa commentarial tradition constitutes a distinct domain, wherein commentators debate exclusively among themselves on lower-order issues. This period of normalcy is ruptured by Appayya Dīkṣita, who effectively destabilizes the discourse, overhauling the conventional wisdom via his empiricist polemics (...) and via the importation of a new doxographical methodology from Vedānta in his magnum opus on Sanskrit Poetics, the Citramīmāṃsā. Shortly thereafter, Jayarāma Nyāyapañcānana, the Benares-based Naiyāyika from the East, substantially defends Mammaṭa’s system of poetic ornaments against Appayya’s polemics within his Kāvyaprakāśa commentary, marking the beginning of the bifurcation’s erosion. The tension of how to resolve Appayya’s system with Mammaṭa’s dominates the literature for the ensuing century, and commentators such as Kamalākara Bhaṭṭa, Bhīmasena Dīkṣita, and Nāgeśa Bhaṭṭa all champion defenses of the Kāvyaprakāśa’s authoritative and conservative system against Appayya. This tension culminates in the discourse’s last major treatise, the Alaṅkārakaustubha of Viśveśvara Paṇḍita, wherein Viśveśvara situates himself on a continuum with Jayarāma and defends the core contours of Mammaṭa’s system against Appayya and Jagannātha Paṇḍitarāja. Viśveśvara systematically utilizes the most up-to-date frameworks and positions of Nyāya, entailing radical transformations for the core terminology, standards of debate, and philosophical underpinnings in Sanskrit Poetics. The article concludes by way of contextualizing Jagannātha Paṇḍitarāja within this new narrative. (shrink)

In This Work, The Author Tries To Trace The Origin, Development, Rituals And Festivals, Religion And Philosophy Of The Jagannatha Cult As Enlightened In Sthala Purana `Niladri Mahoyam`.

