In this paper we propose a mechanism in the brain for supporting consciousness. We leave open the question of the origin of consciousness itself, although an acausal origin is suggested since it should mesh with the proposed quasi-acausal network dynamics. In particular, we propose simply that fixed-point attractors, such as exemplified by the simple deterministic Hopfield network, correspond to conscious moments. In a sort of dual to Tononi's Integrated Information Theory, we suggest that the "main experience" corresponds to a dominant (...) fixed point that incorporates sub-networks that span the brain and maximizes "relatedness." The dynamics around the dominant fixed point correspond in some parts of the system to associative memory dynamics, and to more binding constraint satisfaction dynamics in other areas. Since the memories that we are familiar with appear to have a conscious origin, it makes sense that a conscious moment itself corresponds in effect to what amounts to memory recollection. Furthermore, since Hopfield-like networks are generative, a conscious moment can in effect be seen as a living, partially predicted memory. Another primary motivation for this approach is that alternative states can be naturally sensed, or contrasted, at the fixed points. (shrink)

I don’t conceive of this as a debate with Burke, but if I did, I would be tempted to use the old debater's formula: there are many ways in which the word ideology can be used, most of them defensible, but there are two ways in which the word ought never be used, and that is to designate "value systems" on one hand or "false consciousness" on the other. The first meaning folds us back into the perspective of the history (...) of ideas, which it was the aim of the concept of ideology to spring us out of in the first place. The second betrays a vulgar Marxist approach to culture which it is the task of any genuinely contemporary Marxism to liquidate: indeed, from the Lukács of History and Class Consciousness to the Frankfurt School, from Sartre to Althusser and Macherey, there are a number of very different Marxian conceptions of ideology available today which have nothing in common with the old notion of ideology as a "false consciousness." And since I have gone this far, I will add something I didn't mention in my essay, that when Burke documents his own use of the Marxian category of ideology, unfortunately he turns out most often to have meant our old friend "false consciousness," so unavoidable a part of the baggage of thirties Marxism. Fredric R. Jameson is the editor, with Stanley Aronowitz and John Brenkmam, of Social Text and the author of Marxism and Form, The Prison House of Language, and, forthcoming, The Political Unconscious: Studies in the Ideology of Form. "The Symbolic Interference; or, Kenneth Burke and Ideological Analysis" Critical Inquiry 4 [Spring 1978]: 507-23) was presented in an earlier version at the English Institute in September 1977 as one of a group of studies in reevaluation of the work of Kenneth Burke. (shrink)

However this may be, it is clear that the rhetoric of the self in American criticism will no longer do, any more than its accompanying interpretative codes of identity crises and mythic reintegration, and that a post-individualistic age needs new and post-individualistic categories for grasping both the production and the evolution of literary form as well as the semantic content of the literary text and the latter's relationship to collective experience and to ideological contradiction. What is paradoxical about Burke's own (...) critical practice in this respect is that he has anticipated many of the fundamental objections to such a rhetoric of self and identity at the same time that he may be counted among its founding fathers: this last and most important of what we have called his "strategies of containment" provides insights which testify against his own official practice. Witness, for example, the following exchange, in which Burke attributes this imaginary objection to his Marxist critics: "Identity is itself a 'mystification.' Hence, resenting its many labyrinthine aspects, we tend to call even the study of it a 'mystification.'" To this proposition, which is something of a caricature of the point of view of the present essay, Burke gives himself a reply which we may also endorse: "The response would be analogous to the response of those who, suffering from an illness, get 'relief' by quarreling with their doctors. Unless Marxists are ready to deny Marx by attacking his term 'alienation' itself, they must permit of research into the nature of attempts, adequate and inadequate, to combat alienation."1 · 1. Burke, The Philosophy of Literary Form, p. 308. In fact, certain contemporary Marxisms—most notably those of Althusser and of Lucio Coletti—explicitly repudiate the concept of alienation as a Hegelian survival in Marx's early writings. Fredric R. Jameson is the author of The Political Unconscious: Studies in the Ideology of Form. He is also the editor, with Stanley Aronowitz and John Brenkman, of the Social Text. See also: "Methodological Repression and/or Strategies of Containment" by Kenneth Burke in Vol. 5, No. 2. (shrink)

ExcerptMore than six hundred not entirely new pages from Fredric Jameson is an occasion that provides something for almost everyone. In Valences of the Dialectic, philosophers, all sorts of theorists (political, literary, social), historians, and even people with activist inclinations (for is not Marxism a type of praxis?) will discover rich provocations. By my count a little more than half of the book is new material; the rest is a varied set of articles brought together here to give greater (...) breadth to Jameson's long engagement with dialectical thought. Valences is not the culmination of that engagement, but rather Jameson keeping…. (shrink)

