Inspired by Castañeda (1966, 1968), Perry (1979) and Lewis (1979) showed that a specific variety of singular thoughts, thoughts about oneself “as oneself” – de se thoughts, as Lewis called them – raise special issues, and they advanced rival accounts. Their suggestive examples raise the problem of de se thought – to wit, how to characterize it so as to give an accurate account of the data, tracing its relations to singular thoughts in general. After rehearsing the main tenets of (...) two contrasting accounts – a Lewisian one and a Perrian one – in the first section of this paper, in the second I will present a proposal of my own, which is a specific elaboration of the Perrian account. In the first section I will indicate some weaknesses of Perry’s presentation of his view; the proposal I will articulate in the second overcomes them. I will conclude with a brief discussion of reasons for preferring one or another account, in particular regarding the issue of the communication of de se thoughts. (shrink)

The contents of linguistic and mental representations may seem to be individuated by what they are about. But a problem arises with regard to representation of the non-existent - words and thoughts that are about things that don't exist. Fourteen new essays get to grips with this much-debated problem.

Open Compositionality: Towards a Methodology of Language offers a fresh view into human languages as supermodular, highly interactive cognitive capacities allowing for human unique thought and communication. It is a novel account of semantics as decision-making in tandem with the cognition first methodology.

The bilingual publication "On Reconciliation / Über Versöhnung" uses the letters exchanged between Martin Heidegger and Hannah Arendt from 1925 to 1975 as a departure for a series of essays and conversations aiming to encourage a public debate on a difficult subject: the question of ethics and artistic production. The conceptual background is Arendt's notion of "reconciliation" as an act of political judgment that, unlike revenge or forgiveness, can respond to wrongs in a way that fosters the political project of (...) building and preserving a common world. In García's view, Arendt not only formulated the concept of reconciliation to make bearable the world after the Second World War, but also to rationalize her unconditional loyalty to Heidegger (founded in youthful love) and her lifelong devotion to his oeuvre. Heidegger was infamously a member of the Nazi party and (arguably) the most important philosopher of the twentieth century, while Arendt was a German Jew who fled Europe to escape the Holocaust, later becoming an acclaimed social, historical, and political theorist. Articulated through various formats such as an exhibition, performances, public dialogues, and a publication developed in collaboration with K. Verlag, "On Reconciliation / Über Versöhnung" approaches the following question: Should moral positions be demanded from authors (in addition to professional excellence), and should their failure to satisfy our (contemporary) ethical standards be a reason to dismiss their work completely? (shrink)

Should Justice be blind or should she instead be capable of seeing everything, even the human heart? José M. González García examines how the iconography of Justice evolved over the course of history. Providing an overview of depictions of Justice in various ages and places, the book mainly focuses on "The Blindfold Dispute" that began to develop during Renaissance. While at first the blindfold was perceived as unjust, precisely because it denied Justice the ability to see everything, it transformed just (...) a few years later into a positive symbol of the equality of all individuals before the law. And other depictions were added: supplementary eyes, transparent blindfolds, the double face of Janus, the returns of Astraea and the "Eye of the Law". The book also analyses important historic moments in which the crisis of the Law went along with a search for new forms of representing the gaze of Justice, as reflections on the art of Dürer, Klimt and Kafka show as well as recent developments in political philosophy"--Back cover. (shrink)

Zum modernen Selbstverständnis der Kunst gehörte es, gegebene Wissensbestände und Traditionen in Frage zu stellen. Heute übt sich Kunst vielfach in konformistischer Bestätigung des neoliberalen Zeitgeistes, vor allem dort, wo sie ihre eigene Radikalität verkennt. Was ist Gegenwartskunst? ist der Versuch, das Verhältnis von Kunst und Politik für unsere Gegenwart auf den Begriff zu bringen. Alexander García Düttmann gelingt es in seinem neuen Essay nicht nur, die Gegenwartskunst in ihrer Radikalität theoretisch zu fassen, sondern auch zu zeigen, wie sie dazu (...) dient, die politische Ideologie unserer Zeit zu verstärken: eine Ideologie, die eine wirkliche gesellschaftliche Veränderung hintertreibt. Das Buch führt so ins Zentrum der politisch-ästhetischen Debatten unserer Gegenwart"--Publisher's website. (shrink)

The chapter draws a very rough (and rather idiosyncratic) map of the terrain of the contemporary scene in the philosophy of language, as it was set out in the work of Frege, Russell and the early Wittgenstein – the presupposed common background, taught to beginners in the discipline, for the themes to be further explored from a present-day perspective in the rest of the book. The chapter outlines some core issues as they are presented in the insightful systematic articulation of (...) Frege’s and Russell’s themes in Wittgenstein’s Tractatus Logico-Philosophicus. Then it sums up the main issues, describes some contributions to them in Frege, Russell, Wittgenstein and other historical landmarks, and indicates how they are approached today, as presented in the book's chapters. The introduction concludes with a brief discussion of research methods and problems in the field. (shrink)

This volume is devoted to exploring a subject which, on the surface, might appear to be just a trending topic. In fact, it is much more than a trend. It relates to an ancient, permanent issue which directly connects with people's life and basic needs: the recognition and protection of individuals' dignity, in particular the inherent worthiness of the most vulnerable human beings. The content of this book is described well enough by its title: 'Human Dignity of the Vulnerable in (...) the Age of Rights'. Certainly, we do not claim that only the human dignity of vulnerable people should be recognized and protected. We rather argue that, since vulnerability is part of the human condition, human vulnerability is not at odds with human dignity. To put it simply, human dignity is compatible with vulnerability. A concept of human dignity which discards or denies the dignity of the vulnerable and weak is at odds with the real human condition. Even those individuals who might seem more skilled and talented are fragile, vulnerable and limited. We need to realize that human condition is not limitless. It is crucial to re-discover a sense of moderation regarding ourselves, a sense of reality concerning our own nature. Some lines of thought take the opposite view. It is sometimes argued that humankind is - or is called to be - powerful, and that the time will come when there will be no vulnerability, no fragility, no limits at all. Human beings will become like God (or what believers might think God to be). This perspective rejects human vulnerability as in intrinsic evil. Those who are frail or weak, who are not autonomous or not able to care for themselves, do not possess dignity. In this volume it is claimed that vulnerability is an inherent part of human condition, and because human dignity belongs to all individuals, laws are called to recognize and protect the rights of all of them, particularly of those who might appear to be more vulnerable and fragile. (shrink)

v. 1. Siglo XVII-XVIII.--v. 2. Siglo XVIII, Suárez y Urbina.--v. 3. Siglo XIX, Andrés Bello.