Beberapa puluh tahun yang lalu Steven McKenzie menjadi editor sebuah kumpulan karangan yang berjudul To Each Its Own Meaning: An Introduction to Biblical Criticism and their Application (1993). Dalam bunga rampai itu dibahas metode-metode penelitian lama yang berfokus pada latar belakang sejarah teks (penelitian sumber, sejarah tradisi, jenis sastra, peredaksian), cara-cara penelitian literer yang lebih baru (seperti penelitian strukturalis, pasca-strukturalis, naratif, atau reader’s respons) dan beberapa yang lain (penelitian ilmu sosial, kanonik, atau retorika). Dalam dua puluh tahun sejak terbitan itu (...) banyak pendekatan baru berkembang, misalnya, dalam symposia pertemuan para pakar Alkitab nasional dan internasional, dan dalam banyak monograf, bunga rampaidan artikel Jurnal. Untuk membantu pembaca mengikuti perkembangan cepat itu, kini McKenzie & Kaltner menerbitkan New Meanings for Ancient Texts. Mereka memilih sembilan pendekatan yang makin berpengaruh dan meminta kepada pionir-pionir utama setiap pendekatan untuk memberi deskripsi pendekatannya yang jelas bagi non spesialis dan mengilustrasikannya dengan meneliti satu atau beberapa teks contoh. Judul bab dari beberapa di antara kesembilan pendekatan itu barangkali segera ditanggap pembaca, karena sudah lebih lama dikenal. Misalnya, “Psychological Biblical Criticism” (D. Andrew Kille, pp. 137-154) dan “Ecological Criticism” (Norman Habel, pp. 39-58). Pendekatan-pendekatan ini agaknya dimuat di sini karena mengalami pergeseran paradigma dalam beberapa dasa warsa terakhir. Juga tidak baru di telinga pembaca akademis adalah “Postcolonial Biblical Criticism”(Warren Carter, pp. 97-116) dan “Postmodernism” (Hugh Pyper, pp. 117-136). Postmodernisme yang membongkar cerita-cerita besar seperti sejarah keselamatan Alkitab dan mau menyadarkan pembaca bahwa banyak jawaban kita selama ini sesungguhnya kurang pasti daripada dikira, meluas di dunia tafsir Barat; sedangkan penelitian Alkitab pascakolonial yang meneliti hubungan dominasi dan subordinasi dalam teksteks Alkitab dan dampaknya dalam sejarah kolonialisme dan lanjutannya dalam masa pasca-penjajahan, sekarang ini menjadi sangat aktual dalam distorsi relasi antara Selatan dan Utara. “New Historicism” (Gina Hens-Piazza, pp. 59-76) tidak lagi mencoba merekonstruksi realitas sejarah di belakang teks (seperti dilakukan oleh Historical Criticism), tetapi dengan cara yang multidisipliner meneliti teks sebagai representasi dari realitas kultural, sosial, politik, dan sebagainya, sambil melepaskan distingsi antara literatur dan sejarah, juga antara pengarang dan pembaca, antara arti dulu dan arti sekarang. Dekat tetapi berbeda dengan itu “Cultural-Historical Criticism of the Bible” (Timothy Beal, pp.1-20) meneliti bagaimana kata, kiasan, objek dan ide dalam Alkitab menerima bentuk dan artinya dalam konteks kebudayaan tertentu yang memproduksikannya atau mereproduksikannya. “The Bible and Popular Culture” (Linda Schearing and Valerie Ziegler, pp. 77-96) kurang berfokus pada Alkitab sendiri tetapi menganalisa bagaimana teks-teks tertentu berfungsi dalam ungkapan-ungkapan budaya rakyat, lelucon, iklan, komik, seni, film, dll., juga mengingat pergeseran yang kini terjadi dari budaya teks tertulis ke apropriasi visual. “Disability Studies and the Bible” (Nasya Junior and Jeremy Schipper, pp. 21-38) dan apa yang disebut “Queer Criticism” (Ken Stone, pp. 155-176) meneliti Alkitab dari situasi kelompok-kelompok tertentu, entah mereka orang-orangcacat yang banyak muncul dalam teks-teks Alkitab yang dapat dimengerti lebih baik dari dalam pengalaman invaliditas; atau mereka yang dari sudut seks dan jender berada dalam posisi yang tidak menguntungkan atau bahkan ditolak. Di sini a.l. tempatnya penelitian Alkitab komunitas gay and lesbian, dan lebih awal feminisme......................... Apakah bunga rampai tentang pelbagai pendekatan baru ini penting untuk seorang yang sudah cukup puas dengan metodenya selama ini atau yang menerima Alkitab sebagai buku yang mempunyai otoritas terhadap dirinya dan jemaatnya? Keberatan (kita) yang sudah lama diajukan terhadap pendekatan tersebut, pada akhir setiap karangan dengan jujur dikemukakan dan diberi tanggapan singkat. Membaca contoh-contoh penafsiran dalam bunga rampai ini, saya sering merasa diajak ke dalam suatu perjalanan yang berbelit-belit. Tetapi setelah beberapa tikungan muncul juga pemandangan menarik dan berharga yang belum pernah saya perhatikan selama ini. Selain itu, setiap artikel mulai dengan pengantar umum tentang, misalnya, fenomen postmodernisme, ilmu ekologi, atauqueer criticism yang sudah lebih lama dikembangkan di akademi umum, dan baru sekarang mulai dipakai juga untuk analisa teks-teks biblis. Pengantar-pengantar itu saja memberi gambaran menarik tentang masalah-masalah yang dewasa ini digumuli dalam komunitas global. Setuju atau tidak, mengetahuinya penting untuk keduanya. (Martin Harun, Guru Besar Ilmu Teologi Emeritus, Sekolah Tinggi Filsafat Driyarkara, Jakarta). (shrink)