Looking at the emergence recently of a New Hegelianism (Badiou, Bhaskar, Jameson, Žižek), in which Hegel’s dialectic is variously reassessed for its political and philosophical resistance to the prevailing ‘weak nihilisms’ of left and right, I argue with Žižek and Jameson against Badiou and Bhaskar for Hegel as, essentially, a philosopher of the ‘productive return’ and failure. In this sense, what emerges is a picture of Hegel as a profoundly nonlinear historical thinker, in which loss, dissolution, breakdown and (...) the excremental prevail. This means that the received notion of Hegel as a crude historicist is deeply problematic. But, more importantly, it means that Hegelian dialectic can find a renewed anti-teleological and non-synchronistic identity within the Marxist tradition. Content Type Journal Article Category Article Pages 72-98 Authors John Roberts, University of Wolverhampton Journal Journal of Critical Realism Online ISSN 1572-5138 Print ISSN 1476-7430 Journal Volume Volume 12 Journal Issue Volume 12, Number 1 / 2013. (shrink)

In light of Ruth Wilson Gilmore’s call that abolition means to “change everything,” how might we understand an abolitionist literary method? An abolitionist literary method dials into the language of critiquing prisons. This essay contends that recent developments in U.S. discourse concerning prison reform and prison abolition rely on the distinction between metaphor and metonymy. As rhetorical tropes, metaphor and metonymy both operate by means of figurative language. Metaphor creates a parallel formation between terms, popular in prison reformist language (i.e. (...) “prison as labor,” “prison as slavery,” “schools as prisons,” or “black holes as prisons”), while metonymy demonstrates a network between materially related sites, persons, and objects (as in “flesh,” “black holes,” or “the Prison Industrial Complex”) more central to the rhetoric of prison abolition. Following Emily Apter’s critique of Fredric Jameson’s “carceral metaphors,” I demonstrate these distinctions between metaphor-reform and metonymy-abolition through textual analysis of a Black feminist archive by considering the work of Ruth Wilson Gilmore, Hortense Spillers, Saidiya Hartman, George Jackson, Evelynn Hammonds, and Assata Shakur. These different thinkers employ metonymy to illuminate theoretical possibilities for abolition through economics, flesh, motherhood, intimacy, sexuality, and physics over a period of thirty years. That being said, none of these writers define their work by the principal status given to metonymy, and this essay seeks to bring together their interventions through this rhetorical trope. I propose that abolition’s stretch through metonymy is central to an abolitionist literary method, provoking the animated reconsideration of language-use by scholars and activists. While not eliding metaphor entirely, this historical materialist work demonstrates that the careful elaboration of words and phrases becomes more robustly anti-carceral when one indexes where, how, and why metaphor and metonymy contract or extend imaginative political possibility. (shrink)

An inspiring collection of the personal philosophies of a fascinating group of individuals Based on the NPR series of the same name, This I Believe features eighty essays penned by the famous and the unknown—completing the thought that the book’s title begins. Each piece compels readers to rethink not only how they have arrived at their own personal beliefs but also the extent to which they share them with others. Featuring a star-studded list of contributors—including Isabel Allende, John Updike, (...) William F. Buckley, Warren Christopher, Penn Jillette, Colin Powell, Rick Moody, and Kay Redfield Jameson—the collection also contains essays by a Brooklyn lawyer; a part-time hospital clerk in Rehoboth, Massachusetts; a woman who sells yellow pages advertising in Fort Worth, Texas; and a man who serves on the state of Rhode Island’s parole board. The result is a stirring, funny, and always provocative trip inside the minds and hearts of a diverse group of Americans whose beliefs—and the incredibly varied ways in which they choose to express them—reveal the American spirit at its best. (shrink)

John Fleming , later professor in Aberdeen and Edinburgh, made his combative contribution to natural history between 1812 and 1832. As an Edinburgh student he had followed Robert Jameson's ‘Wernerian’ lead. His earliest publications, from 1813, expressed what was to be a lifelong hostility to the work of James Hutton. Yet his own thinking moved increasingly towards a ‘uniformitarian’ as opposed to a ‘catastrophist’ view of earth history. His Philosophy of Zoology embodied criticism of Cuvier. More dramatically, he (...) became embroiled in controversy with Buckland and later with Conybeare. By then the ‘uniformitarian’ hypothesis had been adopted by Lyell, with whom Fleming was in close touch from the mid-1820s. Fleming may have had some grounds for feeling that his priority in advocating uniformitarianism was later overlooked. His History of British Animals included a preface in which he elaborated his earlier hypothesis as to ‘revolutions … in the animal kingdom’ correlated with six geological epochs. Tension had then developed in Fleming's relationship with Jameson, and the early 1830s found him in a mood of increasing frustration. Reconciliation with Buckland and approval by Sedgwick still left ‘the Zoological Ishmael’ feeling that his advancement in the scientific world was blocked, perhaps permanently. In historical perspective Fleming may be seen as a minor but not insubstantial figure in the scientific landscape of the early nineteenth century. (shrink)

