Living in Anthropocene times entails living in relation to two seemingly separate temporalities – the microtime of digital operations and the deep time of geological upheaval. Though divergent, these temporalities are united by their unavailability to perception; microtime proceeds too fast to perceive directly, while deep time is too vast to apprehend. Taking these temporalities as a point of departure, this paper develops three arguments. First, it asserts that the temporalities of deep time and microtime increasingly impact contemporary existence, complicating (...) familiar categorizations of temporal experience. Second, it argues that these ostensibly separate temporalities are ontologically connected through the operations of the tech industry, which is constructing a microtemporal system that extracts the planet’s deep time resources to delimit the future both materially and cognitively. Third, it suggests that Silicon Valley legitimizes these processes by funding the philosophy of longtermism, which appeals to distant timescales to marginalize injustices in the present. (shrink)

In recent years, the trend to present the notion of imperfection as a plus rather than a problem has resonated across a range of social and creative disciplines and a wealth of world localities. As digital tools allow media users to share ever more suave selfies and success stories, psychologists promote 'the gifts of imperfections' and point to perfectionism as a catalyst for rising depression and burnout complaints and suicide rates among millennials. As sound technologies increasingly permit musicians to 'smoothen' (...) their work, composers increasingly praise glitches, noise, and cracks. As genetic engineering upgrades with swift speed, philosophers, marketeers, and physicians plea 'against perfection' and supermarkets successfully advertize 'perfectly imperfect' vegetables. Meanwhile, cultural analysts point at skewed perspectives, blurry images, and other 'deliberate imperfections' in new and historical cinema, painting, photography, music, and literature. In less positive terms, scholars in fields ranging from disability studies to tourism critically interrogate a trend to fetishize imperfection and poverty. They rightfully warn against projecting privileged (and, often, emphatically western-biased) feel-good stories onto the less privileged, the distorted, or the frail. Imperfections synthesizes the swiftly growing but fragmented critical scholarship on mistakes, glitches, and other aesthetics and logics of imperfection into the first transdisciplinary, transnational framework of imperfection studies. With this framework, the editors offer scholars and students across various disciplines tools to craft more historically grounded and critically informed conceptualizations of the imperfect. (shrink)

An examination of the environmentally destructive digital design philosophy of frictionlessness and the critical significance of a technological aesthetic of imperfection.