Adalah hal yang lumrah bila dalam tiga dasa warsa terakhir ini muncul minat yang semakin tinggi terhadap kajian dan seluk-beluk korupsi mengingat berbagai kerusakan yang ditimbulkannya. Bahkan, topik korupsi menjadi agenda internasional para ahli politik dan pembuat kebijakan. Kendati demikian, literatur kajian mengenai korupsi dalam tradisi filsafat masih dapat dikatakan minim. Oleh karena itu, kajian filsafat terapan mengenai korupsi yang dilakukan oleh Seumas Miller, Peter Roberts, dan Edward Spence layak diapresiasi. Dalam buku ini, para penulis (selanjutnya akan disingkat menjadi Miller, (...) dkk.) menegaskan bahwa korupsi merupakan suatu spesies imoralitas (hlm. xvi). Melalui titik pijak tersebut, Miler dkk. memperlihatkan perbedaan kerangka konseptual yang halus antara korupsi dan tindakan imoralitas lainnya. Dengan kata lain, tindakan korupsi sudah pasti merupakan perbuatan imoral, tetapi tidak semua perbuatan imoral adalah tindakan korupsi. Dengan menempatkan persoalan korupsi pada ranah moralitas, Miler dkk. seakan menegaskan bahwa korupsi adalah suatu gejala khas manusiawi dan dilakukan secara sadar. Hal ini diungkapkan secara eksplisit oleh Miller dkk. Mereka mengstakan bahwa tindakan korupsi adalah laku kebiasaan yang salah secara moral, dan karenanya tidak didorong oleh keyakinan sejati yang benar secara moral (hlm. 13)................... Berdasarkan uraian-uraian yang cermat dan halus mengenai korupsi, Miller dkk. juga memaparkan lokus tanggung jawab moral untuk memerangi korupsi. Secara detail, paparan tersebut diuraikan dalam bab ke-6 hingga ke-10 yang memuat berbagai alternatif untuk menghadapi korupsi, seperti pengembangan sistem-sistem antikorupsi, peran “peniup peluit” (whistleblower), pranata yuridis, serta mekanisme hukuman yang sesuai dengan teori keadilan yang bersifat memulihkan (restorative theory of justice). Bagi Miller dkk., berbagai pertimbangan tindakan antikorupsi yang ditawarkannya harus dilandaskan pada tanggung jawab moral. Pendasaran ini konsisten dengan kerangka konseptual yang diajukan pada bagian awal buku ini: bahwa korupsi merupakan persoalan moral. Mereka juga menegaskan bahwa tanggung jawab moral tersebut bersifat kolektif (hlm. 211). Tidak hanya itu, sistem antikorupsi yang digagas juga perlu bersifat menyeluruh: berupa pengembangan unsur-unsur reaktif maupun preventif sekaligus (hlm. 156). Miller dkk. juga berharap bahwa pranata yuridis dan mekanisme hukuman seharusnya dapat menentukan inti dari sistem keadilan dengan mengambil inspirasi pemikiran politik yang dikembangkan dari tradisi filosofis Aristoteles, John Locke, David Hume, Imanuel Kant, dan John Stuart Mill. Selain itu, baik pranata yuridis mapun mekanisme hukuman diharapkan dapat berperan untuk memulihkan (mengintegrasikan) kembali hal-hal yang korup (rusak) pada masyarakat dan sekaligus menghalau korupsi dari masyarakat. Melalui rangkaian paparan buku tersebut, kajian Miller dkk. mengenai korupsi dan antikorupsi merupakan masukan yang berharga dari tradisi filsafat, khususnya filsafat moral. Hal ini sangat berguna untuk mengembangkan kajian korupsi serta antikorupsi secara mendalam dan serius dalam konteks kekinian. (Yulius Tandyanto, Mahasiswa Sekolah Tinggi Filsafat Driyarkara, Jakarta). (shrink)

Sanskrit-Wörterbuch der buddhistischen Texte aus den Turfan-Funden und der kanonischen Literatur der Sarvastivada-Schule. Sanskrit Dictionary of the Buddhist Texts from the Turfan Finds and of the Canonical Literature of the Sarvastivada School. Begonnen von Ernst Waldschmidt. Im Auftrage der Akademie der Wissenschaften in Göttingen herausgegeben von Heinz Bechert. 11. Lieferung: gata/caturmahabhautika-editor: Michael Schmidt; contributors to the 11th fasc.: S. Dietz, P. Kieffer-Pülz, M. Schmidt. Vandenhoeck & Ruprecht, Göttingen 1999. 161-240 pp. 12. Lieferung: caturmaharajakayika/jvrcih-sikhopama - contributors to the 12th fasc.: J. (...) Chung, S. Dietz, P. Kieffer-Pülz, M. Schmidt. V & R, Göttingen 2000. I-III, 241-320 pp. 13. Lieferung: jvalana/trayo-dasa - contributors to teh 13 fasc.: J. Chung, S. Dietz, M. Schmidt. V & R, Göttingen 2001, I-II, 321-400 pp. Each fasc. DM 56. (shrink)

In the last few years, several scholars have attempted to analyze the historical circumstances of Bhaṭṭoji Dīkṣita and the development of his specific stances in the area of Pāṇinian grammar. This paper seeks to broaden that investigation by exploring Bhaṭṭoji Dīkṣita’s relationship to Appayya Dīkṣita. Appayya Dīkṣita’s works, such as the Madhvatantramukhamardana, were the direct source of inspiration not only for the critique of the Mādhva Vedānta that appears in Bhaṭṭoji Dīkṣita’s Tantrādhikārinirṇaya and Tattvakaustubha. They may also be seen as (...) the ideological source for Bhaṭṭoji Dīkṣita’s grammatical fundamentalism, in rejecting any views that are not strictly in agreement with the views of the three founding sages of Sanskrit grammar, namely Pāṇini, Kātyāyana and Patañjali. (shrink)