This book is unique in both its subject matter and its approach. It focuses on the collaboration of J. Derrida, J.-F. Lyotard, J. Hillis Miller, D. Carroll, F. Jameson and others at the Critical Theory Institute at the University of California, Irvine and on the application of critical theory for the analysis of contemporary American visual art. The critical and philosophical analysis concerns the art of Bruce Nauman, Kosuth, Burden, Christo, Wodiczko, Johns, Rauschenberg, and others. The focus of the (...) book is on irony and the sublime. The book also includes the original Prologue by G. van Den Abbeele (Dean of the School of Humanities at UC Irvine 2013-2018) on the history of Critical Theory in the United States, and at UCI, in particular. The CTI's uniqueness consisted in it being one of the best centers of the Critical Theory studies in the United States. (shrink)

Introduction Few areas of social inquiry are more exciting and important, and yet at the same time more marked by controversy and dispute, than the area ...

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Coleridge, Schiller, and Aesthetic EducationGary PetersColeridge, Schiller, and Aesthetic Education, by Michael John Kooy. New York: Palgrave, 2002, 241 pp.Who reads Friedrich Schiller today? With the Aesthetic Education of Man struggling to remain in print in the English-speaking world (at least in the UK, from where I am writing this) it would seem fewer and fewer readers are prepared to engage with (or be educated by) this (...) once influential aestheticization of the world; and as for Marcuse on Schiller, or the young(er) Frederic Jameson on Schiller and Marcuse, they, too, seem to be speaking from another era, an ancient time when the humanist utopian promise could still be taken seriously. Promises are made to be broken, of course, especially the promesse de bonheur, but are we right to feel betrayed by the assorted Schillerians who so passionately raised our hopes, only to fall silent when they were so comprehensively dashed? Perhaps betrayal is putting it too strongly, but the fact remains that we seem to have ended up with a notion of aesthetic education that educates nobody, not even those within art education who need it more than most. But then perhaps the whole notion of aesthetic education as a promise is itself fundamentally flawed, the product of a political reading—the politicization of the aestheticization of the world—that casts the lessons of the aesthetic into the future rather than engaging with the event of the artwork as it erupts in a "now," which is aporetic in the extreme, and thus ill-equipped [End Page 119] to radicalize the unradic1al mind or mobilize the immobile.Clearly, Michael John Kooy reads Schiller today, but, having said that, it is never made entirely clear who he is writing for. Indeed, we may ask, does he have much of an audience at all or is he speaking too long and too late into the vacuum left by the collapse of humanist optimism? His own position is an interesting one, as both a literary theorist and a philosopher; one of the real strengths of the book is Kooy's pursuit of philosophical ideas in the body of Schiller's and Coleridge's dramatic and poetic work, often to good effect, but, to ask the question again, who is listening? Philosophers? Writers? Professional academics or the nonacademic audience that one would assume was always the intended beneficiary of the concept of aesthetic education?To attempt to think around some of these questions, without necessarily trying to answer them, we might start by considering who the philosophical audience for this book might be. My guess is that the philosophy of education, the subgenre of philosophy that might benefit from an aesthetic education itself, will be largely deaf to the message running through these pages. Long dominated by an ethical, religious, and liberal political agenda, the philosophy of education in its hegemonic Anglo-American guise has never made much room for the aesthetic, particularly in its "continental" radical incarnation—far too woolly, idealist, utopian, far too "arty." So, not much of an outlet here, but, having said that, the recent Anglo-American fascination with the very "continental" notion of Bildung might prove to be a fruitful point of contact, and Kooy does devote some useful pages and a substantial epilogue to a discussion of this thorny subject. There is a problem here, however, in that while Kooy is excellent when thinking through the dissonance between the teleological purposiveness of Schiller's and Coleridge's conceptions of universal history, so important to their notion of aesthetic education as a cultural model, and the very different self-substantiating autonomy of Bildung, he is much less engaged with the more fundamental pedagogical issues that arise within the particularity of the teaching encounter: How is the necessary autonomy of aesthetic education to be taught without thereby jeopardizing that very autonomy? It is at this point that a philosophical audience (one engaged in continental philosophy, that is) might have expected a more thorough account of the deeply problematical relationship between the Schillerian notion of aesthetic education and the aesthetics to be found in Kant's Critique of Judgement, its acknowledged source. This is not... (shrink)

Am 4. November 1915 legte EINSTEIN seine beriihmte Arbeit "Zur allgemeinen Relativitatstheorie" der PreuBischen Akademie der Wissenschaften zu Berlin vor. 50 Jahre spater organisierte die Deutsche Akademie der Wissenschaften im Andenken daran eine dreitagige Konferenz, in deren Verlauf auch eine Gedenkfeier abgehalten wurde. Ich hatte die Ehre, eine Gedenkrede iiber EINSTEIN und sein Werk zu halten. In der Zwischenzeit wurde unser Wissen urn viele wichtige neue Zusatze erweitert. Wir sehen nun, daB die Dynamik der Einsteinschen Theorie in einem Superraum ablauft. (...) Seine Struktur und seine Eigenschaften sind von graBter Bedeutung. Infolgedessen habe ich jenen Teil meines Berichtes von 1965, der iiber die Quantengeometrodynamik handelt, geandert und erweitert, urn vom § 12 an unser Wissen iiber den Super­ raum zusammenzufassen. Einige Teile des hier enthaltenen Materials sind schon friiher in anderer Form erschienen. Der Autor dankt fiir die Erlaubnis, dieses Material wieder ab­ drucken zu lassen, den folgenden Verlagen: Akademie-Verlag, Berlin; W. A. Benjamin, Inc., New York; Gordon and Breach, New York; und Springer-Verlag, New York und Heidelberg, sowie den Organisatoren jener Konferenzen, auf denen diese Beitrage vorgelegt wurden: Einstein-Symposium aus Deutsche Akademie der Wissenschaften zu Berlin, 1965; International School of Non-Linear Mathematics and Physics, Miinchen, J uli 1966; Academie Internationale de Philo sophie des Sciences, Oberwolfach/Freiburg i. Br., Juli 1966; Society of Engineering Science, Raleigh, North Carolina, Oktober 1966; Colloque Internationale sur Fluides et Champ Gravitationel en Relativite Generale, Paris, J uni 1967; und Battelle Ren­ contres in Mathematics and Physics, Seattle, Juli 1967. (shrink)

John Passmore was a renowned Australian empirical philosopher and historian of ideas. In this book, which was originally published in 1952, Passmore's intention was to disentangle certain main themes in Hume's philosophy and to show how they relate to Hume's main philosophic purpose. Rather than offering a detailed commentary, the text provides an account based on specificity and critical scholarship, seeking to complement the other more comprehensive works on Hume's philosophy that had become available around the same time. This (...) book will be of value to anyone with an interest in perspectives on Hume and Passmore's philosophical approach. (shrink)

This article is a response to Matthew Sharpe, Geoff Boucher, and Rory Jeffs, concerning my Criticism of Heaven and Earth. It replies to their critiques, especially in terms of Fredric Jameson and Louis Althusser, political myth and the question of theology itself through John Calvin. My underlying concern is the distinction between ‘before October' and ‘after October'; that is, the theoretical perspectives of living and working before the revolution or after it. Increasingly, my interests have turned to socialisms (...) in power, in terms of both the problems faced and creativity induced. The remainder of the article examines the ramifications of this perspective for understanding the complex intersections of Marxism and theology. (shrink)

Fresnel's theory of light was (a) impressively predictively successful yet (b) was based on an "entity" (the elastic-solid ether) that we now "know" does not exist. Does this case "confute" scientific realism as Laudan suggested? Previous attempts (by Hardin and Rosenberg and by Kitcher) to defuse the episode's anti-realist impact. The strongest form of realism compatible with this case of theory-rejection is in fact structural realism. This view was developed by Poincare who also provided reasons to think that it is (...) the only realist view of theories that really makes sense. (shrink)

John Webster provides a major scholarly analysis, the first in any language, of the final sections of the Church Dogmatics. He focuses on the theme of human agency in Barth's late ethics and doctrine of baptism, placing the discussion in the context of an interpretation of the Dogmatics as an intrinsically ethical dogmatics. The first two chapters survey the themes of agency, covenant and human reality in the Dogmatics as a whole; later chapters give a thorough analysis of Church (...) Dogmatics IV/4 and the posthumously published text The Christian Life. A final chapter examines the significance of Barth's work for contemporary accounts of moral selfhood. The book is important not only for a detailed analysis of a neglected part of Barth's oeuvre, but also because it casts into question much of what has hitherto been written about Barth's ethical dogmatics. (shrink)

Why is the human imagination to blame for the worst crimes of the twentieth century? Why is progress a pernicious myth? Why is contemporary atheism just a hangover from Christian faith? John Gray, author of Straw Dogsand Black Mass, is one of the most original and iconoclastic thinkers of our time. In this pugnacious and brilliantly readable collection of essays from across his career, he smashes through humanity's most cherished beliefs to overturn our view of the world, and our (...) place in it. 'If humans are different from other animals it is chiefly in being governed by myths, which are not creations of the will but creatures of the imagination.' 'No traditional myth is as untruthful as the modern myth of progress. All prevailing philosophies embody the fiction that human life can be altered at will. Better aim for the impossible, they say, than submit to fate. Invariably, the result is a cult of human self-assertion that soon ends in farce.'. (shrink)

From its beginnings, Confucianism has vibrantly taught that each person is able to find the Way individually in service to the community and the world. For over 2,600 years, Confucianism has sustained a continual process of transformation and growth. In this comprehensive new work, John Berthrong examines the vitality and expansion of the Confucian tradition throughout East Asia and into the entire modern world.Confucianism has been credited with being the dominant social and intellectual force shaping the enduring civilizations of (...) East Asia. If we are to grasp the history of East Asia, we must understand the role that Confucianism has played in the social and cultural formation of the entire region. Just as civilizations are ever-changing, there has been nothing timeless or static about Confucianism.Berthrong’s study is unique in its discussion of each of the historical and regional phases of the development of the Confucian Tao. All too often, Confucian studies have focused exclusively on the classical early period and the great thinkers of the later neo-Confucian revival in the Sung Ming dynasties. Berthrong’s work opens the reader’s eyes to the often neglected gifts of scholars of the Han, T’ang, and the modern periods, as well as to the vast contributions of Korea and Japan. The author concludes this revelatory study with an examination of the contemporary renewal of the Confucian Way in East Asia and its recent spread to the West. (shrink)

This superb collection by the eminent physicist and critic John Ziman, opens with an album of portraits of scientists--Albert Einstein, Freeman Dyson, Lev Landau, Mark Azbel, Andrei Sakharov. Ziman takes readers into the world of the contemporary scientist, showing how discoveries are made and how claims are tested. He then travels into the minds of scientists as they are drawn into competing directions. Here Ziman exposes the path of discovery, which is strewn with complex human needs, governmental restrictions, the (...) desire for profits, and the exercise of technical virtuosity. (shrink)

Introduction to Medieval Philosophy combines and updates the scholarship of the two highly successful volumes Early Medieval Philosophy (1983) and Late Medieval Philosoph y (1986) in a single, reliable, and comprehensive text on the history of medieval philosophy. John Marenbon discusses the main philosophers and ideas within the social and intellectual contexts of the time, and the most important concepts in medieval philosophy. Straightforward in arrangement, wide in scope, and clear in style, this is the ideal starting point for (...) students beginning the subject. (shrink)

Abstract“The singular state of the ice”. The Cartographic Knowledge of the Whaler William Scoresby. The English whaler William Scoresby, Jr. (1790–1857) made use of his annual voyages to the Greenland Sea for distinguished scientific work, detailed records and the production of amazing maps. Due to his intensive contacts to scientists as Robert Jameson and politicians as Joseph Banks and John Barrow his research achieved a great deal of attention and set a benchmark for at least half a century. (...) Scoresby combined the adventurous world of Arctic fishery with academic sciences. He attained the northernmost point anybody reached in his time, he extended the cartographic knowledge and forced the conquest and utilisation of the oceans for commercial fishing. But his biography enquires also about who got an opportunity for research and for what. Especially it demonstrates the strong impact practical knowledge of a whaler could have on geographic research and Arctic cartography. (shrink)

This essay examines how and why historiography—defined to mean the study of the history of historical writing—first emerged as a legitimate subject of historical inquiry in the United States during the period from 1890 to the 1930s by focusing on the practice of historiography by three of the most influential American historiographers whose work spans this period: J. Franklin Jameson, John Spencer Bassett, and Harry Elmer Barnes. Whereas the development of historiography as a field of study signified a (...) recognition that historians and historical writing are themselves products of the historical process, American historiographers in this period at the same time used historiography to further a scientific ideal of objectivity that was premised on the belief in the ability of historians to separate themselves from that process. Modern scholars have attributed to scientific historians like Jameson and Bassett a simplistic and naïve positivism; but the ability of these historiographers to recognize the subjective character of historical writing and yet affirm a belief in objectivity reveals that their understanding of historical truth was more complex than modern scholars have acknowledged. In turn, by questioning the belief that the historical profession was originally founded on a naïve faith in the ideal of objective truth, I demonstrate that New Historians like Barnes were more similar to their predecessors, the scientific historians, than they acknowledged. Thus, rather than portraying the shift from scientific history to the New History as a linear trajectory of development from objectivity to a more relativist viewpoint, I argue that New Historians like Barnes at once expressed a greater recognition than his scientific predecessors of how historical writing was the product of its context, while still insisting on his commitment to an ideal of objectivity that divorced the historian from that context. (shrink)

How do the hard facts of political responsibility shape and constrain the demands of ethical life? That question lies at the heart of the problem of 'dirty hands' in public life. Those who exercise political power often feel they must act in ways that would otherwise be considered immoral: indeed, paradoxically, they sometimes feel that it would be immoral of them not to perform or condone such acts as killing or lying. John Parrish offers a wide-ranging account of how (...) this important philosophical problem emerged and developed, tracing it - and its proposed solutions - from ancient Greece through the Enlightenment. His central argument is that many of our most familiar concepts and institutions - from Augustine's interiorised ethics, to Hobbes's sovereign state, to Adam Smith's 'invisible hand', understanding of the modern commercial economy - were designed partly as responses to the ethical problem of dirty hands in public life. (shrink)

How can one bring children to recognize the requirements of morality without resorting only to non-rational means of persuasion (i.e. what rational ground can be offered to children for their moral enlistment)? Michael Hand has recently defended a foundationalist approach to answering this question and John White has responded by a) criticizing Hand’s solution to the Problem of Rational Moral Enlistment, and b) attempting to circumvent the problem by suggesting a Humean route which understands moral enlistment as grounded in (...) sentiment. While I do not accept Hand’s preferred solution to the Problem of Rational Moral Enlistment, I am also unpersuaded by White’s attempt to circumvent it. Instead, making use of work by Ben Spiecker and Jan Steutel, I attempt a different solution to the Problem of Rational Moral Enlistment – one appealing to reflective equilibrium rather than to ethical foundationalism as Hand’s does. Whereas Hand hopes to ground rational moral enlistment in a single, self-evident foundational justification of some moral standards, I instead hope to facilitate rational moral enlistment through a rational procedure which starts with students’ existing moral commitments and attempts to revise or expand them through a certain kind of critical reflection. (shrink)

... the first book to examine all the central issues surrounding the vexed relationship between the film-image and philosophy. In it, John Mullarkey tackles the work of particular philosophers and theorists (Žižei, Deleuze, Cavell, Bordwell, Badiou, Branigan, Rancière, Frampton, and many others) as well as general philosophical positions (Analytical and Continental, Cognitivist and Culturalist, Pyschoanalytic and phenomenological). Moreover, he also offers an incisive analysis and explanation of several prominent forms of film theorizing, providing a metalogical account of their mutual (...) advantages and deficiencies that will prove immensely useful to anyone interested in the details of particular theories of film presently circulating, as well as correcting, revising, and re-visioning the field of film theory as a whole. Throughout, Mullarkey asks whether the reduction of film to text is unavoidable. In particular: must philosophy (and theory) always transform film into pre-texts for illustration? What would it take to imagine how film might itself theorise without reducing it to standard forms of thought and philosophy? Finally, and fundamentally, must we change our definition of philosophy and even of thought itself in order to accommodate the specificities that come with the claim that film can produce philosophical theory?"--Publisher's description, p. [4] of cover. (shrink)

This book engages with widespread current anxieties about the future of work and its place in a fulfilled human life.

In Faculty Misconduct in Collegiate Teaching, higher education researchers John Braxton and Alan Bayer address issues of impropriety and misconduct in the teaching role at the postsecondary level. Braxton and Bayer define and examine norms of teaching behavior: what they are, how they come to exist, and how transgressions are detected and addressed. Do faculty members across various collegiate settings, for example, share views about appropriate and inappropriate teaching behaviors, as they share expectations regarding actions related to research? And (...) what mechanisms are utilized to correct inappropriate behavior on the part of college and university teachers? The authors' work is based on survey results obtained from faculty members at research universities, liberal arts colleges, and two-year community, junior, and technical colleges. Braxton and Bayer's focus is on undergraduate teaching in four disciplines: biology, history, mathematics, and psychology. In their analyses, the authors examine how individual, disciplinary, and institutional differences influence professorial behavior. In contrast to the more explicitly understood and enforced rules of conduct in research, the authors find that teaching norms are informally defined and observed. They argue that a formal code of ethics for undergraduate teaching would serve the dual purpose of improving undergraduate education and elevating the status of college teaching. A groundbreaking study of contemporary academe, Faculty Misconduct in Collegiate Teaching is required reading for all university and college instructors and administrators. (shrink)

In The Antinomies of Realism Fredric Jameson positions realism as a discursive tension between two forms of temporality: on the one hand, the temporality of storytelling and the tale and, on the other, the temporality of affect. The outcome is a ‘scenic present which in reality, but secretly, abhors the other temporalities which constitute the force of the tale or récit in the first place’. This article considers the usefulness of Jameson's diagnosis of realism for discussions of cinema. (...) How are the temporalities that Jameson describes enacted in a medium much more directly invested in an experience of the present? The investigation of this question will occur in the context of a close engagement with two films in which the tension between storytelling and affect is evident at the level of the actors’ performances: John Cassavetes's A Woman under the Influence and Maurice Pialat's A nos amours. (shrink)

From the end of the Enlightenment to the middle of the twentieth century philosophy took fascinating and controversial paths whose relevance to contemporary post-modernist thought is becoming increasingly clear. This volume traces the English-language side of the period, while also taking into account those continental thinkers who deeply influenced twentieth-century English-language philosophy. The story begins with Reid, Coleridge, and Bentham - who set the agenda for much that followed - and continues with a portrait of the nineteenth century's greatest British (...) philosopher, John Stuart Mill. It then surveys the cross-currents of thought at the end of the century, including American pragmatism, a movement never more influential than now. Finally, it assesses two phases of what John Skorupski calls `analytic modernism' - the revolution against the idealism of Moore and Russell, and the Viennese sequel whose project was to show that philosophy consists of pseudo-problems. (shrink)

Nearly all writers on morality, including philosophers, have had something to sellóif only a partisan picture of what morality is. In this book the author sets out to examine and clarify the nature of morality from a strictly neutral standpoint and what kinds of virtues are required to do well in morality. As against those who associate morality primarily with action and will-power, he sees it more Platonically, as a matter of mental health and the ability to love. These notions (...) are explored with philosophical rigor and a proper regard for ordinary language, beginning with the meaning of "moral," considering the question of why we should care for others, and concluding with an account of the importance of love and personal relationships. (shrink)

Michel Foucault’s suggestion that this century would become known as “Deleuzian” was considered by Gilles Deleuze himself to be a joke “meant to make people who like us laugh, and make everyone else livid.” Whether serious or not, Foucault’s prediction has had enough of an impact to raise concern about the potential “deification” of this enormously influential French philosopher. Seeking to counter such tendencies toward hagiography—not unknown, particularly since Deleuze’s death—Ian Buchanan has assembled a collection of essays that constitute a (...) critical and focused engagement with Deleuze and his work. Originally published as a special issue of _South Atlantic Quarterly_, this volume includes essays from some of the most prominent American, Australian, British, and French scholars and translators of Deleuze’s writing. These essays, ranging from film, television, art, and literature to philosophy, psychoanalysis, geology, and cultural studies, reflect the broad interests of Deleuze himself. Providing both an introduction and critique of Deleuze, this volume will engage those readers interested in literary and cultural theory, philosophy, and the future of those areas of study in which Deleuze worked. _Contributors_. Ronald Bogue, Ian Buchanan, André Pierre Colombat, Tom Conley, Manuel DeLanda, Tessa Dwyer, Jerry Aline Flieger, Eugene Holland, Fredric Jameson, Jean-Clet Martin, John Mullarkey, D. N. Rodowick, Horst Ruthrof, Charles J. Stivale. (shrink)

In J. Zlatev, T. Racine, C. Sinha and E. Itkonen (Eds.) The Shared Mind: Perspectives on Intersubjectivity, Amsterdam/Philadelphia: John Benjamins, in press.

Causation can be understood as a computational process once we understand causation in informational terms. I argue that if we see processes as information channels, then causal processes are most readily interpreted as the transfer of information from one state to another. This directly implies that the later state is a computation from the earlier state, given causal laws, which can also be interpreted computationally. This approach unifies the ideas of causation and computation.

For the past thirty years, Hal Foster has pushed the boundaries of cultural criticism, establishing a vantage point from which the seemingly disparate agendas of artists, patrons, and critics have a telling coherence. In The Anti-Aesthetic, preeminent critics such as Jean Baudrillard, Rosalind Krauss, Fredric Jameson, and Edward Said consider the full range of postmodern cultural production, from the writing of John Cage, to Cindy Sherman's film stills, to Barbara Kruger's collages. With a redesigned cover and a new (...) afterword that situates the book in relation to contemporary criticism, The Anti-Aesthetic provides a strong introduction for newcomers and a point of reference for those already engaged in discussions of postmodern art, culture, and criticism. Includes a new afterword by Hal Foster and 12 black and white photographs. (shrink)

_The Social Thought of Ortega y Gasset_ is the third and final volume of John T. Graham's massive investigation of the thought of Ortega, the renowned twentieth-century Spanish essayist and philosopher. This volume concludes the synthetic trilogy on Ortega's thought as a whole, after previous studies of his philosophy of life and his theory of history. As the last thing on which he labored, Ortega's social theory completed what he called a "system of life" in three dimensions—a unity in (...) the plurality of philosophy, history, and sociology as three fundamental disciplines that enter into and overlap each other and other humanities. In this volume, Graham investigates Ortega's social thought as expressed in his central work, _Man and People,_ and in several pragmatic fields, interpreting it all in terms of comprehensive categories of postmodernism and interdisciplinarity. While others have studied Ortega's social thought and recently his postmodernity, no one has done so in the context of his thought as a whole or by such a variety of methods. The "unity in plurality" of Ortega's system is evident in the broad and varied structure of his sociology, which he intended to serve for postmodern times. His own postmodernism was rooted in Nietzsche but also in the pragmatism—from James, Peirce, and Dewey—that informs all parts of this trilogy. Ortega was the first educator with an interdisciplinary theory and practice—another aspect of the "unity in plurality" of his system. He found inspiration in both ancient and modern precedents for what he saw as a postmodern method of investigating themes and problems that are common to all the human sciences. Innovations at his Institute of Humanities were early postmodern precedents for a new interdisciplinary social method for use by specialists in a variety of fields. All of those interested in Ortega can utilize such methods to elucidate his thought as a whole as well as to pursue their own collaborative work. Home Complete Catalog Order Information Search. (shrink)

JOHN E. MURDOCH AND EDITH DUDLEY SYLLA INTRODUCTION Conferences and colloquia are held and their results often published, but very rarely is any account ...

Mi Gyung Kim (2008) has challenged the historiographical assumption that phlogiston was the paradigmatic concept in eighteenth century chemistry. Her analysis of the operational, theoretical, and philosophical identities of phlogiston demonstrates how Stahlian phlogiston was appropriated into the burgeoning field of affinity theory. However, this new French conception of phlogiston was destabilized by the introduction of Boerhaave's thermometrics. By extending this story through 1790, I will show that British pneumatic chemists integrated new understandings of heat with an affinity based operational (...) definition of phlogiston and thereby stabilized the concept. What resulted was a new and very different phlogiston. (shrink)

While sport has been practised since pre-historic times, it is a relatively new subject of systematic philosophical enquiry. Indeed, the philosophy of sport as an academic sub-field dates back only to the 1970s. Yet, in this short time, it has grown into a vibrant area of philosophical research that promises both to deepen our understanding of sport and to inform sports practice. Recent controversies at the elite and professional level have highlighted the ethical dimensions of sport in particular. Lance Armstrong’s (...) use of performance-enhancing drugs raised new issues in the ethics of cheating, middle-distance runner Caster Semenya has challenged prevailing rules around sex classification in sport, and Oscar Pistorius’s prosthesis has problematized the distinction between able-bodied and disabled sport. While philosophical analysis may help to achieve a deeper understanding of sport, such analysis may also illuminate problems of philosophy beyond sport, ranging from the nature of skill to the ethics of altruism. -/- This entry proceeds in three sections. Section 1 introduces the philosophy of sport with particular emphasis on the history of systematic philosophical thinking about sport. Section 2 examines the nature and value of sport, and it considers the main normative theories of sport developed in the literature. Section 3 addresses a cluster of topics that are central to the philosophy of sport, including: sportsmanship; cheating; performance enhancement; violent and dangerous sport; sex, gender, and race; fans and spectators; disability sport; and the aesthetics of sport. (shrink)

Analyzes the varied discourse on values and ethics. Addresses the need for self-scrutiny and explores leadership, the professoriate, and campus culture. Also examines academic integrity, freedom of speech, and the conflict between individual rights and the needs of the academic community.